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Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

marafioti-for-everard-1
marafioti-for-everard-1
marafioti-for-everard-1

Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

Titel
  • For Everard Vol. 1-11
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Zine / Sticker, Button
Techn. Angaben
  • [12-16] S., 20,6x13,5 cm, Auflage: 100, signiert, 12 Teile. Keine weiteren Angaben vorhanden
    11 Hefte, Schwarz-Wei-Laserkopien, Drahtheftung, Aufkleber
ZusatzInfos
  • About the series:
    The For Everard zine series chronicles the 1977 fire at New York's Everard Baths, combining archival research with imagined narratives to re-focus attention to obscured histories. The series explores the media coverage of the subsequent investigation of the fire, and the lives of the nine men who perished. The zines bring together photographic images with primary news sources, as well as personal anecdotes collected from eyewitness testimonials.
    About the individual zines:
    For Everard, Vol. 1, 2013, ed. 100 (nr. 65)
    This zine chronicles the May 25, 1977 fire at New York's Everard Baths and the media coverage of the subsequent investigation.
    For Everard, Vol. 2 (Bloodbrothers), 2013, ed. 100 (Nr. 81)
    In the second volume of his series chronicling the 1977 fire at New Yorks Everard Baths, Anthony Malone focuses on Bellevue Hospitals blood drive for the victims of the great bathhouse tragedy. Malone draws parallels between the 1977 restrictions placed on gay men for donating blood to their brothers and current FDA guidelines that indefinitely defer donations from men who have had sex with men since 1977. This black and white photocopied zine (ed 100) juxtaposes archival images, news clippings, and just a touch of fantasy.
    For Everard, Vol. 3 (Remembering Jimmy), 2015, ed. 100 (Nr. 94)
    Volume 3 of the series, For Everard is dedicated to the memory of Jimmy Stuard, who died in the tragic fire at the Everard Baths in 1977. Stuard was a rising star in the disco music scene. He spun records first at Bostons 1270 Club, and later at New Yorks 12 West, where he inspired an entire generation of musical artists and DJs. In this particular volume, Anthony Malone assembles images and archival texts that serve as a tribute to the great Jimmy Stuard.
    For Everard, Vol. 4 (A Lovely Show), 2016, ed. 100 (Nr. 62)
    For Everard, Vol. 4 (A Lovely Show) is a tribute to Kenneth Hill, one of the nine men who died in the devastating fire at the Everard Baths in 1977. Kenn played a vital role in the East Village/Lower East side countercultural movement in the late 60s and 1970s. He was a hippie, a bar tender at Phebes (a watering hole and salon for the experimental theater community in the 1970s), one of the founders of the Old Reliable Theatre Tavern, House Manager at La Mama Experimental Theatre Club, and a photographer. This zine celebrates Kenneth Hill by collaging archival documents with personal artifacts and pictures of Kenn from meaningful moments in his life.
    For Everard, Vol. 5 (A Dearly Loved Man), 2017, ed. 100 (Nr. 95)
    For Everard, Vol. 5 (A Dearly Loved Man) assembles images and stories from the life of Ira Landau, a gifted and dedicated teacher who died in the tragic fire at the Everard Baths in 1977. Ira left behind a devoted family (his mother, brother, niece, and lover) and is still greatly missed by his loved ones. This zine is a tribute to the life and accomplishments of a remarkable man who served in the Peace Corps and committed himself to educating young minds both abroad (in the Middle East) and at home in the US. It contains family photos and personal images generously contributed by Iras niece.
    For Everard, Vol. 6 (Yosefs Song), 2017, ed. 100 (Nr. 94)
    Volume 6 of the series For Everard celebrates the life of a remarkable musical prodigy, Yosef Synovec. This zine tells the story of a young man with great aspirations who emigrated to the United States from Czechoslovakia to study classical violin. In 1976, Holly Woodlawn overheard Synovec vocalizing as he was painting the bathroom of his East Village apartment, and determined on the spot that she had discovered an emerging star. As a singer, Synovec used his extreme vocal range to imitate the voice and persona of Peruvian diva Yma Sumac. He performed Sumacs exotic musical numbers at several New York City cabarets and show venues. Sadly, on May 25, 1977, Yosef perished in the tragic fire at the Everard Baths.
    For Everard, Vol. 7 (Tony from the Bronx), 2017, ed. 100 (Nr. 86)
    This zine brings together images and stories from the life of Tony Calarco, one of the nine men who died in the fire at the Everard Baths in 1977. Tony was only 26 when he died. He lived with his parents and siblings in a modest house in the Bronx. He had recently graduated from college and was working as a social worker in New York city at the time of his death. Tony had aspirations to become a lawyer and was scheduled to begin law school in September of 1977. This zine celebrates Tony Calarcos memory through photos of Tony, artifacts from his high school and college years, and recent photographs of his home and final resting place.
    For Everard, Vol. 8 (Looking for Amado), 2017, ed. 100 (Nr.84)
    Amado Alamo, a young man only 17 years old, lost his life in the fire at the Everard Baths in 1977. In Volume 8 of For Everard, Anthony Malone documents his search for the identity of the youngest victim of the Everard fire. The zine is an abstracted portrait of Alamo that assembles the few extant fragments of his story culled from newspaper articles and documentary sources glued together with the artists imagination.
    For Everard, Vol. 9 (Last Call), 2017, ed. 100 (Nr.72)
    Life was difficult for Hillman Wesley Adams. He was born in Jacksonville FL in 1938. His mother died just a few months after his birth, and by the age of nine, he found himself in an orphanage with his older brother. Fast forward 30 years: Hillman moved to NYC, struggled to make ends meet while working on and off as a bartender, and he met his lover, Ralph, with whom he shared a modest apartment in New Jersey. On May 25, 1977, Hillman died in the fire at the Everard Baths. Vol. 9 of For Everard is an assemblage of newspaper articles and vintage photos chronicling the life and untimely death of Hillman Wesley Adams.
    For Everard, Vol. 10 (In Memoriam: Patrick Nott), 2018, ed. 100 (Nr. 64)
    Volume 10 of For Everard memorializes the life of Patrick Nott, one of the nine men who died in the fire at the Everard Baths. Nott, a native of Wales with a passion for theater, literature, and music, pursued a successful career in hairdressing. He fell in love with his pen pal (a young woman from Brooklyn) and after their marriage, they moved to New York City, where Nott worked at the Vidal Sassoon Salon. This zine weaves together elements from his story (shared with the artist by Patrick Notts wife), with photographs, newspaper clippings, and artifacts. It acts as a humble tribute, an In Memoriam for this greatly loved man.
    For Everard, Vol. 11 (Thunderbird), 2019, ed. 100 (Nr. 79)
    Brian Duffy was an aspiring artist. In 1966 he was accepted to Pratt Institute of Art and although he declined admission to the school, he seized the opportunity to move to NYC and start a new life for himself. In the city, he worked hard at various retail jobs and tried to break into the theater, but everything changed when he met the love of his life, Bradley. The couple moved to a quieter life in Boston. They worked in restaurants in the Back Bay area and created a community for themselves amongst their chosen family of friends. Volume 11 of For Everard celebrates the brief life of Brian Duffy, a young man who died in the fire at the Everard Baths in 1977. This zine compiles photographs and stories shared with Malone by Brians sister and dear friend.
    The pseudonym "Anthony Malone" comes from a novel by Andrew Holleran (Dancer from the Dance). In this novel, Malone is the protagonist and at the end he disappears. Some of his friends believe that he may have committed suicide, others feel that he may have run away from New York, while some say that they saw him at the Everard Baths on the night of the fire. I imagine that Malone survived the fire and he is now making books and zines telling the story of the tragedy.
Sprache
Geschenk von Martin Marafioti
TitelNummer
027500763
Einzeltitel =



Verfasser
Titel
  • You're my type - Programmbuch 2018
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 20,5x13,5 cm, Keine weiteren Angaben vorhanden
    4 Bnde in Schuber. Schuber geprgt in Gold und Schwarz, Rckseite mit Umkehr der Farben. einzelne Cover mit Reliefprgung, geometrische Formen, Farbschnitt schwarz. Einzelne Bnde in Schweizer Broschur (Umschlag nur auf Rckseite angeklebt, Rcken mit Gewebestreifen eingefasst). Bd. 1 130 S., letzte Seite mit Kalender als Fold-Out. Bd. 2 160 S., Bd. 3 96 S., Bd. 4 Blindband, (Notizbuch), 72 S.
ZusatzInfos
  • The Typographic Society Munich is the largest organisation in Europe for typographers and people who are interested in typography and design. Since being founded in 1874 the designers club establishes a foundation for sophisticated and interdisciplinary thinking and dialogues among content and form, text and photo, tradition and innovation, design and technology. The tgm represents quality and education for the branch of communication and offers a huge accompanying training program. As Chairwoman of the club I curated several lectures in the last years, inviting design and typography celebrities.Throughout the years designers like Stefan Sagmeister, Mirko Borsche, Eike Knig, Mario Lombardo, Sascha Lobe, Fons Hickmann, Amir Kassaei or Kurt Weidemann to name a view, followed these invitations and appreciated the warm welcome of our community.
    To show the wide range of offerings we traditionally create a yearbook. More over I tried to give the content based complexity of our proposal a clear and neat arrangement. Therefore the new release is a compilation of four different books, which should invite the reader to inform themselves, to browse, to experience and to participate. The first one exposes all the topics, facts and dates for the further education programs. Part two presents all the people and their stories who are involved in the club, who are on stage and behind the scenes. The third book is a journey into the past and also the future of tgms conferences, excursions and other specials. And finally there is room for the readers own ideas, experiences and criticism as a foundation for a future dialogue with tgm.
    Every offer under the roof of tgm is a result of solidarity. It is a result of people and companies who are united by the common interest in typographic quality. This project has only been possible with the support of Ksel Druck GmbH & Co Kg, Geese Paper, mycolorserver and the collaboration with Boah Kim.
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
026526709
Einzeltitel =



Verfasser
Titel
  • Selected works from 1990's
Ort LandGenf (Schweiz)
Verlag Jahr
Medium Zine
Techn. Angaben
  • [32] S., 19x13 cm, Auflage: 500, Keine weiteren Angaben vorhanden
    Drahtheftung, Schwarz-Weiss Offsetdruck
ZusatzInfos
  • The William Crawford Estate is owned and represented by Ampersand Gallery. William Crawford's drawings were discovered in an abandoned house in Oakland, California. His work brings to mind characteristics of prison drawings, an impression confirmed by the fact that several were made on the backs of prison roster sheets dated 1997. These printouts, however, were cut down the middle, so the exact prison from which they originate is unknown. But given their origin in the Bay Area and the fact that several drawings include San Francisco landmarks, it's possible that Crawford made the work in a California state prison. Other than this information drawn from the archive itself, nothing is known about Crawford's life. Indeed, we only know his name because he signed just a few of the drawings, either as Bill, William or WM Crawford. The archive appears to have consisted of several books, with individual drawings in sequences of 30 or more adding up to tell complex visual stories. Several include written captions or fragments of conversation between male and female characters. These sequences, however, have been broken up over the years and reach us now in a fragmentary and fascinating collection of hundreds of delicate pencil drawings. The work conveys the intense sense of sexual longing of a man with an urge to tell dynamic stories. The drawings, which resemble the eroticism of Eric Stanton, the exaggerated male anatomy of Tom of Finland or the ample breasts of a John Currin, show scantily dressed women, drug use, cuckolding and orgies. The details of his interiors, the hairdos and style of dress suggest that Crawford might have come of age in the late 70s or early 80s. A cast of recurring figures populate the drawings, notably one man with a short afro and a moustache who often figures at the center of events, presumably the artist William Crawford himself. Remarkably, given the number of drawings, there is little to no repetition in the work. Crawfords inventive eye for sexual positions, facial expressions and gestures of hand and body was vast and masterful. Simple geometric details and architectural subtleties define the unusual settings where the action unfolds. We see rooms shown from unusual angles, features that are hinted at, erased or altogether omitted and articles of clothing that are drawn with obsessive precision. This singular and original drawing style compels us to immerse ourselves in the world William Crawford created, more dream than documentation, more fantasy than perversion. Crawford's drawings have been widely exhibited, notably at Galerie Susanne Zander (Cologne and Berlin), Zieher, Smith and Horton (New York), Freddy (Baltimore) and upcoming solo exhibitions at FARAGO (Los Angeles) and Richardson (New York). His work is also featured in the latest issue of Richardson Magazine and was included in "System and Vision" at David Zwirner, an exhibition organized in collaboration with Delmes & Zander. Reviewing it, The New Yorker wrote, "William Crawford's orgiastic illustrations on the backs of prison rosters haven an erotic intensity that rivals anything by Hans Bellmer or Pierre Klossowski."
    Text von der Webseite
Stichwort
TitelNummer
026690755
Einzeltitel =



Verfasser
Titel
  • MONO.KULTUR #40 Edmund de Waal - W is for White
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin / Heft
Techn. Angaben
  • 44 S., 20x15 cm, , ISBN/ISSN 18617085
    Drahtheftung, auf verschiedenem Papier gedruckt
ZusatzInfos
  • Edmund de Waal is a potter. His pots, plates, and vessels are the result of craft and mastership, but they are also so much more than that: they are experiments in form and function, abstractions of thoughts on silence and space, on repetition and failure, on substance and fragility, on memory contained. Edmund de Waal is an artist. He arranges his objects in complex choreographies that are as mysterious as they are mesmerizing. Displayed in galleries and institutions worldwide, his considered installations play with architectural concerns, integrating ideas of space, light and obscurity. Edmund de Waal is a writer. Whether he sculpts with words or with clay, what Edmund de Waal works with are concepts, ideas, and desires. In a body of work that is at odds with our times and yet oddly successful, his writings and objects overlap and integrate each other in an attempt to understand and transcend our complex relationship with objects and our surroundings. In an interview with mono.kultur structured like an A-Z of notes and ideas, Edmund de Waal talked about his rules of attachment, the impossibility of repetition, and why doubt is the most beautiful word. Visually, the issue takes inspiration from that most perfect of materials: porcelain. Printed entirely in double-sided splendour, the two finishings of the paper shiny gloss and smooth matt evoke the texture of ceramics before and after glazing.
    Text von der Website.
Beteil. Personen
Sprache
TitelNummer
026628737
Einzeltitel =



Verfasser
Titel
  • Techno-somatics and physical experience - Memory on the Internet - Our ears open a whole world to us: about the experiment to program an exhibition on a vinyl record
Ort LandHamburg (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 12 unpag. S., 29,5x21 cm, Keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Curated by Weekly is a digital art project. It aims to raise questions regarding online formats, web-based distribution and the acceleration of digital platforms in contemporary art. The project is made up of a website and a magazine, which will be released in irregular intervals. The latter will include essays and interventions about digital exhibition formats, the experiences of digital curation and the questions about media and matter in the post-analogue space. Every week, an artwork will be curated and published on the website. In cooperation with different individuals, institutions and independent projects from the art field, artistic positions and works will be displayed. They can function as pieces of art in the digital sphere as well as be critical about it, or to contrast itself with the functions of the web. The projects pace and composition orientates itself around the relevant visual environment of the present day.
    The format of the website is consciously purely visual, while complementary content will be published in the magazine. This content will consist of essays and contributions around certain questions. For example: How new formats will be established in contemporary art, which technological tools are required or how curation is practiced in a digital space. What should particularly be highlighted is determining which artistic media, surfaces and materialities provide an adequate digital environment.
    'Curated by Weekly' aims for an experimental format, which uses the speed and the possibilities of the digital space, but instead of reproductions and documentations we want to show artistic work itself, to address availability in the digital space and to use catchy visual surfaces. At the same time, the discourse and the self-reflection of the format is discussed in the appearing magazines/readers online and offline.
    Text von der Webseite
Beteil. Personen
Sprache
Geschenk von Xenia Fumbarev
TitelNummer
024057658
Einzeltitel =



Verfasser
Titel
  • Legible Visible - Between the Film Frame and the Page
Ort LandBarcelona (Spanien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 92 S., 24x18 cm, , ISBN/ISSN 9788494423437
    Broschur
ZusatzInfos
  • Katalog erschienen zur Ausstellung in Arts Santa Mnica, Barcelona, 06.04.-28.05.2017
    Legible-Visible. Between the Film Frame and the Page explores the relationship between print publications and audio-visual documents, two of the most important media underpinning the social and cultural landscape of our time which also define the evolution of contemporary art in the 20th and 21st centuries.
    The emergence of relatively inexpensive home video technologies in the 1970s brought with it an alternative model for the creation and diffusion of artist publications, and a prolific period of exploration, reflected in the work of Baldessari, Gilbert & George, Boltanski, Carrin, Rucha and Rosler, among others. The popularization of digital media at the beginning of the 21st century sparked a revolution in the systems of production of both audio-visuals and books, exemplified by a new generation of artists, such as McGeorge, Kentridge, Cine Quieto or Van Leijsen.
    Mela Dvila proposes a theoretical and historical framework for works that the market long dismissed as secondary on account of their serial nature. This characteristic, together with the particular space of experience they generate, and the linearity and temporality common to both media, have opened up a range of new narrative (or anti-narrative) possibilities which have enabled artists to redefine contemporary art.
    Starting from a detailed study of 24 double works, Maite Muoz looks at how different artists have taken advantage of the permeability between publications and audio-visuals, in which ideas and strategies of narration and editing intrinsic to both mutually infect and enrich one another through the play of opposition, complementarity and dialectics.
    Text von der Webseite
Sprache
Geschenk von Mela Davila
TitelNummer
025751715
Einzeltitel =



Verfasser
Titel
  • photo text text photo - The Synthesis of Photography and Text in Contemporary Art
Ort LandBozen / Kilchberg / Frankfurt am Main (Italien / Deutschland / Schweiz) Medium Buch
Techn. Angaben
  • 144 S., 23,5x22 cm, , ISBN/ISSN 3908162483
    Grauer Leineneinband mit Schutzumschlag.
ZusatzInfos
  • Katalog zur Ausstellung im Museion, Museum fr Moderne Kunst Bozen, 13.09.-17.11.1996, Frankfurter Kunstverein, 21.01.-03.03.1997."Purely visual perception and viewing of pictures is impossible. We always encounter pictorial images - as in this book description itself - in contexts. It is to this complex of interrelationships between text and photography and the aesthetic potential it holds that the book photo text text photo is dedicated. Based upon a representative selection of important examples of this work across media boundaries from recent photographic history since 1967, the theme of the fertile tension between words and images is explored in images (more than 100 works by 32 different artists) and words (texts by Andreas Hapkemeyer and Peter Weiermair). This revealing look at the art of combining text and photography begins with the milestone works of Conceptual Artists such Joseph Kosuth, Robert Barry, Douglas Huebler, On Kawara, John Baldessari and Hamish Fulton. Alongside other early examples from Italy - Maurizio Nannucci, Giulio Paolini, and Vincenzo Agnetti - the book also features representatives of utopian and critical approaches to social issues, including Josef Beuys and Klaus Staeck. The 1970s and 1980s are represented by the artists Ketty La Rocca, Jochen Gerz, Karen Knorr and Urs Luthi. More recent and current positions are evident in the works of Louise Lawler, Jenny Holzer, Barbara Kruger, Ken Lum, Heiner Blum, Laura Padgett and Marie-Jo Lafontaine. The publication photo text photo provides a long-awaited inventory of the most recent developments in the aesthetic exploration of the relationships between text and images in contemporary art."
    Text vom Schutzumschlag
Sprache
TitelNummer
027030759
Einzeltitel =



bau-2
bau-2
bau-2

Baroni Vittore / Bove Antonio / Maffei Marco / Serafini Antonella, Hrsg.: BAU 2 - Contenitore di Cultura Contemporanea, 2006

Titel
  • BAU 2 - Contenitore di Cultura Contemporanea
Ort LandViareggio (Italien) Medium Zeitschrift, Magazin
Techn. Angaben
  • 31,5x22,5 cm, Auflage: 150, signiert, Keine weiteren Angaben vorhanden
    Box aus braunem Stlpdeckel Karton, Siebdruck, eingelegt 16-seitiges redaktionelles Schwarz-Weiss Heft, 55 Arbeiten von 65 Knstlern. Diverse Techniken auf Papier, dnnem Karton, Folie, Metall, plus 6 Multimedia Discs. Cover und Layout: Carlo Battisti. Zollinhaltserklrung beigelegt
ZusatzInfos
  • BAU was founded in 2004 in Viareggio, on the coast of Tuscany, by a group of artists and individuals interested in the many-sided aspects of the culture of our times. Thanks to a widespread and constantly expanding network of contacts, every year the project takes the shape of an expressly designed UniA4 sized box: BAU container of contemporary culture. This non-profit box is produced in a limited edition of 150 copies (120 for issue 1 and 200 for issues 9-10) and contains original works, signed and numbered, from a large number of international contributors.
    The BAU container fits in the vast tradition of assembling publications and artists magazines that developed since the early sixties. It intends to experiment with new languages, technologies and materials, operating in a peculiar dimension of group work that is open also to contributions from non-artists: outsiders, travellers, collectors of curiosities, creative gastronomers, anomalous scientists.
    In a relational and non competitive perspective that is responsive to the relationships between art and science, politics and environment, BAU acts as a meeting point in order to stimulate dialogues, interactions and exchanges among the most diverse disciplines: graphics, collage, photography and the visual arts in general, but also poetical and narrative researches, acoustic and performative experiences, documents pertaining the fields of fashion and design, etc. The operative network expresses itself also through the planning of exhibitions, meetings, festivals and events, organized in institutional spaces (libraries, galleries, museums) and in atypic locations.
    Text von der Webseite
Sprache
TitelNummer
028296803
Einzeltitel =



Titel
  • Paper News #11 - August, September, Oktober 2018
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 4 S., 29,7x21 cm, Keine weiteren Angaben vorhanden
    Ein Blatt, gefaltet
ZusatzInfos
  • The independent publisher's quarterly by Drucken Heften Laden. Drucken Heften Laden discusses and analyses the conditions and possibilities for independent publishing in the context of art and city (politics). Drucken Heften Laden derives from an eponymous exhibition, workshop and series of events at neue Gesellschaft fr bildende Kunst (nGbK) in Berlin which took place in January 2015. Since then a small group of Berlin-based producers and publishers gathers regularly: We share experiences and resources, and build a discourse around production methods and values as well as the distribution of books and booklets.Publishing is always set in distinct time and space. Todays diversity of media fosters hybrid formats between the analogue and the digital. We are interested to negotiate and sharpen our idea of what independent and self publishing means today.Drucken Heften Laden filters and disseminates information, and creates a public platform for exchange and discussion, accessible to everyone interested in such practice.
    Text von der Website.
Beteil. Personen
Sprache
Geschenk von Albert Coers
TitelNummer
026311728
Einzeltitel =



Verfasser
Titel
  • Position(s)
Ort LandParis / Berlin (Frankreich / Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • [124] S., 18x13,5 cm, , ISBN/ISSN 9782954197401
    Broschur, Buchrcken aufklappbar, gefaltetes Plakat in eingeklebter Papierhlle, Posterformat 85,4x64cm, in Schutzhlle mit Aufkleber
ZusatzInfos
  • A journal written at the third person that seeks to depict Antoine dAgatas quest the inexorable course from void to void.A literary and photographic experiment where words, sometimes descriptive, sometimes poetic, intersect with images in a narrative continuity. An example of the photographers existential choice and form of resistance which leads toward the subjects disappearance and the egos negation within the neutral spectrum of the image while insisting on an intimate involvement with its matter and a perfect superposition of art and life. The pictures have been treated and reduced to the simple black and white contrast, following the main axis of this editorial project: shaplessness and the sense of fading-out. This flattening to a drawing effect releases the image as a shadow, a border between a recognizable sign and a blurry, ambiguous one, so that the photograph is both trace and other. The book, whose main language is English, also foresees a separate and folded poster, including texts in French on one side and, for the first time, in Italian on the other printed on a background colour image. The two languages allow to include texts in their original version, but allude as well to the artists double origins. In line with the book, the poster also reflects dAgatas search direction towards the interlacing of word and image and it finally refers to the idea of a topographic description of passions. Member of the Magnum agency, Antoine dAgata (1961) is one of the most influential photographers of his generation. He lives in both Paris and Marseilles and he works around the world. He is represented by the gallery Les Filles du Calvaire, Paris.
    Text von der Webseite.
Stichwort
Geschenk von Giuliana Prucca
TitelNummer
026565729
Einzeltitel =



Verfasser
Titel
  • MONO.KULTUR #37 James Nachtwey - Shades of Time
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin / Heft
Techn. Angaben
  • 52 S., 20x15 cm, , ISBN/ISSN 18617085
    Zwei Hefte, Drahtheftung, ineinander gelegt
ZusatzInfos
  • Inspired by the press images from the Vietnam War that told a very different story to the official government statements, James Nachtwey found his calling that he would pursue with determination and compassion that are admirable: to document the effects of war, terror and disease. In the hope of raising awareness and inspiring intervention and change, his photographs are neither easy to look at nor easy to forget. Having witnessed and reported on the defining conflicts and tragedies of the past three decades from the revolutions of South America and Eastern Europe to the famines in Africa, from 9/11 to the wars in Iraq and Afghanistan Nachtweys photographs focus on the costs of war: the suffering of civilians, the damage and the scars. There is no doubt that Nachtweys images are a challenge to the powers that be by proposing an unflinching look at the reality on the ground, at the effects of politics on human lives, but also to us as their audience, by questioning our implication and, quite simply, by opening our eyes to the world. In a rare and frank interview with mono.kultur, James Nachtwey talked about his struggles with photography, the different realities of war, and why images have the power to create change. Graphically, the issue is at its most reduced, giving ample space to let the words and images unfold: coming in two separate booklets, it presents a personal and uncommented selection of James Nachtweys work in one, and a highly intriguing and challenging conversation in the other.
    Text von der Website.
Beteil. Personen
Sprache
TitelNummer
026626737
Einzeltitel =



Verfasser
Titel
  • Scenes from Zagreb: Artists' Publications of the New Art Practice
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 40 S., 29,7x21 cm, Keine weiteren Angaben vorhanden
    Farbkopien nach PDF, lose ineinander gelegt
ZusatzInfos
  • The New Art Practice was a term created for a generation of artists in the former Yugoslavia active in the late 1960s and throughout the 1970s. These artists shifted their practice to spaces outside the traditional studio, onto city streets, into artist-run spaces, and in multimedia performances and experimental publications. Focusing on artists working in the city of Zagreb, this exhibition documents aspects of this shift and highlights the ability of artists' publications to record these often ephemeral gestures and ideas. While artists such as Goran Trbuljak, Braco Dimitrijević,, Sanja Iveković,, Mladen Stilinović,, and Vlado Martek, among others, worked in a variety of mediums, they shared a common impulse to produce publications. These artists questioned and played with ideas about the place of an artist within this particular political and socioeconomic context. Their work often involved public participation and blurred traditional notions of authorship through collective activities, chance operations, and the appropriation of language and imagery from the state and commercial media. The materials in this installation resonate with other contemporaneous scenes in Eastern and Central Europe and with broader international trends, while also providing an insight into very local networks of experimental artists and writers in Zagreb. All materials are drawn from the collection of the Museum of Modern Art Library.
    Text von der Webseite
TitelNummer
009240221
Einzeltitel =



Verfasser
Titel
  • Sutere Soven Musicfestival
Ort LandDannenberg (Deutschland)
Verlag Jahr
Medium PostKarte
Techn. Angaben
  • [2] S., 21x14,8 cm, Keine weiteren Angaben vorhanden
    Postkarte
ZusatzInfos
  • 17.-19.08.2018.
    Suture means sewing. This is the idea we will be following on each and every level of our festival. Suture Soven Music Festival emerged out of the wish and the need to bring musicians and their audience together in a way that enhances deep listening and watching musical appearances that provide the potential for creating something new in a cheerful and caring atmosphere. We will watch and hear the beautifully radical positions and ideas of international musicians. In terms of musical style, we are situated at the intersection of jazz, free improvised music, classical modernism and new music.
    The first Suture Soven Music Festival will take place in an old farm house in the countryside. the concerts will be held in the barn and in the attic of an old stable. By locating the genre defying music in the beautiful countryside of Lower Saxony (Wendland) we invite local people from the area as well as from the cities to make the connection between different worlds and points of views for three days in Suture Soven. We are striving to shape the surrounding area of the festival and make it as sustainable as possible, while working with local farmers and craftsmen. We offer a space and time that taps on an urge to create a sensual narrative. The music we listen to, the words we hear and speak, the food and drink we are provided with, in a setting that will be home to us for three summer days offer us the possibility of making sense.
Sprache
Geschenk von Michael Mnnich
TitelNummer
025908801
Einzeltitel =



Ciani Piermario, Hrsg.: When the Saints - il lato spirituale di FUN, 2005

fun2
fun2
fun2

Ciani Piermario, Hrsg.: When the Saints - il lato spirituale di FUN, 2005

Verfasser
Titel
  • When the Saints - il lato spirituale di FUN
Ort LandBertiolo (Italien)
Verlag Jahr
Medium Sammeltuete, Schachtel, Kassette
Techn. Angaben
  • 10,8x7,3 cm, Keine weiteren Angaben vorhanden
    weisse Faltschachtel, golden bedruckt, darin ein einfarbig violett gedrucktes 16 seitiges Booklet (drahtgeheftet) und 36 beidseitig farbig bedruckte Karten 10,5x7
ZusatzInfos
  • a colour box set with 36 alternative saints of the FUNtastic Nations by international authors (Giacon, Ruijters, Zattera, Chiarotto, Staffa, King, Echaurren, Biancuzzi, etc.) plus 16 pp booklet.
    F.U.N. (Funtastic United Nations) is an independent and supranational organization that intends to stimulate a cooperation amongst all kinds of imaginary countries and worlds, coordinating meetings, publications, exhibitions and events. We offer our skills and resources to create a bridge between creative and funtastic geographical entities, representing numberless and mutable virtual countries, multiethnical and transgender, where the passports, postage stamps and banknotes are real but not the wars.
    F.U.N.s vocation to interact in an horizontal networking attitude with local and distant, real and imaginary situations, to create unexpected interferences between art and daily life, is a strategy aimed at preserving the biodiversity of cultures and encouraging an eco-friendly, free and open participation to the creative experience. F.U.N. is the logic evolution of over twenty years of networking activities in the fields of mail art, of independent music (The Great Complotto, Le Forbici di Manit), of collective multimedia projects (Trax), of multiple names (Lieutenant Murnau, Mind Invaders, Luther Blissett), of imaginary worlds and characters (Stickerman-Stickerland) and of counter-cultural documentation (various fanzines, AAA Editions).
    Text von der Webseite
Sprache
Geschenk von Vittore Baroni
TitelNummer
028275799
Einzeltitel =



Verfasser
Titel
  • Krytyka Polityczna Athens
Ort LandAthen (Griechenland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 272 S., 23,5x16,5 cm, signiert, , ISBN/ISSN 16440919
    Broschur, mit Widmung, gefaltetes Blatt eingelegt, Cover manuel bearbeitet, mit Glitzer
ZusatzInfos
  • Dear Reader,
    In your hands is the Athenian issue of Krytyka Polityzcna. The Warsaw-based journal unites polymorphous freedom struggles in geographic Europe. This book is an anarchist, anti-capitalist, anti-fascist artwork. A hypothesis, and yet one that continues to be written actively on the ground. It clashes migration and education of the status quo, the effect and the cause of current violence.
    The publication documents an initiative, Universitas*, and accompanies the forthcoming Symposion, The School of Everything.
    This book contains the contributions of people who have recently moved to Athens from the Middle East, of Athenians who have lived here a long time, as well as of those who are based in Berlin but frequently visit Athens. brought together, they form a de-elitized and de-colonized remix of knowledge.
    The chapters in this book are intertwined and in each part the reader will find contributions relevant to the whole. The authors are all united by their portrayal in anti-phrenological drawings.
    In Athens, despite the invention of the State, streams of interlapping cultural influences never stopped pulsating. Such an experience of fluid identity demonstrates that citizenship is an outdated concept of class separation and nationalism. The devastating contradiction: human rights are only valid in the economically privileged zones. The failure to collaborate with the revolution in Syria dispels the last illusions of an occidental civilization and unveils the truth: we all live in the absolute financial dictatorship.
    This publication includes several essays and statements on education. These are written by thinkers, philosophers, activists, and artists who are affiliated with the Avtonomi Akadimia, a disobedient grassroots university in Athens which claims education as a form of art. These texts, poems, manifestos and sketches of educational models are published in lieu of the abstracts for an upcoming Symposion entitled: The School of Everything.
    We build an educational system which consists of indignant initiatives for sharing knowledge, and of proposals by thinkers who see education as key. We shift from learning to sharing. We decriminalize sharing because we would like to enjoy the pleasure of giving. We liberate ourselves from the strictures of Homo Sapiens, a construct imposed upon life.
    We will transform the educational system of Europe.
    The clash of migration and education will release a Promethean fire.
    Text von der Webseite
    In collaboration with aneducation and the Public Programs of documenta 14
Sprache
TitelNummer
024389676
Einzeltitel =



Baroni Vittore / Rossi Manit, Hrsg.: Tinnitus Tales - le Forbici di Manit and Friends (SD010), 2016

tinitus-tales
tinitus-tales
tinitus-tales

Baroni Vittore / Rossi Manit, Hrsg.: Tinnitus Tales - le Forbici di Manit and Friends (SD010), 2016

Verfasser
Titel
  • Tinnitus Tales - le Forbici di Manit and Friends (SD010)
Ort LandReggio Emilia (Italien)
Verlag Jahr
Medium CD, DVD
Techn. Angaben
  • 27x28,5 cm, Keine weiteren Angaben vorhanden
    Plattenhlle, gestanzt mit 3 einklappbaren Teilen, beiliegend gestanzte Pappschlaufe mit handbeschrifteter DVD, Infoblatt zur Edition
ZusatzInfos
  • What do Martin Luther and Pete Townshend, Ozzie Osbourne and Oscar Wilde, Ludwig Van Beethoven and Star Treks Dr. Spock have in common? They all painfully suffered from tinnitus, a permanent hiss heard in one or both ears. The condition affects a large percentage of the world population (5-10%) and represents a real occupational illness for musicians and rock fans. On the subject, surprisingly, an inexplicable silence is observed by the music press and industry. At the current state of medical research, there is no effective cure for chronic tinnitus and the unpleasant humming can only get worse if you do not protect the ears properly.
    In the works for nearly five years, the triple concept album Tinnitus Tales (a 10" vinyl record and two CDs) conceived by Le Forbici di Manit (i.e. Manit Rossi and Vittore Baroni, the second long suffering from tinnitus) with the collaboration of over fifty guest musicians, bands and international visual artists, breaks the veil of silence with a series of songs that address the topic blending humor and empathy. The songs are inspired by well-known cases of people suffering from tinnitus, such as Andy Partridge of XTC or Bono and The Edge of U2. To make this "educational audio project" a more collective effort, several old and new friends - many of them with tinnitus problems - were invited to record their own versions of the songs by Le Forbici di Manit or to contribute original compositions on the subject (included in the CD 1 Songs).
    Text von der Webseite
Sprache
Geschenk von Vittore Baroni
TitelNummer
025861723
Einzeltitel =



Verfasser
Titel
  • MONO.KULTUR #39 Terre Thaemlitz - The Arrogance of Optimism
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin / Heft
Techn. Angaben
  • 48 S., 20x15 cm, , ISBN/ISSN 18617085
    Drahtheftung, auf verschiedenem Papier gedruckt, von rechts nach links zu lesen
ZusatzInfos
  • Politics and the dance floor make for uneasy bedfellows, and it is this uneasiness that drives most of the work of Terre Thaemlitz, confronting head-on issues that are usually off limits in electronic music. Thaemlitz is a producer and DJ, also known under their monikers of DJ Sprinkles, Social Material, and K-S.H.E, among others. But they are also a writer, educator and activist of sorts, with very fluid notions of gender, switching continuously between male and female drag. Born in 1968, Terre Thaemlitz left the rigidly conservative and violently homophobic environment of their home state, Missouri, in the mid-1980s for New York. They became involved in the queer and transgender scenes both socially and musically at a time when house music was not a genre but simply the wide open sound of a specific social and political space. As New Yorks underground queer music scenes dissolved under gentrification, Thaemlitz eventually relocated to Tokyo at the beginning of the 00s. In a challenging interview with mono.kultur, Terre Thaemlitz talked about the politics of sexuality, his disillusion with the music industry, and why roller disco was so amazing. Visually, the issue is a dark affair, steeped in a dirty, gritty black. Printed on no less than six different paper stocks and juxtaposing several grids and graphic systems, it creates its own visual logic only to disturb our most fundamental habits of reading and navigating a magazine by opening backwards, from right to left.
    Text von der Website.
Sprache
TitelNummer
026627737
Einzeltitel =



was-ist-backworks
was-ist-backworks
was-ist-backworks

Moore Barbara / Hendricks Jon, Hrsg.: was ist Backworks?, 1976

Verfasser
Titel
  • was ist Backworks?
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Lieferverzeichnis
Techn. Angaben
  • [32] S., 27x21,2 cm, Keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Lieferverzeichnis des Backworks Buchladen 1976. Documents and Relics of Experimental Art 1952-1970. Table of contents: Fluxus and related objects and documents, Reuben Gallery, other performances and events (Musik, Dance, Happenings).
    Co-owners Moore and Hendricks established Backworks in SoHo in 1976, based on their mutual curatorial interest in the objects and events of the downtown art and performance scenes, particularly by artists associated with the Rueben Gallery, Judson Memorial Church, Happenings and Fluxus, with which they were both connected as collaborators and curators. Moore and Hendricks, each of who has written extensively about figures such as George Maciunas, Yoko Ono, Allan Kaprow and Ben Vautier, among others, have been instrumental in the development of major collections, including the Gilbert and Lila Silverman Fluxus Collection at MoMA, and the Barbara and Peter Moore Fluxus Collection at Harvard. Backworks closed in 1983.
    Text von der Website.
Sprache
TitelNummer
026139735
Einzeltitel =



Titel
  • Artist Music Journals Vol. 1 No. 9 - Seripop
Ort LandBrooklyn, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 24 unpag. S., 26,5x26,5 cm, Auflage: 1.000, Keine weiteren Angaben vorhanden
    Drahtheftung, Heft in Pappschuber mit Aufkleber
ZusatzInfos
  • Edition 09 in the ongoing Artist Music Journals series features the work of the Montreal based artists and musicians Chloe Lum and Yannick Desranleau, known as Seripop. Known for their original illustration and design work, as well as their longstanding tenure as founders and members of the musical outfit Aids Wolf, Seripop have a broad following around the globe. For their AMJ, Seripop compiled years of original gig poster work, the first collection of its kind for the studio, which has made thousands of prints over the years.
    About Seripop: Yannick Desranleau and Chloe Lum are visual artists and musicians who started collaborating in 2002 under the nom de guerre Seripop. Based in Montreal, Seripop has earned international attention for its stylistically distinct, silkscreened street posters. In 2005, Lum and Desranleau began experimenting with sculptural print installations which merge notions of city politics and visual perception. The duo has been speaking and exhibiting their work at various art institutions including Baltic Centre for Contemporary Art in Gateshead, England, Peacock Visual Arts in Aberdeen, Scotland, and the University of North Texas, Denton, USA. In addition to Seripop, Lum and Desranleau play in AIDS Wolf, a noise-rock band and Hamborghinni, a drums and electronics project.
    Text von der Webseite
TitelNummer
010678375
Einzeltitel =



Verfasser
Titel
  • Waste Is Information - Infrastructure Legibility and Governance
Ort LandCambridge, MA (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 270 S., 23,5x15,8 cm, , ISBN/ISSN 9780262036733
    Hardcover mit Schutzumschlag
ZusatzInfos
  • The relationship between infrastructure governance and the ways we read and represent waste systems, examined through three waste tracking and participatory sensing projects.
    Waste is material information. Landfills are detailed records of everyday consumption and behavior. much of what we know about the distant past we know from discarded objects unearthed by archaeologists and interpreted by historians. And yet the systems and infrastructures that process our waste often remain opaque. In this book, Dietmar Offenhuber examines waste from the perspective of information, considering emerging practices and technologies for making waste systems legible and how the resulting datasets and visualizations shape infrastructure governance. He does so by looking at three waste tracking and participatory sensing projects in Seattle, So Paulo, and Boston.
    Text von der Webseite
    Mit einem Beitrag ber Paper Police von Jrgen O. Olbrich, Kassel.
Beteil. Personen
Sprache
TitelNummer
025847700
Einzeltitel =



mccarthy-how-to-start-a-revolution-book
mccarthy-how-to-start-a-revolution-book
mccarthy-how-to-start-a-revolution-book

McCarthy Anna: How to Start A Revolution The Musical, 2018

Verfasser
Titel
  • How to Start A Revolution The Musical
Ort LandMnchen / Zrich (Deutschland / Schweiz)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [300] S., 28,5x21,3 cm, Auflage: 100, signiert, Keine weiteren Angaben vorhanden
    Hardcover mit Schnrsenkel verschlossen, Digitaldruck, 11 eingelegte Risodrucke, gedruckt bei Extrapool/Nijmegen, mit handschriftlicher Widmung
ZusatzInfos
  • So what was it like before everything went hell-bent batshit crazy? Enter Prof. Dr. of Pseudology, Anna McCarthy, with her HOW TO START A REVOLUTION book and its endless footnotes and twists and turns. She explains to us the chronology of politics and personal occurrences through this haze of a microcosm.
    HOW TO START A REVOLUTION is a multi-layered work that deals with clichs of rebelliousness. It is embedded in socio-political events from 2007 to 2015 and their mediated and subjective reception. It deals with rebellion in limbo, in which change seems ominent, mirroring the current political atmosphere. Geographically anchored in Munich and Bavaria, it reaches beyond the local peculiarities and relocates them into the context of historical global events. A microcosm of reoccuring people and places stand in as exemplary figures for global events in a humorous, absurd, and critical manner. Examples are documentaries such as 'Bored Rebel in Oberpfaffenhofen' or ridiculously provocative political actions in public spaces, numerous "in-flux" archives, a pathetic musical, which was first performed in 2013 at Haus der Kunst, and even a permanent installation in Titos ex-Bunker in the hills of Bosnia and Herzegovina.
    The project has been exhibited internationally, including at Nottingham Gallery for Contemporary Art, Chisenhale Gallery London, Schloss Ringenberg, Galleribox Akureyri Iceland, Goethe University Frankfurt, D-0 Ark Underground, Konjic, and at Transmission Gallery in Glasgow, amongst other locations. ...
    Text von der Website
Beteil. Personen
TitelNummer
027670779
GND Permalink
http://d-nb.info/gnd/1067476857
Einzeltitel =



Verfasser
Titel
  • Fotografija NR. 1 (35) 2018
Ort LandVilnius (Litauen) Medium Zeitschrift, Magazin
Techn. Angaben
  • [116] S., 27,5x23 cm, , ISBN/ISSN 16487273
    Broschur
ZusatzInfos
  • We are heading into a future where our choices will be shaped if not outright determined by algorithms and artificial intelligence. This coming state has been labelled the new dark age (James Bridle, 2018).
    It remains to be seen what this brings to photography, and vice versa.
    One thing, however, seems clear: photography, which has already changed significantly in the 21st century, is affected by and in some important ways is part of this development. This issue of Fotografija explores how programmes, apps and AI-related technologies shape and change the discourse of photography, challenging traditional boundaries of the medium.
    Various programmes and services Google, Photoshop, Flickr, Snapchat, visual recognition, etc. provide new tools to conceive image-making and think photographically. Technological interfaces not only deliver instruments for making work but can become the very logic for creating photographic series.
    The presented artists offer perspectives to raise questions and discuss these technological shifts. From dealing with traumatic events (Indrė erpytytė) and inaccessible sites (James Bridle) through technological mediation to playing with our expectations of an all-pervasive Photoshop manipulation (Erin EKeefe). From exploring so-called smart surveillance systems (Esther Hovers) and censoring politically sensitive sites (Mishka Henner) to everyday glitches (Mantas Grigaitis). From playing with the copyrights of such collective websites as Flickr (Penelope Umbrico) to exploring the shared language of being in some of the most photographed places on earth (Thomas Albdorf). And from using Photoshop to create images (Aaron Hegert) to an image that is barely photographic (Zachary Dean Norman). The four essays (Kate Palmer Albers, Roksana Filipowska and Marijana Rayl, Ilaria Speri, Alise Tifentale) map out the works in broader social, historical and art contexts.
    In short, the works deal with our technologized world. They talk about being in the middle of changes that few have envisioned. Being so immersed, one can feel it (almost) hurts.
    Text von Paul Paper.
Sprache
Geschenk von Joachim Schmid
TitelNummer
027446747
Einzeltitel =



Verfasser
Titel
  • the book on books on artists books
Ort LandLondon (Grobritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 230 S., 24x17 cm, , ISBN/ISSN 9780956173843
    erschienen zur Ausstellung at the Bloomberg Space London, eingelegt eine Karte mit handschriftlichem Text
ZusatzInfos
  • The Bloomberg website says of the project:
    For Comma 38, artist and publisher Arnaud Desjardin will exhibit new, old, rare, and popular books while running an active printing press in Bloomberg Space. His COMMA commission, part of an ongoing project titled The Book on Books on Artists' Books, is intended to create an active and participatory review of current and historical practice. This exhibition is about both the display of books on artists' books and the production of a book about the books displayed. He intends to print a first edition, a book of books, a critical anthology and source book, alongside which a large range of books on artists' books will be displayed in a series of vitrines.
    Artists' books have normally been sold and distributed through small networks of bookshops and galleries that often produce lists of available titles in printed form. The advent of the Internet has meant that information online has changed the nature of this documentary evidence. Desjardin's unique and extraordinary combination of display and production makes an exhibition that actively engages in both the making and disseminating in real time. The books themselves become both vehicles for information and documents that testify for artistic activity in its own right
Sprache
Stichwort
TitelNummer
007877259
Einzeltitel =



Verfasser
Titel
  • Soundsystem Pastoral
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium CD, DVD
Techn. Angaben
  • 13x13 cm, Keine weiteren Angaben vorhanden
    naivsuper Nr 007, Musik-CD in gefalteter Papphlle mit Beiblatt in transparenter Kunststoffhlle, cover art: Stephane Leonard
ZusatzInfos
  • music by Daniel Lopatin aka Dania Shapes.
    Soundsystem Pastoral was recorded by Daniel Lopatin aka Dania Shapes during the winter of 2004 using synthesizers, a first generation digital sequencer, and a freeware sound editor. It was remixed in 2006 for the release on naivsuper.
    Celebrating the potential of amateurishness, decadence and romance in the realm of digital audio arts, Lopatin looks to marry the aesthetic sensibilities of experimental electronics with his allegiance to the classic 'beauty' in music. 'Glitch' is less a process for Lopatin -- rather it is an aesthetic impression which Lopatin emulates by hand. Pairing the residual effects of romantic, heart string melodies with steroidal, detailed, maximalist noise, Dania Shapes' audible bricolage is a tribute to both the beautiful and the broken all at once.
    Working with simple tools such as handheld tape recorders, retro synthesizers, and a personal computer, Lopatin creates conceptual systems and processes to create a solo music that's beautiful and inventive, with interesting textures and unexpected sonic interventions. The music has a lush, ambient quality, but an edge as well. Throughout the CD, one finds a subtle use of repetition. The pieces are formally well-conceived and never contrived. The music is clearly indebted to heroes of electronica such as Christian Fennesz, William Basinski, and Brian Eno. and it has links to classic experimentalists such as David Tudor and David Behrman. Yet Lopatin maintains a more song-based musical position that results in an accessible product that will attract fans of ambient, post-rock, and experimental music
Beteil. Personen
WEB Link
TitelNummer
008576267
Einzeltitel =



Verfasser
Titel
  • Artists' Magazines - An Alternative Space for Art
Ort LandCambridge, MA / London (Vereinigte Staaten von Amerika / Grobritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 368 S., 24,8x19 cm, , ISBN/ISSN 9780262528412
    Broschur
ZusatzInfos
  • Originalausgabe von 2011.
    During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
    Among the magazines Allen examines are Aspen (19651971), a multimedia magazine in a boxissues included Super-8 films, flexi-disc records, critical writings, artists postage stamps, and collectible chapbooks, Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions, and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
    Text von der Webseite
    Erwhnt werden neben vorwiegend amerikanischen Magazinen auch europische Magazine
Sprache
TitelNummer
023614657
Einzeltitel =



Verfasser
Titel
  • Mr. Fluxus - A Collective Portrait of George Maciunas, 19311978
Ort LandLondon (Grobritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 352 S., 24,5x17,7 cm, , ISBN/ISSN 9780500974612
    Hardcover, fadengeheftet, mit Schutzumschlag, mit Illustrationen
ZusatzInfos
  • George Maciunas was the founding member and leader of the most radical and experimental art movement of th 1960s: "Fluxus". Associated with artists such as Joseph Bueys and Yoko Ono, Fluxus rejected traditional systems of high art and practised a form of "anti-art" encompassing everything from photography and pavement art to poetry and drama. This biography of one of the key figures in the history of 20th-century art recounts in text and archive photographs the life story of this contradictory and unorthodox man. Emmett Williams provides anecdotes and impressions from former Fluxus colleagues and other friends (and enemies), to produce a portrait of this crusader, whose mission was to change the world - beginning with the world of art. Although tempered with wit and wisdom, his iconoclasm won him few friends amongst the art establishment during his lifetime, but Fluxus prevailed as an acknowledged force behind the upheavals in the art of the 20th century.
    Text von der Webseite
Sprache
Stichwort
TitelNummer
025104685
Einzeltitel =



Verfasser
Titel
  • NY Art Book Fair 2017
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 15x10,5 cm, Keine weiteren Angaben vorhanden
    Softcover, Broschur
ZusatzInfos
  • Publikation zur New York Art Book Fair 2017. Printed Matter presents the twelfth annual NY Art Book Fair, from September 22 to 24, 2017, at MoMA PS1, Long Island City, Queens. Free and open to the public, the NY Art Book Fair is the worlds premier event for artists books, catalogs, monographs, periodicals, and zines. The 2017 NY Art Book Fair will feature over 370 booksellers, antiquarians, artists, institutions and independent publishers from twenty-eight countries. This years NY Art Book Fair will include an ever-growing variety of exhibitors - from zinesters in (XE)ROX & PAPER + SCISSORS and the Small Press Dome representing publishing at its most innovative and affordable, to rare and antiquarian dealers offering out-of-print books and ephemera from art and artist book history, plus the NYABF-classic Friendly Fire, focused on the intersections of art and activism. NYABF17 will host an array of programming and special events, including: The Classroom, a curated engagement of informal conversations, workshops, readings, and other artist-led interventions, for the eighth year running, as well as The Contemporary Artists Book Conference (CABC), in its tenth year, featuring two full days of conversation on emerging practices and issues within art-book culture.
    Text von der Website.
Beteil. Personen
Sprache
Geschenk von Marlene Obermayer
TitelNummer
026036719
Einzeltitel =



Titel
  • Charley 01
Ort LandDijon (Frankreich)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 192 S., 20x15 cm, , ISBN/ISSN 9781564660923
    softcover
ZusatzInfos
  • Charley is a contemporary art publication series edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick. A do-it-yourself magazine, Charley is an inclusive publication relying on assimilation, rather than on selection : Charley is a machine for redistribution, a mechanism for spreading and exploiting information, rumors, and communication. Like most information, it is partial, unstable, and untrustworthy. There are no hierarchies and no favorites in Charley : it flirts equally with celebrity and failure. Charley is a multiform creature, bound to transform with each issue. Charley is a pre-digested combine, with pages assembled from catalogues, brochures, press clips, postcards, and other visuals. But what is Charley really? Charley is a new publication on emerging artists. Prominent curators, writers, artists, and other arts professionals from around the world were asked to suggest up to 10 up-and-coming artists and/or submit materials on the artists for inclusion in Charley. 400 art makers from around the globe responded, and each of them is represented by one page of Charley
Sprache
Stichwort
TitelNummer
007072227
Einzeltitel =



Verfasser
Titel
  • Libri darte, passione di una vita
Ort LandParma (Italien)
Verlag Jahr
Medium Presse, Artikel
Techn. Angaben
  • Keine weiteren Angaben vorhanden
    Artikel ber Reinhard Grner,
ZusatzInfos
  • Reinhard Grner is a collector from Monaco. His passion is art books, which he collects and sometimes exhibits since the 1960s.
    His website, www.buchkunst.info is a real online museum, where international artist books are catalogued and photographed. Amongst the artists there are Marc Chagall, Anselm Kiefer, Henri Matisse, Pablo Picasso and Andy Warhol. Books, but also works of art made of images and text, created by the artist often in collaboration with a writer and a publisher. For the high artistic quality original graphics, unique designs, paintings and collages these works are different from the usual picture books. Their manifestations are multiple: books with graphic effects, objects-book, artists books, sometimes printed in offset or illustrated by works of artists.
    At the centre of Grners attention there are Eastern German and Eastern European books (mainly Russia, Hungary, Lithuania). many of these works were created in response to specific social, political and cultural issues, with unimaginable insights into the culture of modernity.
    Reinhard first came in contact with the art in book form with the English Edition, printed privately, of A Dissertation Upon Roast Pig, printed in 1975 by Shoestring Press on paper of the legendary Chiswick Press: from here begins a life of a book maniac among thousands of books. As Grner states in an essay, the acquisition of artist books is more than a simple purchase: the artist, the life as a collector and thoughts are tied together, they influence each other, and a network of contacts with other collectors begins. With nearly all the books in his collection Grner forms a symbiotic relationship: each of them describes, explains, and gets to the heart of some chapters of his life.
    Download the pdf file with the essay on the collection of Reinhard Grner (in English)
Sprache
TitelNummer
008503304
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Verfasser
Titel
  • self titled
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium CD, DVD
Techn. Angaben
  • 13x13 cm, Keine weiteren Angaben vorhanden
    naivsuper Nr 013, Musik-CD in Papphlle und transparenter Kunststoffhlle, cover art: Stephane Leonard
ZusatzInfos
  • recorded at the Electronic Church in 2007.
    Saxophon recorded at the Electronic Church in 2007. No overdubs, no manipulations.
    When we (naivsuper) met Antoine in november 2007 to record his saxophone drones we didnt really know what to expect because Antoines drones are perfect in a live situation. We werent sure if we could capture the richness of his sound, his working with the accoustics of a room and the strange almost discomforting breathing noises he makes when circular breathing on a CD. We basically wanted to hear him moving in the room, we wanted to see with our ears.
    For the recording we chose the Electronic Church in Berlin because we have seen him perform there earlier the same year and it was absolutely fantastic.
    The day of the recording was an incredible cold day in Berlin and due to the fact that the Church has no heating we could see our breath and feel the unbelievable cold humidity of a groundfloor room that hasnt been aired in some time crawling up our pants.
    It took Antoine almost an hour to warm up the saxophone and to get a satisfying tone. When he was finally ready to record the first take he was already a little bit out of breath. After 5 minutes of circular breathing his nose and lung started to freeze. We then tried a few more times but after another hour we were all coughing and sneezing and the saxophone was frozen so that we decided to postpone this session.
    When we listened to the material at home we discovered that there was almost everything we wanted. We recorded how Antoine is fighting the cold and the exhaustion. There is the room, the breathing and movement. There is sound - almost an evolution of sounds - they are born slowly, grow up and then slowly disappear or extinguish.
    We highly recommend you to listen with headphones. A follow up to this great document is planned, too
Stichwort
WEB Link
TitelNummer
008565267
Einzeltitel =



Verfasser
Titel
  • Unpublished - Best unseen photography - Issue no. 01
Ort LandMailand (Italien)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 40 S., 29,7x21 cm, Keine weiteren Angaben vorhanden
    Lose Bltter ineinander gelegt, Farbkopien nach PDF
ZusatzInfos
  • A simple and straightforward layout, an awesome format, no advertising, 500 hand numbered copies and a free and selected distribution. Unpublished is a democratic and exchange place where photography meets the public, without any filter. Unpublished gathers the best unpublished images of young photographers from all over the world, selected not only for their aesthetic value, but through a careful analysis of the cultural context, the artistic and human paths.
    A large project that ends each edition of Unpublished with a group exhibition in which it will be possible to buy at affordable prices the original and signed prints of the published works, donated and assessed by the authors themselves. No art dealers, no galleries and outside the market logic. Unpublished is a "call for freedom", a pure and direct line that connects the artist and his work with the outside world. And vice versa.
    Von der Webseite
TitelNummer
009058269
Einzeltitel =



Verfasser
Titel
  • Spheres Issue 1
Ort LandSt. Gallen (Schweiz)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 40 unpag. S., 32x22 cm, 2 Stück. , ISBN/ISSN 7629999015104
    Drahtheftung. Verschiedene farbige Papiere. Eingelegt ein gefaltetes Poster
ZusatzInfos
  • The publication Spheres is the creative documentation of a close collaboration between an artist and the editor, graphic designer Philippe Karrer. Every issue is dedicated to a young artist and their work, in each case exploring character, surroundings, every-day life, inspirations and ideas using unconventional innovative formats so as to create a different, more visual approach and understanding of the artist and his or her work. The focus lies on what is important to the artist during the time period of working together for the publication, hereby capturing a certain essence of the artists work at the moment. Not only can the reader dive in to the artists world, receiving little personal snippets of the life in and around his or her art, but also (and perhaps even more importantly) how the artist chooses to present things in the publication gives the reader an idea of his or her whole artistic sphere.
    Melanie Bonajo explores the relationship of the individual to its surroundings in a commodified, globalised culture. In her work, she uncovers how our ideas of identity, genre, value and such structures formed by conventions are ever shifting to feelings of uncertainty and instability. She approaches these issues by trying to newly create, to turn around overpowering views and conditions that are today so influenced by our consumer society and tries to get nearer to traits that are rooted in human nature.
    Text von der Webseite
TitelNummer
010281353
Einzeltitel =



Titel
  • Odos Eleftherias - Freedom Street
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Plakat
Techn. Angaben
  • 59x42 cm, Keine weiteren Angaben vorhanden
    Plakat
ZusatzInfos
  • In the context of a continuous and persistent spiritual quest in the field of Greek art and its history, the artist Christos Bokoros appears through simple themes and earthy, warm materials to win an important battle. He has silently found a subtle and significant way of stripping bare certain symbolshis own signs: a way of isolating those symbols from anything unnecessary and superfluous, and of drawing the communitys attention to them by revealing them to be purified, resurrectional and full of fire.
    Through the presentation of a series of paintings entitled ODOS ELEFTHERIAS, Bokoros ventures a direct discourse of these signs with buildings and streets that are adjacent to, or end up at, Lefkosias Green Line. Many of these buildings have suffered damages and decay. One could say that in their own way they constitute a second crevice near the Green Line that divides the state. It is in these fissures that the artist sets up - plants - his ODOS ELEFTHERIAS, in the hope of giving the citys centre new fruits and joyous vibrationsin a silent and honest alliance with all the indigenous revitalizing forces
Stichwort
WEB Link
Geschenk von the Office Gallery
TitelNummer
016887079
Einzeltitel =



Titel
  • Stickers. From the first international sticker awards
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Sticker, Button / Buch
Techn. Angaben
  • [324] S., 13x21 cm, 3 Teile. , ISBN/ISSN 9783899551518
    Broschur, beiliegend 2 Bgen mit Stickers, Aufklebern
ZusatzInfos
  • Stickers have become an essential element of contemporary street art used by the most underground of artists. With stickers, anyone can plant their flag, gain notoriety, recognition and attain instant coverage while the action itself is inconspicuous. This book documents the best submissions from the first international sticker awards which have been established to record this constantly evolving movement.
    Low-tech and prepared in advance, stickers are made from a multitude of materials and techniques from hand, photocopies, posters and wheat pastes to walls. From drainpipes and crosswalk boxes to street signs and walls, stickers can be found almost anywhere at eye level on public surfaces blending into and becoming part of the streets. Motifs vary from scribbles and characters to intricate figurative images, often personal logos or tags functioning as trademarks. Stickers have created a revolution in communication proving to be effective tools in establishing dialog, inspiring reaction and feature messages that are subversive, fun and often cryptic.
    This extensive volume presents over 800 examples from around the world and includes 2 pages of award winning real stickers for the readers enjoyment.
    Text von der Webseite
    Sticker aus Asien, Israel, Latein- und Sd-Amerika, Nordamerika, Europa
Beteil. Personen
Sprache
TitelNummer
024931678
Einzeltitel =



Verfasser
Titel
  • The Trip - Andy Warhol's Plastic Fantastic Cross-Country Adventure
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 324 S., 24x14 cm, , ISBN/ISSN 9781476703510
    Hardcover, fadengeheftet, mit Schutzumschlag
ZusatzInfos
  • From the author of Strapless and Guest of Honor, a book about a little-known road trip Andy Warhol took from New York to LA in 1963, and how that journeyand the numerous artists and celebrities he encounteredprofoundly influenced his life and art.
    In 1963, up-and-coming artist Andy Warhol took a road trip across America. What began as a madcap, drug-fueled romp became a journey that took Warhol on a kaleidoscopic adventure from New York City, across the vast American heartland, all the way to Hollywood and back.
    With locations ranging from a Texas panhandle truck stop to a Beverly Hills mansion, from the beaches of Santa Monica to a Photomat booth in Albuquerque, The Trip captures Warhols interactions with Dennis Hopper, Peter Fonda, Marcel Duchamp, Elizabeth Taylor, Elvis Presley, and Frank Sinatra. Along the way he also met rednecks, beach bums, underground filmmakers, artists, poets, socialites, and newly minted hippies, and they each left an indelible mark on his psyche.
    In The Trip, Andy Warhols speeding Ford Falcon is our time machine, transporting us from the last vestiges of the sleepy Eisenhower epoch to the true beginning of the explosive, exciting 60s. Through in-depth, original research, Deborah Davis sheds new light on one of the most enduring figures in the art world and captures a fascinating moment in 1960s Americawith Warhol at its center.
    Text von der Webseite
Sprache
Stichwort
TitelNummer
025107686
Einzeltitel =



Verfasser
Titel
  • The Soviet Photobook 1920-1941
Ort LandGttingen (Deutschland)
Verlag Jahr
Medium Buch / Sammeltuete, Schachtel, Kassette
Techn. Angaben
  • 644 S., 29,4x27,4x6 cm, , ISBN/ISSN 9783958290310
    Hardcover, in bedrucktem Karton.
ZusatzInfos
  • The Soviet Union was unique in its formidable and dynamic use of the illustrated book as a means of propaganda. Through the book, the U.S.S.R. articulated its totalitarian ideologies and expressed its absolute power in an unprecedented waythrough avant-garde writing and radical artistic design that was in full flower during the 1920s and 30s. No other country, nation, government or political system promoted itself more by attracting and employing acclaimed members of the avant-garde. Among them were writers like Semion Kirsanov, Vladimir Mayakovsky, Ilya Selvinsky, Sergei Tretyakov and Kornely Zelinsky. artistic designers like Gustav Klutsis, Valentina Kulagina, El Lissitzky, Sergei Senkin, Varvara Stepanova, Solomon Telingater and Nikolai Troshin. and photographers including Dmitry Debabov, Vladimir Griuntal, Boris Ignatovich, Alexander Khlebnikov, Yeleazar Langman, Alexander Rodchenko, Georgy Petrusovnot to mention many of the best printers and book binders.
    The Soviet Photobook 19201941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. The book also provides short biographies of the photobook contributors, some of whom are presented here for the first time.
    Text von der Webseite.
Beteil. Personen
Sprache
TitelNummer
025714716
Einzeltitel =



Verfasser
Titel
  • A Bit of Matter and a Little Bit More. The Collection and the Archives of Herman and Nicole Daled 19661978
Ort LandMnchen / Kln (Deutschland) Medium Buch
Techn. Angaben
  • 456 S., 27x20,3 cm, , ISBN/ISSN 9783865607638
    Klappbroschur mit Banderole (gestanzte Formen und Texte)
ZusatzInfos
  • erschienen zur Ausstellung 30.04.-25.07.2010
    Mit Essays von Benjamin H.D. Buchloh und Birgit Pelzer sowie einem Text von Herman und Nicole Daled.
    The Brussels-based collectors Herman Daled and Nicole Daled refuse to perceive art as decoration and to, thereby, exploit it. They approach art in a fundamentally different way: Basis for their activities are their relationships and conversations with artists.
    In keeping with the aim of Conceptual Art that places the intellectual content of a work above its realisation, they consider themselves not collectors but communicators and producers: They provide artists with the opportunity to also realise works outside of established market mechanisms. Their intense engagement with Conceptual Art, one of the most important movements in recent art history, goes far beyond usual collecting practices. This is not only apparent in the actual works, but also in the meticulously archived documents containing actions and works.
    One of the most important influences for Herman and Nicole Daled was Marcel Broodthaers, more than 80 of his works are in their collection. Moreover, the collection holds several works by Daniel Buren, Dan Graham, On Kawara, Sol Lewitt, Niele Toroni, Lawrence Weiner, Cy Twombly and many more.
    Text von der Webseite
Sprache
Geschenk von Sabine Brantl
TitelNummer
026316739
Einzeltitel =



Verfasser
Titel
  • MONO.KULTUR #46 Francis Kr - Of Clay and Community
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin / Heft
Techn. Angaben
  • 48 S., 20x15 cm, , ISBN/ISSN 18617085
    Drahtheftung, gedruckt auf verschiedenem Papier, teilweise farbig
ZusatzInfos
  • In our most colourful issue yet, we step into the life and work of architect Francis Kr, known in equal measure for his lighthearted and innovative architecture, his remarkable background, and his infectious sense of optimism. Kr has completed numerous projects both in Africa and beyond, including schools, medical centres, cultural institutions, and temporary installations, such as the renowned annual Serpentine Pavilion in 2017. Frequently relying on local materials and infrastructure, his work is marked by a profound simplicity and refreshing lightness, meeting technical problems with surprising and seemingly effortless solutions. It reflects his attitude that architecture should, in its most primary function, seek to improve the lives of the people who inhabit it. With mono.kultur, Francis Kr talked about his long trajectory from a remote village in Africa to Berlin, his steadfast belief in optimism, and what makes a tree a perfect piece of architecture. Designwise, we followed Krs principle to work with what is at hand, sourcing papers from dead stock at our printers, essentially using an assortment of leftovers. And colour, of course, with the issue based on the national colours of Burkina Faso, paying tribute to the idea of culture as a shared ground to build upon.
    Text von der Website.
Beteil. Personen
Sprache
TitelNummer
026632737
Einzeltitel =



Verfasser
Titel
  • signal 01
Ort LandOakland, CA (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 146 S., 17,8x12,8 cm, , ISBN/ISSN 9781604860917
    Broschur
ZusatzInfos
  • Signal is an ongoing book series dedicated to documenting and sharing compelling graphics, art projects, and cultural movements of international resistance and liberation struggles. Artists and cultural workers have been at the center of upheavals and revolts the world over, from the painters and poets in the Paris Commune to the poster makers and street theatre performers of the recent Occupy movement. Signal will bring these artists and their work to a new audience, digging deep through our common history to unearth their images and stories. Signal 01 includes: The Future of Xicana Printmaking: Alec Dunn and Josh MacPhee interview the Taller Tupac Amaru (Favianna Rodriguez, Melanie Cervantes, and Jesus Barraza), The Adventures of Red Rat: Alec Dunn interviews Johannes van de Weert, Hard Travelin: A photo essay with IMPEACH, Early 20th-Century Anarchist Imprints, Mexico 68: The Graphic Production of a Movement: Santiago Armengod interviews Felipe Hernandez Moreno, Adventure Playgrounds: A photo essay, Designing Anarchy: Dan Poyner interviews Rufus Segar.
    Text von der Website.
Sprache
TitelNummer
026899757
Einzeltitel =



Verfasser
Titel
  • www.Tape-Mag.com
Ort LandFriedrichshafen (Deutschland)
Verlag Jahr
Medium Text
Techn. Angaben
  • 2 S., 29,7x21 cm, Keine weiteren Angaben vorhanden
    Schwarz-Wei Laserausdrucke nach Webseite
ZusatzInfos
  • Tape-Mag.com is a Non-Profit Online-Archive & Information-Database for Audio-Tape-Culture (Cassettes/Tapes/Reels) and 20th Century Art- & Music-related Small-Press Publications / Magazine-Culture.
    This Archive-Database focuses on the following styles/genres.
    - Mid 70's to late 90's Industrial / Experimental / Free Improvisation / Post- Punk / New Wave, Minimal / Synth / Ambient and further musical directions of the DIY-Cassette-Culture.
    - early 50's to late 90's Sound Art / Sound Poetry / Text-Sound-Compositions / Poesie Sonore / Verbosonics / Lingual Music / Music Concrete / Audio Art plus related printed Mail-Art / Concrete Poetry / Visual Poetry / Lettrisme / Fluxus
    Here you are able to browse and research thousands of releases, find further information about the Artists, the Organisations, Press & Label-People behind the scene and/or the published Small Print / Magazines, Information-sheets and Artists-Manifests that all defined a very exciting culture and era. Most of the releases listed here were only released in very limited amount and are hard to find these days but they had without any doubt their important role in the development of contemporary audio & sound-art and music-history. These protagonists of a DIY (Do-It-Yourself)-Culture-Movement in which everybody can be an artist, label, distributor and press-editor or organisation deserves a comprehensive overview in a broader context with all its connections and a framework. With this Database the collected, provided and connected Information can become knowledge. Knowledge that Media in Internet-Age can hardly supply with the current Information Overload.
    Text von der Webseite
Sprache
TitelNummer
027183600
Einzeltitel =



fuhr-we-are-cypriots-cover
fuhr-we-are-cypriots-cover
fuhr-we-are-cypriots-cover

Fuhr Lisa: We are Cypriots - Wir sind Zyprer - 28 Cypriots Tell Their Stories: Reports and Photographs from a Devided Island, 2019

Verfasser
Titel
  • We are Cypriots - Wir sind Zyprer - 28 Cypriots Tell Their Stories: Reports and Photographs from a Devided Island
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 416 S., 23x15,5 cm, Auflage: 300, 2 Stück. , ISBN/ISSN 9783928804950
    Klappbroschur, Fadenheftung, HP-Indigodruck auf Munken White 115 g. 1,5. 114 Farbabbildungen
ZusatzInfos
  • We Are Cypriots is a chronicle that takes us behind the scenes sharing personal histories that official histories often ignore.
    Between 2015 and 2018, during the reunification talks and after they failed, the author Lisa Fuhr visited Cypriots from both communities and photographed them in their surroundings. These intimate photographs and accompanying in-depth conversations shed light on life in Cyprus today.
    Travellers, Cypriots living abroad, foreigners who have chosen to settle there, and last but not least, the people of Cyprus itself just might discover in these pages something they did not expect.
    This book, furthermore, is intended as a contribution to the current European-wide discussion on national identity, separatism, nationalism or unification, and reconciliation.
    In his comprehensive preface, the Berlin journalist, Klaus Hillenbrand, traces the historical and contemporary, as well as the social and political developments that have so profoundly shaped this island and Cypriots today.
    Photo Exhibition and Book Launch at Goethe-Institut Nicosia / Cyprus, in the buffer zone next to Ledra Palace. Opening Wednesday 15 May 2019. Duration of the exhibition until 11 June 2019
Beteil. Personen
Sprache
TitelNummer
027190768
GND Permalink
http://d-nb.info/gnd/1049514971
VIAF Permalink
http://worldcat.org/identities/viaf-307315044/
Einzeltitel =



Baroni Vittore, Hrsg.: KLANG! SUONI CONTEMPORANEI, 2009

bau-klang-box
bau-klang-box
bau-klang-box

Baroni Vittore, Hrsg.: KLANG! SUONI CONTEMPORANEI, 2009

Verfasser
Titel
  • KLANG! SUONI CONTEMPORANEI
Ort LandViareggio (Italien)
Verlag Jahr
Medium Sticker, Button / Heft / Plakat / Sammeltuete, Schachtel, Kassette / Presse, Artikel
Techn. Angaben
  • 13,5x13,5 cm, Auflage: 1.000, 7 Teile. Keine weiteren Angaben vorhanden
    CD Box ohne CD, 3 Booklets, 1 gefaltetes Plakat, 1 Aufkleber in Kartonbox, 3 Seiten Pressematerial
ZusatzInfos
  • The catalogue from Pezzini Editore consisting of three illustrated booklets, a poster, a sticker, [a cd and a dvd] in original die-cut box designed by Gumdesign, documents the sound based Multimedia Festival curated by Vittore Baroni and BAU at the historical Villa Paolina in Viareggio on 7-8-9 August 2009. The exhibition included installations and audio art works from 20 international artists, plus the collective project Bzzzoing! with musical instruments created by over 60 authors. In the course of the three days, audiovisual works of over 40 authors have been projected and over 20 poets, artists and musicians performed at the villa. In the centenary of futurism, a singular and rich overview of the many interferences between sound and image, paying tribute in the logo to Luigi Russolos Noise Machines.
    Text von der Webseite
    Catalogue of Klang! exhibition/sound art festival held at Villa Paolina, Viareggio, Italy, august 7-9 2009, comprising sound installations, exhibition and performances of invented musical instruments, and performances by visual artists, sound poets and electronic musicians.
    Cardboard box published in 500 copies freely distributed during the festival days, including 3 booklets, a sticker and a poster; 300 copies were later produced with additional cd + dvd documentation of the festival.
    Text von discogs Webseite
Sprache
Geschenk von Vittore Baroni
TitelNummer
028239799
Einzeltitel =



Verfasser
Titel
  • Future Fantasteek, Issue 13
Ort LandBrighton (Grobritannien)
Verlag Jahr
Medium Zine
Techn. Angaben
  • 20 S., 21x15 cm, Auflage: 40, signiert, Keine weiteren Angaben vorhanden
    Drahtheftung, Farbkopien auf verschiedene Papiere, 2 aufgeklebte Spielzeug-Augen auf Vorderseite, Rckseite mit Prgedruck
ZusatzInfos
  • Future Fantasteek! brings together a trichotomy of investigation. art-zines and independent publishing. artist as social commentator and drawing as a means of immediate visual communication. The series explores obdurate boundaries between journalism and authorial illustration using satire to reflect notions of Britishness. The series can be read as a sequence, from just prior to the credit crunch through to the age of austerity. The series is independently published as a limited edition art-zine, with two issues per year. The approach is experimental, incremental and reflective focussing on both the microcosm and macrocosm of living in the UK. Visual humour is developed throughout as a vehicle for change, combining techniques such as pastich, parody and socratic irony. Typography and images are juxtaposed to create new narrative possibilities. Language is explored using different voices such as anecdotal, colloquial or profane. This text is then translated into drawn commentaries on etiquette, politics and advertising. The anxiety of the individual is a running theme throughout the series with many reoccurring protagonists and antagonists soliloquizing their notions of Das Unheimliche. The series also explores changing technologies with regard to notions of the book with online versions of Future Fantasteek! available via a blog and online PDF reader (issuu and .swf).
    Text von der Webseite
Geschenk von Reinhard Grner
TitelNummer
010249351
Einzeltitel =



Titel
  • LOVE
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 28 S., 14,8x14,8 cm, , ISBN/ISSN 9783940548221
    Buch 007, Drahtheftung, in Transparenthlle
ZusatzInfos
  • Sketches and Experiments from the artwork:
    ALARMA MAN | LOVE FOREVER.
    The record was published by sinnbus records in 2010.
    In the process of drawing and designing the cover a small book emerged and was meant to be published and shared with the world.
    LOVE is a selection of drawings on found footage photographs by the artist Stephane Leonard and those drawings processed and edited by the designer Martin Eichhorn.
    The first half of the book is dedicated to all the drawings and the second half to various layout sketches and experiments for the artwork of the swedish band Alarma Mans 2010 record LOVE FOREVER. The photographs display different stages within relationsships - from childhood to marriage to death. Leonards drawings and drawn words react and interact with the photos scratching off the obvious, exposing invisible emotional aspects of the scene
WEB Link
TitelNummer
008510213
Einzeltitel =



Verfasser
Titel
  • Lightears
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium CD, DVD
Techn. Angaben
  • 13x13 cm, Keine weiteren Angaben vorhanden
    naivsuper Nr 011, Musik-CD in Papphlle und transparenter Kunststoffhlle, cover art: Stephane Leonard
ZusatzInfos
  • recorded in 2007 at the Leo Mars studio.
    Lightears is the long awaited debut album by Berlin duo Leo Mars. After a year of trial and error, a lot of sessions, sound collecting and analysation of possibilities a precisely crafted, yet astonishingly free floating album came to life. In times of almost infinite sounds, instruments and styles it took the duo some time to come up with the basic material, form a language and then of course learn to speak it. Hours were spent in the studio and their favourite lebanese restaurant discussing the world of sound.
    Lightears intelligently smudges the borders between a classic drone, an underground noise, a playful improvisation and an old fashion musique concrete record. All the genres fall into place rather unpretentious with pure sound excitingly assembled to challenge ones listening habits.
    It is a rather harsh production always bouncing back and forth between digital, crisp electronics and field recordings pushed way over the edge.
    With minimal gear and set up Leo Mars managed to manoveur themselves somewhere inbetween a bedroom thrashing noise keyboard project and a theoratical paper score composer duo. Performing in a trance - allowing things to happen - awaken - making a conscious decision - slipping back into space
Stichwort
WEB Link
TitelNummer
008567267
Einzeltitel =



Verfasser
Titel
  • Atem Books
Ort LandLa Bisbal d'Empord (Spanien)
Verlag Jahr
Medium Plakat
Techn. Angaben
  • 48x33 cm, 2 Stück. Keine weiteren Angaben vorhanden
    Plakat, vermutlich beschnitten
ZusatzInfos
  • Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
    Why Atem?
    Atem stands for wind, breath in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisle Celan (illustrator) called Atemkristall.
    Who we are
    Atem Books curators are Mara Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
    What we can do
    Were also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
    Were also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
    Atem Books is 100% independent!
    We dont receive any external money. This project survives with the earns we do selling our publications.
    Von der Webseite
TitelNummer
009056303
Einzeltitel =



Verfasser
Titel
  • Millennium Magazines
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 78 S., 29,7x21 cm, Keine weiteren Angaben vorhanden
    Farbkopien nach PDF, lose ineinander gelegt, Dokumentation der Ausstellung
ZusatzInfos
  • This survey of experimental art and design magazines published since 2000 explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Throughout the 20th century, international avant-garde activities in the visual arts and design were often codified first in the informal context of a magazine or journal. This exhibition, drawn from the holdings of the MoMA Library, follows the practice into the 21st century. The works on view represent a broad array of international titles within this genre, from community-building newspapers to image-only photography magazines to conceptual design projects. The contents illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are obvious connections to the past lineage of artists magazines and little architecture and design magazines of the 20th century, as well as a clear sense of the application of new techniques of image-editing and printing methods. Assembled together, these contemporary magazines provide a first-hand view into these practices and represents the MoMA Librarys sustained effort to document and collect this medium.
    Text von der Webseite
TitelNummer
009734335
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Verfasser
Titel
  • bearcode by Anna Colin
Ort LandLondon (Grobritannien)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 44 unpag. S., 25,3x17,8 cm, Keine weiteren Angaben vorhanden
    Drahtheftung, in losem Pappumschlag, zwei verschiedene Papiere, in transparenter Kunststoffhlle mit Aufklebern
ZusatzInfos
  • Begleitheft zur Ausstellung "Gasworks Yaoi" vom 26.11.2010 - 23.01.2011 im Gasworks in London.
    "Gasworks Yaoi" is the first solo exhibition by Spanish artist Francesc Ruiz in London. The show is the culmination of Ruiz's research in the local area, conducted during his residency at Gasworks. Inspired by the longstanding gay establishments in Vauxhall, the artist has created a semi-fictional narrative that overemphasises the clichs around sexuality and lifestyle in the area.
    For "Gasworks Yaoi", Ruiz will transform the front of the gallery into a bookshop specialising in yaoi comic books. Originating in Japan, this genre (translated as 'boys love') depicts male homoerotic narratives. However, unlike male-oriented gay erotica, yaoi comic books are both produced and consumed by women.
    The yaoi comics, featured in Ruiz's bookshop at Gasworks are allegedly produced by female amateur illustrators who portray the encounters of a group of men whose nightlives revolve around Vauxhall's sprawling gay club and bar scene. By adopting the yaoi comic format and resorting to female authorship, Ruiz distances himself from the stories and characters he depicts, allowing for the imagination to run wild, indulging in stereotypes and idealised situations. Through the comics' humour and distortion of reality Ruiz gives himself license to explore a specific subculture and the way it sits within the wider fabric of the neighbourhood.
    Turned into a specialised comic bookshop for women, Gasworks' space becomes an environment where sexuality, local context and its social dynamics are fictionalised and packaged into a product for consumption.
    Text von der Webseite
TitelNummer
011791407
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Verfasser
Titel
  • wit white
Ort LandBrest (Frankreich)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 352 S., 21x15 cm, , ISBN/ISSN 9782915859416
    Broschur mit Banderole, eingelegt ein Informationsblatt
ZusatzInfos
  • Originalausgabe erschienen bei Artists Press, Bern, 1980.
    This book is the third and final version of the first artists book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
    The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: wit is overdaad. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second revised edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjrg Mayer in Stuttgart. The only printed elements were the artists name, the title and the publishers name on the cover, the word introduction and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the third revised edition, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means white in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
    On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:

    white is white
    0 = 0
    no name
    no idea
    not even emptiness,

    Text von der Webseite
TitelNummer
012052000
Einzeltitel =



Verfasser
Titel
  • Art-Rite, No. 20 Pearl Girl, An Operetta - a libretto
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 24 S., 28x21 cm, Keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Illustrated with charming line drawings of urban love, this score includes music and lyrics for eight voices and clavichord, bell, flute, violin, oboe, horn, cymbal, drum. Each of the three acts are introduced with a plot synopsis of the amorous adventures of protagonists Pearl and Anthony. The libretto ends with a thoughtful epilogue: As young lovers Pearl and Anthony must acknowledge the reality of their sentiment for each other as a separate and a whole reality from their surroundings they must effectively substitute the ...skylines that they could inhabit for the places and constructs as spiritual parts of themselves and to the intuitions and instincts to their intentions and to their youth as ingenuous their present and their future have become realized as each other they must consider a different sort of naivet
Stichwort
TitelNummer
012539446
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Verfasser
Titel
  • the convincing victory - two stories on what really happened
Ort LandBerlin (Deutschland / Weirussland) Medium Zeitschrift, Magazin
Techn. Angaben
  • 12 unpag. S., 51x26 cm, Keine weiteren Angaben vorhanden
    Bltter, lose ineinander gelegt,
ZusatzInfos
  • The Office for Anti-Propaganda was founded by Marina Naprushkina in 2007.
    Started as an archive on political propaganda with the focus on Belarus the The Office for Anti-Propaganda drifted to a political platform. In cooperation with activists and cultural makers Office lounges and supports political campaigns, social projects, organizes protest actions, and publishes underground newspapers.
    The emphasis lies on projects which work outside the white cube and has social and political relevance. The 16-page newspaper-size novel illustrates the events which happened in Belarus during 2010 Presidential Elections. This is a story about the elections and, in particular, of the day and night of December 19, when the citizens peaceful demonstration against falsified elections was brutally suppressed by the police. The novel presents two views
    on the developments in parallel. The first one shows how the events are interpreted by the state regime and currently widely publicized by state-run newspapers and television. The other version was assembled from information presented by independent media, which for the most part can exist only in the Internet, i.e. blogs, oppositional websites, users comments, testimonies of victims and political activists.
    Text von der Website
    Mit Untzersttzung der Konrad Adenauer Stiftung und der Zeit-Stiftung Ebelin und Gerd Bucerius
Sprache
Stichwort
Geschenk von Radmila Krstajic
TitelNummer
015890559
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Verfasser
Titel
  • Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 200 unpag. S., 29,7x21 cm, Auflage: 500, , ISBN/ISSN 9783957633453
    Fadenheftung, mit zahlreichen Abbildungen, drei Bnde in Banderole, Anschreiben liegt bei,
ZusatzInfos
  • Lorem Ipsum Dolor Sit Amet is the third in a series of exhibitions and publication based on a wide-reaching research about writing with the title Possible Content for 18 Pages. The original typewritten manuscript of Vilm Flussers essay The Gesture of Writing provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication.
    To write, says the philosopher about the basic requirements that should lead to a complete piece of writing, we need a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, orthography = correct writing, the rules which order that language, what is called grammar, an idea to be expressed in a language, and a motive to express that idea.
    Understanding the act of writing as a culturally embedded gesture, Lorem Ipsum Dolor Sit Amet covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the eponymous performance by Lois Bartel at the Akademie der Knste in Berlin (June 11, 2016) and contains a curatorial-editorial statement by Franz Thalmair. Furthermore, the artist Michalis Pichler and the professor for media theory and aesthetics Oliver Ruf situate the publication in an actual context of literature and criticism. The participating visual artists expand the topic of the research with artistic contributions especially made for Lorem Ipsum Dolor Sit Amet.
    Text von der Webseite
Sprache
Geschenk von Franz Thalmair
TitelNummer
016717579
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Verfasser
Titel
  • ABSENCE
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 240 ca. S., 12,5x10 cm, Auflage: 2.000, , ISBN/ISSN 0894390139
    Umschlag aus Karton mit Leinenstreifen, ca. 120 Seiten gestanzt
ZusatzInfos
  • 2004 winner of I.D. Magazine's Design Distinction award, Absence is the third book to come out of Printed Matters Publishing Program for Emerging Artists, a program made possible through the generous support of New York City's Department of Cultural Affairs, The Andy Warhol Foundation for the Visual Arts, the Elizabeth Firestone Graham Foundation, and the Heyday Foundation. The generosity of Whitney trustees Melva Bucksbaum and Raymond J. Learsy was instrumental to the Museums participation in the publication of this exciting new work.
    Both a book and a sculptural object, Absence is a memorial to the twin towers of the World Trade Center. Yoon, an architect and designer who is currently an Assistant Professor of Architecture at the Massachusetts Institute of Technology, chose not to produce a traditional design proposal for the World Trade Center Memorial Competition. Instead she created a non-architectural, non site-specific space of remembrance: a portable personal memorial in the form of book.
    At almost two pounds, Absence has a considerable physical presence, but it is in every way the ghost of a presence, and it is this ghostliness that gives it its particular emotional weight. A solid white block of thick stock cardboard pages, the books only "text" consists of one pinhole and two identical squares die-cut into each of its one-hundred-and-twenty pages one for each story of the towers including the antenna mast. These removed elements lead the reader floor by floor through the missing buildings towards the final page where the footprint of the entire site of the World Trade Center is die-cut into a delicate lattice of absent structures.
    Of all of the proposed monuments and grand designs for the twin towers to emerge in the last two years, Absence is remarkable for its employment of an under-used strategy: restraint. The simplicity of Yoons materials and her use of repetition speak, without words, about unspeakable loss. Quiet, respectful, mournful, the book does not aim to represent the magnitude of the disaster. Instead it appeals to the vastness of the readers imagination and capacity to grieve. The human scale of her memorial operates on a personal level it delivers the memory of lives lost into the readers hands. At the same time, as a scale model of a vanished architectural site, it operates on a larger cultural level by commemorating the site itself.
    Text von der Webseite. Fotos Xenia Fumbarev
Sprache
TitelNummer
024451593
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Verfasser
Titel
  • 11 x 17
Ort LandEindhoven (Niederlande)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 104 S., 28x22,5 cm, , ISBN/ISSN 9789491677144
    Schweizer Bindung, verschiedenes Papier, Farb- und Schwarz-Wei Fotografien
ZusatzInfos
  • Onomatopee 95. 11x17 by Elisa van Joolen is an on-going project that examines and challenges the fashion industrys prevailing value systems and proposes new methods of production. The project began in 2013 with a series of conversations with representatives of various fashion brands including G-Star, ONeill, gsus sindustries, Rockwell by Parra, Converse, moniquevanheist, and Nike. These companies then contributed by donating clothing and footwear in the form of samples, archival pieces and stock. A selection of these, complemented with pieces of second-hand and no-brand clothing have undergone a process of cutting out and reconstructing to become 11x17 Sweaters and Invert Footwear. 11x17 creates a network. It unites different categories of clothing and different values within fashion. an eclectic mixture of mid-market, second-hand, and high-end items.
    Text von der Website.
Beteil. Personen
Sprache
TitelNummer
025940718
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Titel
  • Gotto Go Gotto Flow - Life, Love, and Lust - On Chicago's South side - From the Seventies
Ort LandChicago, IL (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 194 S., 24,8x22,5 cm, , ISBN/ISSN 9780991541829
    Fadengeheftet, Hardcover, mit Schutzumschlag
ZusatzInfos
  • Poems by Patricia Smith, Photographs by Michael Abramson.
    Bump contests and blues. Love goddesses and shake dancers. The Sexy Mamas and Their Mack. Funky. Sexy. Music and voodoo. Every night like New Years Eve. This was the scene that Abramson recorded. Patricia Smith, took a look at Abramsons photos nearly four decades later and brought his night world back to life. These fiercely breathing visuals are a last link, she says, to the unpredictable, blade-edged and relentlessly funky city I once knew. Her words and his pictures open the doors and give us a front-row (or a back-row... even better) seat to a time and place long gone. So: Watch. Listen.
    Text von der Website.
Beteil. Personen
Sprache
TitelNummer
025952724
Einzeltitel =



Verfasser
Titel
  • Outsiders - American Photography and Film 1950-1980s
Ort LandToronto (Kanada) Medium Buch
Techn. Angaben
  • 194 S., , ISBN/ISSN 9780847849550
    Hardcover, fadengeheftet
ZusatzInfos
  • Outsiders, a special exhibition of unforgettable images opening at the AGO March 2016, highlights photographers and filmmakers working in the United States from the late 1950s to the mid-1980s in a time of intense political and cultural turmoil. It's no accident that artists at the time turned to photography and film - mass media then largely "outside" the realm of mainstream art and its focus on painting and sculpture- to express a broader range of human experience. Photographs by some of the greatest artists of the period depict musicians, cross-dressers, biker gangs, protests, press conferences, and even animals, bringing to light the complex social realities and the yearning for greater collective and individual equality. As part of the exhibition, the AGO will be presenting films by artists Kenneth Anger, Marie Menken, Robert Frank, Shirley Clarke, and others.
    Text von der Website.
Sprache
TitelNummer
026079722
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Verfasser
Titel
  • Walking the Line
Ort LandLondon (Grobritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 332 S., 25,7x29,5x3 cm, , ISBN/ISSN 0500284091
    Broschur, Klappcover, auf verschiedenen Papieren gedruckt
ZusatzInfos
  • This volume by and about the sculptor and pioneer land artist Richard Long explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert and down the Rio Grande, from coast to coast in Ireland and Spain, to Tierra del Fuego and Mongolia, and to the forests of Honshu in Japan. Some of the artist's sculptures were made during his walks through the world's landscapes, while others bring the material of nature - stones, boulders, driftwood, clay and mud - into a more public or sheltered environment: museums, galleries, houses, gardens. These works feed the senses, whereas the texts and photographs recording the artist's walks feed the imagination.
    Text von der Website.
Beteil. Personen
Sprache
TitelNummer
026083731
Einzeltitel =



Titel
  • BEFORE AND AFTER - DOCUMENTING THE ARCHITECTURE OF DISASTER
Ort LandMoskau (Russland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 72 S., 23,5x19 cm, Auflage: Print on Demand, , ISBN/ISSN 9780992914691
    Broschur, Fehldruck, Inhalt zweimal eingebunden, letzte Seite falsch beschnitten
ZusatzInfos
  • A nuclear facility in Iran before and after an explosion, a village in Pakistan before and after a drone attack, a Cambodian river valley before and after a flood. The before-and-after image has become the tool of choice for analysing events.
    Satellite photography allows us to scrutinise the impact of war or climate change, from the safe distance of orbit. But one thing is rarely captured: the event itself. All we can read is its effect on a space, and thats where the architectural expert is required, to fill the gap with a narrative. In this groundbreaking essay, Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to todays satellite surveillance. State militaries monitor us and humanitarian organisations monitor them. But who can see in higher resolution? Who controls the size of the pixels? Interpreting these images is never straightforward.
    Text von der Webseite
Sprache
TitelNummer
026213727
Einzeltitel =



Verfasser
Titel
  • wordpharmacy - Adjectives - Contens: 238
Ort LandPietrasanta (Italien) Medium Objekt, Multiple
Techn. Angaben
  • 18x30 cm, , ISBN/ISSN 9783943196054
    Kartonbox 10x11,5x7,5 cm (HxLxB, auseinandergefaltet 18x30 cm, mit Beipackzettel A4 gefaltet auf 4x7 cm
ZusatzInfos
  • Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Sndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Troms and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Rams and is now available in six languages.
    Text von der Webseite
Beteil. Personen
Sprache
Stichwort
TitelNummer
026227730
Einzeltitel =



Verfasser
Titel
  • Wasting Time on the Internet
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 256 S., 18,1x12,4 cm, , ISBN/ISSN 9780062416476
    Broschur
ZusatzInfos
  • Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that wasted time differently. Unlike old media, the internet demands active engagementand its actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called Wasting Time on the Internet, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmiths ideas struck a nerve, because they are brilliantly subversiveand endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When were wasting time, were actually creating a culture of collaboration. Were reading and writing moreand quite differently. And were turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictablelike the internet itselfWasting Time on the Internet is the manifesto you didnt know you needed.
    Text von der Webseite
Sprache
TitelNummer
026240717
Einzeltitel =



38_maycec
38_maycec
38_maycec

Vonverhille / Maycec / Sayer Damien / Lenox Alize: 75 g/m, 2017

Titel
  • 75 g/m
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke, Nr 038 aus der Reihe 100for10.
    75 g/m started as a black and white photocopy exhibition. The project was initiated by Maycec, a photographer, self-publisher and graphic designer who draws inspiration from alternative culture and her personal life. She is co-founder of Vesselroom Project and Atelier29. The first 75 g/m exhibition took place in Berlin in 2014 with Maycec alongside Vonverhille and Damien Sayer whom both grew up in the suburbs of Paris. Vonverhille started in the graffiti scene in the 90s. He diversified his means of expression and explored photography and experimental electronic music. He now lives in Berlin where he founded Erratum galerie. Damien Sayer has photographed his family, friends and encounters over the course of five years. His small format pictures remain simple documentary pages, simple facts or portraits recorded on a sheet of paper. Alizee Lenox joined the exhibitions 75 g/m2 part II and part III. She is a poet deeply influenced by Pop Culture mostly because you cannot not be influenced by a soft machine that creates so many idols you can hate and worship at the same time. She is currently working on her first chapbook manuscript.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026330741
Einzeltitel =



92_patrick_hartl
92_patrick_hartl
92_patrick_hartl

Hartl Patrick: Work is progress, 2018

Verfasser
Titel
  • Work is progress
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke
    Patrick Hartl (*1976) is a German contemporary artist with a passion for handwriting and lettering. As of age 15, he was painting Graffiti and learning the ropes of art within the urban sphere. His graphic studies revealed a love for calligraphy and stylised writing with deep roots in the gothic script of his native Germany. Patrick Hartl connects old craftsmanship with modern street style. On closer inspection, Hartls seemingly monochrome works turn out to be the result of a multitude of layers of paint and a colourful diversity. His favourite canvas is a ten-years-old wall, which has been bombed, cleaned, bombed again, crashed, washed, damaged, but which always tells a new and unique story. As a master of handcrafted designs and analogue works, and one of the foremost urban calligraphers, Patrick Hartl has been involved in making art for more than two decades. An avid collaborator, Hartl belongs to the CALLIGRAFFITI AMBASSADORS and, in addition to exhibiting in traditional galleries from New York to Buenos Aires to Tokyo, and he has painted murals across Europe and beyond.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026381741
Einzeltitel =



41_thomas_lail02
41_thomas_lail02
41_thomas_lail02

Lail Thomas: all our pretty yesterdays, 2017

Verfasser
Titel
  • all our pretty yesterdays
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke, Nr. 041 aus der Reihe 100for10.
    Thomas Lail is an artist and musician who exhibits in the United States and internationally. He is represented in New York by Masters Projects. Lail performs and records with soundBarn and Location Ensemble. He has published numerous reviews and essays including two catalogue essays on the work of Robert Longo and publishes poetry and experimental writing through soundBarn Press. Thomas Lail is Associate Professor of Fine Arts at Hudson Valley Community College, SUNY in Troy, NY. He lives and works in Kinderhook and Brooklyn, NY with artist Tara Fracalossi and their son, Coltrane.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026390741
Einzeltitel =



Verfasser
Titel
  • Artists' Books - Creative Production and Marketing
Ort LandBristol (Grobritannien)
Verlag Jahr
Medium Buch / Text
Techn. Angaben
  • 68 S., 29,8x21,2 cm, 2 Teile. , ISBN/ISSN 9780954702571
    Klemmbindung mit schwarzem Papierstreifen, Softcover, Exlibris von Jrgen Peter Wegner eingeklebt. Brief von Jrgen Wegner beigelegt
ZusatzInfos
  • A guide for the book artist as the producer, publisher and distributor of their own artwork, to discuss some of the practical issues arising from this. A series of case studies explores artists experiences of making and marketing their books in the UK, France, Germany, EIRE, Spain, Denmark, Japan, Argentina, Australia and the USA. We selected a range of artists with 2 - 30+ years experience in artists books, zines and multiples and asked them to share their working practice, experience of book fairs, interaction with purchasers, discuss problems and offer advice. We also asked private and institutional collectors to tell us about the ways in which they would prefer to interact with artists selling their books and any issues arising from their own collecting.
    Text von der Website.
Sprache
Geschenk von Jrgen Wegner
TitelNummer
026400729
Einzeltitel =



Verfasser
Titel
  • MONO.KULTUR #41 Meg Stuart - Make the first move
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin / Heft
Techn. Angaben
  • 48 S., 20x15 cm, , ISBN/ISSN 18617085
    Drahtheftung, auf verschiedenen Papieren gedruckt
ZusatzInfos
  • Meg Stuarts work is not about the elegance and beauty of dance, or at least not in the conventional sense. It is about exploring the outer edges of movement, where bodies age, fail, and surrender, where individual spaces disintegrate and bleed into each other, where physical memories are exposed like open wounds. Meg Stuarts work is located at the vanishing point where dance meets visual arts. Within just two decades, Stuarts dance company Damaged Goods, which she founded in 1994, have produced a lengthy and diverse list of projects, ranging from countless full-length feature works to multi-disciplinary dance installations, improvisations, and films that spread far beyond the theatre stages of the world, into museum spaces, film festivals or the wide open street. With mono.kultur, Meg Stuart talked about her first physical memories, the healing power of dancing and the thrill of disorientation. Following Meg Stuarts interest in abundance and complexity, the design discards all notions of top or bottom, left or right, with text and images set in different and ever-changing directions. A magazine as a physical object that wants to be handled and turned. Reading as a dance.
    Text von der Website.
Beteil. Personen
Sprache
TitelNummer
026629737
Einzeltitel =



Titel
  • Reaper
Ort LandZrich (Schweiz) Medium Buch
Techn. Angaben
  • 292 S., 23x17 cm, , ISBN/ISSN 9783037645048
    Broschur, Einband einfarbig rot bedruckt, Schutzumschlag vierfarbig, Vorsatz/Nachsatz blau, Abb. Schwar-Wei, einzelne Farbseiten. Druck auf Munken Print White 1.5, DZA Druckerei zu Altenburg
ZusatzInfos
  • The starting point of this publicationand its eponymous exhibition held in Zurich in Spring 2017is the conceptual encounter between English Pop art artist Richard Hamilton (19222011) and Swiss historian and critic of architecture Sigfried Giedion (18881968), famous for his landmark book "Space, Time, and Architecture," an influential history of modern architecture published in 1941.
    In 1949 Richard Hamiltonthen a member of the London-based Independent Group realized the Reaper print series as a reaction to Giedions 1948 book Mechanization Takes Command in which he describes the mechanization of everyday life. Reproducing Hamiltons complete Reaper series juxtaposed with selected examples of illustrations created by Giedion alongside many related illustrations, this publication brings together seven essays by renowned international scholars, all of whom question the relationships between visual arts, technology, science, and architecture. Among the many topics discussed are Hamiltons early works and exhibition installation practice, postwar British biotechnology and architecture, Hippie Modernism, and the visual strategy of Giedions books.
    Published on the occasion of the exhibition "Reaper. Richard Hamilton and Sigfried Giedion" at the Graphische Sammlung ETH Zrich (May 3June 25 2017), a cooperation between Graphische Sammlung ETH Zrich, gta exhibitions, and gta archive.
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
026920000
Einzeltitel =



Moore Barbara / Hendricks Jon, Hrsg.: o. T. (January 1977), 1977

moore-backworks77-1
moore-backworks77-1
moore-backworks77-1

Moore Barbara / Hendricks Jon, Hrsg.: o. T. (January 1977), 1977

Verfasser
Titel
  • o. T. (January 1977)
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Lieferverzeichnis
Techn. Angaben
  • [8] S., 27,8x21,5 cm, Keine weiteren Angaben vorhanden
    Vier lose Bltter, einseitig bedruckt
ZusatzInfos
  • Lieferverzeichnis des Backworks Buchladen Januar 1977. Co-owners Moore and Hendricks established Backworks in SoHo in 1976, based on their mutual curatorial interest in the objects and events of the downtown art and performance scenes, particularly by artists associated with the Rueben Gallery, Judson Memorial Church, Happenings and Fluxus, with which they were both connected as collaborators and curators. Moore and Hendricks, each of who has written extensively about figures such as George Maciunas, Yoko Ono, Allan Kaprow and Ben Vautier, among others, have been instrumental in the development of major collections, including the Gilbert and Lila Silverman Fluxus Collection at MoMA, and the Barbara and Peter Moore Fluxus Collection at Harvard. Backworks closed in 1983.
    Text von der Website.
Sprache
TitelNummer
026116735
Einzeltitel =



Verfasser
Titel
  • wordpharmacy - Nouns - Contents: 431
Ort LandPietrasanta (Italien) Medium Objekt, Multiple
Techn. Angaben
  • 18x40,5 cm, , ISBN/ISSN 9783943196054
    Kartonbox 10,5x11,8x7,5 cm (HxLxB, auseinandergefaltet 18x40,5 cm, mit Beipackzettel A4 gefaltet auf 7x7,7 cm
ZusatzInfos
  • Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Sndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Troms and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Rams and is now available in six languages.
    Text von der Webseite
Beteil. Personen
Sprache
Stichwort
Geschenk von Joachim Schmid
TitelNummer
027512747
Einzeltitel =



perin-stains-1980
perin-stains-1980
perin-stains-1980

Perin Romaine: stains, 1980

Verfasser
Titel
  • stains
Ort LandMnchen (Deutschland) Medium Heft
Techn. Angaben
  • 15x13,4 cm, Auflage: 400, 2 Stück. , ISBN/ISSN 9783923205301
    Broschur, Leinenstreifen
ZusatzInfos
  • Die amerikanische Knstlerin Romaine Perin analysiert in diesem kleinen Buch "Flecken" verschiedenster Art: Ungeziefer, Rntgen-Bilder, Computerausdrucke, Erdbeben, Ess-Flecken und mehr.
    Dieses Buch ist die erste Knstlerbuch-Publikation des Verlages Hubert Kretschmer.
    Von Romaine Perin selbst gestaltete Anzeige im ersten Verlagsprospekt von 1980
    Text:
    The wine spilled out of the bottle and stained the tablecloth
    Stains are the effects of a cause, the proof of circumstance, the evidence of events. Stains are made by daylight, weather and natural disasters, on surfaces that reflect, and in the danger zone.
    Daylight At sunrise the stain of dayliht soaked the brick wall of my house and dripped onto the sidewalk. I stood outside and turned my face to the sun. My shadow trickled into the dusty gutters and stained the street behind me.
    Weather During the night the rain struck the roof. The pellets of water pockmarked the muddy ground and the swollen river entered the ocean and was stained with salt.
    Natural Disasters. The stains of earthquakes in the broken stones.
    Reflections Reflections of the gloomy tundra stain the mirror through the dusk.
    Stains of War in the Danger Zone In a corner of the continent, on a treeless snow covered plain, armies laid down their guns. The whistling of the cold wind abruptly ceased. A white flag drooped in the still air and the silence was stained with the loud breathing of soldiers
Sprache
TitelNummer
003935011
Einzeltitel =



Verfasser
Titel
  • Sourcebook
Ort LandLondon (Grobritannien) Medium Buch
Techn. Angaben
  • 60 unpag. S., 25x19 cm, Auflage: 200, Keine weiteren Angaben vorhanden
    Vorder- und Rckseite mit Siebdruck in Gold
ZusatzInfos
  • Sourcebook presents the detritus and collected imagery of a year of contemplation, frustration and ambivalence with the nature of photography. From an initial starting point of the typographic reference book, within its pages a myriad of situations and pictures present themselves - each at once recognisable and indecipherable.
    Drawing heavily on ideas of representation and the 'reading' of an image, the work within is open-ended, a liquid, unstable mix of ideas and images that attempt to elude the conclusive, finite nature of the captured image or the printed photo. Instead, Sourcebook aims to be fluid - at once a source of reference and stimulation for future creative processes, and a photographic document littered with unanswered questions, oblique strategies and glimpses of meaning.
    Text von der Verlagswebseite
TitelNummer
010696380
Einzeltitel =



Verfasser
Titel
  • Then & Now - Hollywood Boulevard 1973-2004
Ort LandGttingen (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 152 S., 44,7x32,5 cm, , ISBN/ISSN 9783865211057
    Hardcover, Leineneinband im Schuber,
ZusatzInfos
  • One of the most well-known of Ruscha's books from his early period is Every Building on The Sunset Strip, showing a famous stretch of real estate along Sunset Boulevard in Los Angeles, published in 1966. In July, 1973 he followed the same procedure while documenting Hollywood Boulevard.
    Loading a continuous strip of 33 feet of Ilford FP-4 black & white 35mm film into his motor-drive Nikon F2 and then mounting it on a tripod in the bed of a pickup truck, he drove back and forth across the 12 miles of the street shooting, frame-by-frame, both the north and south sides of its entire length. The negatives were developed, contact sheets were made, and the materials were placed in storage.
    Thirty years later, in 2003, a digital record of Hollywood Boulevard was created and it served as a reference guide for the traditional film/still documentary of 2004. For this shoot, the same type of camera equipment was used to re-photograph the street on 35mm color-negative film.
    The resulting material of both shoots 4500 black & white and 13,000 color images have been scanned and digitally composed into four panoramics of the complete 12 miles. In THEN & NOW, the original 1973 North side view is shown along the top of the page and juxtaposed with its 2004 version underneath. Along the bottom of the page, you find the original 1973 South side view shown upside down, also juxtaposed with its 2004 version. The panoramics face each other and they are aligned.
    Text von der Webseite
Sprache
Stichwort
TitelNummer
011975024
Einzeltitel =



Verfasser
Titel
  • tmrw #8 summer 14
Ort LandLondon (Grobritannien)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 82 S., 24,3x17,2 cm, Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • From what started as a music blog aimed at sharing the best music acts of tomorrow, nearly 3 years on, TMRW is not only a quarterly printed lifestyle magazine, but an industry-recognised brand and voice.
    As a fresh faced, nave 21 year old, Founding Director and Editor, Joe Brine was oblivious to the potential of what he had incepted. Having made the conscious step in to the world of print, Joe adopted a simple but effective design, which would give TMRW a niche and set the magazine apart from any other on the market. The attention to detail shows exactly this. The thicker paper stock and the smaller size made the quarterly print high quality and aesthetically pleasing, because of this the magazine is more sought after and such is looked after more by readers and shared around with friends and family. For any brand associated with TMRW it means that the reader is more inclined to notice and is more inclined to make a purchase.
    Text von der Webseite
TitelNummer
012396442
Einzeltitel =



Titel
  • Respectable Moustashees
Ort LandMainz (Deutschland) Medium Plakat
Techn. Angaben
  • 28,2x43,8 cm, Keine weiteren Angaben vorhanden
    Mehrfach gefaltetes Poster, doppelseitig bedruckt
ZusatzInfos
  • Die Arbeit ist Teil des "Equilibrium Projects": Equilibrium is a collaborative initiative to develop creative contexts for women in towns and cities to explore practices that stay immersed in everyday. The project gave a platform for artists from Europe and Asia to come together, interact and work with the women members of self-help groups from Partapur and nearby villages. The artists and women members worked together as equals through sharing their experiences, skills, stories, and recipes through several creative projects. Now these creative projects are going to be displayed in an interactive exhibition at Walpodenakademie Mainz from May 08, 2015.Equilibrium is a project of Walpodenakademie (Mainz), Sandarbh (Partapur/ New Delhi), and Beneshwer Lok Vikas Sansthan (Partapur), curated by Shilpa Upadhyay and h.i.s.(Tanja Roolfs and Stefan Brand).
    Text von Website
TitelNummer
013467488
Einzeltitel =



Verfasser
Titel
  • Rampike. The Poetic Eye - Vol. 23, No. 2
Ort LandWindsor, Ontario (Kanada) Medium Zeitschrift, Magazin
Techn. Angaben
  • 84 S., 28x16,5 cm, signiert, , ISBN/ISSN 07117647
    Broschur, beigelegt eine Karte mit handschriftlichem Text
ZusatzInfos
  • Rampike magazine, in print since 1979, featuring stellar international writers, critics and artists invites you to subscribe and/or submit articles both creative and scholarly (juried). Edited by Karl Jirgens, featuring post-modern art and writing from around the world with a strong focus on Canadian expression. The journal has received substantial support from the Canada Council and the Ontario Arts Council and has published interviews and works by internationally acclaimed figures ... . Rampike has been praised by critics such as Wayne Grady (Globe & Mail), and Marjorie Perloff (Stanford U) and is distributed internationally.
    Text von der Website
Sprache
TitelNummer
016459591
Einzeltitel =



Verfasser
Titel
  • Vision and Reality
Ort LandDevon (Grobritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 292 S., 23,3x14,2 cm, , ISBN/ISSN 9781910010082
    Klappbroschur,
ZusatzInfos
  • This book presents a wide selection of interviews and photographs from the collaborations between Willats and residents in the many housing estate projects he makes. The first-hand observations and individual opinions, from the past four decades, record a variety of attitudes and perceptions towards the physical reality of their surroundings. Created outside of the norms and conventions of an object-based art world, the projects in this book, mainly on estates in and around London, but also in Bath, Leeds, Milton Keynes and Oxford, highlight the realities of everyday life in both tower blocks and low-rise planned housing. Text von der Webseite
Sprache
Stichwort
TitelNummer
016533602
Einzeltitel =



Verfasser
Titel
  • Rampike, electricitee, special double issue - Vol. 02, No. 1&2 - electricitee
Ort LandToronto (Kanada) Medium Zeitschrift, Magazin
Techn. Angaben
  • 80 S., 42x15 cm, , ISBN/ISSN 07117647
    Klebebindung,
ZusatzInfos
  • Rampike magazine, in print since 1979, featuring stellar international writers, critics and artists invites you to subscribe and/or submit articles both creative and scholarly (juried). Edited by Karl Jirgens, featuring post-modern art and writing from around the world with a strong focus on Canadian expression. The journal has received substantial support from the Canada Council and the Ontario Arts Council and has published interviews and works by internationally acclaimed figures ... . Rampike has been praised by critics such as Wayne Grady (Globe & Mail), and Marjorie Perloff (Stanford U) and is distributed internationally.
    Text von der Website
    Cover art: Ints Plampe
Sprache
TitelNummer
016711K60
Einzeltitel =



Verfasser
Titel
  • Hyperkinesia
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Plakat
Techn. Angaben
  • 59x42 cm, Keine weiteren Angaben vorhanden
    Plakat,
ZusatzInfos
  • The Office gallery presents new works by the Austrian artist Bernhard Hosa in his exhibition Hyperkinesia, starting on June 30, 2016.
    Hosa's photo collages, objects and installations are reduced, almost minimalist in appearance and usually based on concrete themes. His starting point is the tension between the individual and a normative society. Based on an engagement with the biological view of the inside and of the outside, on man as an object of scientific study and on the measurement of the human body, he develops his own formal language on the interface between conceptual art and an aesthetic approach. Hosa deconstructs his reflections with artistic strategies such as reproduction, variation or sequence, and practices such as dissection and the creation of new compositions. The resulting series of collages or objects and stringent arrangements of the space adopt the character of the contents of his research.
    Text aus der Presseerklrung
Geschenk von the Office Gallery
TitelNummer
016850079
Einzeltitel =



Verfasser
Titel
  • bast fook 01
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 28 unpag. S., 21x13,8 cm, Auflage: 60, Keine weiteren Angaben vorhanden
    Fadenheftung, auf farbige Papiere gedruckt,
ZusatzInfos
  • Bast Fooks was one of my new years resolutions for 2016. I havent given up smoking yet, but I did end up spending my new years eve in, printing and sewing the first Bast Fook issue. There and then I had decided that it would be a project in 12 parts and that I would produce a book for each month of 2016. Each Bast Fook is a repository of ideas [in the form of notes, thoughts, readings and misreadings, assumptions, aphorisms, contemplations, stories, lists, observations and lost projects]. Bast Fooks have evolved into a platform through which, I can organise in a pretty disorganised way- ideas as they happen and material produced in different ways, under different circumstances, at different places and times and sometimes by totally different versions of myself. Bast Fook is an anagram of Fast Book and in a way each issue is offering a slow consumption of a fastness that often reads a lot like a facebook newsfeed, decentered, fragmented, multivoiced.
    Text von der Website
Sprache
TitelNummer
016877593
Einzeltitel =



Verfasser
Titel
  • All or nothing and other pages
Ort LandDevon (Grobritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 224 S., 23,4 x 14,2 cm, , ISBN/ISSN 9781910010136
    Klappbroschur, mit einigen schwarz-wei Abbildungen,
ZusatzInfos
  • A survey of the work of Michael Gibbs whose activities included poetry, performance, film, and publishing, and his immersion in what he called a genuinely underground culture which owed nothing to the official art establishment . As well as visual poetry and texts, the book includes his major study of blank books All or Nothing , written in 2005, a selection of critical writing that originally appeared in Kontexts, and Artzien, journals that he edited and published, as well as articles from the photography journal Perspektief, and Art Monthly, for which he wrote a regular column. A chronology of examples of his visual and concrete poems, books and photography is reproduced, along with documentation of performances.
    Text von der Website
Sprache
TitelNummer
016957618
Einzeltitel =



Verfasser
Titel
  • Fuck Seth Price - A Novel
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 122 S., 17,8x11,8 cm, , ISBN/ISSN 9780981546834
    Broschur, Cover mit gestanztem Loch, Schrift: Caslon, Lesezeichen beigelegt von aliasbooks east
ZusatzInfos
  • 1. Ausgabe.
    From one of the most influential artists of his generation comes a provocative, moving novella about what it means to be a creative person under today's digital regime. In the course of a gripping, headlong narrative, Price's unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps. from Kanye West and Jeff Koons to George Bush and Patricia Highsmith. from the playground to the internet to the mirror, Price's hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now
    Text von Amazon.com
Beteil. Personen
Sprache
TitelNummer
024555668
Einzeltitel =



Verfasser
Titel
  • The Modernist
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Buch / Presse, Artikel
Techn. Angaben
  • 192 S., 28x24 cm, , ISBN/ISSN 9783899553444
    Broschur
ZusatzInfos
  • Die Entdeckung der klassischen Moderne im aktuellen Grafikdesign
    Todays designers and illustrators are synthesizing the best elements from past eras of graphic design to create a new visual language with a reduced and rational approach. The Modernist documents this uniquely contemporary, yet timeless aesthetic that is built upon the rediscovery and seamless melding of classical type elements and collage of the 1950s, the geometric patterns and graphic elements of the 1960s and 1970s, and the vector graphics and computer-aided montage of the 1990s. With its fresh perspective on the legacy of past craftsmanship and quality in outstanding current work, The Modernist expands our understanding of what modern graphic design can be.
    Text von der Website
    Der Zeitungsartikel "Die gestern ertrumte Zukunft sieht einfach besser aus. In dem Bildband "The Modernist" simulieren Designer Menschen und Gebrauchsspuren" (Sddeutsche Zeitung) von Jan Fchtjohann liegt bei.
Beteil. Personen
Sprache
Geschenk von Julia Hartmann
TitelNummer
024906684
Einzeltitel =



Verfasser
Titel
  • Andy Warhol - the complete commissioned magazine work 1948 - 1987
Ort LandMnchen (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 407 S., 39x27,5x5 cm, , ISBN/ISSN 9783791349923
    Hardcover, Fadenbindung, in Schuber
ZusatzInfos
  • This gorgeously illustrated deluxe volume shows the full range of Warhols work for magazineswhich will surprise even his most ardent fansand includes cover art, editorial illustration, and ad work.
    Beginning with the cover of a 1948 issue of Carnegie Techs student magazine, Cano, and ending with a 1987 issue of Jet Society International, this stunning book explores, for the very first time, the full story of Warhols collaborations with some of the most influential publications of the 20th century, including Harpers Bazaar, Vogue, Time, TV Guide, Vanity Fair, and Playboy. Generously illustrated with images of the magazine layouts, this landmark publication collects more than 400 issues, revealing the artists full range of styles while also charting his artistic development over the decades. From charming drawings of shoes, hats, flowers, and cats to iconic illustrations of cars and cosmetics, from glitzy celebrity portraits to sexy pinups made with collaged Polaroids, this catalogue raisonn sheds new light on the influence of the media and consumerism on contemporary art (and vice versa) even as it offers a unique perspective on Warhols deep and lifelong connection to popular culture.
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
025234076
Einzeltitel =



Verfasser
Titel
  • Seven Books Grey
Ort LandWien / Gttingen (sterreich / Deutschland) Medium Buch / Sammeltuete, Schachtel, Kassette
Techn. Angaben
  • 26,8x19,8x6,2 cm, 7 Teile. , ISBN/ISSN 9783869302997
    Schuber mit sieben Bchern (Boschur).
ZusatzInfos
  • Englische Ausgabe. Erschienen anlsslich der Ausstellung "The Line of Fate" im mumok, Wien, 04.03.-29.05.2011.
    Seven Books Grey is an updated, expanded version of Tacita Deans Seven Books (2003), and is an exploration of Deans oeuvre as it straddles film, drawing, photography, writing and book-making. Each book has a different focus and together they are an accurate survey of Deans work to date.
    Book One: Complete Works and Filmography 19912011
    Book Two: Selected Writings 19922011 (Deans writings)
    Book Three: A Panegyric, Gaeta, Edwin Parker (three projects made with and about Cy Twombly)
    Book Four: Film Works with Merce Cunningham
    Book Five: Footage (artists book with a text by Marina Warner taking a cultural-historical look at the foot and the significance of limping)
    Book Six: Post-War Germany and Objective Chance: W.G. Sebald, Joseph Beuys and Tacita Dean (essay by Christa-Maria Lerm Hayes)
    Book Seven: Essays on the Work of Tacita Dean (texts by Wolfram Pichler, Peter Brger, Douglas Crimp and Achim Hochdrfer)
    Text von der Webseite
Sprache
Stichwort
TitelNummer
025588686
Einzeltitel =



89_dave_the_chimp
89_dave_the_chimp
89_dave_the_chimp

Dave the chimp: That was a good time, 2018

Verfasser
Titel
  • That was a good time
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke
    Dave the Chimp has been riding skateboards since the mid 1980s, painting on found wood and making fanzines since the mid 1990s, and working in the streets since 1998. He still does all these things, as well as exhibiting his art in galleries and museums world wide, working as an illustrator for a variety of clients, directing pop videos, compiling books, and curating exhibitions. Dave has exhibited alongside the leading names in the urban art scene, including Banksy, Blu, Miss Van, Swoon, Os Gemeos, Shepard Fairey, Space Invader, and Zevs. He was the first UK artist to have his own artist model shoe created by Vans, and a book of his work (Part Of Rebellion 2 Dave the Chimp) was published by Publikat in 2009. In 2011 he built his first concrete skateable sculpture Papa und Ich outside of the Bethanien, Berlin, and the wooden friendship bowl in the Awanganda Gallery, Wroclaw, Poland. He has since built the Papa und Ich Speilplatz skatepark in Milan, and the Troll Bridge Ramp at La Condition Publique, Roubaix, France. He is currently focused on change, encouraging exploration, protest culture and positive vibrations, with his Human Bean characters as the medium through which to go on this adventure.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026378741
Einzeltitel =



Verfasser
Titel
  • Signs Fiction
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • [490] S., 32x24 cm, Auflage: 700, , ISBN/ISSN 9782940524464
    Broschur
ZusatzInfos
  • This book aims to collect and present a comprehensive overview of the work of Ruth Wolf-Rehfeldt. It is the result of a long and intense immersion into her archive, and intends to establish the importance of this unique artist who did not have much recognition in the past not only to the present day, but also to the precise political context and time to which she and her work belong.
    The book presents her typewritings series, all produced between the early 1970s (some of the earliest works are dated 1972) and 1989.
    Mail Art was her way to be in contact with the world outside the GDR, otherwise impossible to reach. After the fall of the Berlin Wall and the Reunification, the artist stopped producing any art: She felt her involvement was no longer needed.
    At the beginning of 2015 we started to archive Ruth Wolf- Rehfeldts work, discovering little by little an enormous and fascinating body of work, composed by more classic poetry, simple typewriting texts, visual poetry, concrete poetry, and abstraction.
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
026489742
Einzeltitel =



Verfasser
Titel
  • From static oblivion
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • [352] S., 30x16 cm, Auflage: 1.000, , ISBN/ISSN 9782954197425
    Broschur, in silberner Kunststoff Schutzhlle mit Aufkleber
ZusatzInfos
  • A reflection about the status of the image as a balance of forces in tension and a paradoxical act of cancellation of the body through its own representation. In Ion Grigorescus work, as in the book, the body is continually shown in different ways - from photography to film, from performance to drawing - and yet it remains absent, obscuring its own identity in an attempt to question the collective one. As it is impossible to show his art during the regime, it ends up hiding, disappearing inside the image. Instead of showing, the image conceals, because it is non-documentary and non-transmittable. it is an act of birth, a prove of the artists resistance, especially as a human being inside (or against) any geographical or historical background. In the rituals of his gestures and in the symbolism of his performances, Grigorescu finds a way to stay alive, preserving his own intellectual status while also defending the dignity of everyday life. The book traces the progression, both expansive and inclusive, of his work, which inscribes itself into the space of the body and of the world. Grigorescu absorbs elements of the surrounding reality, showing us a continuity between art and life: his act of dissidence is not an outcry of provocation, nor is it extreme. it is an anti-aesthetic operation which uses experimentation and rough techniques to uncover the fiction of art, to denounce the artifice of representation and to affirm images as an instrument of subversive power.
    Text von der Webseite.
Beteil. Personen
Sprache
Stichwort
Geschenk von Giuliana Prucca
TitelNummer
026563729
Einzeltitel =



Verfasser
Titel
  • ruine 06 - The Grli From Ipanema (and other texts)
Ort LandMnchen (Deutschland) Medium Zine / Flyer, Prospekt
Techn. Angaben
  • 36 S., 21,6x15,3 cm, Auflage: 90, 3 Teile. , ISBN/ISSN 9783947250196
    2 auf farbige Papiere fotokopierte Hefte, Drahtheftung, ineinander gesteckt, zusammen in gefaltetem Blatt A3 mit Prgedrucken
ZusatzInfos
  • Zum Release und zur performativen Lesung im Caf Bellevue de Monaco in Mnchen am 06.12.2018 um 19 Uhr.
    Adelaide Ivnova (1982, Recife/Brazil) is a journalist and political activist working with poetry, photography, performance, translation and publishing. Her poems were translated into German, Galician, English, Spanish, Greek and Italian. Her texts and photographic work were printed in publications such as The Huffington Post (USA), Marie Claire (BR), Clinic (UK), alba londres (UK), Lateinamerika Nachrichten (GER), artiCHOKE (GER), modern poetry in translation (UK). Her photo reportage are part of the collection of Kunst Museum Dieselkraftwerk (Germany), Larthotque Museum of Fine Arts (France) and Galeria Murilo Castro (Brazil). She edits the anarco-feminist zine MAIS PORN, PVFR! (proudly not online) and is co-founder of RESPEITA!, a coalition of Brazilian female poets and slammers. She lives in Berlin, where she tries earn a living as baby-sitter, life model, waiter and other alienating jobs.
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
027047761
Einzeltitel =



Verfasser
Titel
  • To Be Determined - According to the Situation
Ort LandMailand / Gent (Italien / Belgien) Medium Buch
Techn. Angaben
  • 184 S., 24x16,5 cm, , ISBN/ISSN 978 88 6749 351 7
    Broschur mit Klappen; Einband mit aufgeprgtem Foto, Papier Einband mit textilhnlicher Struktur, Vorsatz/Nachsatz bedruckt mit Foto schwarzwei, innen verschiedene Papiersorten fr Fotos, Texte und Zeichnungen. Druck: Tipografia Valdostana
ZusatzInfos
  • Erscheint zur Ausstellung im S.M.A.K., Gent, Belgien,11.03-04.06.2017.
    "Welcome to the world of Dirk Zoete. Because thats what his work is: a conceived universe. The way someone leaning over a table makes a plan and imagines the world. While technology takes us into several intangible dimensions with virtual reality and other applications, Zoete makes us believe the world is still flat. Everything seems to have only a front and a back. As if we still believed that the earth is just a disk, and we can fall off. Zoetes drawings are clumsy, intermittent, naive, adventurous, simple. Its like a childs imagination, depicting in a heap what you otherwise cannot fit on a piece of paper." Philippe Van Cauteren. Published in occasion of his first major solo exhibition in a Belgian museum, To be determined. According to the situation, held at S.M.A.K. in Gent in 2017, this catalogue explores Dirk Zoetes peculiar practice. Enriched by essays and texts by Philippe Van Cauteren, Stephan Berg, Koen Peeters and Ann Hoste, the book is a journey through the artists processwho, starting from a drawing, generates models, sculptures, architectural constructions, photos, films. An all-encompassing approach that makes the Belgians work outstand as a natural successor of the German Bauhaus and Russian Constructivism, but with a more human touch.
    The catalogue features a wide selection of images, presenting the many different stages of transformation of a drawing into a three-dimensional piece, and the hybrid nature of the exhibition set-up, a mix of a museum show and an artists studio, both essential characteristics of Zoetes art."
    Text von der Webseite
Beteil. Personen
Geschenk von Albert Coers
TitelNummer
028101777
Einzeltitel =



Verfasser
Titel
  • Paper News - Special Edition: Women in Print - November 2018
Ort LandParis (Frankreich)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 4 S., 29,7x21 cm, Keine weiteren Angaben vorhanden
    Ein Blatt, gefaltet
ZusatzInfos
  • Although the history of photography and the history of photo and artists books is widely documented, collected, exhibited, and discussed, the legacy of women using photography in print is underdocumented, cursory, fragmentary and too often, inaccurate. Women were always at the forefront of innovation and the political debate on photography, despite the harsh conditions in which they often lived and worked, but their voices and their historical contribution are still marginalised. As the feminist art historian Linda Nochlin asked, what are the implications of this rejection and what elements of these practices do we need to reevaluate? And why does it matter, beyond the historical inaccuracies? On the occasion of Paris Photo, Paper News is launching this Special Issue dedicated to women in print.
    Text aus dem Heft.
Sprache
Geschenk von Christoph Mauler
TitelNummer
026312728
Einzeltitel =



fluxus-on-demand-017
fluxus-on-demand-017
fluxus-on-demand-017

Brandstifter (Brand Stefan), Hrsg.: Flux on Demand 017 - Tim Olive & Anne-F Jacques, 2017

Verfasser
Titel
  • Flux on Demand 017 - Tim Olive & Anne-F Jacques
Ort LandMainz (Deutschland) Medium Musik-Kassette, MC
Techn. Angaben
  • 17,5x10 cm, Auflage: 30, signiert, Keine weiteren Angaben vorhanden
    C-30 Audio Tape, zwei Bltter, bedruckt, in beschrifteter Plastikhlle
ZusatzInfos
  • Repetetive music with selfbuilt machines. Recorded live May 11 2017 Walpoden Akademie Mainz, mastered by BS & Anne-F, photo by Brandstifter.
    Anne-F Jacques and Tim Olive use handmade, idiosyncratic instrumentation to produce and amplify detailed sound textures, from fine-grained to coarse. They share a tactile, lo-tech approach to improvised sound composition, manipulating diverse objects and materials in conjunction with somewhat unpredictable audio pickup/amplification systems to create a music in turns serene and agitated, pellucid and dense, fluid and gritty. Jacques uses small electric motors and Olive employs magnetic pickups; both sources are modified, manipulated and amplified. The hands-on nature of their instrumentation results in performances which are both sonically captivating and visually intriguing.
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
028570814
Einzeltitel =



Verfasser
Titel
  • INbook OUTbook IFbook - An Artist Book Platform
Ort LandFoligno (Italien) Medium Buch
Techn. Angaben
  • 208 S., 24x16,5 cm, Auflage: 1.000, , ISBN/ISSN 9788890345951
    Abbildungen schwarz-wei und farbig. z.T. grnes Papier
ZusatzInfos
  • this book is a book project published by Viaindustriae that involves contemporary artists in thematic exhibitions and side vents. There are studies and researches by operators, curators, publishers, and specific artist's interventions in the pages. The discussion panels opened within a series of workshops are included in the publication that treats the archiving criteria in the artist's book practice. The operation focuses on three sections: INbook (filing and actions), OUTbook (multiplication and digression), IFbook (artist's book and infinite hypothesis). There are texts by Emanuele de Donno, Giorgio Maffei, and specific pages projects by Celine Comporelli, Imvermomuto, Dubbin/Davidson, Amedeo Marteghni, M+M, Daniela Comani, Banu Cennetoglu, Markus Miessen, Daniel Eatcock, Helen Sommer, Edamimomda/Cramer, and Documentation Celine Duval.
    from the publisher
Sprache
Stichwort
TitelNummer
009055249
Einzeltitel =



Verfasser
Titel
  • The Silent Scream: Political and Social Comment in Books by Artists
Ort LandPetersham (Australien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 190 S., 24,5x20,5 cm, , ISBN/ISSN 9780987160607
    Klappeinband, beigelegt ein Brief und Visitenkarte von Monica Oppen
ZusatzInfos
  • Preface by Sarah Bodman, Essays by Walter Struve (librarian State Library of Victoria), Dr Scott McQuire (Associate Professor and Reader, School of Culture and Communication, University of Melbourne), Humphrey McQueen (freelance historian) and Des Cowley (Rare Printed Collections Manager, State Library of Victoria).
    The Silent Scream: political and social comment in books by artists presents, not only a companion catalogue to an exhibition held at Monash University Rare Books, but also a journey through some of humanity's most inhumane and hypocritical moments. Reaching back to William Blake with a facsimile of his illuminated book America: A Prophecy then travelling through the two world wars and on to the modern era the catalogue provides insights into 77 influential books and works presented in book form.
    Von der Webseite
Stichwort
Geschenk von Monica Oppen
TitelNummer
009098253
Einzeltitel =



Verfasser
Titel
  • Notes from the Cosmic Typewriter - The Life and Work of Dom Sylvester Houdard
Ort LandLondon (Grobritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 192 S., 26,5x18,5 cm, , ISBN/ISSN 9780956962331
ZusatzInfos
  • This book is the first since the early 1970s devoted to the extraordinary British Benedictine monk, scholar, translator, concrete poet and artist Dom Sylvester Houdard (192492). Edited by Nicola Simpson, with new essays by Gustavo Grandal Montero, Rick Poynor, David Toop and Charles Verey, Notes from the Cosmic Typewriter offers a broad and richly illustrated introduction to this major artistic and theological figure.
    Besides many of Houdards typestracts the concrete poems produced entirely with his Olivetti typewriter this book also includes examples of his lesser-known poem-objects, a selection of key texts, as well as never-before-published performance scores. In both his spiritual views and artistic output, Houdard stands out as a model of insatiable curiosity, building around him a vast network of enlightened poets, visual artists, performers, musicians and thinkers of all faiths and walks of life.
    Text von der Webseite
Stichwort
TitelNummer
009751324
Einzeltitel =



Verfasser
Titel
  • Destroy All Monsters Magazine 1976-1979
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 270 unpag. S., 27x20,8 cm, Auflage: 3.000, , ISBN/ISSN 9780978869786
    verschiedene Papiere, erste Seite mit Schablone gesprht
ZusatzInfos
  • Facsimile edition of Destroy All Monsters Magazine including remnants of the "lost" seventh issue, which was never released. Destroy All Monsters Magazine features work by Mike Kelley, Cary Loren, Niagara, and Jim Shaw.
    Destroy All Monsters Magazine was edited by Cary Loren and contained artwork, photographs, and flyers from band mates Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Printed using any papers and techniques available to the band, the issues combine the cut and paste tactics of punk zines with a psychedelic affinity for color. Destroy All Monsters Magazine functions as a kind of manifesto, providing insight into the band through densely layered pages with movie imagery, kitsch, cartoons, delicate drawings, and counter-culture collages. While Destroy All Monsters has been the subject of recent exhibitions and partial reprints, this is the first time that all issues have been reprinted.
    Text von der Verlagswebseite
TitelNummer
010357361
Einzeltitel =



Verfasser
Titel
  • Boot Print, Volume 1, Issue 1
Ort LandSt. Louis, MO (Vereinigte Staaten von Amerika) Medium Zeitschrift, Magazin
Techn. Angaben
  • 32 S., 41x29 cm, Keine weiteren Angaben vorhanden
    Bltter lose zusammengelegt, einmal gefaltet
ZusatzInfos
  • Boot Print Volume 1/Issue 1 covers the Boots exhibitions and happenings. The inaugural exhibition The Politics of Friendship and Georgia Kotretsos solo show 10 Fingers 88 Teeth looks at five different models of artist-run spaces La Panaderia, Mexico. Kling and Bang, Iceland. PiST, Turkey, and SubCity Projects, in the United States. discusses forms of arts publishing and distribution. features Adelheid Mers insightful diagrammatic chronicle alongside Vilem Flussers Crisis of Linearity (1988), the first translation into English. and last, speaks with influencial curatorial voices about their practice sush as Anne-Laure Oberson. Vasif Kortun. Xenia Kalpaktsoglou, Poka-Yio, Augustine Zenakos. Mary Jane Jacob and Shannon Fitzgerald about the local and international art scene, as well as the debutant Destroy Athens Biennial.
    Text von der Webseite
Sprache
Stichwort
Geschenk von Hammann & von Mier
TitelNummer
010562359
Einzeltitel =



Verfasser
Titel
  • Artist Music Journals Vol. 1 No. 12 - Eye
Ort LandBrooklyn, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 24 unpag. S., 26,5x26,5 cm, Auflage: 1.000, Keine weiteren Angaben vorhanden
    Drahtheftung, Heft in Pappschuber mit Aufkleber
ZusatzInfos
  • This is the twelfth and final edition of Soundscreen Design's Artist Music Journals series, featuring the work of Eye, known primarily as the vocalist for the Japanese band Boredoms and also for his prolific visual art portfolio. He used this project as an opportunity to design for dozens of imaginary bands, including original album art and vinyl details.
    Eye lives and works in Japan, and is known primarily as the vocalist of the Boredoms (Voredoms), but has also worked with artists such as Nam June Paik and John Zorn, and has recently started performing solo as DJ Pika Pika Pika. In addition to his musical activities, Eye is an accomplished visual artist - his work includes collaborations with Shinro Otake (as Puzzle Punks), and he has designed many record covers, including the jacket of the Beck album Midnight Vultures
TitelNummer
010680375
Einzeltitel =



Verfasser
Titel
  • souvenirs vols
Ort LandMnchen (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 24 unpag. S., 21x14,7 cm, Auflage: 30, signiert, Keine weiteren Angaben vorhanden
    Drahtheftung, zwei verschiedene Papiere, in Pergaminhlle
ZusatzInfos
  • 'say cheese', 'please laugh', 'show your smile' - this is what people usually say, when they take a private picture of their friends or family. These pictures normally remain in the private sphere of the photographer and are only shown to a selected audience. For this conceptual and experimental photo-series such private images have been forcefully appropriated: individual prints have been taken randomly from drug stores and photo developers, the pictures where selected and then set in relation to others. The negatives of these images were not taken. Unlike the concept of the objet trouv, where found objects and materials are the basis for creative work, the images used in this project are objets appropris, they have been actively taken rather than found. They are documents of other peoples memories, memento mori of their existence, beautiful in their own right. By blurring and distorting them, the concept of remembering and forgetting, documentation and memory is questioned.
    Text von der Webseite
TitelNummer
011762418
Einzeltitel =



Verfasser
Titel
  • Boletim, No. 1 - Arquitectura - Architecture
Ort LandValencia (Spanien)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 47 S., 21,8x14,5 cm, Auflage: 200, , ISBN/ISSN 9788494070129
    Drahtheftung
ZusatzInfos
  • Following the example of French and British railway companies, C.P. (Portuguese Railways) built houses and social facilities between 1910-20, to support its employees and their families. Key projects implemented during the first quarter of the twentieth century included the Boneca neighbourhood, for retired railway workers, and the Vila Verde neighbourhood, in the alignment of the Bairro Cames neighbourhood. The latter was built in 1926 designed by Cottinelli Telmo and Lus da Cunha. All these neighbourhoods are located in the city of Entroncamento. The city itself was created because of the railways. The station was the first dwelling - at the time a small tent (1862). This new venture provoked major migration from the interior of Portugal, of those who wanted to work for the Company. As a consequence, C.P. (Portuguese Railways) developed a plan, involving a series of ambitious social support structures, perhaps unique at the national level. The company built neighbourhoods for employees, a school, a supplies warehouse, an anti-tuberculosis dispensary that operated as a health centre and also encouraged the development of sporting activities. In parallel with technological evolution and development of railway activities, the workshop area was expanded, included reinforced staff training, which reached a peak when a training centre was built, that is today called FERNAVE, house in a huge building, built from scratch for these functions and which formerly housed the Instituto Superior de Transportes (Higher Transport Institute).
    Text von der Webseite
Stichwort
TitelNummer
011779412
Einzeltitel =



Verfasser
Titel
  • SIX HANDS AND A CHEESE SANDWICH
Ort LandLjubljana / Berlin (Slowenien / Deutschland) Medium Heft
Techn. Angaben
  • 20 unpag. S., 18x14 cm, Auflage: 3.000, , ISBN/ISSN 9783868740080
    Drahtheftung
ZusatzInfos
  • Ruscha der Fischotter aka: Printed Matter And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As After Ruscha aka: One Hundred Views Of One Hundred Views Of Mount Fuji, If Someone Says So aka: SIX HANDS AND A CHEESE SANDWICH is a book about books, a catalogue and an art/bookwork in its own right.
    Content: By now the appropriation and paraphrasing of Ed Ruscha constitutes a genre of its own. The first were 1968 Bruce Nauman with 'Burning Small Fires' and 1971 'Ed Ruscha' (actually Joel Fisher) with 'Six Hands and a Cheese Sandwich', with further appropriations or hommages over the decades, and in the last years it almost became fashionable, the evidence is massive.
    Text von der Webseite
Beteil. Personen
TitelNummer
014475524
Einzeltitel =



Verfasser
Titel
  • Esopus 23
Ort LandBrooklyn, NY (Vereinigte Staaten von Amerika) Medium Zeitschrift, Magazin
Techn. Angaben
  • 254 S., 29x23 cm, , ISBN/ISSN 9780989911726
    Klappbroschur, verbautes Fach mit eingelegtem Heft, diverse eingelegte, teils gefaltete Bltter auf verschiedenen Papieren, eingebundenes Plakat, gestanzte menschliche Figuren, eingeklebte Audio-CD in Schutzhlle,
ZusatzInfos
  • Esopus 23 includes stunning artists projects by Marilyn Minter (a brand-new series of workincluding a removable insertincorporating metallic and translucent specialty papers.), Mickalene Thomas (a mesmerizing collection of collaged images created for the issue including die-cuts, embossing, and specialty varnishesand another detachable insert). Karo Akpokiere (a beautiful series of drawings, perforated for easy removal by readers, by the Lagos- and Berlin-based artist dealing with the challenges related to moving between two distinctly different cultures). Jody Wood (an in-depth look at the artists most recent iteration of her Beauty in Transition project, in which she provides hair-care and therapeutic services to homeless-shelter residents and their caregivers). Chuck Kelton (the master printer for photographers such as Mary Ellen Mark and Danny Lyon creates his own series of dramatic photogram landscapes, including a stand-alone, frameable print). and Stefan Krten (an exquisite series of drawings incorporating complex folds related to mirrored elements within the images themselves).
    Text von der Webseite
Sprache
WEB Link
TitelNummer
015960543
Einzeltitel =



Verfasser
Titel
  • Connect the dots (however you like)
Ort LandLissabon (Portugal)
Verlag Jahr
Medium PostKarte
Techn. Angaben
  • 2 S., 11x16 cm, Keine weiteren Angaben vorhanden
    Postkarte
ZusatzInfos
  • Fabrica Features is the brand communicating the ideals and creative output of the Fabrica design studio. It is defined by the attitudes and creations of the young international people who work there, refreshed by the coming and going of studio members. Their process is informed by enquiry into rituals and materials, defining a language that is thoughtful, eclectic and alternative. The focus is on conceptual objects, limited collections and prototypes, produced under the brand which is the meeting point between the studio and the outside world. Such encounters happen in galleries, museums, online and designated Fabrica Features spaces found throughout Europe. Text von Website
Stichwort
TitelNummer
016259601
Einzeltitel =



Verfasser
Titel
  • We are not alone We are a fly in the milk of infinity
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 128 S., 29,7x21 cm, Auflage: 150, , ISBN/ISSN 9789963225101
    Softcover, Klebebindung
ZusatzInfos
  • Christophoros Kyriakides was born in Nicosia, Cyprus in 1949. He was an architecture draughtsman and considered himself an inventor. In 1988 he self-published Six Continents Stars Compass, an entertaining and educational board game. He considered the game inventive, recreative and formative for all ages and intended its global distribution. The game received no recognition from the public and now only a few copies exist.
    In the board game, Kyriakides draws a journey with impossible objects, invented maps, landscapes and anagrammatic poetry with mathematical diagrams. One comes across an abstracted reflection of 80s locality, world politics, obsession with the American dream, an isolated emotional darkness but also a universal landscape. A chance encounter of Marina Xenofontos with this game catalysed a strong fascination that led to the uncovering of his archive. This publication, a part of Xenofontos practice-based research, brings to the fore the rich universe of Kyriakides personal symbolism that shecreatively harnesses as a means of an alternative, atypical handling and systematisation of themes and issues that she finds affinities with.
    Evagoras Vanezis.
    Text von der Webseite
Stichwort
TitelNummer
016614593
Einzeltitel =



Verfasser
Titel
  • Six years: The dematerialization of the art object from 1966 to 1972 ...
Ort LandBerkeley, CA / Los Angeles, CA (Vereinigte Staaten von Amerika) Medium Buch
Techn. Angaben
  • 272 S., 21,5x17,5 cm, , ISBN/ISSN 9780520210134
    Hardcover, Exlibris der Pratt Institute Library, mit Ausmusterungsstempeln
ZusatzInfos
  • Titelergnzung: The dematerialization of the art object from 1966 to 1972 : a cross-reference book of information on some esthetic boundaries : consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, antiform, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones), edited and annotated by Lucy R. Lippard.
    In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documentsincluding texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists a historical survey and essential reference book for the period.
    Text von der Webseite
    Ursprnglich publiziert 1973 bei Praeger, New York
Sprache
TitelNummer
023699657
Einzeltitel =



Verfasser
Titel
  • Something To Put Something On
Ort LandGttingen (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 48, unpag. S., 21x25 cm, Auflage: 1.800, , ISBN/ISSN 978 3 944630 02 1
    Ungebundenes Exemplar, Druckbgen lose ineinander gelegt, mit Druckkontrollstreifen als Bauchbinde zusammengehalten
ZusatzInfos
  • What is a table? Lawrence Weiner asks the question that has held his interest since his earliest days of art making. Neither story book, nor autobiography, nor reference book, SOMETHING TO PUT SOMETHING ON is a questioning book, endowed with its makers celebrated wordly wit and aimed at engaging young readers, among others, in an inquiry that has spanned a lifetime. Weiner wields his red, blue, and orange letterforms and graphic figures to take up the question of a human beings relationship to objects and teases the reader into looking at a table in an entirely new light.
    Text von der Website
    Something to Put Something On by Lawrence Weiner (folded and gathered signatures of the book before binding). 2017 Lawrence Weiner and Little Steidl Verlag, all rights reserved. Reproduced with permission of the publisher. Folded and gathered signatures of the edition courtesy of the publisher. The book was printed by Nina Holland on Zerkall Werkdruck Velin 170g with red, blue, orange and black inks.
Beteil. Personen
Sprache
Stichwort
Geschenk von Nina Holland
TitelNummer
024361661
Einzeltitel =



Verfasser
Titel
  • Against Translation
Ort LandParis (Frankreich)
Verlag Jahr
Medium Sammeltuete, Schachtel, Kassette
Techn. Angaben
  • 256 S., 16,7x10,3x3,3 cm, 8 Teile. , ISBN/ISSN 9782365680127
    8 Bchlein in Schuber, Fadenheftung, Beiblatt
ZusatzInfos
  • 1. Auflage
    The author discusses the impasses and shortcomings of translation, this approximation of discourse that produces a new discourse and he opposes the notion of displacement, a phenomenon born of globalization: if people and objects are moved, so it will for language. Using the example of the inffuence of advertising, information flow and the effects of networking, Kenneth Goldsmith shows the obsolescence of the act of translation and reflects on the idea of movement. Movement is the new reality which tends to impose its standard upsets linguistic structures, social and political worlds, and profoundly changes our cultural practices.
    Following Theory a sum of 500 texts printed and assembled in the form of a ream of paper , Against Translation is the second book of Kenneth Goldsmith published by Jean Boite ditions.
    Text von der Webseite
Beteil. Personen
TitelNummer
024603674
Einzeltitel =



Verfasser
Titel
  • Remote Scottish Postboxes (The Postcards)
Ort LandBristol (Grobritannien)
Verlag Jahr
Medium Sammeltuete, Schachtel, Kassette / PostKarte
Techn. Angaben
  • [24] S., 20,3x12,5x1,5 cm, Auflage: 2.000, , ISBN/ISSN 9780993232374
    Pappschachtel mit ausgestanztem Fenster, 12 Postkarten
ZusatzInfos
  • Edition of 2000
    Martin Parrs Scottish Postboxes have been described as the prolific photographers only contribution to landscape photography. However, what Mr. Parr has achieved with these images is more a series of portraits of the lonely outposts of civilisation. The Postboxes in each place, standing out red and awkward against the lonely and beautiful Scottish backdrops each have a personality and a character of their own.
    The postboxes are not only characters in the places they inhabit, they are symbols. the steadfast outposts of the institution that is the British postal service set against the untamable Scottish landscape invite the viewer the pause and ponder on their own place in the world.
    When you are in the middle of nowhere, in a bleak landscape and in wild weather, these little post boxes are strangely comforting, a sign that other people are around, that life is going on, and that you are connected to the world Susie Parr
    This box contains twelve of Parrs Postboxes, presented as postcards a most appropriate form for the images to find themselves in, whether their fate is to be collected and cherished or themselves posted and shared.
    Text von der Webseite.
Sprache
TitelNummer
025233707
Einzeltitel =



Verfasser
Titel
  • Far Cry
Ort LandGttingen / Porto (Deutschland / Portugal) Medium Buch
Techn. Angaben
  • [148] S., 32,6x25,4 cm, , ISBN/ISSN 3865211224
    Hardcover mit Leineneinband und Prgedruck.
ZusatzInfos
  • Anlsslich der gleichnamigen Ausstellung von Paulo Nozolino im Museu de Arte Contemporanea de Serralves, Porto, 07.05.-10.07.2005.
    Paulo Nozolino only makes black and white photographs and they are dominated by an impossible darkness that seems impenetrable to light. The photographs were made all over the world - notably in countries of the Arab world - but in the majority of cases it would be difficult to attribute a specific location to them.
    Photographs from Auschwitz are the decisive exception. Auschwitz appears as the absolute place and time that orientates everything else. In thirty years of a career as a photographer, Nozolino has constantly intensified his tragic vision of reality: this is visualised in pictures that originate from his own biography and travels. in pictures of men, women and children. in pictures of birth, love making and death.
    This publication assembles for the first time photographs from Nozolino's different projects over the years, to form a new narrative, untold until now: the narrative of beginning and ending, and at the same time the narrative of his life's work.
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
025595K56
Einzeltitel =



Verfasser
Titel
  • European-art.net - your link to the art world
Ort LandWien (sterreich)
Verlag Jahr
Medium Flyer, Prospekt
Techn. Angaben
  • [4] S., 21x14,8 cm, 2 Stück. Keine weiteren Angaben vorhanden
    einmal gefaltet
ZusatzInfos
  • European-art.net connects different art archives and their digital databases. Widely ramified information (basic data, texts, images) on individuals, groups and institutions as well as details about exhibitions and literature can be obtained free of charge by means of a central search engine.
    As a meta-database, european-art.net does not itself provide any data on artists and other related subjects but refers to the intrinsic data of its institutional partners. The highly professional profile of the partner institutions stands for the reliability of its contents.
    Names, groups and institutions are listed alphabetically. You can either search per letter and get all the listed references to artists, groups and institutions, or you can type in a name (minimum 3 letters) and will get the references to the databases, where you can find more material. If you misspell the name or if the artist is listed with more than one name, you will find different entries.
    Text von der Webseite
Sprache
TitelNummer
026216801
Einzeltitel =



20_adam_hayes
20_adam_hayes
20_adam_hayes

Hayes Adam: What I do, 2017

Verfasser
Titel
  • What I do
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke, Nr. 020 aus der Reihe 100for10.
    Adam Hayes is a specialist in hand-rendered typography and intricate, intelligent illustration. His prolific work style has generated an impressive portfolio that reflects an interest in vernacular lettering and a fascination with urban and natural landscapes. Adams creative process sees his simple pencil sketches transformed and refined into elaborate and optimistic illustration. Each project is concept-driven, allowing his work to grow and maintain a sense of energy and sophistication. A graduate of the Royal College of Art, Adam has since established a diverse client base which welcomes collaboration with global companies, charitable organisations and small, local start-ups.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026289741
Einzeltitel =



21_martin_fengel
21_martin_fengel
21_martin_fengel

Fengel Martin: 100 camels for 10 women, 2017

Verfasser
Titel
  • 100 camels for 10 women
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke, Nr. 021 der Reihe 100for10.
    Fengel lives and works in his hometown, where he visited the Bavarian state institute of photography from 1986 to 1988. After that he lived in New York until 1991. In addition to regular illustrations and illustrations for well-established newspapers and magazines, such as ZEITmagazin and Vice, numerous national and international exhibitions took place. Fennels work is in the collection of the Munich Pinakothek der Moderne, the Stdtische Galerie in the Lenbachhaus, the DEKA-Bank, the Fotomuseum Munich, the Museum of Modern Art in Frankfurt am Main and the Munich Re. Fengel also works as a filmmaker and shoots videos for DJ Hell. Together with Jrg Koopmann, he runs the glossy photo forum in Munich, which Koopmann founded together with Marek Vogel in 1997. In 2000, he founded the award-winning agency Herburg Weiland with Judith Grubinger and Tom Ising.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026290741
Einzeltitel =



27_50_cent_illustrations
27_50_cent_illustrations
27_50_cent_illustrations

Sthr Eva-Maria / Maier-Bode Fabian: 50 Cent Illustrations, 2017

Titel
  • 50 Cent Illustrations
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke, Nr. 027 aus der Reihe 100for10.
    Hate it or love it the underdogs on top. This basically says everything about Eva. Born and raised in the bavarian desert she made her way up north to study graphics and end up in Berlin. Being everything and nothing. Graphics, drawing, painting and writing was always part of her social media lifestyle.
    FABIAN MAIER-BODE is a graphic designer currently working in Berlin. The starting point and main engine of his practice is a significant interest in type and content. Thats why he develops straight-forward and methodically design solutions that aim to be conceptually strong, contextually innovative and personally challenging.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026299741
Einzeltitel =



64_mrka
64_mrka
64_mrka

Mrka: Shake, 2017

Verfasser
Titel
  • Shake
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke
    Lucas Benarroch, aka MRKA, treats his painting, collage and graphic design as an unquenchable obsession. His passion for precision can be seen throughout his work. His creations are versatile in both style and medium. MRKA was born and raised in Madrid. He moved to New York and attended Parsons The New School for Design. The transition to the United States has pumped his work ethic into overdrive. His work has been featured at galleries and exhibitions in Madrid, New York, Buenos Aires and Miami including Gallery 151, Wallplay, Museo Mar and Gregg Shienbaum Fine Art. His commercial work includes clients such as HBO, Pepsi and The Wutang Brand.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026353741
Einzeltitel =



Verfasser
Titel
  • Gender Studies in Architecture - Performativity The relationship of public and protected space
Ort LandMnchen (Deutschland) Medium Zine / Sammeltuete, Schachtel, Kassette
Techn. Angaben
  • 20x40 cm cm, 10 Teile. Keine weiteren Angaben vorhanden
    Konvolut mit Heften/Zines unterschiedlicher Formate A6-A5 in Plastiktte des Lenbachhaus mit Applikationen aus farbigem, geschnittenem Tape und Geschenkband. Teils Collage von ausgedruckten Fotos auf Transparentpapier, Fold-outs, gezeichnete u. geklebte Karten, bereinandergedruckter e-mail-Verkehr zum Seminar, Ausdruck des Seminarprogramms, als Binde um das Konvolut. Handschriftlicher Begleitbrief
ZusatzInfos
  • Produziert zum Seminar von Frauke Zabel an der TU Mnchen, Oktober/November 2018. In diesem Rahmen auch Besuch im AAP am 03.11.2018.
    Based on an observation of public, semi-public and commercial spaces in which we move in Munich today, the seminar takes a look at the regulation of the public space (gender construction and repression of political opinions) in different times and cultures. We will consider various counter cultural movements in their emergence in relation to the public space of the respective time. Why do counter cultural movements withdraw from the public space into protected spaces and imitate a form of reality in them? We will look at the development of Brazilian theater under military dictatorship in the 1960s in Brazil by examining two architectural examples. The imaginative space of the theater, in which the reality is put into negotiation, will be regarded in relation to the imitation of the public space in the Ballroom culture of the 1980s in New York. There people were able to perform and to imitate (gender) roles, which the society did not provide for them. These historical references are complemented by a consideration of the current LGBTQ+ movement in different locations worldwide and their relationship to the public space. What are the moments that engage counter cultural movements to move in public space to gain visibility? We will look at examples like invisible theater, artistic processions, performances, parades and manifestations.
    Text von der Webseite
Sprache
Geschenk von Frauke Zabel
TitelNummer
026460680
Einzeltitel =



Verfasser
Titel
  • MONO.KULTUR #35 Marina Abramovic - Army of Me
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin / Heft
Techn. Angaben
  • 48 S., 20x15 cm, , ISBN/ISSN 18617085
    Drahtheftung
ZusatzInfos
  • Frequently using her own body as a starting point, she has subjected herself to ordeals testing physical and psychological boundaries, as she did most famously during the 736 hour-performance The Artist Is Present, where visitors were invited during the course of her large retrospective to sit opposite Abramović. and share a silent but intense contact that often caused a highly emotional response an act that in its very simplicity can be seen as a radical culmination of a 40 year-process of reduction and concentration.In a satisfyingly confrontational and open conversation, Marina Abramović. talked with mono.kultur about the nature of invisible energy, the many criticisms she has been facing and what cosmetic surgery has to do with art. Graphically, the issue is an exercise in friction and restraint, by setting up the three elements of text, images and subtitles on different grids and letting chance run its course. All works were selected by Marina Abramović. as personal milestones in her career.
    Text von der Website.
Beteil. Personen
Sprache
WEB Link
TitelNummer
026622737
Einzeltitel =



Verfasser
Titel
  • MONO.KULTUR #32 Martino Gamper - All Channels Personal
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin / Heft
Techn. Angaben
  • 56 S., 20x15 cm, , ISBN/ISSN 18617085
    Drei Hefte in verschiedener Gre broschiert, mit Drahtheftung
ZusatzInfos
  • Martino Gamper is the kind of product designer we all have been waiting for: Brimming with ideas, energy and humour, his designs are disarmingly irreverent and irresistibly fun, and unlike anything one will see in the puristic galleries of contemporary design. Crossing over from studying sculpture to completing an MA in product design at the prestigious Royal College of Art under Ron Arad, Gamper has had little time to worry over the theoretical dos and donts of his profession instead, he has followed a simple rule of learning by doing, meaning: the more you do, the more you learn. With mono.kultur, Martino Gamper talked about his idea of fun, why a chair is the ultimate challenge and what design has in common with cooking. Visually, the issue is bursting with references and ideas, reclaiming image material from left and right, while unveiling the structure of a book with three booklets of different sizes all lovingly assembled into one and manually at that, which makes for some rough edges or rather what we like to call extra personality.
    Text von der Website.
Beteil. Personen
Sprache
WEB Link
TitelNummer
026623737
Einzeltitel =



Verfasser
Titel
  • ArtsLibris Barcelona 2018
Ort LandBarcelona (Spanien)
Verlag Jahr
Medium Objekt, Multiple
Techn. Angaben
  • [4] S., 23x16 cm, Auflage: 700, 2 Stück. Keine weiteren Angaben vorhanden
    Leichter Karton, bedruckt, einmal gefaltet, eingelegt ein Paar weie Handschuhe bedruckt und in Plastikhlle, in bedrucktem Briefumschlag. Einmal ungeffnet
ZusatzInfos
  • ArtsLibris, International Fair of Artists' Books and Contemporary Edition, holds its 9th edition from 21.04.-23.04. at Arts Santa Mnica. The ArtsLibris Barcelona 2018 program includes the 5th International Symposium on Editions and Collecting and the Speakers' Corner presentations, as well as the exhibitions Biblioteques inslites, curated by Glria Picazo, and Nova York en fotollibres, curated by Horacio Fernndez. the presentation of the fourth book of the AL Series, by Wilfredo Prieto, and several workshops. Besides, as every year, the ArtsLibrisBanc Sabadell Foundation Award will be granted. ArtsLibris has two projects of limited editions: the AL Series, a collection of artists' books produced with the support of Fundaci Banc Sabadell, and the limited edition of tote bags and gloves, sponsored this year by Blueproject Foundation and designed by Ignasi Aball.
Sprache
Geschenk von Mela Davila
TitelNummer
027146758
Einzeltitel =



Titel
  • Rage, Heal, Root, Grow
Ort LandBrooklyn, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [42] S., 28,9x22,2 cm, Auflage: 200, signiert, Keine weiteren Angaben vorhanden
    Fadenheftung, sechsfarbiger Risographie, letzte Seite ausklappbar
ZusatzInfos
  • Rage, Heal, Root, Grow is a celebration of the chaos and complexity of life and one persons process of adapting to it. Johnsons postpartum years were challenging. She was fearful of what she saw happeningthat she was disappearing as her male partner was becoming more visible. She struggled to find the time and space necessary to heal her body, and to reconcile the intense inequity of a child-rearing partnership when one partner (her) was nursing. A unique postpartum tale that refuses the female body as its central character. In its place: that bodys voice, and the bespoke flotsam of daily life.
    Rage, Heal, Root, Grow was created on a shared Risograph duplicator over many months while Johnsons child slept in a stroller nearby. She scanned and printed drawings they had made together with markers, watercolors, crayons, pencils, and lots of stamps into symphonic six-color prints. A narrative text describes her experience of raging, healing, rooting herself, and subsequently growing in a new direction.
Sprache
Geschenk von Marshall Weber
TitelNummer
027286763
Einzeltitel =



Verfasser
Titel
  • no one should call you a dreamer / 60 Minutes Later - A Collaborative Zine about Identity / ok werner / We Need Our Days To Be Quiet / days of each other,
Ort LandBradford (Grobritannien)
Verlag Jahr
Medium Zine
Techn. Angaben
  • [20]-[36] S., 21x14,8 cm, 5 Teile. Keine weiteren Angaben vorhanden
    Drahtheftung, Schwarz-Wei-Fotokopien
ZusatzInfos
  • "Ok Werner" is a handmade fanzine made in collaboration with my brother, Glasgow-based musician Brian McEwan about our favourite filmmaker, Werner Herzog. 

    The zine was made over a period of 4 days in late July 2012 at my house in Yorkshire on a self appointed 'Herzog holiday' and contains our personal and collaborative responses to Herzog and his films via interviews, quotes, images and writing.
    "We Need Our Days To Be Quiet" is a sketchbook in zine format, containing collected drawing and collage, text and photography and thoughts, reading and findings from summer 2012.
    Text von der Webseite
Beteil. Personen
TitelNummer
027529749
Einzeltitel =



tonnard-books-vc
tonnard-books-vc
tonnard-books-vc

Tonnard Elisabeth: Books and editions - The world is very large., 2019

Verfasser
Titel
  • Books and editions - The world is very large.
Ort LandLeerdam (Niederlande)
Verlag Jahr
Medium Lieferverzeichnis / Visitenkarte
Techn. Angaben
  • 14,8x21 cm, 3 Teile. Keine weiteren Angaben vorhanden
    Drahtheftung, Preisliste und Visitenkarte
ZusatzInfos
  • Elisabeth Tonnard is a Dutch artist and poet working in artists books, photography and literature.
    She has published over forty books that are exhibited widely and held in numerous private and public collections including the Centre Pompidou, Columbia University, Getty Museum, Kunstbibliothek Berlin, MoMA Library, New York Public Library, Tate Library and the Walker Art Center. Much of her work involves responding to existing books, texts and images, reworking them into new (visual) literature. The works range in scale and method from a book that is completely invisible to a book that is a swimming pool. A catalogue of books is available here.
    Text von der Webseite
Sprache
TitelNummer
027765771
Einzeltitel =



campanello_2019
campanello_2019
campanello_2019

Campanello Kimberly: MOTHERBABYHOME - zimZalla 056, 2019

Titel
  • MOTHERBABYHOME - zimZalla 056
Ort LandYork (Grobritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 796 S., 29,7x20,4 cm, signiert, , ISBN/ISSN 9781907570179
    Broschur
ZusatzInfos
  • The St Marys Mother and Baby Home was run by the Bon Secours Sisters on behalf of the Irish State to house unmarried mothers and their children. The location of the graves of 796 infants and children who died in the Home between 1926 and 1961 is unknown, though local knowledge, the research of local historian Catherine Corless, and recent excavations point to a field near the old site of the Home, as well as the likelihood that some children were illegally adopted. International media attention in 2014 led to the Irish governments Commission of Investigation into Mother and Baby Homes, which is still underway.
    MOTHERBABYHOME is a 796-page report comprising conceptual and visual poetry. An excavation of voices, the poems are composed entirely of text taken from historical archives and contemporary sources related to the Home.
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
028501798
Einzeltitel =



Verfasser
Titel
  • Streichholzbriefchen I got a clit
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Objekt, Multiple
Techn. Angaben
  • 4,8x3,8 cm, 4 Teile. Keine weiteren Angaben vorhanden
    Konvolut aus vier bedruckten Streichholzheftchen, teils handbeschrieben.
ZusatzInfos
  • Teil einer Installation, die in der Ausstellung "Marlene McCarty Mund Verkehr: In die Hose gegangen" in der NGBK Berlin, 6.06.12.07.1992 gezeigt wurde. Aus der Pressemitteilung zur Ausstellung:
    Marlene McCarty (1957) Interesse gilt dem Machtgebaren und den patriarchalen Strukturen, der von ihnen geprgten mnnlichen Umgangssprache. Die alltglichen Sprche die ihr, einer Frau, auf den Straen New Yorks zugerufen werden, die unverstellten oder unverschmten Aufforderungen mit denen sie konfrontiert wird, sind das Ausgangsmaterial fr ihre knstlerischen Strategien wie fr ihre Kunstobjekte.
    Marlene McCarthy zur Installation: This is a floor sculpture and its 15,000 matchbooks. Theyre standard matchbooks you can order from a catalog. On one side they have pinup girls on them, and on the other side I had them print, I got a clit so big I dont need a dick. If youll notice, clit and dick are handwritten. The company had called me up and were like, Ummm, we have a problem. We can print dick but we cant print THAT OTHER WORD. She wouldnt even say the word clit. So I said OK, take the mechanicalthis was in the olden daysand just slice the dick and the clit off. Then I got some friends together and we wrote them all in by hand. Im reproducing these for the retrospective, but the curator is worried about whether we can have NYU students writing dick and clit 15,000 times. Maybe the seniors can do it.
    Texte von den Webseiten.
Sprache
Geschenk von Joachim Schmid
TitelNummer
025522689
Einzeltitel =



Titel
  • DAS TREFFEN DREIER PUNKTE - Kapitel 1
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [48] S., 19x12,3 cm, Keine weiteren Angaben vorhanden
    Gefaltete Einzelbltter, mit Gummiband gebunden.
ZusatzInfos
  • Katalog zur Ausstellung DAS TREFFEN DREIER PUNKTE, 01.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    Text von der Webseite.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlins public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphicallywith the citys growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the drive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von Joachim Schmid
TitelNummer
027441747
Einzeltitel =



Titel
  • HIDDEN TREASURES - Katipel 2
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [40] S., 19x12,3 cm, Keine weiteren Angaben vorhanden
    Gefaltete Einzelbltter, mit Gummiband gebunden, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung HIDDEN TREASURES, 03.,07.,13.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlins public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphicallywith the citys growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the drive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von Der Webseite.
Sprache
Geschenk von Joachim Schmid
TitelNummer
027442747
Einzeltitel =



Titel
  • THE MIDDLE STUFF - Kapitel 4
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [36] S., 19x12,3 cm, Keine weiteren Angaben vorhanden
    Gefaltete Einzelbltter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung THE MIDDLE STUFF, 05.-12.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlins public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphicallywith the citys growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the drive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von Joachim Schmid
TitelNummer
027443747
Einzeltitel =



Titel
  • HOSTING - Kapitel 5
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [64] S., 19x12,3 cm, Keine weiteren Angaben vorhanden
    Gefaltete Einzelbltter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung HOSTING, 02.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlins public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphicallywith the citys growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the drive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von Joachim Schmid
TitelNummer
027444747
Einzeltitel =



Titel
  • RAUMANEIGNUNG - Kapitel 6
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [64] S., 19x12,3 cm, Keine weiteren Angaben vorhanden
    Gefaltete Einzelbltter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung RAUMANEIGNUNG, 19.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlins public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphicallywith the citys growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the drive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von Joachim Schmid
TitelNummer
027445747
Einzeltitel =



Verfasser
Titel
  • Das Ende von Amerika
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium CD, DVD
Techn. Angaben
  • 13x13 cm, Keine weiteren Angaben vorhanden
    naivsuper Nr 010, Musik-CD in Papphlle und transparenter Kunststoffhlle, cover art: Stephane Leonard & Martin Eichhorn
ZusatzInfos
  • recorded in 2006, mastered at ICEM in 2007.
    We are very proud to announce our 10th release !!! and what makes it even better is that its a new dis.playce album!
    The EP is called Das Ende von Amerika (The End of America) and its dis.playces second release on naivsuper. The title refers to the book Amerika by Franz Kafka and should not be interpretated in the wrong way)
    Amerika, also known as Der Verschollene or The Man Who Disappeared, was the incomplete first novel by Franz Kafka, published posthumously in 1927.
    The story describes the bizarre wanderings of a sixteen-year-old European emigrant named Karl Rossmann in the United States, who was forced to go to New York to escape the scandal of his seduction by a housemaid.
    Hope originates when something else is absent and holes need to be filled again. The purpose of hope is to make itself vanish again and to reach a state of mind where Utopia or the promised land of North America wont be needed anymore.
    Kafka puts his hero Karl Rossmann over and over again in situations where he is lacking something only to discover that he is lacking even more. The spiral of hope, disappointment and reproaches seems to be endless. With Amerika Kafka finishes a series of America-fiction from the 19. Century which glorified the United States as the land of boundless possibilities. For Kafka America is not the solution of our problems anymore, it is almost like a second Europe - a land where the problems stay the same.
    Das Ende von Amerika is one 24 minute piece published on high quality CDRs
Stichwort
WEB Link
TitelNummer
008568267
Einzeltitel =



Titel
  • monochrom #26-34 - Ye Olde Self-Referentiality
Ort LandWien (sterreich)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 500 S., 29,7x21 cm, , ISBN/ISSN 9783950237269
    Softcover. 1900 gr
ZusatzInfos
  • WTF is monochrom print? monochrom is a magazine object appearing in telephone book format, which is published by the art/tech group of the same name. monochrom came into being in the mid-1990s as a fanzine for cyberculture, science, theory, cultural studies and the archaeology of pop culture in everyday life. Its collage format is reminiscent both of the early DIY fanzines of the punk and new wave underground and of the artist books of figures such as Dieter Roth, Martin Kippenberger and others. With a great deal of forced discontinuity, a cohesive potpourri of digital and analog subversion is pressed between the covers of monochrom. Each issue is an unnostalgic amalgam of 125 years of Western counterculture cocked, aimed and ready to fire at the present. It is a Sears catalog of subjective and objective irreconcilability -- the Godzilla version of the conventional coffee table book.
    Text von der Webseite
WEB Link
Geschenk von iRRland
TitelNummer
011254394
Einzeltitel =



Titel
  • OFF-Biennale Budapest - Call for contributions to map artistic/curatorial self-organizations worldwide
Ort LandBudapest (Ungarn)
Verlag Jahr
Medium Text
Techn. Angaben
  • 2 S., 29,7x21 cm, Keine weiteren Angaben vorhanden
    Ausdruck einer Email vom 28.2.2015
ZusatzInfos
  • Independent. Contemporary. Art. 24 April 31 May 2015.
    OFF-Biennale Budapest is a series of exhibitions and art events in and beyond the city of Budapest. Its concept is different from traditional biennials as we know them. Not affiliated with any institution, it is a voluntary collaborative initiative of artists, groups of artists, curators, art managers, gallerists and collectors. OFF-Biennale Budapest is a civil initiative, whose aim is to bring a segment of culture, contemporary art, closer to the public at large. OFF proclaims the importance of independent thinking and action, breaking away from clichs and habitual routines. It is meant to demonstrate that contemporary art can foster and catalyse this kind of activity in other words, that contemporary art is much more than mere luxury and a source of aesthetic pleasure.
    Text von der Webseite
TitelNummer
012616304
Einzeltitel =



Verfasser
Titel
  • Everything is About to Happen
Ort LandLondon (Grobritannien)
Verlag Jahr
Medium Presse, Artikel
Techn. Angaben
  • 1 S., 29,7x21 cm, Keine weiteren Angaben vorhanden
    Farblaserkopie nach Webseite re-title.com
ZusatzInfos
  • Zur Ausstellung vom 14.04.-26.04.2014
    The exhibition presents circa 300 books in an attempt to offer an overview, and initiate an archive, of recent artists books. It focuses on publication as a medium and context for art practices. It looks at the ways in which artists use the format of the book as an artistic strategy exploiting, and often expanding upon, its nature as a fixed but randomly accessible sequence of words and images. All the books selected are either self-published or participate in a minor economy of small publishers. Their modes of production and circulation, as well as the conditions under which they are experienced and stored, strengthen their content.
    Text von der Webseite
Stichwort
TitelNummer
013183304
Einzeltitel =



Verfasser
Titel
  • Posters
Ort LandKln (Deutschland) Medium Buch
Techn. Angaben
  • 90 S., 43x28,5 cm, , ISBN/ISSN 9783863356798
    90 lose ineinandergelegte Seiten mit 45 farbigen Abbildungen
ZusatzInfos
  • Herausgegeben von Alice Dusapin & Christophe Daviet-Thery. Beitrge von Steve Roden & Oscar Tuazon.
    Allan Kaprow is considered to be the founding father of the Happening, of Environments and Activities: terms that he continued to redefine throughout his career. With a wide selection of images, this publication documents Kaprow's posters, a lesser-known side of his work, produced between 1953 fand 1996. Most of these posters were designed by Allan Kaprow and are characterized by their aesthetic quality, the earliest ones in particular a combination of hand-lettered text and drawings and the later ones of photographs and typographic text in a minimalist style. More than merely advertising Happenings or Activities, these posters act as scores/tools for the participants to the Happenings and as everyday objects that blur the boundaries between art and life.
    Text von der Webseite
Sprache
TitelNummer
014733K43
Einzeltitel =



Verfasser
Titel
  • B.L.A.D. NO. 07 - RAT SALAD
Ort LandBerlin (Deutschland) Medium Zeitschrift, Magazin
Techn. Angaben
  • 52 unpag. S., 13,5x9,5 cm, Auflage: 300, , ISBN/ISSN 09640974
    Drahtheftung, Rckseite mit Metallfolienprgung, eingelegter Aufkleber, in transparenter Kunststoffhlle mit beigelegtem Blatt, Aufkleber
ZusatzInfos
  • The man, the myth, the rat! Rat Salad! This issue of BLAD is dedicated to the number one bad attitude rock and roll star out there. We will take you down and in to the dark and stinky obscure world of Rat Salad! Here you can find nice slapstick cartoon drawings made by the man himself, ads about his legendary gigs all around the world, and last but not least a splendid in-depth interview with the Rat talking about his career, band and life on the road in general. This is an absolute must to have for all dedicated fans of this obscure character and for heavy rockers with the right attitude in general. As Rat Salad would say "Eat Shit and Die!".
    Text von der Webseite
Stichwort
WEB Link
TitelNummer
016078587
Einzeltitel =



Verfasser
Titel
  • Uniformagazine No. 02
Ort LandDevon (Grobritannien)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 32 S., 21,5x14,5 cm, Auflage: 500, , ISBN/ISSN 20566301
    Drahtheftung,
ZusatzInfos
  • Uniformbooks is an imprint for the visual and literary arts, cultural geography and history, music and bibliographic studies. The uniformity of the format and the expansive variety of the list and its subjects, is characteristic of our open approach to publishing. The printed quarterly Uniformagazine gathers contributions by the writers and artists that we work with, sometimes thematically, as well as slighter or singular content.
    Mit: Squint David Matless, A Tips Alphabet Stephen Duncalf, The Green Man Ronald Johnson, Beginning and ending with trains on a table Steve Roden, Transmitter Masts Theo Simpson, Field Signals Angus Carlyle & Chiara Caterina, CapitalNY @CaptialNY, In House Publishing @Unpublishedwork, Bridge/Tunnel Colin Sackett
Sprache
Stichwort
TitelNummer
016536586
Einzeltitel =



Verfasser
Titel
  • Duty-Free Art
Ort LandMadrid (Spanien) Medium Buch
Techn. Angaben
  • 176 S., 27x18 cm, , ISBN/ISSN 9788480265300
    Softcover, Broschur, Schutzumschlag aus Noppenfolie,
ZusatzInfos
  • Publikation zur gleichnamigen Ausstellung vom 10.11.2015-21.03.2016.
    A conversation between Hito Steyerl and Joo Fernandes, curator of the exhibition, an essay by Carles Guerra and Steyerl herself, introduced us to one of the most relevant contemporary artists in the field of Video art. Steyerl approaches current themes in her work, for instance the impact the proliferation of images and the use of the Internet and technology have on our lives. She uses these issues as a starting point for developing, not just through her video pieces but also through writing and essays, critical work about control, surveillance and militarisation, migration, cultural globalisation, feminism and political imagery, questions she believes have the capacity to create realities.
    Text von Website
Sprache
Geschenk von Museo Reina Sofia
TitelNummer
016562606
Einzeltitel =



Titel
  • CURRENT RESIDENT
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 70 unpag. S., 28x21,7 cm, , ISBN/ISSN 9780996282215
    Klebebindung
ZusatzInfos
  • CURRENT RESIDENT, a collaborative book by Kenny Komer and Marysia Gacek, comprises solely of computer generated imagery inspired by interior design catalogues and magazines. Based on interiors seen in Architectural Digest and Ikea catalogues, the book depicts a fictional, contemporary residence mimicking current tendencies to replace photography with 3D modeling computer software producing photo realistic images. Views of the apartment are generated via computer algorithms with the same techniques used in the advertising industry. A reader is invited to take a tour of the space while a number of mysterious activities unravel before her/his eyes.
    Kenny Komer (b.1984) is an interdisciplinary multimedia artist who lives and works in Brooklyn, NY. He received a BFA from the School of Art, Cooper Union, New York, NY in 2006. He has exhibited at galleries in New York (Gavin Brown's enterprise, Rush Arts Gallery, Carriage House Center and White Box Gallery) and Tokyo, Japan (Motus Fort). Komer is a founding member of the guerrilla street-art collective, Concerned New Yorkers, whose work has been featured in the New York Times, New York Magazine, the Brooklyn Rail, the Village Voice, CNN, and the Daily Telegraph.
    Text von der Webseite
TitelNummer
016612595
Einzeltitel =



Verfasser
Titel
  • It's Michael
Ort LandGlasgow (Schottland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 64 unpag. S., 30,5x22,5 cm, Auflage: 200, , ISBN/ISSN 9780996282222
    Softcover, Drahtheftung,
ZusatzInfos
  • Kelli Sims' It's Michael is a collection of drawings and watercolors created by the artist over a span of one week in March 2015. The book offers a glimpse into the artist's unique process of digesting reality. A certain urgency and rawness is evident in depicting a disorienting range of Sims' subject matters. In her works on paper, a pen or a brush cast a net extracting brief moments of clarity from the sea of daily observations, free association, dreams, and the internet. It is the first time Kelli Sims' work is displayed in a form of a book, adding to her diverse practice ranging from video, performance to painting and sculpture.
    Kelli Sims (b. 1984, Monroe, Louisiana) received her MFA from the Glasgow School of Art in 2014 after studying at the University of Louisiana and the School of the Museum of Fine Arts in Boston. Recent exhibitions include Prehistoric Loom, Yada Shimin Gallery, Nagoya, Japan, Prehistoric Loom, No Toilet, Soeul, South Korea, Dear Green, ZK/U, Center for Art and Urbanistics, Berlin. How Many Shades Would an Artist Pack for Holidays?, Neoterismoi Toumazou and Aλ,ς,, Nicosia, Cyprus.
    Supported by the Glasgow School of Art as part of the Glasgow Master Series 2014.
    Text von der Webseite
Sprache
Stichwort
TitelNummer
016613606
Einzeltitel =



Verfasser
Titel
  • Possible Content for 18 Pages - Volume II - A Set of Lines, A Stack of Paper
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 80 unpag. S., 29,7x21 cm, Auflage: 500, , ISBN/ISSN 9783957632746
    Broschur, mit zahlreichen Abbildungen, drei Bnde in Banderole,
ZusatzInfos
  • "A Set of Lines, A Stack of Paper" is the second in a series of exhibitions and publication based on a wide-reaching research about writing with the title 'Possible Content for 18 Pages'. The original typewritten manuscript of Vilm Flusser's essay 'The Gesture of Writing' provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication. 'To write,' says the philosopher about the basic requirements that should lead to a complete piece of writing, we need 'a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, 'orthography' = correct writing, the rules which order that language, what is called 'grammar', an idea to be expressed in a language, and a motive to express that idea'. Understanding the act of writing as a culturally embedded gesture, 'A Set of Lines, A Stack of Paper' covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the correspondent exhibition at KARST, Plymouth (June 5 - July 5, 2015). The publication comprises an exhibition documentation with installation views and a curatorial statement. Furthermore, the author Maria Fusco situates the concept of the exhibition in an actual context of literature.
    The participating visual artists expand the topic of the exhibition with artistic contributions especially made for the book.
    Text von der Webseite
Sprache
Geschenk von Franz Thalmair
TitelNummer
016715579
Einzeltitel =



Verfasser
Titel
  • Cadences - A Journal of Literature and the Arts in Cyprus, Vol. 12 Fall 2016
Ort LandNikosia (Republik Zypern) Medium Zeitschrift, Magazin
Techn. Angaben
  • 112 S., 23,5x16,5 cm, , ISBN/ISSN 14501813
    Softcover, Broschur
ZusatzInfos
  • Candences: A Journal of Literature and the Arts in Cyprus is a multilingual literary magazine, publishing poetry, short fiction, life writing, experimental work, reviews, and other writings in all the languages of the island of Cyprus and of its visitors. Writers in Cyprus think, feel, and express themselves in several languages, with Greek, Turkish, and English being three of the most prominent. Cancences is a bridge between them, a meeting point at which writers of the diverse communities of the island may find each other, and learn from their encounters with difference.
    Text aus dem Heft
Stichwort
Geschenk von Orestis Kalvaris
TitelNummer
016935608
Einzeltitel =



Verfasser
Titel
  • her first meteorite - photographic collages
Ort LandSanta Monica, CA (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Flyer, Prospekt
Techn. Angaben
  • 6 S., 23,7x19 cm, Keine weiteren Angaben vorhanden
    Einzelblatt mehrfach gefaltet, doppelseitig bedruckt, handschriftlicher Gru
ZusatzInfos
  • Found, sliced and assembled, the photographic collage establishes experimental and introspective forms through the combination of familiar and obscure images. The montages from the various artists each evoke a distinct entry into surreal worlds, bound together by connected and intertwined photographs. With found objects and images, the spontaneity of discovery and combination counters the intricacy of the details in the works.
    Text von der Website
    Teilnehmende Knstler/innen: Carolle Benitah, James Gallagher, Melinda Gibson, Ken Graves, Stphanie Solinas, Annegret Soltau, and Grete Stern
Stichwort
Geschenk von Annegret Soltau
TitelNummer
016983625
Einzeltitel =



Verfasser
Titel
  • Punk Press - Rebel Rock in the Underground Press 1968-1980
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 240 S., 34x22,5 cm, , ISBN/ISSN 9781419706292
    Broschur mit Klappumschlag
ZusatzInfos
  • Punk was born on the East Coast in the late 1960s, later crossing the Atlantic and exploding in London and Paris. This dynamic countermovement churned out heaps of professional magazines and photocopied, hand-stapled fanzines, all expressing ideas on music, art, and current events. By creating its own press, the punk movement secured its place in the history of 20th-century culture. Featuring collages, cutouts, and handcrafted typography, Punk Press compiles the stunning graphics created by these publications, spanning from the East Village to East London to the Left Bank. With unforgettable images of punks greatest bandsthe Ramones, the Sex Pistols, the Clash, the Dead Kennedys, Iggy Pop, and morethis is a captivating look at some of musics most fascinating personalities and greatest talents.
    Text von der Webseite
TitelNummer
017439K66
Einzeltitel =



Titel
  • Peaceable Kingdom
Ort LandZrich (Schweiz)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 36 unpag. S., 22,5x16 cm, , ISBN/ISSN 9783905714371
    Broschur, Softcover, Farbdruck
ZusatzInfos
  • Peaceable Kingdom is the first book of collaborative work by the two American artists Chris Johanson and Jo Jackson partners in life and art. All paintings feature a mix and match of both artists' styles, from Johanson's political, social themes and color patterns, to the oneiric, provocative and ambiguous side of human identity represented by Jackson's softer tones. Each painting being none like the other, and showing an incredible combination of shapes, forms, colors and ideas through a fascinating imaginary world, almost childlike.
    Text von der Website
Stichwort
WEB Link
TitelNummer
017516591
Einzeltitel =



Verfasser
Titel
  • copy construct
Ort LandMechelen (Niederlande) Medium Heft
Techn. Angaben
  • 64 S., 29,7x21 cm, Keine weiteren Angaben vorhanden
    Drahtheftung, unbeschnitten, beigelegt der Ausstellungsplan und handschriftliches Anschreiben
ZusatzInfos
  • The exhibition Copy Construct departs from different artistic practices and specific works by artists that are based on reproduction or copy. The selected works are inherent to the production of printed matter or artists books. This implies that different artistic media such as painting, drawing, photography, video, sculpture, and graphic design can manifest themselves through graphical problematics and their meanings. Alongside the 25 works of the artists, a little less than 300 books from the KASK collection (School of Arts, Ghent) and private collections from Belgium and England are displayed in the exhibition. The exhibition architecture is designed by Kris Kimpe and Koenraad Dedobbeleer and is accompanied by a publication, designed by Joris Dockx, which includes a bibliography of the exhibited books, different contributions by the artists, an interview with a book collector, etc.
    Pressetext
Sprache
Geschenk von Kasper Andreasen
TitelNummer
023548633
Einzeltitel =



Titel
  • PROMISES
Ort LandBangalore (Indien) Medium Buch
Techn. Angaben
  • 40 S., 14,8x21 cm, Keine weiteren Angaben vorhanden
    Broschur, Digitaldruck
ZusatzInfos
  • The Pepsi Challenge
    Oversized promises in the form of real estate advertisements are promoting the new city along the lines of global real estate and living standards. The perfect union to all you desire and We believe luxury is best served in small quantities first seen along Varthur Road in Whitefield, Bangalore, caught my attention. The second one leaves a particularly ironic, tangy, protestant-flavoured impression, seen from the German point of view.
    Questions emerged about the Indian caste system, the sense of community, modesty and personal goals.
    The design of this urbanity also reminds me of earlier journeys to the United Arab Emirates and Shanghai. The new urbanity becomes exchangeable, custom-tailored and its ultra-luxurious villas accessible for the chosen few of the Pepsi Generation.
    But what happens to the majority of a citys population and its needs, uncertain ownership and neglect of basic amenities? Can it withstand the pressure flashed on every corner of the city? Do these promises affect social cohesion? ...
    Text von der Webseite
Beteil. Personen
Sprache
Stichwort
Geschenk von Maximilian Erbacher
TitelNummer
024222645
Einzeltitel =



Verfasser
Titel
  • Redesigning the Medieval Book - Personal Carol 1400 - singing breathing score video 2017
Ort LandOxford (Grobritannien)
Verlag Jahr
Medium PostKarte / Umschlag
Techn. Angaben
  • 1 S., 21x10,5 cm, signiert, 2 Teile. Keine weiteren Angaben vorhanden
    Infokarte, rckseitig handschriftlicher Gru. In Briefumschlag
ZusatzInfos
  • A workshop and competition for book artists at the Bodleian Library, Oxford. 01.12.2017-11.03.2018
    The exhibition Designing English at the Bodleian Library 2017-18 will illustrate the layout of English literature in handwritten manuscripts and inscriptions across the Middle Ages, from Old English picture books to early Tudor plays and manuals for handling swans. It will trace the different spaces granted to English through the first thousand years, from stray notes scratched into Anglo-Saxon herbals or fragments of lost medieval songs in the margins, to masterpieces placed centre-page and framed by illustration and illuminated borders. it will cover both books and other objects, from grisly tombs to charms written on food.
    Text aus dem exhibition summery
Sprache
Geschenk von Emil Siemeister
TitelNummer
024802678
Einzeltitel =



Verfasser
Titel
  • Hidden Islam - Islamic makeshift places of worship in North East Italy, 2009-2013
Ort LandBozen (Italien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 90 S., 24,8x17 cm, , ISBN/ISSN 9788890981708
    Hardcover mit festgeklebtem Schutzumschlag. Jede Seite aufklappbar.
ZusatzInfos
  • Dritte Auflage.
    Consider these facts. In Italy the right to worship, without discrimination, is enshrined within the constitution. There are 1.35 million Muslims in Italy and yet, officially, only eight mosques in the whole country. One consequence is that the Muslim population have accumulated a huge number of makeshift and temporary places of worship. These are housed in a variety of buildings including lock ups, garages, shops, warehouses and old factories. This shortage of places to worship is particularly acute in north east Italy where the photographer Nicol Degiorgis lives home to many anti-Islamic campaigns headed by the right wing party Lega Nord. The dull images of the many and diverse buildings that house the makeshift mosques are printed on folded pages. You open up the gatefold to reveal the scenes inside the mosques, shot in full colour. The size of the gatherings varies, from large crowds who sometimes pray outside to a small room full to bursting, or to intimate groups of two or three Muslims. Degiorgis provides a fascinating glimpse of hidden world and leaves the conclusions about this project entirely in our own hands.
    In 2014 Hidden Islam was awarded the Gold Award - Deutscher Fotobuchpreis, First Book Award - Paris Photo/Aperture Foundation and Author Book Award - Les Rencontres des Arles.
    Text aus dem Vorwort von Martin Parr.
Beteil. Personen
Sprache
TitelNummer
024962665
Einzeltitel =



Verfasser
Titel
  • copy construct
Ort LandMechelen (Niederlande)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 66 S., 27,3x20 cm, Auflage: 500, , ISBN/ISSN 9789491843945
    Drahtheftung, beigelegt der Ausstellungsplan und handschriftliches Anschreiben
ZusatzInfos
  • The exhibition Copy Construct departs from different artistic practices and specific works by artists that are based on reproduction or copy. The selected works are inherent to the production of printed matter or artists books. This implies that different artistic media such as painting, drawing, photography, video, sculpture, and graphic design can manifest themselves through graphical problematics and their meanings. Alongside the 25 works of the artists, a little less than 300 books from the KASK collection (School of Arts, Ghent) and private collections from Belgium and England are displayed in the exhibition. The exhibition architecture is designed by Kris Kimpe and Koenraad Dedobbeleer and is accompanied by a publication, designed by Joris Dockx, which includes a bibliography of the exhibited books, different contributions by the artists, an interview with a book collector, etc.
    Pressetext
Sprache
Geschenk von Kasper Andreasen
TitelNummer
025306633
Einzeltitel =



Verfasser
Titel
  • Capital of the 20th Century
Ort LandLondon / New York, NY (Grobritannien / Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 913 S., 27x19x5 cm, , ISBN/ISSN 9781784781569
    Hardcover, in Schuber,mit Metallfolie kaschiert, Prgedruck
ZusatzInfos
  • Acclaimed artist Kenneth Goldsmiths thousand-page beautiful homage to New York City. Here is a kaleidoscopic assemblage and poetic history of New York: an unparalleled and original homage to the city, composed entirely of quotations. Drawn from a huge array of sourceshistories, memoirs, newspaper articles, novels, government documents, emailsand organized into interpretive categories that reveal the philosophical architecture of the city, Capital is the ne plus ultra of books on the ultimate megalopolis.
    It is also a book of experimental literature that transposes Walter Benjamins unfinished magnum opus of literary montage on the modern city, The Arcades Project, from 19th-century Paris to 20th-century New York, bringing the streets to life in categories such as Sex, Commodity, Downtown, Subway, and Mapplethorpe.
    Capital is a book designed to fascinate and to failfor can a megalopolis truly be written? Can a history, no matter how extensive, ever be comprehensive? Each reading of this book, and of New York, is a unique and impossible passage.
Beteil. Personen
Sprache
TitelNummer
026050717
Einzeltitel =



Verfasser
Titel
  • Forensic Architecture - Violence at the Threshold of Detectability
Ort LandBrooklyn, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 368 S., 23,5x19 cm, 2 Stück. , ISBN/ISSN 9781935408864
    Hardcover, Schutzumschlag
ZusatzInfos
  • 2. Auflage von 2018. In recent years, a little-known research group named Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN.
    Beyond shedding new light on human rights violations and state crimes across the globe, Forensic Architecture has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing.
    In Forensic Architecture, Eyal Weizman, the groups founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed.
    Text von der Webseite
Sprache
TitelNummer
026158727
Einzeltitel =



Verfasser
Titel
  • Recto / Verso
Ort LandPaso Robles, CA (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • [44] S., 36x28,5 cm, Auflage: 1.000, , ISBN/ISSN 1590051742
    Hardcover, Fadenheftung, Leineneinband, Titel geprgt. ehem. Bibliotheksexemplar, Loyola Marymount University, siehe Etikett im Vorsatz und Aufdruck auf den Schnitt
ZusatzInfos
  • Recto / Verso is the latest attempt to grasp the magnitude of the monumental archive of photograms that Robert Heinecken created during the past 40 years. In this current sampling, comprised of work from his own archive, Heinecken offers a look back at the decade of the 1980s, where decadence and narcissism inhabit the same space as spirituality and family values. Though the patinas of these color photograms speak of that generation, their revelations are contemporary in their incisiveness. In looking at the history of the photogram, beginning with Henry Fox Talbots photogenic drawings and Man Rays Rayographs, Heinecken must be viewed as its most rebellious practitioner unflinching, enigmatic and alert. Robert Heineckens work has been widely exhibited in the United States, Europe and Asia, and is included in many major collections, including the Museum of Contemporary Art, Chicago. LA County Museum of Art. and the Center for Creative Photography, Tucson. Recto/Verso is printed in a first edition of 1,000 casebound copies, with an introduction by Rod Slemmons, Director of the Museum of Contemporary Photography, Chicago.
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
026242K89
Einzeltitel =



14_mirko_borsche
14_mirko_borsche
14_mirko_borsche

Burau Mirko Borsche: 100 problems for no reason, 2017

Titel
  • 100 problems for no reason
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke, Nr. 014 aus der Reihe 100for10.
    After graduating with a degree in Graphic Design (London and Augsburg) Mirko Borsche worked as an art director for advertising agency Springer & Jacoby where he was responsible for several campaigns. From 1999 to 2002 he was art director of jetzt magazine (spin-off of Sddeutsche Zeitung). From 2002 M. Borsche was art director for Mini-International BMW Group for several years. Also in 2002 he launched the youth magazine NEON for Stern/Gruner+Jahr as art director. In 2004, he returned to jetzt for the magazines relaunch and stayed until 2007. Since 2007 he is creative director for weekly newspaper DIE ZEIT and every other publication of the Zeit-Verlag such as Zeitmagazin and Zeit Wissen. In 2007 Borsche also founded his design studio Bureau Mirko Borsche in Munich. His clients hail from all fields, from culture and media to business: Bavarian State Opera, Bavarian Radio Symphony Orchestra, Thalia Theater, Harpers Bazaar, Audi, BMW Group, Saskia Diez, Stefan Diez, Kostas Murkudis, Nike Mirko Borsche received numerous national and international awards for his work. Amongst many national exhibtions, his work was exhibited in Amsterdam, Barcelona, Florence, Stockholm, Seoul and Tokyo.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026284741
Einzeltitel =



57_antoine_eckart
57_antoine_eckart
57_antoine_eckart

Eckart Antoine: Ses dessins sont tellement ralistes qu'on dirait des photos, 2017

Verfasser
Titel
  • Ses dessins sont tellement ralistes qu'on dirait des photos
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke
    Antoine Eckart is a French artist and graphic designer currently living in Lyon. He shares his time between commissioned and self-published works. He works closely with the cultural and musical scene and his offbeat universe is an invitation to a mental journey. Best known for his humorous daily drawings and flat compositions of bizarre yet poetic life scenes, his sketches feature scribbled and uneven lines and gives an aphoristic vision of the world.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026347741
Einzeltitel =



68_jovana_reisinger
68_jovana_reisinger
68_jovana_reisinger

Reisinger Jovana: Donna Euro, 2017

Verfasser
Titel
  • Donna Euro
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke
    Jovana Reisinger is a filmmaker, writer, and artist who moves regularly between the worlds of journalism, fashion, literature, music, performance, theatre, and cinema. Her very first novel got published by Verbrecher Verlag, her fashionfilms get featured on i-D, INDIE and various international (fashionfilm-)festivals. Purchase Donna Euro is poisoned by rich men in need and get access to www.donna100euro.de and watch 45 videos about love, hate, crime, fitness and shame and become part of the Donna Euro Celebration Society.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026357741
Einzeltitel =



97_neu_design_bureau
97_neu_design_bureau
97_neu_design_bureau

Neu Designbro: A visual mixtape, 2018

Verfasser
Titel
  • A visual mixtape
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, Keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Wei-Drucke
    NEU creates integral visual identies, appearances, brandings and communication strategies for print and web in various disciplines as editorial design, corporate design, web design and UX design, illustration, communication and marketing of towns. Unexpected, exciting, focused, convincing NEU interacts between emotion and logic, art and culture, economy and design.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026386741
Einzeltitel =



edwards-lost-public-notices
edwards-lost-public-notices
edwards-lost-public-notices

Edwards Phil / Dellafiora David, Hrsg.: The Museum of Lost Public Notices, 2017

Verfasser
Titel
  • The Museum of Lost Public Notices
Ort LandMelbourne (Australien)
Verlag Jahr
Medium Presse, Artikel / Text
Techn. Angaben
  • 16 S., 29,7x21 cm, 3 Teile. Keine weiteren Angaben vorhanden
    Zwei lose Bltter, eine Telnehmerliste, geklammert
ZusatzInfos
  • The Museum of Lost Public Notices (24.05.-02.06.2017) is a community noticeboard installation consisting of posters which explore the role of art in relation to the individual and society. Contributions from local and international artists from all stages of their careers are invited. The Museum of Lost Public Notices is anopen exhibition that both celebrates and critiques the role of conventional gallery spaces and public noticeboards as sites which use a community space to promote, herald and advertise personal and group concerns.
    Text von der Website.
Sprache
Geschenk von Jrgen Wegner
TitelNummer
026402769
Einzeltitel =



Verfasser
Titel
  • Physical or Otherwise: Suggestions and Encounters
Ort LandGlasgow (Grobritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 112 S., 19x12 cm, Auflage: 100, , ISBN/ISSN 9789925559145
    Broschur, Umschlag Karton mit Blindprgung. Druck: Laser Graphics, Zypern
ZusatzInfos
  • Erschienen anlsslich der Ausstellung in der Telfer Gallery Glasgow, 09.02.-04.04.2018.
    Physical or Otherwise: Suggestions and Encounters was published on the occasion of Leontios Toumpouris solo exhibition titled Suggestions and Encounters: Physical or Otherwise at The Telfer Gallery, Glasgow. The publication features commissioned and re-edited essays spanning academic, theoretical and experimental responses to notions associated with Toumpouris practice. It claims to shed light upon areas of interest of the artist, thus resulting in a collection of propositions rather than an exhibition catalogue.
    Text von der Websteite
Beteil. Personen
Sprache
Geschenk von Moufflon Bookshop
TitelNummer
026464709
Einzeltitel =



Verfasser
Titel
  • MONO.KULTUR #34 Brian Eno - Revaluation (a warm feeling)
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin / Heft
Techn. Angaben
  • 44 S., 20x15 cm, , ISBN/ISSN 18617085
    Drahtheftung, gedruckt auf verschieden farbigen Papieren
ZusatzInfos
  • Chances are that you will be far more familiar with Brian Eno and his work than you might realise. Whether you know him as a founding member of the gloriously influential 1970s art-rock outfit Roxy Music, or as the inventor of ambient music, in one breathless career Eno has actually released no less than 25 solo albums and contributed to countless projects and collaborations, but also left his fingerprints on dozens of seminal albums as a producer think U2, Talking Heads or Coldplay, to name but a few composed several film scores not to mention the start-up theme for Microsofts Windows 95. All of which is to say that it is hard to not be in earshot of his musical influence in one way or another. With mono.kultur, Brian Eno talked about the impact of technology on culture, the similarities between producing music and parenting, and why they called Elvis The Pelvis. Given Brian Enos interest in how art can affect moods and emotions, our new issue turned into somewhat of an experiment in chromatics, with the pages gradually traveling the entire colour spectrum from yellow to blue and back again, which not only affects the optical perception of the yellow text, but also how one responds to the content of the interview. Suffice to say: this must certainly rank as the most colourful mono.kultur to date.
    Text von der Website.
Beteil. Personen
Sprache
TitelNummer
026624737
Einzeltitel =



Verfasser
Titel
  • Brief 55
Ort LandPokeno (Neuseeland)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 152 S., 20,5x14,3 cm, , ISBN/ISSN 11759313
    Broschur, Softcover
ZusatzInfos
  • The other New Zealand literary journal. Brief is an independent biannual print journal. It is primarily a space for writing that does something interesting, experimental, adventurous, challenging, or exploratory. Brief publishes poetry, prose, essays and criticism, hybrid forms, and occasionally visual art. Issues typically contain a mixture of new, established and emerging writers. The present issue is wide-ranging and engages with everything from aestethic to the ontological, rats and war and love and art.
    Text von der Website und aus der Publikation.
Sprache
TitelNummer
027143767
Einzeltitel =



arbeit-an-der-pause
arbeit-an-der-pause
arbeit-an-der-pause

Coers Albert / Steig Alexander / Smith Courtenay, Hrsg.: Arbeit an der Pause, 2019

Titel
  • Arbeit an der Pause
Ort LandKln / Mnchen (Deutschland / Deutschland) Medium Buch
Techn. Angaben
  • 144 S., 19x12,8 cm, Auflage: 1.000, , ISBN/ISSN 9783960986041
    Broschur
ZusatzInfos
  • Erschienen zum Symposium im Rahmen der Ausstellung PAUSE (prelude) im Haus der Kunst Mnchen, 22.-29.07.2018, veranstaltet vom Knstlerverbund im Haus der Kunst Mnchen.
    The pause in the context of art is subject of this book, states of rest, of sleep, but also attitudes of inaction and refusal, of dropping out, of strike and boycott. How do beholders and producers of art deal with the ambivalence of pauses, given the importance of dynamics, activity, participation, engagement, and work? The contributions from philosophy, art history and curatorial practice treat museums, pictures and biennials as places of pause, positions such as Malevich, Duchamp, Lee Lozano, Thomas Huber. They thus create a timeline from the 19th century to the present. The book contains the lectures of the symposium, which accompanied the exhibition PAUSE (prelude) 2018 at Haus der Kunst, extended by an essay and installation views of the exhibition.
    Text von der Webseite
Geschenk von Albert Coers
TitelNummer
027278759
Einzeltitel =



bodmann-artist-books-yearbook-2020-2021
bodmann-artist-books-yearbook-2020-2021
bodmann-artist-books-yearbook-2020-2021

Bodman Sarah, Hrsg.: Artist's Book Yearbook 2020-2021, 2019

Verfasser
Titel
  • Artist's Book Yearbook 2020-2021
Ort LandBristol (Grobritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 236 S., 29,6x21 cm, , ISBN/ISSN 9781906501181
    Broschur, Softcover, design by Tom Sowden
ZusatzInfos
  • The ABYB is a biennial reference publication focusing on international activity in the field of book arts. It serves as a resource for artists, academics, students, collectors, librarians, dealers, publishers and researchers, in fact anyone interested in artists books!
    The 2020-2021 issue will have essays, articles, and lots of useful information on: Artists Book Publishers & Presses; Bookshops for artists books; Artists Book Dealers; Artists Book Galleries & Centres; Collections, Libraries & Archives; Artists Book Fairs and Events; Book Arts Courses and Workshops; Design, Print & Bind; Print Studios; Journals and Magazines; New Reference Publications; Organisations, People, Projects and Societies. Artists list up to 3 of their recent book works.
    Text von der Webseite
    S. 49, Text und Fotos von Jrgen Wegner, A visit to Archive Artist Publications and its exhibition in the Haus der Kunst, Mnchen, Germany
    S. 111, Collections, Libraries & Archives
Sprache
Geschenk von Sarah Bodman
TitelNummer
027464758
Einzeltitel =



code-x
code-x
code-x

Aldred Danny / Waeckerle Emmanuelle, Hrsg.: Code-X Paper, Ink, Pixel and Screen, 2015

Verfasser
Titel
  • Code-X Paper, Ink, Pixel and Screen
Ort LandFarnham (Grobritannien) Medium Buch
Techn. Angaben
  • 276 S., 24,3x14 cm, Auflage: 500, , ISBN/ISSN 9780957682832
    Klappbroschur, mit ausklappbaren Seiten
ZusatzInfos
  • Code X brings together a selection of personal histories of the current transforming and expanding of the book medium with the aim to challenge the very notion of what it could be(come) in todays complex information era.
    The design of CodeX within codex form represents a playful and daring twist of ink imitating pixel to render composition and design. The content is seen as a continuous scroll, cropped where screen meets paper edge. We celebrate both camps by highlighting dichotomies of edge to scroll, sequence to time and image to place.
    Text von der Webseite
Sprache
TitelNummer
027773785
Einzeltitel =



uder-the-radar-spektor-books
uder-the-radar-spektor-books
uder-the-radar-spektor-books

Bandel Jan-Frederik / Gilbert Annette / Prill Tania, Hrsg.: Under the Radar Underground Zines and Self-Publications 1965 1975, 2017

Titel
  • Under the Radar Underground Zines and Self-Publications 1965 1975
Ort LandLeipzig (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 368 S., 33,5x24,5 cm, , ISBN/ISSN 9783959050326
    Spiralbindung, mit zahlreichen Abbildungen, Textseiten im kleineren Format
ZusatzInfos
  • 2. Auflage. Ausstellungskatalog. Zentrum fr Knstlerpublikationen, Weserburg Bremen, 30.10.2015-14.02.2016, Bremen.
    The mid-1960s witnessed a boom in underground and selfpublished works. Hectographs, mimeographs, and offset printing not only allowed for the production of small, lowcost print runs but also promote a unique aesthetic: using wild mock-ups, messianic amateurs combined typescript aesthetics, handwriting, scribbled drawings, assemblages of collaged visuals, porn photos, snapshots, and comic
    strips. The typography consciously frees itself, in parallel to a liberalization of linguistic and visual forms of expression in the name of a new sensibility.
    This book (which appears in conjunction with an exhibition at the Weserburg in Bremen) is the first to present the underground and self-published works that came out of West Germany in such depth, while also showing the internationalcontext in which they emerged: not as an anecdotal history but as an attempt to tap into the aesthetic cosmos of a Do-It-Yourself rebellion, one that also challenges us to take a new look at the current boom in independent publishing, the risograph aesthetic, and so on.
    Text von der Webseite.
    Das Design wurde in Zusammenarbeit mit Studenten der HfK Bremen entwickelt
Sprache
TitelNummer
028257K95
Einzeltitel =



various-others-2019
various-others-2019
various-others-2019

Geiler Tim / Haugeneder Sarah / Sperling Johannes, Hrsg.: various others 2019, 2019

Titel
  • various others 2019
Ort LandMnchen (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 68 S., 14,8x10,6 cm, Keine weiteren Angaben vorhanden
    Programmheft
ZusatzInfos
  • Zur Veranstaltung 12.09.-13.10.2019 in Mnchen
    VARIOUS OTHERS initiates cooperative and international art projects in galleries, off spaces and museums in Munich. While serving as a content-driven forum for contemporary art that takes place each year in September, our mission is to intensify exchange and dialogue between the art scene in Munich and international partners, guests and media.
    VARIOUS OTHERS is an event hosted by the association VFAMK e.V. We thank all of the supporting members of the association who make this project possible as well as the active members for their unflagging efforts and dedication.
    Text von der Webseite