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Ergebnis der AAP-Katalogsuche nach Art-Language

Medienart: alle Medien, Sortierung: ID, absteigend. 50 Treffer

Yingchun Zhu: The Language of Bugs, 2018

yingchun-the-language-of-bugs
yingchun-the-language-of-bugs
yingchun-the-language-of-bugs

Yingchun Zhu: The Language of Bugs, 2018


Yingchun Zhu
The Language of Bugs
Suffolk (Großbritannien): Acc Art Books, 2018
(Buch) [334] S., 18,5x13,5 cm, ISBN/ISSN 978-1-85149-885-7
Techn. Angaben Broschur mit aufklappbarem Cover und Bauchbinde, Fadenheftung, teils aufklappbare Seiten.
ZusatzInformation This award-winning contemporary art book is made completely from the perspective and language of bugs, from the front page to the final chapter, with no human writing and text, only the "writing" of bugs. Inspired by the marks left behind by a cicada walking across his sketchbook, contemporary artist Zhu Yingchun placed boards and "ink ponds" of dark-coloured vegetable juices in his garden for the bugs to crawl through. The resulting marks, were thousands of twisted characters, each with a charm of its own - the language of the bugs. The accompanying booklet explains the artist's concept and QR code links the reader to a video of the process.
"The bugs seem insignificant, but their strokes are beautiful," says Zhu Yingchun. "Art is not just those pieces hanging on walls and placed in exhibition halls. Everything in the world, including every life in nature, has the power to create beauty, and art is all around us.
Text von der Webseite.
Sprache Englisch / Kryptisch
Geschenk von Anne Stukenborg
Stichwort Insekten / Käfer / Morphologie / Schrift
WEB https://www.accartbooks.com/uk/store/pv/9781851498857/the-language-of-bugs/zhu-yingchun/
TitelNummer
025118680 Einzeltitelanzeige (URI)
ar-language-v4-n3
ar-language-v4-n3
ar-language-v4-n3

N. N.: Art-Language volume 4 Number 3 - Ways of Seeing, 1978


N. N.
Art-Language volume 4 Number 3 - Ways of Seeing
Chacombe (Großbritannien): Art & Language, 1978
(Zeitschrift, Magazin) 126 S., 20,7x14,8 cm,
Techn. Angaben Broschur
ZusatzInformation Art & Language, Volume 4, Number 3 is an attempt to produce a guide to Ways of Seeing by John Berger et al
Stichwort 1970er Jahre
TitelNummer
012005435 Einzeltitelanzeige (URI)

Holzer Jenny / Weiner Lawrence / Wool Christopher / Gappmayr Heinz / Baldwin Michael / Harrison Charles / Ramsden Mel / Wood Paul: Art & Language - Artists Talking 2 , 2017

artists-talking-art-and-language
artists-talking-art-and-language
artists-talking-art-and-language

Holzer Jenny / Weiner Lawrence / Wool Christopher / Gappmayr Heinz / Baldwin Michael / Harrison Charles / Ramsden Mel / Wood Paul: Art & Language - Artists Talking 2 , 2017


Baldwin Michael / Gappmayr Heinz / Harrison Charles / Holzer Jenny / Ramsden Mel / Weiner Lawrence / Wood Paul / Wool Christopher
Art & Language - Artists Talking 2
Köln / Wien (Deutschland / Österreich): Buchhandlung Walther König / museum in progress, 2017
(CD, DVD) 19x13,6 cm, ISBN/ISSN 978-3-96098-244-9
Techn. Angaben DVD in transparenter Hülle mit Booklet, 163 Min.
ZusatzInformation Art and Language präsentiert acht Künstler/innen, die über ihr Werk und Themen wie Sprache in der Kunst, Minimalismus, Tattoos und Mahnmale sprechen. Das Langzeit-Interview-Projekt wurde 1992 von Peter Kogler und "museum in progress" initiiert. Cover gestaltet von Lawrence Weiner.
Namen Lawrence Weiner (Cover) / Peter Kogler (Konzept)
Sprache Englisch
Stichwort Interview / Konzeptkunst / Minimalismus / Sprache
TitelNummer
024659679 Einzeltitelanzeige (URI)
weiner-nach-bildende-kunst
weiner-nach-bildende-kunst
weiner-nach-bildende-kunst

Weiner Lawrence: NACH BILDENDE KUNST / AFTER FINE ART Works presented in the German Language / Arbeiten vorgestellt im deutschsprachigen Raum, 2012


Weiner Lawrence
NACH BILDENDE KUNST / AFTER FINE ART Works presented in the German Language / Arbeiten vorgestellt im deutschsprachigen Raum
Ostfildern (Deutschland): Hatje Cantz Verlag, 2012
(Buch) 200 S., 24,1x16,7 cm, ISBN/ISSN 978-3-7757-2979-6
Techn. Angaben Broschur
ZusatzInformation Edited by Gabriele Wix, By Gabriele Wix, graphic design by Lawrence Weiner, Anja Lutz.
Most of his oeuvre, which comprises more than a thousand language-related works, has already been presented in the German-speaking world—some of it either translated by Weiner himself or conceived using German as a basis. Featuring over 350 works, this is the first list of the English/German works. The artist assumed responsibility for the typography and cover design, as if the publication were one of his own works. Accompanying text and visual documents shed light on the creative process, in-situ installations, and Weiner’s way to work with text.
Text von der Webseite
Sprache Deutsch / Englisch
TitelNummer
011486398 Einzeltitelanzeige (URI)
bulletins-of-the-serving-library-3-2012
bulletins-of-the-serving-library-3-2012
bulletins-of-the-serving-library-3-2012

Bailey Stuart / Keefer Angie / Reinfurt David, Hrsg.: Bulletins of The Serving Library #3, Ecstatic Alphabets/Heaps of Language, 2012


Bailey Stuart / Keefer Angie / Reinfurt David, Hrsg.
Bulletins of The Serving Library #3, Ecstatic Alphabets/Heaps of Language
Berlin / New York, NY (Deutschland / Vereinigte Staaten von Amerika): dextersinister / Sternberg Press, 2012
(Zeitschrift, Magazin) 224 S., 23,5x16,5 cm, ISBN/ISSN 978-3-943365-18-4
ZusatzInformation This issue of Bulletins of the Serving Library doubles as a catalog of sorts to "Ecstatic Alphabets/Heaps of Language," a group exhibition curated by Laura Hoptman at the Museum of Modern Art, New York, from May 6 to August 27, 2012. It is a *pseudo*-catalog in the sense that, other than a section of images at the back, it bears no direct relation to the works in the exhibition. Instead, the bulletins extend in different directions from the same title, and could be collectively summarized as preoccupied with the more social aspects of Typography.
Text von der Webseite
Namen Andrew Blum / Angie Keefer / Benjamin Tiven / Bruno Latour / Chris Evans / David Reinfurt / Dexter Sinister / Francis McKee / Graham Meyer / Ian Svenonius / Jessica Winter / Laura Hoptman / Louis Lüthi / Pierre-André Boutang
Stichwort Sprache / Typografie
WEB www.sternberg-press.com
TitelNummer
011536386 Einzeltitelanzeige (URI)

Hubert Renée Riese, Hrsg.
The Artist's Book: The Text and its Rivals
Pittsford (Vereinigte Staaten von Amerika): Visible Language, 1991
(Zeitschrift, Magazin) 334 S., 23x15 cm, 2 Stück.
Techn. Angaben Volume 25 2/3 von Visible Language

Stichwort 1990er Jahre
TitelNummer
001937172 Einzeltitelanzeige (URI)
hutchinson-struggeling-with-language
hutchinson-struggeling-with-language
hutchinson-struggeling-with-language

Hutchinson Peter: Struggling with Language - Arbeiten aus der Sammlung Wenzel, 2015


Hutchinson Peter
Struggling with Language - Arbeiten aus der Sammlung Wenzel
Kassel (Deutschland): Kunsttempel Kassel, 2015
(PostKarte) 9,7x21 cm,
Techn. Angaben Postkarte
ZusatzInformation Einladung zur Ausstellung Peter Hutchinson: Struggling with Language im Kunsttempel Kassel, vom 29.05.-28.06. 2015
Geschenk von Jürgen O. Olbrich
TitelNummer
013692501 Einzeltitelanzeige (URI)
sutherland-language-decoy
sutherland-language-decoy
sutherland-language-decoy

Mark W. Sutherland: Language Decoy - 230 statements, 40 questions and severtal ideas, 1992


Mark W. Sutherland
Language Decoy - 230 statements, 40 questions and severtal ideas
Toronto (Kanada): The Portable Gallery, 1992
(Sammeltuete, Schachtel, Kassette) 158 unpag. S., 29,1x23,3 cm, Auflage: 100, signiert,
Techn. Angaben 79 Blätter in Karton, aufgeklebter Titel, Niete, Stempel, Bindfadenverschluss
ZusatzInformation Exhibiting the arbitrary nature and inherent power structures of language, Sutherland's folder-bound artist's book contains 158 brief statements followed by a bracketed commentary. (e-artexte)
Sprache Englisch
Geschenk von Jürgen O. Olbrich
Stichwort 1990er Jahre
WEB www.wmarksutherland.com
TitelNummer
014715545 Einzeltitelanzeige (URI)
thalmair-A-Set-of-Lines
thalmair-A-Set-of-Lines
thalmair-A-Set-of-Lines

Thalmair Franz, Hrsg.: Possible Content for 18 Pages - Volume II - A Set of Lines, A Stack of Paper, 2015


Thalmair Franz, Hrsg.
Possible Content for 18 Pages - Volume II - A Set of Lines, A Stack of Paper
Berlin (Deutschland): Revolver Publishing, 2015
(Buch) 80 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-274-6
Techn. Angaben Broschur, mit zahlreichen Abbildungen, drei Bände in Banderole,
ZusatzInformation "A Set of Lines, A Stack of Paper" is the second in a series of exhibitions and publication based on a wide-reaching research about writing with the title 'Possible Content for 18 Pages'. The original typewritten manuscript of Vilém Flusser's essay 'The Gesture of Writing' provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication. 'To write,' says the philosopher about the basic requirements that should lead to a complete piece of writing, we need 'a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, 'orthography' = correct writing, the rules which order that language, what is called 'grammar', an idea to be expressed in a language, and a motive to express that idea'. Understanding the act of writing as a culturally embedded gesture, 'A Set of Lines, A Stack of Paper' covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the correspondent exhibition at KARST, Plymouth (June 5 - July 5, 2015). The publication comprises an exhibition documentation with installation views and a curatorial statement. Furthermore, the author Maria Fusco situates the concept of the exhibition in an actual context of literature.
The participating visual artists expand the topic of the exhibition with artistic contributions especially made for the book.
Text von der Webseite
Namen Ane Mette Hol / Birgit Knoechl / Egon van Herreweghe / Franz Thalmair / Heinrich Dunst / John Wood / Karolis Kosas / Lotte Lyon / Maria Fusco / Maria Fusco / Ovidiu Anton / Paul Harrison / Peter Downsbrough
Sprache Englisch
Geschenk von Franz Thalmair
Stichwort Appropriation / Gegenwartskunst / Post-Digital / Strategie
TitelNummer
016715579 Einzeltitelanzeige (URI)
thalmair-Lorem-Ipsum-Dolor-Sit-Amet
thalmair-Lorem-Ipsum-Dolor-Sit-Amet
thalmair-Lorem-Ipsum-Dolor-Sit-Amet

Thalmair Franz, Hrsg.: Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet, 2016


Thalmair Franz, Hrsg.
Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet
Berlin (Deutschland): Revolver Publishing, 2016
(Buch) 200 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-345-3
Techn. Angaben Fadenheftung, mit zahlreichen Abbildungen, drei Bände in Banderole, Anschreiben liegt bei,
ZusatzInformation “Lorem Ipsum Dolor Sit Amet” is the third in a series of exhibitions and publication based on a wide-reaching research about writing with the title “Possible Content for 18 Pages”. The original typewritten manuscript of Vilém Flusser’s essay “The Gesture of Writing” provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication.
“To write,” says the philosopher about the basic requirements that should lead to a complete piece of writing, we need “a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, ‘orthography’ = correct writing, the rules which order that language, what is called ‘grammar’, an idea to be expressed in a language, and a motive to express that idea”.
Understanding the act of writing as a culturally embedded gesture, “Lorem Ipsum Dolor Sit Amet” covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the eponymous performance by Lois Bartel at the Akademie der Künste in Berlin (June 11, 2016) and contains a curatorial-editorial statement by Franz Thalmair. Furthermore, the artist Michalis Pichler and the professor for media theory and aesthetics Oliver Ruf situate the publication in an actual context of literature and criticism. The participating visual artists expand the topic of the research with artistic contributions especially made for „Lorem Ipsum Dolor Sit Amet“.
Text von der Webseite
Namen Agnes Fuchs / Alejandro Cesarco / Charles Gute / Daniel Gustav Cramer / Haris Epaminonda / Irma Blank / Lois Bartel / Natalie Czech / Nikolaus Gansterer / Rafaël Rozendaal / Thomas Freiler
Sprache Englisch
Geschenk von Franz Thalmair
Stichwort Appropriation / Gegenwartskunst / Post-Digital / Strategie
TitelNummer
016717579 Einzeltitelanzeige (URI)
awazuhara-landscape
awazuhara-landscape
awazuhara-landscape

Awazuhara Ayami: Reflektor M Digest #12 - Landscape Chart, 2016


Awazuhara Ayami
Reflektor M Digest #12 - Landscape Chart
München (Deutschland): melville Brand Design / Reflektor M, 2016
(Buch) 106 unpag. S., 21,5x14 cm,
Techn. Angaben Broschur
ZusatzInformation On a full Moon there must be thousands, maybe millions of photos of the night sky being sent by smart phones. The busy Moon moves much faster around the world these day. At the end of 19th century, N (a student of English literature, who would become very well known as an author of many great works), found himself in London. Since the 17th century, the Edo government had prohibited international trade and travel except with China and Holland for over 200 years. It was only when Matthew C. Perry came to Uraga in 1853 and succeeded with his negotiations, what Japan's new history of forgeign affairs began. Gradually the English language was introduced into the intellectual elite, and a few members were sent overseas to learn the language in order to respond to the needs of the new age. N was one of them.
Text von der Webseite
Namen Plaza Lazo Maria Inés (Herausgeberin - Verlegerin)
Sprache Englisch
Stichwort Landschaft / Malbuch
WEB http://reflektor-m.de/edition/ayami-awazuhara-landscape-chart-reflektor-m-digest-12
TitelNummer
024606679 Einzeltitelanzeige (URI)
allen-artists-magazines
allen-artists-magazines
allen-artists-magazines

Allen Gwen: Artists' Magazines - An Alternative Space for Art, 2015


Allen Gwen
Artists' Magazines - An Alternative Space for Art
Cambridge, MA / London (Vereinigte Staaten von Amerika / Großbritannien): the MIT Press, 2015
(Buch) 368 S., 24,8x19 cm, ISBN/ISSN 9780262528412
Techn. Angaben Broschur
ZusatzInformation Originalausgabe von 2011.
During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists’ Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists’ postage stamps, and collectible chapbooks, Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions, and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists’ Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Text von der Webseite
Erwähnt werden neben vorwiegend amerikanischen Magazinen auch europäische Magazine
Namen 4 taxis / Art-Language / Arte Postale! / Aspen / Audio Arts / Ausgabe / Avalanche / AXE / Commonpress / Der Löwe / Doc (k)s / Dé-Coll/age / Ephemera / IAC Info / Interfunktionen / King Kong International / Kunststoff / Lotta Poetica / Neon de Suro / Nervenkritik / Nota / Omnibus News / Ou / Pages / Palazzo / Reaktion / Salon / Sondern / ZG
Sprache Englisch
Stichwort 1960er Jahre / 1970er Jahre / 1980er Jahre / Konzeptkunst / Künstlermagazin / Künstlerzeitschrift / Multimedia / Theorie
WEB www.mitpress.mit.edu/books/artists-magazines
TitelNummer
023614657 Einzeltitelanzeige (URI)
scenes-from-zagreb
scenes-from-zagreb
scenes-from-zagreb

Senior David, Hrsg.: Scenes from Zagreb: Artists' Publications of the New Art Practice, 2012


Senior David, Hrsg.
Scenes from Zagreb: Artists' Publications of the New Art Practice
New York, NY (Vereinigte Staaten von Amerika): MoMA Library, 2012
(Heft) 40 S., 29,7x21 cm,
Techn. Angaben Farbkopien nach PDF, lose ineinander gelegt
ZusatzInformation The New Art Practice was a term created for a generation of artists in the former Yugoslavia active in the late 1960s and throughout the 1970s. These artists shifted their practice to spaces outside the traditional studio, onto city streets, into artist-run spaces, and in multimedia performances and experimental publications. Focusing on artists working in the city of Zagreb, this exhibition documents aspects of this shift and highlights the ability of artists' publications to record these often ephemeral gestures and ideas. While artists such as Goran Trbuljak, Braco Dimitrijević,, Sanja Iveković,, Mladen Stilinović,, and Vlado Martek, among others, worked in a variety of mediums, they shared a common impulse to produce publications. These artists questioned and played with ideas about the place of an artist within this particular political and socioeconomic context. Their work often involved public participation and blurred traditional notions of authorship through collective activities, chance operations, and the appropriation of language and imagery from the state and commercial media. The materials in this installation resonate with other contemporaneous scenes in Eastern and Central Europe and with broader international trends, while also providing an insight into very local networks of experimental artists and writers in Zagreb. All materials are drawn from the collection of the Museum of Modern Art Library.
Text von der Webseite
WEB www.moma.org/visit/calendar/exhibitions/1229
TitelNummer
009240221 Einzeltitelanzeige (URI)
schraenen-vinyl
schraenen-vinyl
schraenen-vinyl

Schraenen Guy: Vinyl - records and covers by artists, 2005


Schraenen Guy
Vinyl - records and covers by artists
Bremen (Deutschland): Studienzentrum für Künstlerpublikationen / Weserburg, 2005
(Buch) 276 S., 26,8x19 cm, ISBN/ISSN 3-9288761-68-4
Techn. Angaben Broschur mit Schutzumschlag,
ZusatzInformation Anlässlich der gleichnamigen Ausstellung im Neuen Museum Weserburg, Bremen, 21.08.-27.11.2005, Museu D'art Contemporani de Barcelona, 17.05.-03.09.2006, Museu Serralves, Porto, Frühjahr 2008.
As creative talents began to design record sleeves, the standard 30 x 30 cm album cover came to be an especially attractive object. Now vinyl has an almost mythic character and real historical value. 'Vinyl' is a detailed catalogue of the collection held by the Archive for Small Press and Communication in the Neues Museum Weserburg in Bremen, which includes not only records and CDs but also books, posters and other objects.As creative talents began to design record sleeves, the standard 30 x 30 cm album cover came to be an especially attractive object. Now vinyl has an almost mythic character and real historical value. 'Vinyl' is a detailed catalogue of the collection held by the Archive for Small Press and Communication in the Neues Museum Weserburg in Bremen, which includes not only records and CDs but also books, posters and other objects.
Text von amzn.to/2odxfUv
Namen Albrecht D. / Allen Ginsberg / Art & Language / Audio Arts / Bernard Heidsieck / Christian Boltanski / Claus Böhmler / Dick Higgins / Dieter Roth / Ed Ruscha / Ernst Caramelle / Ernst Jandl / Gerhard Rühm / John Armleder / John Cage / John Cage / Joseph Beuys / Jürgen Klauke / Klaus Groh / Laurie Anderson / Marcel Duchamp / Milan / Nicola Frangione / Pierre Boulez / Raoul Hausmann / Reiner Ruthenbeck / Robon Crozier / Terry Fox / Timm Ulrichs / Ulises Carrion / Ulrike Rosenbach / Vittore Baroni
Sprache Englisch
Geschenk von Studienzentrum für Künstlerpublikationen
Stichwort Cover Art / Music / Schallplatte
WEB www.amzn.to/2odxfUv
TitelNummer
023384647 Einzeltitelanzeige (URI)
stathi-art-seen
stathi-art-seen
stathi-art-seen

Stathi Maria, Hrsg.: art seen - contemporary art projects & editions, 2015


Stathi Maria, Hrsg.
art seen - contemporary art projects & editions
Nikosia (Zypern): Art Seen Contemporary Projects, 2015
(Lieferverzeichnis) 2 S., 29,7x21 cm,
Techn. Angaben Lieferprogramm, beidseitig bedruckt
ZusatzInformation Art Seen - Contemporary Art Projects & Editions is an organization operating as a cultural platform of exchange in contemporary art. Its aim is to create bridges and dialogue between Cyprus and the international contemporary art scene. The idea was born from the need of new and creative collaborations that took a fresh look focusing on contemporary artistic approaches and reflecting upon the dynamic and changing art world. Art Seen projects and Art Seen editions are the two pillars of this organisation.
Text von der Website
Stichwort Edition / Galerie / Verlag / zeitgenössische Kunst
WEB www.art-seen.org
TitelNummer
016905610 Einzeltitelanzeige (URI)
future fantasteek 13
future fantasteek 13
future fantasteek 13

Batey Jackie, Hrsg.: Future Fantasteek, Issue 13, 2012


Batey Jackie, Hrsg.
Future Fantasteek, Issue 13
Brighton (Großbritannien): Damp Books, 2012
(Zine) 20 S., 21x15 cm, Auflage: 40, signiert,
Techn. Angaben Drahtheftung, Farbkopien auf verschiedene Papiere, 2 aufgeklebte Spielzeug-Augen auf Vorderseite, Rückseite mit Prägedruck
ZusatzInformation Future Fantasteek! brings together a trichotomy of investigation. art-zines and independent publishing. artist as social commentator and drawing as a means of immediate visual communication. The series explores obdurate boundaries between journalism and authorial illustration using satire to reflect notions of ‘Britishness’. The series can be read as a sequence, from just prior to the ‘credit crunch’ through to the ‘age of austerity’. The series is independently published as a limited edition art-zine, with two issues per year. The approach is experimental, incremental and reflective focussing on both the microcosm and macrocosm of living in the UK. Visual humour is developed throughout as a vehicle for change, combining techniques such as pastiché, parody and socratic irony. Typography and images are juxtaposed to create new narrative possibilities. Language is explored using different ‘voices’ such as anecdotal, colloquial or profane. This text is then translated into drawn commentaries on etiquette, politics and advertising. The ‘anxiety of the individual’ is a running theme throughout the series with many reoccurring protagonists and antagonists soliloquizing their notions of ‘Das Unheimliche’. The series also explores changing technologies with regard to notions of ‘the book’ with online versions of Future Fantasteek! available via a blog and online PDF reader (issuu and .swf).
Text von der Webseite
Geschenk von Reinhard Grüner
WEB www.futurefantasteek.blogspot.de
TitelNummer
010249351 Einzeltitelanzeige (URI)
the endless story of two lovers
the endless story of two lovers
the endless story of two lovers

Gigotti Lorenzo Micheli: documenta 1955-2012 - The Endless Story Of Two Lovers, 2012


Gigotti Lorenzo Micheli
documenta 1955-2012 - The Endless Story Of Two Lovers
Rom (Italien): Nero Magazine, 2012
(Heft) 60 S., 28x21 cm, Auflage: 200, ISBN/ISSN 978-88-97503-15-6
Techn. Angaben Drahtheftung, goldener Umschlag
ZusatzInformation Publikation anlässlich der dOCUMENTA (13)

This publication contains a selection of 60 photographs from the documenta Archive, one of the oldest and most esteemed exhibition of contemporary art in the world. The photographs — belonging to different ages — depict the two elements that make art history possible: artwork and spectator. This amazing journey through time not only concerns the history of one of the most important exhibitions in the world, but also traces the evolution, customs, and traditions of the society that created it. The book portrays a love story between two subjects — a human being and an inanimate element — that are capable of a relationship even if they speak a different language. The photographs capture the moment of these encounters, and this is what their distinctive feature consists in. Of course we are not able to listen to the dialogues, but we can still imagine them.
Text von der Verlagswebseite
WEB www.neromagazine.it
TitelNummer
010375361 Einzeltitelanzeige (URI)
sutherland-sonotexts
sutherland-sonotexts
sutherland-sonotexts

Mark W. Sutherland: Sonotexts, 2011


Mark W. Sutherland
Sonotexts
Toronto (Kanada): Electronic Music Foundation, 2011
(CD, DVD) 12.5x14.5 cm,
Techn. Angaben 2 CDs mit Booklet
ZusatzInformation Sutherland claims to make poetry that is visual art, visual art
that is music, and music that is poetry — all of my objects, texts,
performances, videos and audio - visual installations investigate the
play of signs found in conflicting principles of authority between
language, sound, images and objects.
Text von der Webseite
Geschenk von Joachim Schmid
WEB www.wmarksutherland.com
TitelNummer
013036476 Einzeltitelanzeige (URI)
mizukami-signifying
mizukami-signifying
mizukami-signifying

Mizukami Jun, Hrsg.: Signifying - Language - Thing / with the Manifestation of Attitude, 1974


Mizukami Jun, Hrsg.
Signifying - Language - Thing / with the Manifestation of Attitude
Kyoto (Japan): The Kyoto Municipal Museum of Art, 1974
(Heft) 31x21,8 cm,
Techn. Angaben Geklammert
ZusatzInformation Heft zur gleichnamigen Ausstellung vom 06.11.-10.11.1974 im Kyoto Municipal Museum of Art. Ein independent project mit Symposium, Ausstellung, Katalog und Dokumentation
Sprache Englisch / Japanisch
Geschenk von Klaus Groh
Stichwort Sprache
TitelNummer
017364634 Einzeltitelanzeige (URI)

Maeght Aimé, Hrsg.
Chroniques de L'Art Vivant, No. 25 - Documenta Cassel Exclusif
Paris (Frankreich): Maeght, 1971
(Zeitschrift, Magazin) 32 S., 38x28 cm, ISBN/ISSN 0004-3338
Techn. Angaben Drahtheftung, mit zahlreichen Abbildungen,
ZusatzInformation Inhalte: Houston De Luxe Show - Bruxelles, le dessin contemporain - Art-Language à Londres, et Terry Atkinson - Sol LeWitt - Abraham Moles - Esthétique numérique, concepts de base- Madrid, Centre de calcul - Eusebio Sempere - John Withney, Ordinateur et création animée - Gilles Aillaud - Bernard Dufour - Carlos Fuentes et l'impossible fête - Vladimir Forgeney - The Mood of Terry Riley - Amsterdam, 2nd Wet Dream Film Festival - Miro sur le vif
Namen Abraham Moles / Bernard Dufour / Carlos Fuentes / Eusebio Sempere / Sol LeWitt / Terry Atkinson / Vladimir Forgeney
Sprache Französisch
Geschenk von Vollrad Kutscher
Stichwort 1970er Jahre
TitelNummer
019752K69 Einzeltitelanzeige (URI)

Frangione Nicola
The relativity of language as the enigma of art
Monza (Italien): Edizioni Armadio e Officina, 1979
(Buch) 15,2x21,3 cm, Auflage: 250, signiert,
Techn. Angaben zwei Bände, abwechselnd schwarze und weiße Seiten, ein Buchan drei Seiten gelöchert, einige Stempeldrucke

Stichwort 1970er Jahre
TitelNummer
001176132 Einzeltitelanzeige (URI)

Stairs David
My Art Book
Portland, OR (Vereinigte Staaten von Amerika): English Language Press, 1985
(Buch) Auflage: 950,
Techn. Angaben mit eingeklebten farbigen Abbildungen, Brief an Manfred Grossmann

Stichwort 1980er Jahre
TitelNummer
004710106 Einzeltitelanzeige (URI)
naivsuper-cd 011
naivsuper-cd 011
naivsuper-cd 011

Mars Leo: Lightears, 2007


Mars Leo
Lightears
Berlin (Deutschland): naivsuper, 2007
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 011, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInformation recorded in 2007 at the Leo Mars studio.
´Lightears´ is the long awaited debut album by Berlin duo Leo Mars. After a year of trial and error, a lot of sessions, sound collecting and analysation of possibilities a precisely crafted, yet astonishingly free floating album came to life. In times of almost infinite sounds, instruments and styles it took the duo some time to come up with the basic material, form a language and then of course learn to speak it. Hours were spent in the studio and their favourite lebanese restaurant discussing the world of sound.
´Lightears´ intelligently smudges the borders between a classic drone, an underground noise, a playful improvisation and an old fashion musique concrete record. All the genres fall into place rather unpretentious with pure sound excitingly assembled to challenge ones listening habits.
It is a rather harsh production always bouncing back and forth between digital, crisp electronics and field recordings pushed way over the edge.
With minimal gear and set up Leo Mars managed to manoveur themselves somewhere inbetween a bedroom thrashing noise keyboard project and a theoratical paper score composer duo. Performing in a trance - allowing things to happen - awaken - making a conscious decision - slipping back into space
Stichwort Nullerjahre
WEB www.naivsuper.de
TitelNummer
008567267 Einzeltitelanzeige (URI)

Hosa Bernhard
Hyperkinesia
Nikosia (Zypern): the Office Gallery, 2016
(Plakat) 59x42 cm,
Techn. Angaben Plakat,
ZusatzInformation The Office gallery presents new works by the Austrian artist Bernhard Hosa in his exhibition Hyperkinesia, starting on June 30, 2016.
Hosa's photo collages, objects and installations are reduced, almost minimalist in appearance and usually based on concrete themes. His starting point is the tension between the individual and a normative society. Based on an engagement with the biological view of the inside and of the outside, on man as an object of scientific study and on the measurement of the human body, he develops his own formal language on the interface between conceptual art and an aesthetic approach. Hosa deconstructs his reflections with artistic strategies such as reproduction, variation or sequence, and practices such as dissection and the creation of new compositions. The resulting series of collages or objects and stringent arrangements of the space adopt the character of the contents of his research.
Text aus der Presseerklärung
Geschenk von the Office Gallery
Stichwort Ausstellung / Holzarbeiten
TitelNummer
016850079 Einzeltitelanzeige (URI)
kunstmagazine-ab-1977
kunstmagazine-ab-1977
kunstmagazine-ab-1977

Baier Hans Alexander, Hrsg.: KUNSTmagazin Konvolut, 1977 ab


Baier Hans Alexander, Hrsg.
KUNSTmagazin Konvolut
Mainz (Deutschland): Alexander Baier-Presse, 1977 ab
(Zeitschrift, Magazin) 28x19,5 cm, 15 Teile.
Techn. Angaben Broschur
ZusatzInformation Heft Nr. 79, documenta 6 (Keine Besprechung der Künstlerbücher).
Heft Nr. 80, Politikum: Der Sammler Ludwig (Über Experimentalfilme).
Heft Nr. 81, Paolozzi.
Heft Nr. 82, Gerhard Johann Lischka: Das fotografische Bild, Was erwartest du von einer Galerie (Art & Language).
Heft Nr. 83, Wolfgang Max Faust: Bilder und Worte.
Heft Nr. 84, Joseph Beuys: Kunst und Staat (Ausstellung Künstlerbücher, Aufruf zur Teilnahme an einer Ausstellung in der Produzentengalerie München. INSTANT-Kunst Zeitung aus Wiesbaden. Künstlerbriefmarken Künststempel Künstlerpostkarten von Wolf Bickhard-Bottinelli, S. 51)
Heft Nr. 85, James Lee Byars.
Heft Nr. 86, Dennis Oppenheim, Kunst und Macht, Stephen Willats.
Heft Nr. 87, Die Stellung des Künstlers in der Gesellschaft (Sprachen jenseits der Dichtung, Gerhard Theewen, Wulle Konsumkunst, Annegret Soltau).
Heft Nr. 88 März 1980, Die soziale Dimension der Form (Künstlerbücher erster Teil, Seite 11, Text zu den Künstlerbücherausstellungen von Hubert Kretschmer in der Produzentengalerie Adelgundenstraße)
Heft Nr. 89, (Diter Rot, Bastelnovelle, von Wendelin Niedlich. Gerhard Theewen, Kunstmagazin Salon)
Heft Nr. 90, Osteuropäische Kunst (Johannes Stüttgen: Fluxus und der Erweiterte Kunstbegriff. Bruno Paulot, Biografisches. Jockel Heenes. Stephan Huber, Das Mehl)
Heft Nr. 91, (Künstlerinitiativen + Künstlerbücher, Produzentengalerie Adelgundenstraße. Jürgen O. Olbrich: Verbindung 6, Beschreibung einer Performance. Dietrich Helms: Tabula Rasa. Dirk van der Meulen)
Heft Nr. 92 (2x), Bildende Kunst und Kulturpolitik, Das rechte und das linke Volksempfinden (Präsenz München, Umstrukturierung der Produzentengalerie Adelgundenstraße. Gerhard Rühm. Ulrike Rosenbach. Anna Oppermann. Kunstmanifest: Michael Lingner)
Namen Anna Oppermann / Annegret Soltau / Bruno Paulot / Dennis Oppenheim / Dietrich Helms / Dirk van der Meulen / Diter Rot / Gerhard Johann Lischka / Gerhard Rühm / Gerhard Theewen / Hubert Kretschmer / James Lee Byars / Jockel Heenes / Johannes Stüttgen / Joseph Beuys / Jürgen O. Olbrich / Michael Lingner / Stephan Huber / Stephen Willats / Ulrike Rosenbach / Wolf Bickhard-Bottinelli / Wolfgang Max Faust / Wulle Konsumkunst
Stichwort 1970er Jahre / Kunstkritik / Künstlerbücher / Künstlerpostkarten / Rezensionen
TitelNummer
023371652 Einzeltitelanzeige (URI)
nannuci-one-hundred
nannuci-one-hundred
nannuci-one-hundred

Nannucci Maurizio, Hrsg.: Top Hundred, 2017


Nannucci Maurizio, Hrsg.
Top Hundred
Bozen / Florenz (Italien): Museion / Museo Marini / Zona Archives, 2017
(Buch) 244 S., 21x10,6 cm, ISBN/ISSN 978-88-98388-04-2
Techn. Angaben Boschur mit gefaltetem Poster als Schutzumschlag.
ZusatzInformation Katalog anlässlich der gleichnamigen Ausstellung im Museion Bozen, 18.09.2015 – 06.01.2016, kuratiert von Andreas Hapkemeyer.
Maurizio Nannuccis Projekt „Top Hundred“ stellt einhundert Werke vor: Multiples, Editionen, Künstlerbücher, Schallplatten, Videos, Zeitschriften, Dokumente und Ephemera von 100 bedeutenden Vertreterinnen und Vertretern der internationalen Kunstszene. Die Arbeiten entstanden in den vergangenen 50 Jahren und stammen aus der Sammlung Zona Archives (Florenz), die der Künstler 1967 gegründet hat. „Top Hundred“ ist wie ein querschnittartiger Parcours angelegt, in dem sich biografisch beeinflusste Rechercheansätze Nannuccis und zeitgleich entwickelte Verfahren anderer Künstler überschneiden. „Top Hundred“ setzt sich mit dem Prinzip der Reproduzierbarkeit von Kunstwerken auseinander, die auf Aura und Einmaligkeit verzichten und auf eine breite und demokratische Verteilung zielen. Die Ausstellung zeigt Werke der Konkreten Dichtung, der Fluxus-Bewegung sowie der Konzeptkunst und umfasst dabei die unterschiedlichsten multimedialen Experimente bis hin zu aktuellen Positionen, die seit der Jahrtausendwende entstanden sind.
Damit wird „Top Hundred“ zu einem umfassenden Kompendium der Kunst der vergangenen 50 Jahre, das die innovative Radikalität und Originalität der vielfältigen Ausdrucksformen aus diesem Zeitraum eindrucksvoll dokumentiert. Für die Präsentation in den Räumen der Studiensammlung des Museion hat Maurizio Nannucci ein außergewöhnliches Ambiente geschaffen, in das raumbezogene Neon-, Sound- und Video-Installationen anderer Künstler integriert sind. „Top Hundred” ist eine Kooperation mit dem Museo Marino Marini in Florenz, das diese Ausstellung Anfang 2016 im eigenen Haus zeigen wird.
Text von der Webseite
Namen AA Bronson & General Idea / Alberto Salvadori (Text) / Alighiero Boetti / Allan Kaprow / Allan McCollum / Allen Ruppersberg / Andreas Hapkemeyer (Text) / Andy Warhol / Antonio Dias / Antonio Muntadas / Archigram / Art & Language / Avalanche / Barbara Kruger / Base progetti per l’arte / Ben Vautier / Bill Viola / Bit / Brian Eno / Bruce Nauman / Carl Andre / Carsten Nicolai / Cerith Wyn Evans / Chris Burden / Christian Jankowski / Christian Marclay / Christo / Christopher Wool / Cildo Meireles / Claes Oldenburg / Claude Closky / Concrete Poetry / Damien Hirst / Dan Graham / Daniel Buren / Daniel Spoerri / Dieter Roth / Dorothy Iannone / Ed Ruscha / Emmett Williams / Felix Gonzales Torres / Ferdinand Kriwet / Francesco Lo Savio / Franco Vaccari / Franz West / Gabriele Detterer (Text) / Gabriel Orozco / George Brecht / George Maciunas & Fluxus / Gerhard Theween (Interview) / Gerwald Rockenschaub / Gianni Colombo / Gianni Emilio Simonetti / Giulio Paolini / Global Tool / Gordon Matta-Clark / Guerrilla Girls / Gustav Metzger / Guy Debord & Internationale Situationniste / Hans Haacke / Hans Peter Feldmann / Heimo Zobernig / Henry Flint / Herman de Vries / Ian Hamilton Finlay / Isidore Isou / James Lee Byars / Jannis Kounellis / Jenny Holzer / John Armleder & Ecart / John Baldessari / John Cage / John Giorno / Jonathan Monk / Joseph Beuys / Joseph Kosuth / Katharina Fritsch / Koo Jeong-a / Laurie Anderson / Lawrence Weiner / Le point d’ironie / Letizia Ragaglia (Text) / Liam Gillick / Lucio Fontana / Marco Fusinato & John Nixon / Markus Raetz / Martin Creed / Martin Kippenberger / Matt Mullican / Maurizio Cattelan & Permanent Food / Maurizio Mochetti / Maurizio Nannucci / Michael Snow / Méla / Nico Dockx / Niele Toroni / Olaf Nicolai / Olivier Mosset / Ou / Peter Kogler / Philippe Parreno / Piero Golia / Piero Manzoni / Pierre Bismuth / Pierre Huyghe / Pipilotti Rist / Rainer Ganahl / Recorthings / Richard Long / Richard Prince / Rirkrit Tiravanija / Robert Barry / Robert Filliou / Robert Lax / Rodney Graham / Roy Lichtenstein / Saadane Afif / Seth Siegelaub / Sherry Levine / SMS / Sol Lewitt / Something Else Press / Spur / Terry Fox / The Fox / Tobias Rehberger / VALIE EXPORT / Vincenzo Agnetti / Vito Acconci / Wolf Vostell / Yayoi Kusama / Yoko Ono / Zona
Sprache Deutsch / Italienisch
Stichwort 1960er Jahre / 1970er Jahre / Archiv / Dokumentation / Ephemera / Fluxus / Kataloge / konkrete Poesie / Konzeptkunst / künstlerbücher / Multiples / Plakate / Sammlung / Schallplatten / visuelle Poesie / Zeitschriften / Zeitschriften
WEB http://www.museion.it/2015/09/maurizio-nannucci_top-hundred-2/?lang=de
WEB http://www.zonanonprofitartspace.it
TitelNummer
025680699 Einzeltitelanzeige (URI)
whitewalls-13
whitewalls-13
whitewalls-13

Spector Buzz, Hrsg.: WhiteWalls #13 Drawing in the 80s, 1986


Spector Buzz, Hrsg.
WhiteWalls #13 Drawing in the 80s
Chicago, IL (Vereinigte Staaten von Amerika): White Walls , 1986
(Zeitschrift, Magazin) 96 S., 21,7x14 cm, ISBN/ISSN 0190-9835
Techn. Angaben Broschur
ZusatzInformation A Magazine of Writing by Artists.
Founded in 1978 in Chicago by artist Buzz Spector and writers Reagan and Roberta Upshaw, Whitewalls began as a publication for artists working with language. For the most part Whitewalls is a straight-up sampler of artists' experimental projects for the page: each issue contains from half a dozen to several dozen artists employing text, image, and other notations in various combinations. While Whitewalls featured an international cast of emerging and established artists, it also provided a showcase for the Chicago area's experimental art community, including artists such as Jeane Dunning, Joseph Nechvatal, and Christopher Wool. Text von der Website
Mit Texten u. a. von Richard Artschwager, Andrea Blum, Christo, Mike Kelly, Lawrence Weiner, Mark Staff Brandl, Rosemary Mayer, Paolo Colombo, Joel Hubaut
Namen Andrea Blum / Christo / Christopher Wool / Jeane Dunning / Joel Hubaut / Joseph Nechvatal / Lawrence Weiner / Mark Staff Brandl / Mike Kelly / Paolo Colombo / Richard Artschwager / Rosemary Mayer
Stichwort 1980er Jahre / Literatur
TitelNummer
003535531 Einzeltitelanzeige (URI)

Williams Emmett, Hrsg.
Anthology of Concrete Poetry
New York, NY (Vereinigte Staaten von Amerika): Something Else Press, 1967
(Buch) 346 S., 24x16,2 cm,
Techn. Angaben Hardcover mit Schutzumschlag.
ZusatzInformation Originally published in 1967, it was the first comprehensive American anthology focusing on the international movement of Concrete Poetry, which began in the early 50s, taking shape in parallel form in Brazil, Sweden, Iceland, Germany and Austria.

Sourcing from seventy-seven poets from twenty countries, this anthology of over 300 selections of concrete poetry stands out in its scope in part from being assembled by Emmett Williams, a founder of this poetic movement. The international array of languages is supplemented by clear-cut explanations and translations. The typographical poems impart an engagingly mysterious insight into the inner workings of language through the intersection of its sonic and graphic components.
Text von der Website.
Namen Al Hansen / André Thomkins / Augusto de Campos / Bob Cobbing / bpNichol / Brion Gysin / Carlfriedrich Claus / Daniel Spoerri / Dieter Roth / Dom Sylvester Houédard / Ernst Jandl / Eugen Gomringer / Ferdinand Kriwet / Franz Mon / Friedrich Achleitner / Gerhard Rühm / H. C. Artmann (Hand Carl Bronislavius) / Hansjörg Mayer / Heinz Gappmayr / Helmut Heissenbüttel / Henri Chopin / Ian Hamilton Finlay / Ilse Garnier / Jackson Mac Low / Jiri Kolar / Kitasono Katue / Ludwig Gosewitz / Mary Ellen Solt / Mauizio Nannucci / Max Bense / Pierre Garnier / Öyvind Fahlström
Sprache Englisch
Stichwort 1960er Jahre / Aktionskunst / Fluxus / Konkrete Poesie / Visuelle Poesie
WEB https://www.printedmatter.org/tables/116/2311
TitelNummer
003307220 Einzeltitelanzeige (URI)

Valoch Jiri
mobile two structures language piece 3
London (Großbritannien): Editions Brian Lane, 1980 ab
(Buch)

Stichwort 1980er Jahre
TitelNummer
005042147 Einzeltitelanzeige (URI)

Wozencroft Jon, Hrsg.
The Graphic Language Of Neville Brody
New York, NY (Vereinigte Staaten von Amerika): Universe, 2001
(Buch) 160 S., 30x25 cm, ISBN/ISSN 0-7893-0653-0
Techn. Angaben Classic Graphic Design, The 80s

Stichwort Nullerjahre
TitelNummer
005787026 Einzeltitelanzeige (URI)
weiner-wild-blue-yonder
weiner-wild-blue-yonder
weiner-wild-blue-yonder

Weiner Lawrence: Wild Blue Yonder, 2002


Weiner Lawrence
Wild Blue Yonder
New York, NY (Vereinigte Staaten von Amerika): Printed Matter, 2002
(Buch) 112 unpag. S., 18,3x17,4 cm, Auflage: 900,
Techn. Angaben Broschur
ZusatzInformation Using stills from his DVD movie in combination with pages of text and graphics, he brings the complexity, subtlety, and play of his language propositions to bear on terrain of human relations.
Text von der Webseite
Sprache Englisch
Stichwort Farbfotografie / Grafik / Nullerjahre / Schwarz-Weiß-Fotografie / Textarbeiten / Zeichen
WEB www.printedmatter.org
TitelNummer
006431156 Einzeltitelanzeige (URI)
naivsuper 009
naivsuper 009
naivsuper 009

Wright Emma: The Black Series, 2011


Wright Emma
The Black Series
Berlin (Deutschland): naivsuper, 2011
(Buch) 28 S., 14,8x14,8 cm, ISBN/ISSN 978-3-940548-27-6
Techn. Angaben Buch 009, Drahtheftung, in Transparenthülle
ZusatzInformation The colorful and almost symbolic forms are scratched out of a black vibrating surface reminding one of spaceships, architecture, prehistoric and indian symbolism seamlessly blending a contemporary or even futuristic pictographic language with the most basic forms
WEB www.naivsuper.de
TitelNummer
008509213 Einzeltitelanzeige (URI)
birchall converted
birchall converted
birchall converted

Birchall Matthew: Photograph Converted into Base64 Code, 2012


Birchall Matthew
Photograph Converted into Base64 Code
London (Großbritannien): Café Royal Books, 2012
(Heft) 24 S., 20x14 cm, Auflage: 100,
Techn. Angaben Drahtheftung. Schwarz-Weiß-Digitaldruck
ZusatzInformation This publication is part of the Tate Gallery special collection.
A photograph of a sculpture, made as part of an installation, converted into Base64 code. The code represents the image, and the sculpture yet is indecipherable. The code becomes an object on the page, a new language and text that cannot be read. Only the form can be read. The code is presented at a width of 72 characters using Courier. The width and font understood by the encoding software.
Text von der Webseite
TitelNummer
010146355 Einzeltitelanzeige (URI)
alphabet prime 01
alphabet prime 01
alphabet prime 01

Gianakos Maia, Hrsg.: Alphabet Prime #1 Scripting, 2009


Gianakos Maia, Hrsg.
Alphabet Prime #1 Scripting
Stockholm (Schweden): CCP, 2009
(Zeitschrift, Magazin) 68 S., 23,3x15,1 cm, Auflage: 1000, ISBN/ISSN 2000-3749
Techn. Angaben Drahtheftung
ZusatzInformation Alphabet Prime is a new biannual arts journal presenting critical texts, artist contributions, and fictional works, among other content. The publication takes as its focus the problem of language in contemporary discourse, and its limitations within the established framework of “theory”.
Featuring Asli Cavusoglu, Goldin + Senneby, Jen Kennedy and Liz Linden, Ginny Kollak, F. Zahir Mibineh, Hans Ulrich Obrist, Sarah Rifky, Irit Rogoff, Johanne Nordby Wernø, Olav Westphalen
Stichwort Nullerjahre
TitelNummer
010184358 Einzeltitelanzeige (URI)
conesa suite for ordinary machinery
conesa suite for ordinary machinery
conesa suite for ordinary machinery

Conesa Adolfo: Suite for Ordinary Machinery - music for cello, 2008


Conesa Adolfo
Suite for Ordinary Machinery - music for cello
Barcelona (Spanien): Save As... Publications, 2008
(Heft) 4 unpag. S., 28x20,3 cm, Auflage: 500, ISBN/ISSN 978-84-936956-1-3
Techn. Angaben Drahtheftung, in transparenter Kunststoffhülle, verschweißt,
ZusatzInformation Musical score written through the transcription of a daily occurrence. The composition was written from the translation –to musical language– of an elevator's movement for ninety minutes. Specific parameters (tempo and tone) were assigned to the passengers' variants (floor and age).
The score is meant to be performed on a cello because of the similarity between this string instrument and the mechanism that makes the elevator work.
Text von der Verlagswebseite
Sprache Englisch / Spanisch
Stichwort Nullerjahre
TitelNummer
010531340 Einzeltitelanzeige (URI)
pichler-555
pichler-555
pichler-555

Pichler Michalis: 555 Schnapspresse Sonnets, folded, stapled and sold in chunks of 5, 2014


Pichler Michalis
555 Schnapspresse Sonnets, folded, stapled and sold in chunks of 5
Leipzig (Deutschland): Lubok Verlag, 2014
(Heft) 10 S., 14,8x21 cm, Auflage: 111, ISBN/ISSN 978-3-941601-97-0
Techn. Angaben Spiritusumdruck = Hektografie, blaue Farbe auf weißem Papier, geklammert
ZusatzInformation a variation of a SONNET written by Rossetti in 1871, re-written by Carrión in 1972 and subsequently re-written by Pichler since 2009.
It is exploring the materiality of language, how books travel into the world, and how a fragmented printrun can still constitute an organic piece.
It is awkward to read, and the awkwardness certainly is half of its charme. Due to their rotated binding and blurring through the pages, they also look like Rorschach-drawings.
Text von der Webseite
TitelNummer
012231448 Einzeltitelanzeige (URI)
perec-morris-pigeon
perec-morris-pigeon
perec-morris-pigeon

Morris Simon: Pigeon Reader, 2012


Morris Simon
Pigeon Reader
Acklam (Großbritannien): information as material, 2012
(Buch) 300 S., 19,8x12,8 cm, Auflage: 750, signiert, ISBN/ISSN 978-1-907468-15-5
Techn. Angaben Broschur
ZusatzInformation Inspired by Georges Perec’s musings on reading, which he likens to “a pigeon pecking at the ground in search of breadcrumbs”, Simon Morris’ latest book sets exactly those feral avians to work on the very surface of Perec’s celebrated text “Reading: A Sociophysiological Outline”. In the process he puts pressure on all of the terms in Perec’s title: what does it mean to engage a text physically — looking at print, flipping pages, processing language, vocalizing, responding — without any of the social practices or semantics we usually associate with “reading.” Or, to put this as Wittgenstein might: what activities still embody a grammar of reading even in the absence of what would seem to be its defining features.
Text von der Webseite
WEB www.informationasmaterial.com
TitelNummer
012286451 Einzeltitelanzeige (URI)
pichler-some-more-sonnet
pichler-some-more-sonnet
pichler-some-more-sonnet

Pichler Michalis: Some more Sonnet(s), 2011


Pichler Michalis
Some more Sonnet(s)
Berlin (Deutschland): Greatest Hits, 2011
(Buch) 29,6x20,9 cm, Auflage: 400, ISBN/ISSN 978-3-86874-009-7
Techn. Angaben Broschur. Mit Sticker auf dem Cover
ZusatzInformation In 1972, Ulises Carrión produced his first artist's book "SONNET(S)" which consists of a 44 variations of a sonnet by Dante Gabriel Rosetti titled "Heart"s Compass".Using the langage like a material, Carrión writes Rossetti's poem over and over again on a typewriter, in slightly different versions. This book today is considered Carrión’s first “artists book”, where he still uses language, but quite differently.
In 2009 Michalis Pichler, in a similar approach but using a computer, probably word or open office, created 44 new variations and published a book titled "SOME MORE SONNET(S)". - On the last page of this book announced a multitude of OTHER SONNET(S), mostly imaginary.
Text von der Webseite
Namen Dante Gabriel Rosetti / Ulises Carrión
WEB www.buypichler.com
TitelNummer
012289448 Einzeltitelanzeige (URI)
bewegte-sprache-language-motion
bewegte-sprache-language-motion
bewegte-sprache-language-motion

Vallaster Günter, Hrsg.: bewegte sprache / language in motion, 2015


Vallaster Günter, Hrsg.
bewegte sprache / language in motion
Wien (Österreich): edition ch, 2015
(Buch) 88 S., 21x14,8 cm, ISBN/ISSN 978-3-901015-64-9
Techn. Angaben Broschur
ZusatzInformation raum für notizen 9.
Lyrik, Prosa, Grafik, Sound- und visuelle Poesie von den Mitwirkenden der transmedialen Literaturveranstaltung "bewegte sprache", die mit freundlicher Unterstützung der Grazer Autorinnen Autorenversammlung in Wien im Amerlinghaus, werkzeugH und Literaturhaus stattfand, sowie von einigen special guests.
Text von der Webseite
Namen Adrian Kasnitz / Bernhard Garnicnig / Brandstifter / Brigitta Falkner / Christian Katt / Christian Yeti Beirer / Christine Huber / Dirk Huelstrunk / elffriede.aufzeichnensysteme / Elli Schnitzer / Erika Kronabitter / Fritz Widhalm / Gerhard Jaschke / Gerhild Ebel / Harald Gsaller / Helwig Brunner / Ilse Kilic / Jelena Dabic / jopa jotakin / Magdalena Knapp-Menzel / Marietta Böning / Mark Kanak / Michael Fischer / Peter Enzinger / Petra Ganglbauer / Regina Hilber / Thomas Havlik / Wolfgang Helmhart
Sprache Deutsch / Englisch
WEB www.editionch.at
TitelNummer
013851475 Einzeltitelanzeige (URI)
sutherland-buttons
sutherland-buttons
sutherland-buttons

Mark W. Sutherland: Language Decoy - Say Something Original (is this possible?) - Do Not Read This (it contains no information), 1996


Mark W. Sutherland
Language Decoy - Say Something Original (is this possible?) - Do Not Read This (it contains no information)
Toronto (Kanada): The Portable Gallery, 1996
(Sticker, Button) 3,2x3,2 cm, signiert, 2 Stück.
Techn. Angaben Buttons

Geschenk von Jürgen O. Olbrich
Stichwort 1990er Jahre
WEB www.wmarksutherland.com
TitelNummer
014712545 Einzeltitelanzeige (URI)
sutherland-duchamp
sutherland-duchamp
sutherland-duchamp

Mark W. Sutherland: Have you been Duchamp'd? parts 1, 2 and 3, 1989


Mark W. Sutherland
Have you been Duchamp'd? parts 1, 2 and 3
Toronto (Kanada): The Portable Gallery, 1989
(Sammeltuete, Schachtel, Kassette) 58 unpag. S., 29,1x23,3 cm, Auflage: 100, signiert,
Techn. Angaben 29 Blätter in Karton, aufgeklebter Titel, Niete, Stempel, Bindfadenverschluss
ZusatzInformation Meditating on language and symbol, Sutherlands three-part bookwork evolves from a predominant use of text over image to the reverse. (e-artexte)
Sprache Englisch
Geschenk von Jürgen O. Olbrich
Stichwort 1980er Jahre
WEB www.wmarksutherland.com
TitelNummer
014713545 Einzeltitelanzeige (URI)
speaking-of-which
speaking-of-which
speaking-of-which

Andreasen Kasper / Lüthi Louis, Hrsg.: Speaking of Which, 2007


Andreasen Kasper / Lüthi Louis, Hrsg.
Speaking of Which
Lüttich (Belgien): Le Comptoir, 2007
(Buch) 48 S., 22,9x15,4 cm, Auflage: 300,
Techn. Angaben KlappBroschur
ZusatzInformation Ausstellung vom 08.09.-04.11.2007. The pieces in the show explored what you could call the visualization of language: mapping notation, short­hand forms, the alphabet, graffiti, the vocabulary of painting, missing things, and so on. Speaking of Which contains works in book form related to the pieces that were on display. Exhibition and book compiled with Louis Lüthi.
Text von der Webseite
Namen Felix Weigand / Geoffrey Garrison / John Murphy / Messieurs Delmotte / Olivier Foulon / Sketch / Toni Uroda / Willem Oorebeek
Stichwort Fotografie / Musik / Nullerjahre / Zeichnung
WEB www.kasperandreasen.com
TitelNummer
015736544 Einzeltitelanzeige (URI)
sam-connect-the-dots
sam-connect-the-dots
sam-connect-the-dots

Baron Sam, Hrsg.: Connect the dots (however you like), 2016


Baron Sam, Hrsg.
Connect the dots (however you like)
Lissabon (Portugal): FABRICAFEATURES, 2016
(PostKarte) 2 S., 11x16 cm,
Techn. Angaben Postkarte
ZusatzInformation Fabrica Features is the brand communicating the ideals and creative output of the Fabrica design studio. It is defined by the attitudes and creations of the young international people who work there, refreshed by the coming and going of studio members. Their process is informed by enquiry into rituals and materials, defining a language that is thoughtful, eclectic and alternative. The focus is on conceptual objects, limited collections and prototypes, produced under the brand – which is the meeting point between the studio and the outside world. Such encounters happen in galleries, museums, online and designated Fabrica Features spaces found throughout Europe. Text von Website
Stichwort Design
WEB www.fabricafeatures.com
TitelNummer
016259601 Einzeltitelanzeige (URI)
fair06-Thomas-Redl
fair06-Thomas-Redl
fair06-Thomas-Redl

Redl Thomas / Thiel Wolf Guenter, Hrsg.: fair - Zeitung für Kunst & Aesthetik, Wien/Berlin - Nr. 06, 2009


Redl Thomas / Thiel Wolf Guenter, Hrsg.
fair - Zeitung für Kunst & Aesthetik, Wien/Berlin - Nr. 06
Wien (Österreich): fairarts, 2009
(Zeitschrift, Magazin) 32 S., 45x30 cm,
Techn. Angaben unterteilt in 4 Bücher (8 Seiten), lose ineinander gelegt, mittig gefalzt,
ZusatzInformation Themen: Das Porträt in der Fotografie / Rothko - Giotti / What Language are you from? u. a.
Autoren: Juri Andruchowytsch / Peter Weiermayr / Georg Schöllhammer u. a.
Schwerpunkt über Zentral- und Osteuropa: Bosnien, Slowenien, Serbien
Namen Georg Schöllhammer / Juri Andruchowytsch / Peter Weiermayr
Sprache Deutsch / Englisch
Geschenk von Thomas Redl
Stichwort Architektur / Bildende Kunst / Bosnien / Design / Experimentalfilm / Gesellschaft / Malerei / Osteuropa / Philosophie / Serbien / Slowenien
WEB www.fairarts.org
TitelNummer
016425078 Einzeltitelanzeige (URI)

Morgan Polly
Foundations Remains
Nikosia (Zypern): the Office Gallery, 2013
(Plakat) 59x42 cm,
Techn. Angaben Plakat,
ZusatzInformation The Office gallery is delighted to present the most recent work from the controversial, British artist/taxidermist Polly Morgan titled ‘FOUNDATIONS AND REMAINS’. Since 2005 the London based artist has managed to create a visual language of her own through the use of animals as raw materials of her work and their placement as protagonists in scenes that are unnatural to them.
Though her peculiar work, she is forcing us to look at the animals used, as if for the first time, free from previous associations, deliberately challenging the fragile relationship between humans and animals.
The major work of the exhibition titled ‘FOUNDATIONS/REMAINS’ has been made using 2428 cast crow femurs that are each painted by hand. The glue used is identical in colour to the fat present in the joints of bones, so it bears the same colour and consistency of a real animal skeleton. This work is inspired by Charnel Houses (Ossuaries) which were decorative buildings essentially used to pile high skeletons in order to save space. The structure was built using plans from Sol Lewitt's spiral tower “Untitled” 1989.
Text aus der Presseerklärung
Geschenk von the Office Gallery
Stichwort Ausstellung
TitelNummer
016849079 Einzeltitelanzeige (URI)
Olaf-Nikolai-30-Farben
Olaf-Nikolai-30-Farben
Olaf-Nikolai-30-Farben

Nicolai Olaf: 30 Farben, 2000


Nicolai Olaf
30 Farben
Köln (Deutschland): Salon Verlag, 2000
(Buch) 60 unpag. S., 13,4x28,5 cm, Auflage: 750, ISBN/ISSN 3-89770-113-8
Techn. Angaben Broschur, hinten Umschlag ausklappbar, CD und Beiheft eingelegt
ZusatzInformation Beigegeben ein zwölfseitiges Beiheft mit dem Text "Language of Colour. Olaf Nicolais Modelle und Muster zwischen Sinn und Sinnlichkeit / Olaf Nicolais models and patterns between sense and sensuality" von Annelie Pohlen sowie der beiliegenden CD von To Rococo Rot, 30 Farben. Sound für "pantone wall, instrumented" von Olaf Nicolai. Erschien anläßlich der Ausstellung "pantone wall, instrumented" von Olaf Nicolai im Bonner Kunstverein vom 11.10.-26.11.2000
Namen Annelie Pohlen (Text)
Sprache Deutsch / Englisch
Stichwort Farben / Konzeptkunst
TitelNummer
024429613 Einzeltitelanzeige (URI)
goldsmith-ersetzung-ist-die-neue
goldsmith-ersetzung-ist-die-neue
goldsmith-ersetzung-ist-die-neue

Goldsmith Kenneth: Against Translation, 2016


Goldsmith Kenneth
Against Translation
Paris (Frankreich): Jean Boîte Éditions, 2016
(Sammeltuete, Schachtel, Kassette) 256 S., 16,7x10,3x3,3 cm, 8 Teile. ISBN/ISSN 978-2-36568-012-7
Techn. Angaben 8 Büchlein in Schuber, Fadenheftung, Beiblatt
ZusatzInformation 1. Auflage
The author discusses the impasses and shortcomings of translation, this “approximation of discourse that produces a new discourse” and he opposes the notion of displacement, a phenomenon born of globalization: if people and objects are moved, so it will for language. Using the example of the inffuence of advertising, information ow and the effects of networking, Kenneth Goldsmith shows the obsolescence of the act of translation and reflects on the idea of movement. Movement is the new reality which tends to impose its standard upsets linguistic structures, social and political worlds, and profoundly changes our cultural practices.
Following Theory – a sum of 500 texts printed and assembled in the form of a ream of paper –, Against Translation is the second book of Kenneth Goldsmith published by Jean Boite Éditions.
Text von der Webseite
Namen groupe CCC (Design)
Sprache Arabisch / Chinesisch / Deutsch / Englisch / Französisch / Japanisch / Russisch / Spanisch
Stichwort Appropriation / Gegenwartskunst / Literatur / Post-Digital / Strategie
WEB https://www.jean-boite.fr/product/against-translation-by-kenneth-goldsmith
TitelNummer
024603674 Einzeltitelanzeige (URI)
klanten-hellige_the-modernist_2011
klanten-hellige_the-modernist_2011
klanten-hellige_the-modernist_2011

Klanten Robert / Hellige Hendrik, Hrsg.: The Modernist, 2011


Hellige Hendrik / Klanten Robert, Hrsg.
The Modernist
Berlin (Deutschland): Die Gestalten Verlag, 2011
(Buch / Presse, Artikel) 192 S., 28x24 cm, ISBN/ISSN 978-3-89955-344-4
Techn. Angaben Broschur
ZusatzInformation Die Entdeckung der klassischen Moderne im aktuellen Grafikdesign
Today’s designers and illustrators are synthesizing the best elements from past eras of graphic design to create a new visual language with a reduced and rational approach. The Modernist documents this uniquely contemporary, yet timeless aesthetic that is built upon the rediscovery and seamless melding of classical type elements and collage of the 1950s, the geometric patterns and graphic elements of the 1960s and 1970s, and the vector graphics and computer-aided montage of the 1990s. With its fresh perspective on the legacy of past craftsmanship and quality in outstanding current work, The Modernist expands our understanding of what modern graphic design can be.
Text von der Website
Der Zeitungsartikel "Die gestern erträumte Zukunft sieht einfach besser aus. In dem Bildband "The Modernist" simulieren Designer Menschen und Gebrauchsspuren" (Süddeutsche Zeitung) von Jan Füchtjohann liegt bei.
Namen Jan Füchtjohann
Sprache Englisch
Geschenk von Julia Hartmann
Stichwort Computer-aided Montage / Design / Gebrauchsgrafik / Graphic / Illustration / Typographie
WEB http://shop.gestalten.com/the-modernist.html
TitelNummer
024906684 Einzeltitelanzeige (URI)
mr-fluxus
mr-fluxus
mr-fluxus

Williams Emmett / Ay-O / Noel Ann, Hrsg.: Mr. Fluxus - A Collective Portrait of George Maciunas, 1931–1978, 1997


Ay-O / Noel Ann / Williams Emmett, Hrsg.
Mr. Fluxus - A Collective Portrait of George Maciunas, 1931–1978
London (Großbritannien): Thames & Hudson, 1997
(Buch) 352 S., 24,5x17,7 cm, ISBN/ISSN 978-0500974612
Techn. Angaben Hardcover, fadengeheftet, mit Schutzumschlag, mit Illustrationen
ZusatzInformation George Maciunas was the founding member and leader of the most radical and experimental art movement of th 1960s: "Fluxus". Associated with artists such as Joseph Bueys and Yoko Ono, Fluxus rejected traditional systems of high art and practised a form of "anti-art" encompassing everything from photography and pavement art to poetry and drama. This biography of one of the key figures in the history of 20th-century art recounts in text and archive photographs the life story of this contradictory and unorthodox man. Emmett Williams provides anecdotes and impressions from former Fluxus colleagues and other friends (and enemies), to produce a portrait of this crusader, whose mission was to change the world - beginning with the world of art. Although tempered with wit and wisdom, his iconoclasm won him few friends amongst the art establishment during his lifetime, but Fluxus prevailed as an acknowledged force behind the upheavals in the art of the 20th century.
Text von der Webseite
Namen George Maciunas / Yoko Ono
Sprache Englisch
Stichwort 1960er Jahre / Fluxus
TitelNummer
025104685 Einzeltitelanzeige (URI)
face-b_1987
face-b_1987
face-b_1987

Blaise Jean, Hrsg.: FACE-B - d´autres plages pour la culture No. 8, 1987


Blaise Jean, Hrsg.
FACE-B - d´autres plages pour la culture No. 8
Nantes (Frankreich): Centre de recherche pour le développement culturel, 1987
(Zeitschrift, Magazin) 52 S., 29,7x21 cm, ISBN/ISSN 0764-2105
Techn. Angaben Drahtheftung
ZusatzInformation Zeitschrift enthält Essays, Rezensionen, Veranstaltungsinformationen und Künstlerporträts. Über eine Mail Art Ausstellung während des zweiten Theater-Festivals De Saint-Herblain 11.-22.05.1987: Art Postal, L'Art Affranchi von Bernard Bretonnière, sowie ein Definitionsversuch von l'art postale. Mit abbildungen von Briefen und Stempeln internationaler Mail-Art-Künstler.
Namen Aloys Ohlmann / André Théval / Antonio Martinio / Charles Semser / Denis Montebello / Eliane Larus / Gino Gini / Hugo Pontes / Jacques Lepage / Joseph W. Huber / Julien Blaine / Louis Pons / Paulo Bruscky / Pierre Maldonado / Pierre Maldonado / Rafael Flores / Raymond Cousse / Sanfourche
Sprache Französisch
Geschenk von Klaus Groh
Stichwort Art Postal / Kultur / Mail Art / Performance / Theater
TitelNummer
023631654 Einzeltitelanzeige (URI)



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