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Offenhuber Dietmar, Hrsg. Waste Is Information - Infrastructure Legibility and GovernanceCambridge, MA ( Vereinigte Staaten von Amerika): the MIT Press, 2017( Buch) 270 S., 23,5x15,8 cm, ISBN/ISSN 978-0-262-03673-3 Techn. Angaben Hardcover mit Schutzumschlag ZusatzInformation The relationship between infrastructure governance and the ways we read and represent waste systems, examined through three waste tracking and participatory sensing projects.
Waste is material information. Landfills are detailed records of everyday consumption and behavior. much of what we know about the distant past we know from discarded objects unearthed by archaeologists and interpreted by historians. And yet the systems and infrastructures that process our waste often remain opaque. In this book, Dietmar Offenhuber examines waste from the perspective of information, considering emerging practices and technologies for making waste systems legible and how the resulting datasets and visualizations shape infrastructure governance. He does so by looking at three waste tracking and participatory sensing projects in Seattle, São Paulo, and Boston.
Text von der Webseite
Mit einem Beitrag über Paper Police von Jürgen O. Olbrich, Kassel. Namen Carlo Ratti (Vorwort) / Jürgen O. Olbrich /Sprache EnglischStichwort 2010er / Archiv / Infrastruktur / Müll / objects trouve / Objekte / Paper Police / Recycling / Sammulung / Tracking WEB http://www.artistbooks.de/suchen/einzeltitel.php?mediaid=25795 WEB https://mitpress.mit.edu/books/waste-information
TitelNummer 025847700 Einzeltitelanzeige (URI)
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Allen GwenArtists' Magazines - An Alternative Space for ArtCambridge, MA / London ( Vereinigte Staaten von Amerika / Großbritannien): the MIT Press, 2015( Buch) 368 S., 24,8x19 cm, ISBN/ISSN 9780262528412 Techn. Angaben Broschur ZusatzInformation Originalausgabe von 2011.
During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists’ Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists’ postage stamps, and collectible chapbooks, Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions, and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists’ Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Text von der Webseite
Erwähnt werden neben vorwiegend amerikanischen Magazinen auch europäische Magazine Namen 4 taxis / Art-Language / Arte Postale! / Aspen / Audio Arts / Ausgabe / Avalanche / AXE / Commonpress / Der Löwe / Doc (k)s / Dé-Coll/age / Ephemera / IAC Info / Interfunktionen / King Kong International / Kunststoff / Lotta Poetica / Neon de Suro / Nervenkritik / Nota / Omnibus News / Ou / Pages / Palazzo / Reaktion / Salon / Sondern / ZGSprache EnglischStichwort 1960er / 1970er / 1980er / Konzeptkunst / Künstlermagazin / Künstlerzeitschrift / Multimedia / TheorieWEB www.mitpress.mit.edu/books/artists-magazines
TitelNummer 023614657 Einzeltitelanzeige (URI)
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Brouws Jeff / Burton Wendy / Zschiegner Hermann, Hrsg. Various Small Books - Referencing Various Small Books by Ed RuschaCambridge, MA ( Vereinigte Staaten von Amerika): the MIT Press, 2013( Buch) 288 S., 23,6x15,8 cm, ISBN/ISSN 978-0-262-01877-7 Techn. Angaben Hardcover Leinen ZusatzInformation In the 1960s and 1970s, the artist Ed Ruscha created a series of small photo-conceptual artist’s books, among them Twentysix Gas Stations, Various Small Fires, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Real Estate Opportunities, and A Few Palm Trees. Featuring mundane subjects photographed prosaically, with idiosyncratically deadpan titles, these “small books” were sought after, collected, and loved by Ruscha’s fans and fellow artists. Over the past thirty years, close to 100 other small books that appropriated or paid homage to Ruscha’s have appeared throughout the world. This book collects ninety-one of these projects, showcasing the cover and sample layouts from each along with a description of the work. It also includes selections from Ruscha’s books and an appendix listing all known Ruscha book tributes.
Text von der Webseite Namen Ed RuschaStichwort 1960er / 1970er / Künstlerbuch
TitelNummer 010200344 Einzeltitelanzeige (URI)
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