|
Technische
Angaben
-
48x33 cm, 2 Stück. keine weiteren Angaben vorhanden
Plakat, vermutlich beschnitten
ZusatzInfos
-
Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
Why ‘Atem’?
‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
Who we are
Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
What we can do
We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
Atem Books is 100% independent!
We don’t receive any external money. This project survives with the earns we do selling our publications.
Von der Webseite
|
Technische
Angaben
-
[40] S., 32x22 cm, 2 Stück. ISBN/ISSN 7629999015104
Drahtheftung. Verschiedene farbige Papiere. Eingelegt ein gefaltetes Poster
ZusatzInfos
-
The publication Spheres is the creative documentation of a close collaboration between an artist and the editor, graphic designer Philippe Karrer. Every issue is dedicated to a young artist and their work, in each case exploring character, surroundings, every-day life, inspirations and ideas using unconventional innovative formats so as to create a different, more visual approach and understanding of the artist and his or her work. The focus lies on what is important to the artist during the time period of working together for the publication, hereby capturing a certain essence of the artists work at the moment. Not only can the reader dive in to the artist‘s world, receiving li ttle personal snippets of the life in and around his or her art, but also (and perhaps even more importantly) — how the artist chooses to present things in the publication gives the reader an idea of his or her whole artistic sphere.
Melanie Bonajo explores the relationship of the individual to its surroundings in a commodified, globalised culture. In her work, she uncovers how our ideas of identity, genre, value and such structures formed by conventions are ever shift ing to feelings of uncertainty and instability. She approaches these issues by trying to newly create, to turn around overpowering views and conditions that are today so influenced by our consumer society and tries to get nearer to traits that are rooted in human nature.
Text von der Webseite
|
Titel
-
When the Saints - il lato spirituale di FUN
Technische
Angaben
-
10,8x7,3 cm, keine weiteren Angaben vorhanden
weisse Faltschachtel, golden bedruckt, darin ein einfarbig violett gedrucktes 16 seitiges Booklet (drahtgeheftet) und 36 beidseitig farbig bedruckte Karten 10,5x7
ZusatzInfos
-
a colour box set with 36 alternative saints of the FUNtastic Nations by international authors (Giacon, Ruijters, Zattera, Chiarotto, Staffa, King, Echaurren, Biancuzzi, etc.) plus 16 pp booklet.
F.U.N. (Funtastic United Nations) is an independent and supranational organization that intends to stimulate a cooperation amongst all kinds of imaginary countries and worlds, coordinating meetings, publications, exhibitions and events. We offer our skills and resources to create a bridge between creative and funtastic geographical entities, representing numberless and mutable virtual countries, multiethnical and transgender, where the passports, postage stamps and banknotes are real but not the wars.
F.U.N.’s vocation to interact in an horizontal “networking” attitude with local and distant, real and imaginary situations, to create unexpected interferences between art and daily life, is a strategy aimed at preserving the biodiversity of cultures and encouraging an eco-friendly, free and open participation to the creative experience. F.U.N. is the logic evolution of over twenty years of networking activities in the fields of mail art, of independent music (The Great Complotto, Le Forbici di Manitù), of collective multimedia projects (Trax), of multiple names (Lieutenant Murnau, Mind Invaders, Luther Blissett), of imaginary worlds and characters (Stickerman-Stickerland) and of counter-cultural documentation (various fanzines, AAA Editions).
Text von der Webseite
|
Technische
Angaben
-
[28] S., 20x15 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden
Fadenheftung, schmaler Karton als Umschlag, rückwärtiger Teil mit Signatur und teil des Impressums abgeschnitten
ZusatzInfos
-
I was born in the Basque Country in 1978. This land has been inhabited since prehistoric times by the Basques. This continuous presence is explained by the context of the landscape, collected by the mountains and bathed by the Cantabric Sea, that has served as a shelter to a rooted culture and popular customs that are still alive in the 21st century.
Here, nature, history and legend come together with unusual force and create a land of myths and magic that I explore through photography. A land where nature is praised in old rites learned from our ancestors.
These intangible concepts are the beginning point to create a visual imaginary which serves me to understand the society and the land I live in, positioning myself in my environment through photography. Trees, waves, animals and black skies build a symbolic world that I turn into a channel to reach the soul of the Basques, an old soul, the soul of the one who pursues its lost paradise.
Galerna is a tribute to the original identity of this land.
Text von der Webseite
|
Technische
Angaben
-
52 S., 21,6x13,7 cm, Auflage: 800, ISBN/ISSN 9781732051461
Drahtheftung
ZusatzInfos
-
Heft was auf der Basis einer Initiative der Künstlerin Kate O'Shea zu Zeiten der Pandemie entstanden ist. Die Idee und die Inhalte entstammen einem Projekt, welches die irische Künstlerin während der Pandemie ins Leben gerufen hat. Sie gründete das Kollektiv "The Just City Collective", ursprünglich als Lesekreis, der sich einmal wöchentlich online versammelte um diverse Themen rund um Wandel im urbanen Raum zu diskutieren. Durch die Beiträge diverser Menschen, u.a. Künstler*innen & Aktivist*innen wurde daraus ein Projekt, was verschiedene Zusammentreffen und Aktivitäten mit verschiedenen Einrichtungen und Organisationen möglich machte. Im Sinne dieser Kooperation entstand nun das Heft "Kate O'Shea & The Just City Residency - Reflections on an embedded Practice at the Intersection of Art and Activism", ebenso in Zusammenarbeit mit der Künstlerin und dem Verlag Half Letter Press und den Organisationen Common Ground und Create.
|
Titel
-
tetenal, Create & Print, Nr. 31
Technische
Angaben
-
keine weiteren Angaben vorhanden
|
Titel
-
Stamps to create a Marxist
Technische
Angaben
-
15,4x10,8 cm, Auflage: 500, numeriert, signiert, keine weiteren Angaben vorhanden
verschiedene Papiere und Stempel in Umschlag, geklammert
|
Titel
-
Out of print. An archive as artistic concept
Technische
Angaben
-
254 S., 27x19,5 cm, Auflage: 2.000, ISBN/ISSN 978-3-928761512
ZusatzInfos
-
Katalog zu 7 Ausstellungen über Künstlerbücher und anderes.
Founded by Guy Schraenen, The Archive for Small Press & Communication (ASPC) at the Neues Museum Weserburg in Bremen reflects a period of alternative artistic activity beginning in the sixties, in which artists drew on a wide range of radical methods to create graphic and sound works that showed their anti-traditional leanings and their ground-breaking ideas. The exhibition Out of Print, which has toured to several cities around the world, presented an extensive selection of works from the ASCP. The accompanying catalogue also included a manifesto by Guy Schraenen.
Text von der Webseite
|
Titel
-
Create The Right Side of London
Technische
Angaben
-
keine weiteren Angaben vorhanden
Faltprospekt, beidseitig bedruckt
|
Titel
-
the book on books on artists books
Technische
Angaben
-
230 S., 24x17 cm, ISBN/ISSN 9780956173843
erschienen zur Ausstellung at the Bloomberg Space London, eingelegt eine Karte mit handschriftlichem Text
ZusatzInfos
-
The Bloomberg website says of the project:
For Comma 38, artist and publisher Arnaud Desjardin will exhibit new, old, rare, and popular books while running an active printing press in Bloomberg Space. His COMMA commission, part of an ongoing project titled The Book on Books on Artists' Books, is intended to create an active and participatory review of current and historical practice. This exhibition is about both the display of books on artists' books and the production of a book about the books displayed. He intends to print a first edition, a book of books, a critical anthology and source book, alongside which a large range of books on artists' books will be displayed in a series of vitrines.
Artists' books have normally been sold and distributed through small networks of bookshops and galleries that often produce lists of available titles in printed form. The advent of the Internet has meant that information online has changed the nature of this documentary evidence. Desjardin's unique and extraordinary combination of display and production makes an exhibition that actively engages in both the making and disseminating in real time. The books themselves become both vehicles for information and documents that testify for artistic activity in its own right
|
Titel
-
Slanted #13 – To create a more graceful human appearance - Grotesque I - Humanist Sans
Technische
Angaben
-
146 S., 27x21 cm, ISBN/ISSN 18676510
|
Technische
Angaben
-
13x13 cm, keine weiteren Angaben vorhanden
naivsuper Nr 003, Musik-CD in KlappPapphülle, transparenter Kunststoff, mit Infoblatt in transparenter Kunststoffhülle, cover art: Moritz Tredup
ZusatzInfos
-
written.produced.performed.recorded by Stephane Leonard between 2002 - 2004, in Berlin and Bremen, Germany.
Hörtheater is Stephane Leonard´s second official solo release (first: Schmalfilmer RMX 2003, NASU 001).
Hörtheater is a quiet ambient record gaining its strength from the number of sound layers and the developed thickness as a result. Long stretched tones, loops and shy harmonic drones come together to create a mystic atmosphere. The tracks are like scenes of a play full of small gestures, unspoken and undone things partly inspired by the japanese NOH theater.
Hörtheater is minimal ambient, is music, is experiment, is a foreign soundscape
|
Technische
Angaben
-
13x13 cm, keine weiteren Angaben vorhanden
naivsuper Nr 007, Musik-CD in gefalteter Papphülle mit Beiblatt in transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInfos
-
music by Daniel Lopatin aka Dania Shapes.
Soundsystem Pastoral was recorded by Daniel Lopatin aka Dania Shapes during the winter of 2004 using synthesizers, a first generation digital sequencer, and a freeware sound editor. It was remixed in 2006 for the release on naivsuper.
Celebrating the potential of amateurishness, decadence and romance in the realm of digital audio arts, Lopatin looks to marry the aesthetic sensibilities of experimental electronics with his allegiance to the classic 'beauty' in music. 'Glitch' is less a process for Lopatin -- rather it is an aesthetic impression which Lopatin emulates by hand. Pairing the residual effects of romantic, heart string melodies with steroidal, detailed, maximalist noise, Dania Shapes' audible bricolage is a tribute to both the beautiful and the broken all at once.
Working with simple tools such as handheld tape recorders, retro synthesizers, and a personal computer, Lopatin creates conceptual systems and processes to create a solo music that's beautiful and inventive, with interesting textures and unexpected sonic interventions. The music has a lush, ambient quality, but an edge as well. Throughout the CD, one finds a subtle use of repetition. The pieces are formally well-conceived and never contrived. The music is clearly indebted to heroes of electronica such as Christian Fennesz, William Basinski, and Brian Eno. and it has links to classic experimentalists such as David Tudor and David Behrman. Yet Lopatin maintains a more song-based musical position that results in an accessible product that will attract fans of ambient, post-rock, and experimental music
|
Titel
-
cocii-jewellery issue No 2
Technische
Angaben
-
16 S., 28x21 cm, keine weiteren Angaben vorhanden
Drahtheftung, Gestaltung Julia Hartmann
ZusatzInfos
-
Cocii is a young German designer, Claudia Lassner, whose delicate, restrained jewellery is inspired by a broad variety of cultural and aesthetic influences: from the everyday to science fiction to the glamour of the 1920s. Cocii’s jewellery explores the interplay between tradition and modernity, reinterpreting classic shapes and materials to create stunning pieces of contemporary jewellery
|
Titel
-
Future Fantasteek, Issue 13
Technische
Angaben
-
20 S., 21x15 cm, Auflage: 40, numeriert, signiert, keine weiteren Angaben vorhanden
Drahtheftung, Farbkopien auf verschiedene Papiere, 2 aufgeklebte Spielzeug-Augen auf Vorderseite, Rückseite mit Prägedruck
ZusatzInfos
-
Future Fantasteek! brings together a trichotomy of investigation. art-zines and independent publishing. artist as social commentator and drawing as a means of immediate visual communication. The series explores obdurate boundaries between journalism and authorial illustration using satire to reflect notions of ‘Britishness’. The series can be read as a sequence, from just prior to the ‘credit crunch’ through to the ‘age of austerity’. The series is independently published as a limited edition art-zine, with two issues per year. The approach is experimental, incremental and reflective focussing on both the microcosm and macrocosm of living in the UK. Visual humour is developed throughout as a vehicle for change, combining techniques such as pastiché, parody and socratic irony. Typography and images are juxtaposed to create new narrative possibilities. Language is explored using different ‘voices’ such as anecdotal, colloquial or profane. This text is then translated into drawn commentaries on etiquette, politics and advertising. The ‘anxiety of the individual’ is a running theme throughout the series with many reoccurring protagonists and antagonists soliloquizing their notions of ‘Das Unheimliche’. The series also explores changing technologies with regard to notions of ‘the book’ with online versions of Future Fantasteek! available via a blog and online PDF reader (issuu and .swf).
Text von der Webseite
|
Technische
Angaben
-
[44] S., 19,1x13,5 cm, keine weiteren Angaben vorhanden
Fadenheftung, kleinerformatiges Impressum angeheftet
ZusatzInfos
-
By investigating the intrinsic nature of objects in a haunted environment, these photographs question why we associate certain items with fear, and the elements that are required to create a haunted space.
Text von der Webseite
|
Technische
Angaben
-
23x17,1 cm, Auflage: 1.000, ISBN/ISSN 9786070047442
Drahtheftung, eingeschlagen in mehrfach gefaltetes und beidseitig bedrucktes Plakat (66x46 cm), verschiedene Papiere
ZusatzInfos
-
Pasatiempos is a play space that connects us with the image in a playful way, a proposal that reflects on the problem of temporality in contemporary subject, who lost in the entertainment culture runs to procure superfluous amusements.
Through drawing, it seeks to create an interactive action where attendees become participants in the work, both in the presentation and the editorial strategy, which proposes to escape from the condition of art as commodity fetish, a publication distributed inexpensive commonplace and easily accessible, allowing the artist to approach new audiences.
Text von der Webseite
|
Technische
Angaben
-
[144] S., 19,7x12,8 cm, ISBN/ISSN 1846147425
Broschur
ZusatzInfos
-
Working On My Novel is a book which is based on a twitter feed that re-tweets the best posts featuring the phrase "working on my novel."
What does it feel like to try and create something new? How is it possible to find a space for the demands of writing a novel in a world of instant communication?
Text von der Webseite
|
Titel
-
OWK 1 - Oi Wraioi Kypraioi. (Die wunderbaren Zyprioten) Culturally aroused art & design dialogues
Technische
Angaben
-
16 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Drahtheftung, ein Sticker eingelegt. Cover mit Prägedruck. Risographie. In braunem Papierumschlag mit Aufkleber
ZusatzInfos
-
OWK is an independent visual library for words and images that create linear or abstract stories providing a structure for publishing and archiving projects. We focus on graphic design, illustration, photography, art and creative writing.
OWK is a Riso print project, meaning that color will fail to present photographs in its purest form. Registration too will fail and colors will be imperfect. It is what it is. An experimental electronic single drum screenprint with its own unique aesthetic and feel.
|
Titel
-
Urban 2016 - Das Sommerfest der Kunst und Kultur im Münchner Kreativquartier
Technische
Angaben
-
[16] S., 29,7x10,5 cm, keine weiteren Angaben vorhanden
Drahtheftung, Risographie
ZusatzInfos
-
Programmheft für das Urban 2016 Sommerfest vom 14.07.-24.07.2016 in München. Gestaltung des Programms Philipp Polder, RisoGraphie Herr & Frau Rio, München
|
Technische
Angaben
-
176 S., 27x18 cm, ISBN/ISSN 9788480265300
Softcover, Broschur, Schutzumschlag aus Noppenfolie,
ZusatzInfos
-
Publikation zur gleichnamigen Ausstellung vom 10.11.2015-21.03.2016.
A conversation between Hito Steyerl and João Fernandes, curator of the exhibition, an essay by Carles Guerra and Steyerl herself, introduced us to one of the most relevant contemporary artists in the field of Video art. Steyerl approaches current themes in her work, for instance the impact the proliferation of images and the use of the Internet and technology have on our lives. She uses these issues as a starting point for developing, not just through her video pieces but also through writing and essays, critical work about control, surveillance and militarisation, migration, cultural globalisation, feminism and political imagery, questions she believes have the capacity to create realities.
Text von Website
|
Titel
-
Impuls Art - Create your own world.
Technische
Angaben
-
2 S., 21x10,6 cm, keine weiteren Angaben vorhanden
Flyer, beidseitig bedruckt
ZusatzInfos
-
Kunst neu erleben. Blicke hinter die Kulissen in den städtischen Kunsträumen. Begegne aktueller Kunst und ihren Macher/innen. Experimentiere. Mach Deine eigene Kunst mit allem, was Spaß macht: Malerei, virtuelles Graffiti, Snapchat und 3D. Für Jugendliche und Erwachsene von 16-25 Jahren.
Text von Flyer
Design Michael Dietrich
|
Technische
Angaben
-
59x42 cm, keine weiteren Angaben vorhanden
Plakat,
ZusatzInfos
-
The Office gallery is delighted to present the most recent work from the controversial, British artist/taxidermist Polly Morgan titled ‘FOUNDATIONS AND REMAINS’. Since 2005 the London based artist has managed to create a visual language of her own through the use of animals as raw materials of her work and their placement as protagonists in scenes that are unnatural to them.
Though her peculiar work, she is forcing us to look at the animals used, as if for the first time, free from previous associations, deliberately challenging the fragile relationship between humans and animals.
The major work of the exhibition titled ‘FOUNDATIONS/REMAINS’ has been made using 2428 cast crow femurs that are each painted by hand. The glue used is identical in colour to the fat present in the joints of bones, so it bears the same colour and consistency of a real animal skeleton. This work is inspired by Charnel Houses (Ossuaries) which were decorative buildings essentially used to pile high skeletons in order to save space. The structure was built using plans from Sol Lewitt's spiral tower “Untitled” 1989.
Text aus der Presseerklärung
|
Titel
-
art seen - contemporary art projects & editions
Technische
Angaben
-
2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Lieferprogramm, beidseitig bedruckt
ZusatzInfos
-
Art Seen - Contemporary Art Projects & Editions is an organization operating as a cultural platform of exchange in contemporary art. Its aim is to create bridges and dialogue between Cyprus and the international contemporary art scene. The idea was born from the need of new and creative collaborations that took a fresh look focusing on contemporary artistic approaches and reflecting upon the dynamic and changing art world. Art Seen projects and Art Seen editions are the two pillars of this organisation.
Text von der Website
|
Titel
-
How to Start A Revolution – The Musical
Technische
Angaben
-
24 S., 29,5x21 cm, 2 Stück. keine weiteren Angaben vorhanden
Drahtheftung, matt-glänzendes Umschlagpapier, dünne hellgraue Innenseiten, farbiges Beiheft mit Abbildungen, ebenfalls Drahtheftung
ZusatzInfos
-
"A musical adaptation of the multifaceted, facetious, ongoing project «How to Start a Revolution» by – Anna McCarthy. It deals with the romanticization and synaesthetic manipulation tactics entailed in depictions – of revolution, rebellion and recent history acted out by an ever-same group of bored rebels. Facts are mixed with fiction, layers are built upon layers, translations occur to create scenarios that manipulate a viewer’s perception of what was and is truly real. 2-D actors and scenarios mix with 3-D action going on onstage. The «How To Start A Revolution» project has thus far manifested itself in the form of arrests, archives, films, photographs, and songs. But now it is time for the ultimate grand romantic gesture: A MUSICAL – singing, dancing, screaming, and laughing at the question ‘what time is it’? It’s a prophecy, it’s a poetic pop spectacle."
Text von der Website
|
Titel
-
How to Start A Revolution – The Musical - Edition
Technische
Angaben
-
24 S., 29,5x21 cm, Auflage: 50, numeriert, keine weiteren Angaben vorhanden
Drahtheftung, Heft in Kunststoffumschlag für Schulhefte, mit Aufkleber drauf, Buntstift mit Schnur angehängt, matt-glänzendes Umschlagpapier, dünne hellgraue Innenseiten, farbiges Beiheft mit Abbildungen, ebenfalls Drahtheftung, mit Originalzeichnungen, vier signierte Riso-Karten und eine CD eingelegt
ZusatzInfos
-
A musical adaptation of the multifaceted, facetious, ongoing project «How to Start a Revolution» by – Anna McCarthy. It deals with the romanticization and synaesthetic manipulation tactics entailed in depictions – of revolution, rebellion and recent history acted out by an ever-same group of bored rebels. Facts are mixed with fiction, layers are built upon layers, translations occur to create scenarios that manipulate a viewer’s perception of what was and is truly real. 2-D actors and scenarios mix with 3-D action going on onstage. The «How To Start A Revolution» project has thus far manifested itself in the form of arrests, archives, films, photographs, and songs. But now it is time for the ultimate grand romantic gesture: A MUSICAL – singing, dancing, screaming, and laughing at the question ‘what time is it’? It’s a prophecy, it’s a poetic pop spectacle.
Text von der Website
|
Titel
-
Whose Heritage? - Floorplan Papers
Technische
Angaben
-
252 S., 19x13,5 cm, Auflage: 500, ISBN/ISSN 978-3-931184087
Broschur
ZusatzInfos
-
Whose heritage are we dealing with? With this one-day conference, we want to create an overview of the contemporary discussions on museums dealing with old and new formats of heritage. The morning session has been set up as an informal “World Café”. In this interactive format, the guests are invited to address pertinent topics such as transnationality, transculturality, shared heritage, intellectual property, “Deutungshoheit”, restitution, museological concepts & categorisations and the management of meaning in art and culture. In the afternoon, the conference will bring together honourable guests from the academic and practical museum-fields. The podium is not only dedicated to aspects of how to deal with/handle/encounter so called “other” cultures but also in addressing questions of our own cultural and intellectual heritage. We would like to encourage the audience to participate in the debate.
Text von der Webseite
|
Technische
Angaben
-
8 S., 42x29,7 cm, 2 Stück. keine weiteren Angaben vorhanden
Blätter lose ineinander gelegt, mit zahlreichen farbigen Zeichnungen, Texte in vielen Sprachen
ZusatzInfos
-
in collaboration with London Fieldworks 2015.
This is a worldwide call by Gustav Metzger to remember nature. This appeal is for the widest possible participation from the world of the arts. The aim is to create a mass movement to ward off extinction.
|
Technische
Angaben
-
192 S., 28x24 cm, ISBN/ISSN 978-3-899553444
Broschur
ZusatzInfos
-
Die Entdeckung der klassischen Moderne im aktuellen Grafikdesign
Today’s designers and illustrators are synthesizing the best elements from past eras of graphic design to create a new visual language with a reduced and rational approach. The Modernist documents this uniquely contemporary, yet timeless aesthetic that is built upon the rediscovery and seamless melding of classical type elements and collage of the 1950s, the geometric patterns and graphic elements of the 1960s and 1970s, and the vector graphics and computer-aided montage of the 1990s. With its fresh perspective on the legacy of past craftsmanship and quality in outstanding current work, The Modernist expands our understanding of what modern graphic design can be.
Text von der Website
Der Zeitungsartikel "Die gestern erträumte Zukunft sieht einfach besser aus. In dem Bildband "The Modernist" simulieren Designer Menschen und Gebrauchsspuren" (Süddeutsche Zeitung) von Jan Füchtjohann liegt bei.
|
Technische
Angaben
-
[334] S., 18,5x13,5 cm, ISBN/ISSN 978-1-851498857
Broschur mit aufklappbarem Cover und Bauchbinde, Fadenheftung, teils aufklappbare Seiten.
ZusatzInfos
-
This award-winning contemporary art book is made completely from the perspective and language of bugs, from the front page to the final chapter, with no human writing and text, only the "writing" of bugs. Inspired by the marks left behind by a cicada walking across his sketchbook, contemporary artist Zhu Yingchun placed boards and "ink ponds" of dark-coloured vegetable juices in his garden for the bugs to crawl through. The resulting marks, were thousands of twisted characters, each with a charm of its own - the language of the bugs. The accompanying booklet explains the artist's concept and QR code links the reader to a video of the process.
"The bugs seem insignificant, but their strokes are beautiful," says Zhu Yingchun. "Art is not just those pieces hanging on walls and placed in exhibition halls. Everything in the world, including every life in nature, has the power to create beauty, and art is all around us.
Text von der Webseite.
|
Titel
-
Sutere Soven Musicfestival
Technische
Angaben
-
[2] S., 21x14,8 cm, keine weiteren Angaben vorhanden
Postkarte
ZusatzInfos
-
17.-19.08.2018.
Suture means sewing. This is the idea we will be following on each and every level of our festival. Suture Soven Music Festival emerged out of the wish and the need to bring musicians and their audience together in a way that enhances deep listening and watching musical appearances that provide the potential for creating something new in a cheerful and caring atmosphere. We will watch and hear the beautifully radical positions and ideas of international musicians. In terms of musical style, we are situated at the intersection of jazz, free improvised music, classical modernism and new music.
The first Suture Soven Music Festival will take place in an old farm house in the countryside. the concerts will be held in the barn and in the attic of an old stable. By locating the genre defying music in the beautiful countryside of Lower Saxony (Wendland) we invite local people from the area as well as from the cities to make the connection between different worlds and points of views for three days in Suture Soven. We are striving to shape the surrounding area of the festival and make it as sustainable as possible, while working with local farmers and craftsmen. We offer a space and time that taps on an urge to create a sensual narrative. The music we listen to, the words we hear and speak, the food and drink we are provided with, in a setting that will be home to us for three summer days offer us the possibility of making sense.
|
Technische
Angaben
-
106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
Broschur
ZusatzInfos
-
Schwarz-Weiß-Drucke, Nr. 042 aus der Reihe 100for10
Yury Ustsinau an artist, designer and illustrator residing in Frankfurt am Main, Germany. Born in 1979 in Vitebsk, Belarus, the hometown of world-known artist Marc Chagall. Graduate from Vitebsk Technological University, with a degree in Product Design. He works as commercial illustrator and continues his passion for art in his private time. Much of his work is found in private collections an various pieces have been represented in galleries and art exhibitions. He has also success-fully participated in many competitions.
Starting off with traditional illustrations, Yury Ustsinau knew that he wanted to create his own special world. His first hands into a dialog. Subsequently special lighting was added, which allowed the forms to become more flexible. Yury has developed an amazing distinguished personal style where surrealism is rendered in black and white a unique glossy feel.
Text von der Webseite.
|
Technische
Angaben
-
106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
ZusatzInfos
-
Schwarz-Weiß-Drucke
My name is KID, I’m 28 and I’m based in Lisbon, Portugal.I’m a Rock’n’roll musician, and studied Architecture for 4 years. Around 3 years ago, I became a photographer. Since that, I mainly shoot with film – 35mm, medium format, polaroid and instant film, and others. Photography is one of the most amazing and beautiful ways to express yourself, as diary or editorial. I really like to be able to tell some story with a photo, or to create some emotions with it. With photography, we are able to keep a moment forever.
|
Titel
-
Experimentelle Poesie - Retrospektive aus 15 Jahren
Technische
Angaben
-
[4] S., 21x14,5 cm, Auflage: 150, numeriert, signiert, 131 Teile. keine weiteren Angaben vorhanden
Drei Flyer, einmal gefaltet, acht Bogen Künstlerbriefmarken, perforiert. Zwei Bögen signiert und nummeriert.
ZusatzInfos
-
Zur Ausstellung Experimentelle Poesie, 13.04.-13.05.2000 in der Japtak Galerie, Breslau. Letters, Parts of Letters, Words, Parts of Words are working materials for me like color, structures and lines for human artistic communications. They belong to human origin like signs, symbols and ideas. I try with these elementary materials of human communication to create happenings of reading and discovering new thoughts in mind, real and life. It is a permanent dialog between material, thoughts and discovering new ideas and structures.
Text vom Flyer.
|
Titel
-
You're my type - Programmbuch 2018
Technische
Angaben
-
20,5x13,5 cm, keine weiteren Angaben vorhanden
4 Bände in Schuber. Schuber geprägt in Gold und Schwarz, Rückseite mit Umkehr der Farben. einzelne Cover mit Reliefprägung, geometrische Formen, Farbschnitt schwarz. Einzelne Bände in Schweizer Broschur (Umschlag nur auf Rückseite angeklebt, Rücken mit Gewebestreifen eingefasst). Bd. 1 130 S., letzte Seite mit Kalender als Fold-Out. Bd. 2 160 S., Bd. 3 96 S., Bd. 4 Blindband, (Notizbuch), 72 S.
ZusatzInfos
-
The Typographic Society Munich is the largest organisation in Europe for typographers and people who are interested in typography and design. Since being founded in 1874 the designers’ club establishes a foundation for sophisticated and interdisciplinary thinking and dialogues among content and form, text and photo, tradition and innovation, design and technology. The tgm represents quality and education for the branch of communication and offers a huge accompanying training program. As Chairwoman of the club I curated several lectures in the last years, inviting design and typography celebrities.Throughout the years designers like Stefan Sagmeister, Mirko Borsche, Eike König, Mario Lombardo, Sascha Lobe, Fons Hickmann, Amir Kassaei or Kurt Weidemann to name a view, followed these invitations and appreciated the warm welcome of our community.
To show the wide range of offerings we traditionally create a yearbook. More over I tried to give the content based complexity of our proposal a clear and neat arrangement. Therefore the new release is a compilation of four different books, which should invite the reader to inform themselves, to browse, to experience and to participate. The first one exposes all the topics, facts and dates for the further education programs. Part two presents all the people and their stories who are involved in the club, who are on stage and behind the scenes. The third book is a journey into the past and also the future of tgm’s conferences, excursions and other specials. And finally there is room for the reader’s own ideas, experiences and criticism as a foundation for a future dialogue with tgm.
Every offer under the roof of tgm is a result of solidarity. It is a result of people and companies who are united by the common interest in typographic quality. This project has only been possible with the support of Kösel Druck GmbH & Co Kg, Geese Paper, mycolorserver and the collaboration with Boah Kim.
Text von der Webseite
|
Titel
-
OWK 9 - Oi oraioi Kypraioi. (Die wunderbaren Zyprioten) - Engaged objectivity of street life mobility -
Technische
Angaben
-
20 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Drahtheftung, Prägedruck rechts unten, Risographie.
ZusatzInfos
-
Nr. 9, November 2018. Gedruckte Korrektur neben Jahreszahl 2019 in Pink.
OWK is an independent visual library for words and images that create linear or abstract stories providing a structure for publishing and archiving projects. We focus on graphic design, illustration, photography, art and creative writing.
OWK is a Riso print project, meaning that color will fail to present photographs in its purest form. Registration too will fail and colors will be imperfect. It is what it is. An experimental electronic single drum screenprint with its own unique aesthetic and feel.
Text von der Webseite
|
Titel
-
Aphroditi i Armonia kai to Asullipto - Aphrodite, l’harmonie et l’inconcevable
Technische
Angaben
-
164 S., 28x20,5 cm, Auflage: 2.000, ISBN/ISSN 9602354038
Hardcover, Fadenheftung, mit Schutzumschlag, bedrucktes Cover
ZusatzInfos
-
Erscheint anlässlich der Ausstellung Aphrodite, l’harmonie et l’inconcevable, Famagusta Gate in Nikosia, 10.09-28.09.1990.
Aphrodite: Harmony and the Inconceivable and its accompanying symposium (with the particiaption of Xavier Bordes, Demosthenes Davvetas, Michel Deguy, Manos Eleftheriou, Jean-Luc Nancy) create a kind of extended banquet where artists, poets, and philosophers participate in a series of dialogues on the theme of aesthetics and beauty, in what many consider to be the birthplace of Aphrodite.
Organized by the DESTE Foundation in collaboration with the Cypriot Ministry of Education and the Laiki Bank Cultural Center, the project was restaged two months later at the Musée d’Art Moderne, Réfectoire des Jacobins, Toulouse, France.
Text von der Webseite
|
Titel
-
MONO.KULTUR #37 James Nachtwey - Shades of Time
Technische
Angaben
-
52 S., 20x15 cm, ISBN/ISSN 18617085
Zwei Hefte, Drahtheftung, ineinander gelegt
ZusatzInfos
-
Inspired by the press images from the Vietnam War that told a very different story to the official government statements, James Nachtwey found his calling that he would pursue with determination and compassion that are admirable: to document the effects of war, terror and disease. In the hope of raising awareness and inspiring intervention and change, his photographs are neither easy to look at nor easy to forget. Having witnessed and reported on the defining conflicts and tragedies of the past three decades – from the revolutions of South America and Eastern Europe to the famines in Africa, from 9/11 to the wars in Iraq and Afghanistan – Nachtwey’s photographs focus on the costs of war: the suffering of civilians, the damage and the scars. There is no doubt that Nachtwey’s images are a challenge – to the powers that be by proposing an unflinching look at the reality on the ground, at the effects of politics on human lives, but also to us as their audience, by questioning our implication and, quite simply, by opening our eyes to the world. In a rare and frank interview with mono.kultur, James Nachtwey talked about his struggles with photography, the different realities of war, and why images have the power to create change. Graphically, the issue is at its most reduced, giving ample space to let the words and images unfold: coming in two separate booklets, it presents a personal and uncommented selection of James Nachtwey’s work in one, and a highly intriguing and challenging conversation in the other.
Text von der Website.
|
Technische
Angaben
-
[84] S., 21x14,8 cm, Auflage: 150, numeriert, keine weiteren Angaben vorhanden
Spiralbindung, Cover aus roter transparenter Folie
ZusatzInfos
-
Fassade Parade is a collection of lost souls of modern aesthetics compiled by Tobias Faisst that stand in strong contrast to pixel-perfect designs and high-end photography.
Tobias Faisst is a photographer and graphic designer. He studied at the FH Potsdam. His photographs create the balancing act between hyperrealism and banality, between surrealism and the overwritten now. Tobias currently lives and works in Berlin.
Text von der Webseite
|
Technische
Angaben
-
[56] S., 26x18 cm, Auflage: 1.000, ISBN/ISSN 9780957586710
Drahtheftung
ZusatzInfos
-
2. Auflage 0817. Index is curated by Café Royal Books and supported by the Contemporary Arts Development Group at the University of Central Lancashire (Impressum)
Index began as an online open submission project. Criteria being, ‘submissions must have already been used to communicate, or be communicative in their own right’. All submissions have been removed from their original context, breaking the messages or ideas for which they were created. Using Index as a container, exhibition space and story telling device, the pages that follow have been edited to create pairs or combinations of images that can be read as new narratives. The book is an experimental exchange of out-of-context, repurposed text and image. Café Royal Books produce weekly photographic publications focussing broadly on aspects of change, usually within the UK. Founded in 2005 Café Royal Books is an independent publisher based in the North West of England.
(Text von der Webseite)
|
Technische
Angaben
-
[2] S., 8,5x16,5 cm, keine weiteren Angaben vorhanden
Ein Blatt, beidseitig bedruckt, Vorderseite beklebt und gestempelt
ZusatzInfos
-
Fluxus Bucks: It's currency for you to alter, create (depending on its state when you receive it) Carry it with you a while, but one you're done with it please mail it to... Documentation & Bucks in return.
Text von dem Geldschein.
|
Technische
Angaben
-
144 S., 19x12,8 cm, Auflage: 1.000, 2 Stück. ISBN/ISSN 978-3-960986041
Broschur
ZusatzInfos
-
Erschienen zum Symposium im Rahmen der Ausstellung PAUSE (prelude) im Haus der Kunst München, 22.-29.07.2018, veranstaltet vom Künstlerverbund im Haus der Kunst München.
The pause in the context of art is subject of this book, states of rest, of sleep, but also attitudes of inaction and refusal, of dropping out, of strike and boycott. How do beholders and producers of art deal with the ambivalence of pauses, given the importance of dynamics, activity, participation, engagement, and work? The contributions from philosophy, art history and curatorial practice treat museums, pictures and biennials as places of pause, positions such as Malevich, Duchamp, Lee Lozano, Thomas Huber. They thus create a timeline from the 19th century to the present. The book contains the lectures of the symposium, which accompanied the exhibition PAUSE (prelude) 2018 at Haus der Kunst, extended by an essay and installation views of the exhibition.
Text von der Webseite
|
Titel
-
Fotografija NR. 1 (35) 2018
Technische
Angaben
-
[116] S., 27,5x23 cm, ISBN/ISSN 16487273
Broschur
ZusatzInfos
-
We are heading into a future where our choices will be shaped – if not outright determined – by algorithms and artificial intelligence. This coming state has been labelled “the new dark age” (James Bridle, 2018).
It remains to be seen what this brings to photography, and vice versa.
One thing, however, seems clear: photography, which has already changed significantly in the 21st century, is affected by – and in some important ways is part of – this development. This issue of “Fotografija” explores how programmes, apps and AI-related technologies shape and change the discourse of photography, challenging traditional boundaries of the medium.
Various programmes and services – Google, Photoshop, Flickr, Snapchat, visual recognition, etc. – provide new tools to conceive image-making and think photographically. Technological interfaces not only deliver instruments for making work but can become the very logic for creating photographic series.
The presented artists offer perspectives to raise questions and discuss these technological shifts. From dealing with traumatic events (Indrė Šerpytytė) and inaccessible sites (James Bridle) through technological mediation to playing with our expectations of an all-pervasive Photoshop manipulation (Erin E’Keefe). From exploring so-called smart surveillance systems (Esther Hovers) and censoring politically sensitive sites (Mishka Henner) to everyday glitches (Mantas Grigaitis). From playing with the copyrights of such collective websites as Flickr (Penelope Umbrico) to exploring the shared language of being in some of the most photographed places on earth (Thomas Albdorf). And from using Photoshop to create images (Aaron Hegert) to an image that is barely photographic (Zachary Dean Norman). The four essays (Kate Palmer Albers, Roksana Filipowska and Marijana Rayl, Ilaria Speri, Alise Tifentale) map out the works in broader social, historical and art contexts.
In short, the works deal with our technologized world. They talk about being in the middle of changes that few have envisioned. Being so immersed, one can feel it (almost) hurts.
Text von Paul Paper.
|
Titel
-
The Artists' Colouring Book of ABCs
Technische
Angaben
-
[60] S., 36,3x26,4 cm, ISBN/ISSN 9780957156012
Broschur, Softcover, Aufkleber auf dem Cover
ZusatzInfos
-
The Artists Colouring Book Of ABCs is the brainchild of Charlotte Colbert, Alix Janta and Lauren Jones. Born of the desire to introduce a new audience to main figures of contemporary art and create a dialogue between artists and a younger generation, it opens up the world of creativity, allowing all to re-visit and reinvent our ABC’s. A fun way for anywone to subvert, re-imagine and enter a conversation with leading artists of our generation, this book is yours to make.
Text von der Webseite.
|
Technische
Angaben
-
42x59,4 cm, keine weiteren Angaben vorhanden
Bogen 2x gefaltet
ZusatzInfos
-
Flyer für die Künstlerbox BAU ART 1
Eleven authors part of the editorial staff of the BAU association have decided to create unique works inside the same cardboard boxes size UniA4 (cm. 21 x 29,7) that were used for the BAU magazine and also inside larger UniA3 boxes (cm. 29,7 x 42), giving shape to tridimensional creations that can be hung on walls, exhibited as sculptures or manipulated as containers of surprises and inventions.
Catalogue of this “side effect” of the assembling magazine BAU is the BAU ART 1 box, in edition of 30 copies, with signed and numbered works of the eleven authors. Graphic project by Carlo Battisti.
Text von der Webseite
|
Titel
-
Flux on Demand 017 - Tim Olive & Anne-F Jacques
Technische
Angaben
-
17,5x10 cm, Auflage: 30, numeriert, signiert, keine weiteren Angaben vorhanden
C-30 Audio Tape, zwei Blätter, bedruckt, in beschrifteter Plastikhülle
ZusatzInfos
-
Repetetive music with selfbuilt machines. Recorded live May 11 2017 Walpoden Akademie Mainz, mastered by BS & Anne-F, photo by Brandstifter.
Anne-F Jacques and Tim Olive use handmade, idiosyncratic instrumentation to produce and amplify detailed sound textures, from fine-grained to coarse. They share a tactile, lo-tech approach to improvised sound composition, manipulating diverse objects and materials in conjunction with somewhat unpredictable audio pickup/amplification systems to create a music in turns serene and agitated, pellucid and dense, fluid and gritty. Jacques uses small electric motors and Olive employs magnetic pickups; both sources are modified, manipulated and amplified. The hands-on nature of their instrumentation results in performances which are both sonically captivating and visually intriguing.
Text von der Webseite
|
Titel
-
Experimentelle Poesie 2000
Technische
Angaben
-
[4] S., 21x14,5 cm, Auflage: 150, numeriert, signiert, 16 Teile. keine weiteren Angaben vorhanden
Bogen Künstlerbriefmarken, perforiert
ZusatzInfos
-
Erschienen zur Ausstellung Experimentelle Poesie, 13.04.-13.05.2000 in der Japtak Galerie, Breslau. Letters, Parts of Letters, Words, Parts of Words are working materials for me like color, structures and lines for human artistic communications. They belong to human origin like signs, symbols and ideas. I try with these elementary materials of human communication to create happenings of reading and discovering new thoughts in mind, real and life. It is a permanent dialog between material, thoughts and discovering new ideas and structures.
Text vom Flyer.
|
Titel
-
An Abecedary of a Certain Time in Digital Media
Technische
Angaben
-
[32] S., 14,8x10,5 cm, keine weiteren Angaben vorhanden
Drahtheftung
ZusatzInfos
-
Heft mit einem "fotografischen Alphabet" bestehend Schwarz-Weiß Bildern, die bei der Buchstabensuche als erstes Ergebnis bei Google Bildern erschienen sind.
"Nowadays the alphabet, like other cultural paradigms and communication evolutions, hosts a new series of menaings. The digital era, despite it being liked by some and not by others, has arrived and not only that, but is there to stay. The following document tries to be an object of reflection, and the same time, a file for the posterity, as this precise digital era raises doubts about the sustainability of our culture over time that is to come, and the intangibility of it. With this document we capture the past in order to project it into the future. Based on a series of temporary parameters (pictures uploaded in the last 24 hours) and a format (black and white photography, medium size) we extract the following pictures to create the photographic alphabet of Google Images. This confirms the initial concept; the documentation which is exhibited here never again belonged to the momentary alphabet on the 3th of December in the present year, so we manage to capture the present (already the past as you read these precise words) and we leave it physically alive in the future, making the common belief of printing as old fashioned and didgital as actual lose its sense, finding the way to make contemporary, in other words, tangible or visible today, something which doesn't exist on the web anymore."
Text aus dem Heft
|
Technische
Angaben
-
[94] S., 25,3x20 cm, ISBN/ISSN 9780986908941
Broschur, Laserdruck
ZusatzInfos
-
Lone Wolf is a picture book whose name is derived from the provision of the U.S.A. Patriot act which seeks to create a legal framework that allows the government to surveil individuals not associated with any group or country who are believed to be engaged in terrorist activities. Comprised of screenshots from reality television shows depicting expressions of physical force within three sectors of american society: police, local militia, and the U.S. military, excerpts from congressional hearings of the 112th and 113th congresses on the Patriot act give context to the images. The photographic images have been converted into large halftone dot compositions, which might imply an information flow—or lack of—that exposes the roots of suspicion and intolerance that culminate in statements like “see something, say something.”
"Texts from 'Let there be light,' directed by John Huston, 1946, and four congressional hearings on the USA Patriot Act between 2009 and 2011 (111th and 112th Congress). Images from various reality television shows including Cops, Moonshiners, Sons of Guns, The Colony, American Guns and Alaska State Troopers, as well as Flickr.com"--Colophon
Title based on the Lone Wolf provision on surveillance in the USA Patriot Act.
Texte von verschiedenen Webseiten.
|
Technische
Angaben
-
12,3x14,2 cm, keine weiteren Angaben vorhanden
DVD in Jewelcase, Dauer 6:03, MP4, 1280x720, 29,97 Bilder/Sekunde, Stereo
ZusatzInfos
-
Film über das FLO**-Projekt in der aufgelassenen und ehemaligen Giesinger Stadtteilbibliothek.
Texte eingesprochen von einer Google-Stimme, männlich
|
Technische
Angaben
-
[68] S., 27,5x21 cm, 2 Teile. keine weiteren Angaben vorhanden
Broschur, Katalog mit eingelegter Einladungskarte A5 zur Ausstellung in der Galerie Boutwell Schabrowsky, Theresienstr.48, München, 15.06 -20.06.2021
ZusatzInfos
-
"The Apple Tree Submarine is a unique art project with which artist Oh-Seok Kwon wants to create an “Art Community”.
You – as an art lover – will be involved in it. How? Learn more at the opening and the following days of the project week.
Apple Tree Submarine reflects the artist’s life stages, feelings and aspirations. In a series of drawings, he captures these milestones. The drawings are to be understood as Oh-Seok Kwon’s diary. Like the submarine, the artist looks at the world from a distance. He asks himself questions about being human, being rushed in the modern world, the excesses of striving “higher and higher – more and more” and the current insecurity. Thus, the flying submarine is like the artist’s eyes with which he permeates the world. As the title suggests, Oh-Seok Kwon has taken an apple tree on his journey through Munich and further around the world. Why? That would be too long a story at this point."
Text von der Webseite
|
Technische
Angaben
-
2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Flyer, zweifach gefaltet
ZusatzInfos
-
Teilnehmende Offspaces und Schaufenstergalerien: 18,2, apartment der kunst, EYES ONLY, fructa, Galerie FOE, GiG, KloHäuschen, Nicht Verfügbar, NODEPRESSIONROOM, Pinokiothek der Moderne, rosastern, sandkasten, super+CENTERCOURT, VIER8L und WELTRAUM
Als „Offspace“ werden Räume der Kunst bezeichnet in denen selbstorganisiert oft die ersten Präsentationen junger Künstler*innen stattfinden. Sie sind Hotspots für noch nicht Etabliertes, an denen sich Kommendes sehen lässt, Künster*innen und Kurator*innen sich ausprobieren und erste Erfahrungen sammeln. Insgesamt sind 15 Münchner Offspaces exemplarisch ausgewählt und erhalten hier eine Bühne, die die Diversität dieser Räume und ihrer unterschiedlichen Konzepte vermittelt. Eine Reihe von Veranstaltungen begleitet das Projekt. Zudem erscheint die Hotspots of Art-Map in aktualisierter Auflage, und im Rahmen der Kooperation MaximiliansForum + Ö bietet Die Färberei/Köşk verschiedene Werkstätten „how to create an artist-run space“ für jungen Künstler*innen und solche, die es werden wollen, an.
Text von der Webseite
|
Titel
-
Experimentelle Poesie 2000
Technische
Angaben
-
21x14,5 cm, Auflage: 150, numeriert, signiert, 16 Teile. keine weiteren Angaben vorhanden
Bogen Künstlerbriefmarken, perforiert, Farblaserkopien
ZusatzInfos
-
Erschienen zur Ausstellung Experimentelle Poesie, 13.04.-13.05.2000 in der Japtak Galerie, Breslau. Letters, Parts of Letters, Words, Parts of Words are working materials for me like color, structures and lines for human artistic communications. They belong to human origin like signs, symbols and ideas. I try with these elementary materials of human communication to create happenings of reading and discovering new thoughts in mind, real and life. It is a permanent dialog between material, thoughts and discovering new ideas and structures.
Text vom Flyer.
|
Titel
-
... And there was evening and there was morning
Technische
Angaben
-
29x21 cm, keine weiteren Angaben vorhanden
Drahtheftung, 2 Flyer und 1 Einladungskarte sind beigelegt.
ZusatzInfos
-
"So it was evening, then it was morning: and it was the first day." How does the beginning of everything look like? That eternal energy that generated the first beginning, the early morning of all time, for Simona has to do with an explosion: the fire, linked to the Latin verb foveo and to the Greek words φῶς (phos), light. Imploded energy, the Genesis of all moments. It is with one of the simplest destruction tools, the Molotov bomb, that the artist opens her personal exhibition, where an explosion accompanies us on a journey that with great delicacy investigates the boundaries of human exploration, in its higher sense. That man who wants to know, measure, ennoble. How much space does the highest point of the Earth occupy? "I asked Silvio Mondinelli, the sixth mountaineer in the world to have climbed all fourteen of the eight-thousand of the Himalayan chain, (without the help of oxygen) to recover through memory the space of the summit of Everest. He traced its perimeter in 1: 1 scale on a piece of paper" says Simona. This perimeter was used as a template to create a marble base, where Silvio Mondinelli’s signs and writings make that memory immortal in the most faithful way possible. In that memory, Francesco Šljiva Venturi gives life to a primordial sound that once again seeks a point of contact with the origin, through the use of his voice and a single instrument: a shamanic drum, purpose-built by a craftsman for the performance.
He will climb "on the top of Mount Everest" to sing a variation of Ives' Unanswered Question, in the lowest possible pitch. It is the elaboration of an impossibility: to go as high as possible while going as low as possible.
Text von der Website
|
Titel
-
Unfinished Memories: 30 Years of Exit Art
Technische
Angaben
-
442 S., 23,3x28,3 cm, ISBN/ISSN 9783958291973
Hardcover mit Prägedruck
ZusatzInfos
-
Unfinished Memories: 30 Years of Exit Art is an intimate portrait of an institution that from 1982 to 2012 challenged social, political, aesthetic and curatorial norms. Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under-recognized artists, experimental theatre and performance works, as well as national and international film and video programs.
Conceived by Exit Art’s founders, Jeanette Ingberman and Papo Colo, this volume is a resource on more than 200 exhibitions, events, festivals and programs featuring more than 2,500 artists, presented within the larger context of the art world. More than seventy eyewitness accounts and idiosyncratic recollections from artists, curators, critics and friends create a vivid sense of the exhibitions, performances, screenings, discussions, ideas and people that were part of Exit Art during its three-decade run.
Text von der Webseite
Die Exit Art Gallery bestand in New York.
|
Titel
-
create artspace in galleries 1983
Technische
Angaben
-
36 S., 18x23 cm, Auflage: 20, signiert, keine weiteren Angaben vorhanden
Buchobjekt, Karton, Klebeband, Papier, Schwarz-Weiß-Kopien, signiert, gestempelt
ZusatzInfos
-
Buchdeckel aus Karton mit Klebeband gebunden, im Buch sind 6 Aktionen des Künstlers, auf je 6 Seiten zu Leporellos geklebt. Schwarz-Weiß-Kopien von Fotos zeigen Köglmeir dabei, wie er "Artspace", die Verpackungen für seine Kunstobjekte, in Kunst Galerien erschafft.
|
Technische
Angaben
-
196 S., 29,7x21 cm, Auflage: 1.000, ISBN/ISSN 9788493848033
Fadenheftung
ZusatzInfos
-
… We live a time of technology and great opportunities. Art creates new visions and interpretations of our living, though sometimes it looks like mere reinvention of subjects already present in the XIXth and XXth century.
Our intent, however, is to leave a mark and make our contribution to an authentic identification of our times. The engagement of artists is to create a cultural heritage to pass on to future generations, who will probably understand our sensibility. Alas, it is not for us to know what will remain of contemporary art….
Vitaliy & Elena Vasilieva
|
Technische
Angaben
-
[32] S., 26x22 cm, keine weiteren Angaben vorhanden
Softcover, Broschur
ZusatzInfos
-
Brick Wall consists of sixteen, two-page prints that vary slightly in exposure. The piece surveys the repetition of form and texture to create a more complex whole, and exemplifies the utility of the camera to document processes and series, themes central to conceptual art.
Text von der Webseite
|
Titel
-
Wreck this Journal - To create is to destroy
Technische
Angaben
-
20,8x13,8 cm, ISBN/ISSN 9780399533464
Buchecken abgerundet, Cover teilweise mit Glanzlack. First edition
|
Titel
-
Esopus 12 Black and White
Technische
Angaben
-
154 S., 29,3x23 cm, 2 Stück. ISBN/ISSN 9780981574516
Broschur mit eingelegte und angeklammerten Teilen auf diversen Papieren, einlegte CD mit Musik und Film
ZusatzInfos
-
Esopus CD #12: Black and White, Nina Nastasia, Sam Amidon, dj/rupture, and 8 others create songs based on black-and-white films
Text von der Webseite
|
Technische
Angaben
-
[48] S., 21,5x17,8 cm, ISBN/ISSN 978-1-597110532
Hardcover, Cover mit Ausstanzung
ZusatzInfos
-
In this darkly delightful first monograph-also a board book-Thomas Allen selects the pulpiest of pulp paperbacks and then lovingly slices out a figure from the cover, gently folds it into position and constructs a witty and oftentimes suggestive scene around it. In Thirst, a sultry dame reaches from her cover toward a guy with a bottle on a nearby volume, in Teeter, a man careens toward the edge of a stack of paperbacks, ready to topple. Dogs howl, ships sail, punches fly. Inspired by a love of pop-up books, Hollywood noir, westerns and pulp fiction, Allen revels in the different roles he must play to create his scenarios ...
Text von der Webseite
|
Technische
Angaben
-
27,8x21,5 cm, 100 Teile. keine weiteren Angaben vorhanden
Ein Bogen mit 100 Künstlerbriefmarken, OffSet-Lithographie, perforiert, rückseitig gummiert
ZusatzInfos
-
In 1961, Robert Watts designed a perforated sheet of fifteen stamps combining popular and erotic imagery. In so doing, he became the first artist to create a sheet of postage stamps within a fine art context. In 1964, Watts published his fourth postage stamp sheet in four years. His former experience with the medium culminated in producing one of the masterpieces of his career, the stampsheet Fluxpost/17-17.
There is a singular border design common to the hundred postage stamps, all with different images, a pleasing mix of the abstract and figurative, from sources as diverse as photography, drawing, and engraving, arranged in a sheet of ten rows each containing ten stamps.
Fluxpost/17-17 was often included, in whole or in part, in the 1966/67 George Maciunas flux-kit multiple, Flux Post Kit 7.
Text von der Website.
|
Titel
-
Scattered Material Vol. 1 - Weapon, Shapely, Naked, Wan
Technische
Angaben
-
[16] S., 23x15,3 cm, Auflage: 500, ISBN/ISSN 9780990749561
Beidseitig bedruckte, mehrfach gefaltete Seiten
ZusatzInfos
-
Dillon DeWaters’ new book, Weapon, Shapely, Naked, Wan, is a rumination on the uncanny, on the anomalous phenomena within the everyday. Taking as their starting point a text, Walt Whitman’s “Song of the Broad-Axe,” and a place, Brooklyn’s Fort Greene Park, the photographs build a world of the unfamiliar within the recognizable. Using techniques of in-camera masking and multiple exposures, DeWaters creates a fictive world wherein memory becomes palimpsest, overwritten, erased, perhaps apocryphal. The places contained herein are supernatural, perhaps preternatural, on their surface but, beneath, there is a sense of the cozy, the familiar, even the banal. DeWaters is reordering our geometries and our color palettes to create in us a new vision, a new way of seeing. Is it our eyes that are turning space inside out? We watch, through the continuous image stream within the pages, as Whitman asserts, “The shapes arise!”
Text von der Webseite
|
Titel
-
The Big Book of Color in Design
Technische
Angaben
-
384 S., 28x21,6 cm, ISBN/ISSN 9780060748005
Broschur
ZusatzInfos
-
Erstauflage 2003.
"The Big Book of Color in Design" focuses on color as a tool to create moods and symbolic images.The book is categorized into 30 different sections, such as “classy,” “hot,” “regal,” or “corporate.” Each section features current graphic design projects that fit into these moods. For each of the featured projects, a “color chip” appears, with the CMYK formula for creating a similar tone. In all, hundreds of examples of use of color in brochures, ads, logos and other categories of graphic design appear in this breakthrough book.
Text von der Webseite.
|
Titel
-
@Large - Ai Weiwei on Alcatraz
Technische
Angaben
-
[196] S., 26x26 cm, ISBN/ISSN 978-1-452142760
Hardcover, fadengeheftet
ZusatzInfos
-
Erschienen zur Ausstellung bei der FOR-SITE Foundation, San Francisco 27.09.2014-26.04.2015.
Internationally renowned Chinese artist and activist Ai Weiwei is one of contemporary art's most newsworthy figures, noted for both his groundbreaking work and his outspoken stance on human rights, which ultimately resulted in his controversial 2011 detainment. In an astonishing new large-scale project, he turns his attention to Alcatraz—a place he could not visit because he was not permitted to leave China, but that stands as a world-famous symbol of both incarceration and protest. This book showcases the major exhibition presented by FOR-SITE Foundation of site-specific, multimedia installations and sculptures Ai Weiwei create for the island, on view from the fall of 2014 through the spring of 2015. Featuring beautiful photographs and thought-provoking text, At Large is the essential document of this remarkable happening from one of today's most celebrated artists.
Text von der Website.
|
