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28,2x43,8 cm, keine weiteren Angaben vorhanden
Mehrfach gefaltetes Poster, doppelseitig bedruckt
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Die Arbeit ist Teil des "Equilibrium Projects": Equilibrium is a collaborative initiative to develop creative contexts for women in towns and cities to explore practices that stay immersed in everyday. The project gave a platform for artists from Europe and Asia to come together, interact and work with the women members of self-help groups from Partapur and nearby villages. The artists and women members worked together as equals through sharing their experiences, skills, stories, and recipes through several creative projects. Now these creative projects are going to be displayed in an interactive exhibition at Walpodenakademie Mainz from May 08, 2015.Equilibrium is a project of Walpodenakademie (Mainz), Sandarbh (Partapur/ New Delhi), and Beneshwer Lok Vikas Sansthan (Partapur), curated by Shilpa Upadhyay and h.i.s.(Tanja Roolfs and Stefan Brand).
Text von Website
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Line Issue #1 Intersection
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304 S., 30x23 cm, ISBN/ISSN 2194394X
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LINE IS AN ENTITY BORN FROM RESTLESS MOVEMENT, THE NECESSARY CONSECRATION OF THE PASSAGE FROM STILLNESS TO MOVEMENT DUE TO THE ACTION OF SEVERAL FORCES ON THE SAME POINT.
ITS ASSUMPTION IS TO TRACE A PATH THROUGH THE DIFFERENT CREATIVE AND EXPRESSIVE FIELDS OF HUMANKIND (FASHION, MUSIC, ART, PHOTOGRAPHY, CINEMA, AMONG OTHERS) AND TO ANALYZE THE INTERSECTIONS WHERE THESE DIFFERENT EXPERIENCES ARE FOUND TO HAVE A MOMENT THEY SHARE, AS A SOURCE WHOSE WATERS SCATTER IN DIFFERENT DIRECTIONS.
LINE IS A NEW MAGAZINE ABOUT ART, MUSIC AND FASHION. IT WILL BE A BIANNUAL PUBLICATION SUPPORTING YOUNG TALENTS WITH A STRONG IDENTITY. THE PRODUCTION WILL SUPPORT EVERY FORM OF CREATIVE EXPRESSION THAT MAY REFLECT THE UNICITY OF THE INDIVIDUAL CREATOR AND THAT IS, THEREFORE, ORIGINAL.
Text von der Webseite
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Girlcoremagazine - 2012 Book
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52 S., 21x14,6 cm, 2 Stück. ISBN/ISSN 978-3-942547161
Broschur, Pogobooks #038
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Girlcore is an all-female collective based in London. Originally founded on a desire to promote international female talent in creative industries - Girlcore's resume has grown far and beyond anything originally hoped for. Be it showcasing new DJ's alongside the likes of veterans such as Peaches and Annie Mac, to creating a website dedicated to promoting recent flair in the visual arts. All the work done by the group is a labour of love, each member of the collective having their own careers in the creative industries. This side-project is a way of celebrating the amazing work we encounter along the way.
Text von der Webseite
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Artists' Books - Creative Production and Marketing
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68 S., 29,8x21,2 cm, 2 Teile. ISBN/ISSN 9780954702571
Klemmbindung mit schwarzem Papierstreifen, Softcover, Exlibris von Jürgen Peter Wegner eingeklebt. Brief von Jürgen Wegner beigelegt
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A guide for the book artist – as the producer, publisher and distributor of their own artwork, to discuss some of the practical issues arising from this. A series of case studies explores artists’ experiences of making and marketing their books in the UK, France, Germany, EIRE, Spain, Denmark, Japan, Argentina, Australia and the USA. We selected a range of artists with 2 - 30+ years experience in artists’ books, zines and multiples and asked them to share their working practice, experience of book fairs, interaction with purchasers, discuss problems and offer advice. We also asked private and institutional collectors to tell us about the ways in which they would prefer to interact with artists selling their books and any issues arising from their own collecting.
Text von der Website.
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When the Saints - il lato spirituale di FUN
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10,8x7,3 cm, keine weiteren Angaben vorhanden
weisse Faltschachtel, golden bedruckt, darin ein einfarbig violett gedrucktes 16 seitiges Booklet (drahtgeheftet) und 36 beidseitig farbig bedruckte Karten 10,5x7
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a colour box set with 36 alternative saints of the FUNtastic Nations by international authors (Giacon, Ruijters, Zattera, Chiarotto, Staffa, King, Echaurren, Biancuzzi, etc.) plus 16 pp booklet.
F.U.N. (Funtastic United Nations) is an independent and supranational organization that intends to stimulate a cooperation amongst all kinds of imaginary countries and worlds, coordinating meetings, publications, exhibitions and events. We offer our skills and resources to create a bridge between creative and funtastic geographical entities, representing numberless and mutable virtual countries, multiethnical and transgender, where the passports, postage stamps and banknotes are real but not the wars.
F.U.N.’s vocation to interact in an horizontal “networking” attitude with local and distant, real and imaginary situations, to create unexpected interferences between art and daily life, is a strategy aimed at preserving the biodiversity of cultures and encouraging an eco-friendly, free and open participation to the creative experience. F.U.N. is the logic evolution of over twenty years of networking activities in the fields of mail art, of independent music (The Great Complotto, Le Forbici di Manitù), of collective multimedia projects (Trax), of multiple names (Lieutenant Murnau, Mind Invaders, Luther Blissett), of imaginary worlds and characters (Stickerman-Stickerland) and of counter-cultural documentation (various fanzines, AAA Editions).
Text von der Webseite
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140 S., 25x21,4 cm, ISBN/ISSN 978-1-907840104
Gelochte Seiten mit Musterbeutelklammern zusammen gehalten, in Klappumschlag, mit 18 roten Punkten beklebt. Innen teils andere Papiere
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The Piracy Project is an international publishing and exhibition project exploring the philosophical, legal and practical implications of book piracy and creative modes of reproduction. Through research and an international call for submissions, the Project has gathered a collection of more than 150 modified, appropriated and copied books from all over the world. The collection, which is catalogued online, is the starting point for talks and work groups around the concept of originality, the notion of authorship and politics of copyright. The Piracy Project is not about stealing or forgery. It is about creating a platform to innovatively explore the spectrum of copying, re-editing, translating, paraphrasing, imitating, re-organising, manipulating of already existing works. Here creativity and originality sit not in the borrowed material itself, but in the way it is handled. The Piracy Project is an collaboration between AND Publishing and Andrea Francke. The Piracy Project The Piracy Project is an international publishing and exhibition project exploring the philosophical, legal and practical implications of book piracy and creative modes of reproduction. Through research and an international call for submissions, the Project has gathered a collection of more than 150 modified, appropriated and copied books from all over the world. The collection, which is catalogued online, is the starting point for talks and work groups around the concept of originality, the notion of authorship and politics of copyright. The Piracy Project is not about stealing or forgery. It is about creating a platform to innovatively explore the spectrum of copying, re-editing, translating, paraphrasing, imitating, re-organising, manipulating of already existing works. Here creativity and originality sit not in the borrowed material itself, but in the way it is handled. The Piracy Project is an collaboration between AND Publishing and Andrea Francke.
Text von der Webseite
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288 S., 31x26,2 cm, ISBN/ISSN 9780500517635
Hardcover mit Schutzumschlag
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Hipgnosis created some of the most innovative and surreal cover art of the 1960s, 70s, and early 80s for the biggest names of the era—Pink Floyd, Led Zeppelin, Wings, Yes, Genesis, 10cc, Peter Gabriel, Bad Company, Syd Barrett, and Black Sabbath, to name just a few.
The sublime prism cover for Pink Floyd’s The Dark Side of the Moon continues to be one of the most pervasive images in all popular culture. Hipgnosis’s highly conceptual approach and graphic appeal earned them five Grammy nominations for cover design, and they profoundly influenced not only the history of music, but also all other creative fields from advertising to fashion.
Hipgnosis Portraits explores an endless stream of creative ideas in two sections. Part I, "Imagination," tells the story behind the artwork from germination through to the final sleeve design, supported by a wide array of archival materials. Part II, "Realization," contains beautiful and extremely photographic portraits of the musicians the agency counted as clients. Several of these images were taken but not used for projects and have remained buried in archives ever since.
The book is filled with playful, abstract compositions from a remarkably prolific collective that redefined the possibilities of concept-driven art and design.
Text von der Webseite artbooksonline.eu
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BATTERIEnext_17 creative magazine '1,2,3'
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1 S., 22x15 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden
35 Buttons auf schwarzem Stoff in transparenter Kunststoffhülle
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keine weiteren Angaben vorhanden
A creative supplement to Bare Essntials: the Best of Nude Magazine, Blätter lose zusammengelegt
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Electronic Beats Magazine Issue 27
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98 S., 27,8x23 cm, keine weiteren Angaben vorhanden
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Interview: Hans Ulrich Obrist talks to Björk - mit dem Museum of Sound Manifesto von Matthew Herbert
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Electronic Beats Magazine Issue 29
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98 S., 27,8x23 cm, keine weiteren Angaben vorhanden
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Interview: Chris Dercon - Franz König empfiehlt Toiletpaper
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Creative Report - Herbst 2012 - in Liebe zum Buch
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100 S., 15,5x10,5 cm, keine weiteren Angaben vorhanden
Drahtheftung. Verlagsprogramm
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92 S., 24x17 cm, Auflage: 500, keine weiteren Angaben vorhanden
Display Nummer
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MOTLEY is a publication created to inspire, to present creative imagery in an innovative and unorthodox way. We have no set production schedule, it is created when the mood feels correct. Each new issue of Motley will be unique in design and feature the work of new and established artists, Worldwide. The premier issue launched in Summer 2010. Graphic Design by Umlaut.
Issue one features the work of nine international photographers and a graphic code, printed on the cover, allows the reader to identify the work of each featured photographer.
Featured photographers: Brendan Austin, Paola De Grenet, Sandra Freij, Anthony Hill, Samuel Hodge, Simon Howell, Lena Modigh, Benn Northover, Danny Schissler
The official monthly student magazine of University College Cork
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von zu 01 copy paste edition
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[30] S., 29,5x19,5 cm, Auflage: 300, keine weiteren Angaben vorhanden
Drahtheftung. Umschlag aus gefaltetem Plakat
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The following issue is a creative experiment on the topic "copy and paste" and was created in a five day long interdisciplinary workshop with Alexander Lis. You'll see the work of 15 students of the Muthesius Kunsthochschule in Kiel, Germany.
Text von der Webseite
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[40] S., 32x22 cm, 2 Stück. ISBN/ISSN 7629999015104
Drahtheftung. Verschiedene farbige Papiere. Eingelegt ein gefaltetes Poster
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The publication Spheres is the creative documentation of a close collaboration between an artist and the editor, graphic designer Philippe Karrer. Every issue is dedicated to a young artist and their work, in each case exploring character, surroundings, every-day life, inspirations and ideas using unconventional innovative formats so as to create a different, more visual approach and understanding of the artist and his or her work. The focus lies on what is important to the artist during the time period of working together for the publication, hereby capturing a certain essence of the artists work at the moment. Not only can the reader dive in to the artist‘s world, receiving li ttle personal snippets of the life in and around his or her art, but also (and perhaps even more importantly) — how the artist chooses to present things in the publication gives the reader an idea of his or her whole artistic sphere.
Melanie Bonajo explores the relationship of the individual to its surroundings in a commodified, globalised culture. In her work, she uncovers how our ideas of identity, genre, value and such structures formed by conventions are ever shift ing to feelings of uncertainty and instability. She approaches these issues by trying to newly create, to turn around overpowering views and conditions that are today so influenced by our consumer society and tries to get nearer to traits that are rooted in human nature.
Text von der Webseite
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[60] S., 25x19 cm, Auflage: 200, keine weiteren Angaben vorhanden
Vorder- und Rückseite mit Siebdruck in Gold
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Sourcebook presents the detritus and collected imagery of a year of contemplation, frustration and ambivalence with the nature of photography. From an initial starting point of the typographic reference book, within its pages a myriad of situations and pictures present themselves - each at once recognisable and indecipherable.
Drawing heavily on ideas of representation and the 'reading' of an image, the work within is open-ended, a liquid, unstable mix of ideas and images that attempt to elude the conclusive, finite nature of the captured image or the printed photo. Instead, Sourcebook aims to be fluid - at once a source of reference and stimulation for future creative processes, and a photographic document littered with unanswered questions, oblique strategies and glimpses of meaning.
Text von der Verlagswebseite
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5 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Laserausdruck von der Webseite
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mit:
zines - a definition, self publishing culture, historical roots, zines and subcultures, zine and the internet, zines and design, creative research, workshops
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61 books with black type on white cover
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254 S., 17,7x10,8 cm, Auflage: 1.500, 2 Stück. keine weiteren Angaben vorhanden
Taschenbuch
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Begleitbuch zur Ausstellung bei Vitsoe 620 Reading Room vom 22.02.-01.03.2014 in der Türkenstraße 36 in München parallel zur Munich Creative Business Week. Druck: suhrkamp
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NACH BILDENDE KUNST / AFTER FINE ART Works presented in the German Language / Arbeiten vorgestellt im deutschsprachigen Raum
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200 S., 24,1x16,7 cm, ISBN/ISSN 978-3-775729796
Broschur
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Edited by Gabriele Wix, By Gabriele Wix, graphic design by Lawrence Weiner, Anja Lutz.
Most of his oeuvre, which comprises more than a thousand language-related works, has already been presented in the German-speaking world—some of it either translated by Weiner himself or conceived using German as a basis. Featuring over 350 works, this is the first list of the English/German works. The artist assumed responsibility for the typography and cover design, as if the publication were one of his own works. Accompanying text and visual documents shed light on the creative process, in-situ installations, and Weiner’s way to work with text.
Text von der Webseite
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Poebel Nr. 1 Kleckern nicht Klotzen
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21x14,8 cm, keine weiteren Angaben vorhanden
Drahtheftung
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[24] S., 21x14,7 cm, Auflage: 30, numeriert, signiert, keine weiteren Angaben vorhanden
Drahtheftung, zwei verschiedene Papiere, in Pergaminhülle
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'say cheese', 'please laugh', 'show your smile' - this is what people usually say, when they take a private picture of their friends or family. These pictures normally remain in the private sphere of the photographer and are only shown to a selected audience. For this conceptual and experimental photo-series such private images have been forcefully appropriated: individual prints have been taken randomly from drug stores and photo developers, the pictures where selected and then set in relation to others. The negatives of these images were not taken. Unlike the concept of the objet trouvé, where found objects and materials are the basis for creative work, the images used in this project are objets appropriés, they have been actively taken rather than found. They are documents of other peoples memories, memento mori of their existence, beautiful in their own right. By blurring and distorting them, the concept of remembering and forgetting, documentation and memory is questioned.
Text von der Webseite
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Creative Report - Herbst 2014 - Ein schönes Buch gibt dem Kopf Inspiration - und der Hand Zärtlichkeit
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48 S., 16,7x12,2 cm, keine weiteren Angaben vorhanden
Broschur. Buchblock verkehrt in den Umschlag eingehängt. Seiten nicht aufgeschnitten, Teilfläche perforiert, um einen Einblick in einen Titel zu gewähren. Verlagsprogramm
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32x24x5 cm, Auflage: 600, keine weiteren Angaben vorhanden
Schachtel Hartpappe, Siebdruck (?), mit verschiedenen Materialien
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Inhalt: Einzelblatt (Manifest contra el Populisme Pervers), gefaltete Pappe mit Baumwollsocke, 3 Hefte, Leporello, Heft mit Originalnegativ, geschlossener Umschlag, gefaltetes Poster mit Sand, Folder.
In the wake of the worldwide glorification of Barcelona via the 1992 Olympics Games, a group of publishers felt that it was time to revive the creative and critical spirit at a cultural level, in the form of a magazine, in order to demonstrate the prevailing level of creativity - via manifestos and works without intermediaries. As a result, Vicenc Altaió, Claret Serrahima, Manel Guerrero, Joaquim Pibernat and Manel Sala launched the magazine, Cave Canis, (which literally means "beware of the dogs") in Barcelona, in 1996.
Starting with its first edition the magazine announced that it would have a short-lived existence - only 9 issues were published, each corresponding to one letter of the publication’s name. The magazine was constituted by a cardboard box, designed by Claret Serrahima, a manifesto, an artist’s book and sometimes contained CDs with recordings and other artistic objects, all associated with the same monographic topic. Each issue had a letter on the front cover designed by an artist. Cave Canis wasn’t available in the usual retail outlets. Each issue was presented in an unusual place in the city, where the manifesto was read, copies were distributed and the magazine then disappeared from sight. The last issue was published in 1999.
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MCBW 2015 - Design Connects - Metropolitan Ideas
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246 S., 21,4x11,6 cm, keine weiteren Angaben vorhanden
Broschur mit Ota-Bindung, eingelegt ein Kurzprogramm mit Stadtplan
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Programmbuch zur Munich Creative Business Week, The German Design Event vom 21.02.-01.03.2015
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Grantler's Corner 2015 / Broken Links - Design und Politik
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21x14,7 cm, keine weiteren Angaben vorhanden
Einladungskarte
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im Rahmen der Munich Creative Business Week 2015. Veranstaltung vom 25.02.2015 im Wirtshaus Alte Kongresshalle, München
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Creative Report 2015 - Mehrwert-Bücher für kreative Köpfe
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72 S., 16,6x12 cm, keine weiteren Angaben vorhanden
Drahtheftung. Verkürzte Innenseiten
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Creative Report - Herbst 2010
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56 S., 15,9x10,7 cm, keine weiteren Angaben vorhanden
Drahtheftung. Vorder- und Rückseite mit Prägung. Verlagsprogramm
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Études 1 - noir sur blanc
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28x21 cm, ISBN/ISSN 978-3-000473685
Broschur, schwarzes Softcover
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nur SW-Abbildungen, sehr grafisch.
The cultural platform „I Follow the River“ was founded by Jens Mennicke and Dmitry Zakharov as a think tank or catalyst for any kind of contemporary creative expression. IFTR creates, curates and publishes art as well as cultural projects – self initiated or in commission. Everybody is welcome to Follow the River.
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Europe, an artist’s-eye view: City Guides collection
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20,8x14,8x4 cm, 2 Stück. keine weiteren Angaben vorhanden
10 Hefte, Broschur und Drahtheftung, Softcover, mit Gummiband zusammen gehalten, Druck auf farbige Papiere
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One of the modul-dance project key elements is the promotion of mobility, so that artists receiving its support follow itineraries across Europe to develop their creative work and present it to different audiences.
Modul-dance presents a collection of modul-dance city guides. Each of the guides in this collection shows a city from the viewpoint of a local artist, who proposes his or her own particular route to artists in transit, seeking to put them in connection with their host city. While these city routes share some basic features, each one is different and in their differences lies a wealth of gazes, aesthetics, approximations to the local and much more. In a word, they form a mirror of the diversity that modul-dance has always fostered. Athens, Barcelona, Bassano del Grappa, Dresden, London, Stockholm, Vienna, Toulouse, Paris and Poznań, ready to be discovered.
Text von der Webseite
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96 S., 38x27,2 cm, keine weiteren Angaben vorhanden
Drahtheftung
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the first edition of PLATOON MAGAZINE will be exclusively unveiled at the launch event at PLATOON KUNSTHALLE Berlin.
With PLATOON MAGAZINE we invite you to explore our worldwide network through the outstanding projects of some of our 7500 PLATOON MEMBERS across more than 50 countries. Each quarterly print publication not only highlights the creativity we see on a daily basis within the PLATOON NETWORK, it also includes a theme — an artistic topic of global relevance. First on our agenda: wearable technology. Ultimately, this magazine is for inspiration—another channel to reach our goals of culture development, in addition to our creative spaces in Berlin and Seoul.
Text von der Webseite
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Pixel this no. 006 - Connected Urban Retreat
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[40] S., 20x20 cm, Auflage: 200, numeriert, keine weiteren Angaben vorhanden
Drahtheftung, in transparenter Kunststoffhülle mit Aufkleber
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PIXEL THIS zine is a communication medium that aims to bring together voices to unleash feelings, concepts, desires, experiments, thoughts and questions. Targeted to creative lovers, every issue will have a theme that all contributing artists (local & international) will work towards – the zine accepts illustrations, photographs, graphic art, poetry, articles, and rants, basically anything that can be printed. The zine’s format is: 20x20cm, black & white, photocopied, staple bind, in plastic sleeve and sealed with paper sticker
Text von ZineWiki
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OWK 1 - Oi Wraioi Kypraioi. (Die wunderbaren Zyprioten) Culturally aroused art & design dialogues
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16 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Drahtheftung, ein Sticker eingelegt. Cover mit Prägedruck. Risographie. In braunem Papierumschlag mit Aufkleber
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OWK is an independent visual library for words and images that create linear or abstract stories providing a structure for publishing and archiving projects. We focus on graphic design, illustration, photography, art and creative writing.
OWK is a Riso print project, meaning that color will fail to present photographs in its purest form. Registration too will fail and colors will be imperfect. It is what it is. An experimental electronic single drum screenprint with its own unique aesthetic and feel.
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352 S., 32x25,5 cm, ISBN/ISSN 9780500241493
Hardcover, Leinen bedruck mit HP Indigo 10000, mit Lesebändchen. Die Bilder auf dem Umschlag werden per Zufall aus 230 Bildern kombiniert
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Mit Texten von Steven Heller, John Maeda, Eugene S Flamm.
The beloved typewriter--its utilitarian beauty, the pleasing percussive action of striking its keys, the singularity of the impressed page--is enjoying a genuine renaissance across the creative industries. In this authoritative publication, the founders of the Sackner Archive of Visual and Concrete Poetry, the largest such collection in the world, apply their experience, mining the collection they have created over four decades to present examples produced by more than 200 of the world's finest typewriter artists. From the early ornamental works produced by secretaries in the late nineteenth century to more recent works that consider the unique position of the typewritten document in the digital age, there is an astonishing and delightful range of creativity in every artwork.
Text von der Webseite
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8 S., 14,4x14,7 cm, 2 Stück. keine weiteren Angaben vorhanden
Flyer
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Zur Präsentation während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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2 S., 10,7x10,7 cm, keine weiteren Angaben vorhanden
Bierdeckel
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Zur Präsentation während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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Ich bin nicht geil, nimmst du mich trotzdem? ...Vielleicht auch nur als Klolektüre
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8 S., 21x15 cm, keine weiteren Angaben vorhanden
Drahtheftung, Schwarz-Weiß-Fotokopien
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Ausgelegt während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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MCBW MAG 2016 - Design Connects Visions for Economy
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72 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Drahtheftung
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Magazin zur Munich Creative Business Week vom 20.02.-28.02.2016.
Mit einem Artikel über Editorial Design von Boris Kochan: In die Augen, in den Sinn - Über die gestaltende Kraft des Editorial Designs (S. 44-45)
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RAS/ Politische Zeichnungen im Zeitalter digitaler Medien
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1 S., 21x14,8 cm, keine weiteren Angaben vorhanden
Abreissblatt, gelocht
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Zur Präsentation während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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1 S., 21x14,8 cm, keine weiteren Angaben vorhanden
Abreissblatt, gelocht
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Zur Präsentation während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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1 S., 21x14,8 cm, keine weiteren Angaben vorhanden
Abreissblatt, gelocht
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Zur Präsentation während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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Ich bin nicht geil, nimmst du mich trotzdem? ...Vielleicht auch nur als Klolektüre
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1 S., 21x14,8 cm, keine weiteren Angaben vorhanden
Abreissblatt, gelocht
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Ausgelegt während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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1 S., 21x14,8 cm, keine weiteren Angaben vorhanden
Abreissblatt, gelocht
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Zur Präsentation während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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RAS/ Politische Zeichnungen im Zeitalter digitaler Medien
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1 S., 13x9,2 cm, 2 Stück. keine weiteren Angaben vorhanden
Karten
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Zur Präsentation während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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1 S., 14,8x10,4 cm, keine weiteren Angaben vorhanden
Abreissblatt, gelocht
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Zur Präsentation während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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Programm - Die Nacht der Opulenz / Raumplan
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4 S., 10,5x14,8 cm, keine weiteren Angaben vorhanden
Blatt mehrfach gefaltet
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Zur Präsentation während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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4 S., 17,210,5 cm, keine weiteren Angaben vorhanden
Blatt mehrfach gefaltet
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Zur Präsentation während der Nacht der Opulenz in der FH München am 25.02.2016 im Rahmen der MCBW (Munich Creative Business Week)
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50 S., 19x13 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden
Broschur
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These 20 Openings for a Novel are Creative Commons (CC) license and thus free of use. Please notify the artist if you actually use them and make note of it in the credits.
Thank you and enjoy – for a world with no more writers‘ block.
Text von Website
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Connect the dots (however you like)
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2 S., 11x16 cm, keine weiteren Angaben vorhanden
Postkarte
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Fabrica Features is the brand communicating the ideals and creative output of the Fabrica design studio. It is defined by the attitudes and creations of the young international people who work there, refreshed by the coming and going of studio members. Their process is informed by enquiry into rituals and materials, defining a language that is thoughtful, eclectic and alternative. The focus is on conceptual objects, limited collections and prototypes, produced under the brand – which is the meeting point between the studio and the outside world. Such encounters happen in galleries, museums, online and designated Fabrica Features spaces found throughout Europe. Text von Website
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Rampike. The Poetic Eye - Vol. 23, No. 2
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84 S., 28x16,5 cm, signiert, ISBN/ISSN 07117647
Broschur, beigelegt eine Karte mit handschriftlichem Text
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Rampike magazine, in print since 1979, featuring stellar international writers, critics and artists invites you to subscribe and/or submit articles both creative and scholarly (juried). Edited by Karl Jirgens, featuring post-modern art and writing from around the world with a strong focus on Canadian expression. The journal has received substantial support from the Canada Council and the Ontario Arts Council and has published interviews and works by internationally acclaimed figures ... . Rampike has been praised by critics such as Wayne Grady (Globe & Mail), and Marjorie Perloff (Stanford U) and is distributed internationally.
Text von der Website
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Rampike, electricitee, special double issue - Vol. 02, No. 1&2 - electricitee
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80 S., 42x15 cm, ISBN/ISSN 07117647
Klebebindung,
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Rampike magazine, in print since 1979, featuring stellar international writers, critics and artists invites you to subscribe and/or submit articles both creative and scholarly (juried). Edited by Karl Jirgens, featuring post-modern art and writing from around the world with a strong focus on Canadian expression. The journal has received substantial support from the Canada Council and the Ontario Arts Council and has published interviews and works by internationally acclaimed figures ... . Rampike has been praised by critics such as Wayne Grady (Globe & Mail), and Marjorie Perloff (Stanford U) and is distributed internationally.
Text von der Website
Cover art: Ints Plampe
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Creative Report 2016 - Mehrwert-Bücher für kreative Köpfe
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52 S., 19x12 cm, keine weiteren Angaben vorhanden
Buch und vier Postkarten in aufreissbarem Klappkarton, Buchcover mit Goldprägung, Fadenheftung
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art seen - contemporary art projects & editions
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2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Lieferprogramm, beidseitig bedruckt
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Art Seen - Contemporary Art Projects & Editions is an organization operating as a cultural platform of exchange in contemporary art. Its aim is to create bridges and dialogue between Cyprus and the international contemporary art scene. The idea was born from the need of new and creative collaborations that took a fresh look focusing on contemporary artistic approaches and reflecting upon the dynamic and changing art world. Art Seen projects and Art Seen editions are the two pillars of this organisation.
Text von der Website
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sin principio / sin final - whitout beginning / whitout end
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492 S., 32x24x4 cm, ISBN/ISSN 9788480265294
Sofctover, fadengeheftet, Rücken geklebt, Schutzumschlag zum Aufklappen, teilweise gedruckt auf farbigen Papier,
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A book that accompanies an exhibition, but that it's in itself another work. The artist Ignacio Aballí (Barcelona, 1958) talks with curator João Fernandes about the creative process of his work, exploring the ways in which he classifies the world, questioning the conventions of art and the museum. On the other hand the images that accompany the text underline this idea and challenge readers to test their powers of observation. A compilation of photographs of works, books and listings scale 1: 1 where the time is revealed as an essential tool for understanding the artistic discourse.
Text von der Website
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ZEITmagazin No. 3 - Schlaflosigkeit
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52 S., 28,8x21,3 cm, keine weiteren Angaben vorhanden
Drahtheftung
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Creative Director Mirko Borsche. Heft zum Thema Schlafen und Schlafstörungen
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2 S., 15x10 cm, keine weiteren Angaben vorhanden
Postkarte,
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Fyler anlässlich der Zine Fair im Museum of Contemporary Art, Sydney, 11.-12.06.2016. MCA Zine Fair is an annual festival featuring hundreds of zinesters, distros, independent presses, and artists. Showcasing over 100 creators of zines, small press and comics from across the country the festival also includes creative workshops dedicated to making, swapping and selling
Text von der Webseite
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MCBW MAG 2017 - Design Connects - The Smart Revolution
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72 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Drahtheftung, beigelegt das Programmheft
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Magazin zur Munich Creative Business Week vom 04.-12.03.2017.
Mit Beiträgen über Design & Freiheit, Typografie, die Deutsche Meisterschule für Mode, Designschule München, Smart City, Robotics
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Vinyl - records and covers by artists
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276 S., 26,8x19 cm, ISBN/ISSN 39288761684
Broschur mit Schutzumschlag
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Anlässlich der gleichnamigen Ausstellung im Neuen Museum Weserburg, Bremen, 21.08.-27.11.2005, Museu D'art Contemporani de Barcelona, 17.05.-03.09.2006, Museu Serralves, Porto, Frühjahr 2008.
As creative talents began to design record sleeves, the standard 30 x 30 cm album cover came to be an especially attractive object. Now vinyl has an almost mythic character and real historical value. 'Vinyl' is a detailed catalogue of the collection held by the Archive for Small Press and Communication in the Neues Museum Weserburg in Bremen, which includes not only records and CDs but also books, posters and other objects.
Text von amzn.to/2odxfUv
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Das Werk Magazin 01 - Urbanität - In welcher Stadt wollen wir leben
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106 S., 29,7x23 cm, Auflage: 15.000, 2 Stück. keine weiteren Angaben vorhanden
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Magazin des Werksviertels zum thema Urbanität und im Speziellen zu den Planungen des Werkviertels.
Ein gewachsenes Viertel städtebaulich neu für die Zukunft definieren: Das ist zugleich Herausforderung und Anspruch des Werksviertels. Mit großer Leidenschaft und viel Erfahrung verantwortet Johannes Ernst von steidle architekten in München die gesamte architektonische Planung.
Text von der Webseite
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Toiletpaper 14 & ZEITmagazin
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44 S., 28,8x22,5 cm, ISBN/ISSN 9788862085366
Drahtheftung
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nur Bilder, ohne Text. Creative Director: Mirko Borsche.
Number 14, powered by BMW, is the collection of pictures made for Zeit magazine. The magazine contains no text, each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts.
Text von der Webseite
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27,8x21 cm, signiert, 9 Teile. keine weiteren Angaben vorhanden
Ein Bogen mit neun Künstlerbriefmarken, perforiert
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Blatt 2. Mail Art Olympus ist eine Portrait Gallerie von Mail Art Künstlern
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10,5x16,3 cm, keine weiteren Angaben vorhanden
Postkarte, gestempelt.
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Einladung zur gleichnamigen Ausstellung und der Eröffnung am 28.09.1993 im Bilderdienst, A. Seltzer, Berlin (Ateliergemeinschaft mit Heike Vogler). Eröffnungsdatum durchgestrichen und korrigiert. Mit dem Hinweis "Für Jugendliche unter 18 Jahren ist der Eintritt verboten".
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406 S., 17,3x12 cm, ISBN/ISSN 978-3-037784792
Klappbroschur.
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Retrospektive zu Camper-Schuhen, anlässlich des 40. Firmenjubiläums mit philosophischen, soziologischen, kulturhistorischen Perspektiven auf den Schuh.
What is a “walking society”? A society that is in motion, that is setting out for somewhere. And what connects the individuals in this society with the ground they stand on? It’s their shoes of course. The focus here is on a very special shoe: the Camper shoe. It has gone through considerable changes since its early days, when it was cobbled together by Mallorcan peasants from a piece of car tire and a scrap of fabric. What remains is the philosophy embraced by the Spanish family business, that innovative shoes produced according to the highest standards should not only be comfortable but should also offer their wearers the greatest possible freedom of movement.
The book tells the story of the Camper brand while at the same time unfurling a range of related themes, from the anatomy of the foot to the cultural history of the shoe. All of which leads to a visual exploration of our “walking society.”
Text von der Webseite.
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Sonne Busen Hammer, Heft 19, Die Laufhausnummer - Creative Class Escorts / monochrom #36
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112 S., 14,8x10,5 cm, ISBN/ISSN 978-3-902796349
Broschur
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Das Zentralorgan der Lord Jim Loge
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106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 001 aus der Reihe 100for10.
Harmsen lives and works in Munich as creative director at Melville Brand Design. He launched the fontlabel Volcano-Type and is editor/publisher of Slanted blog and magazine, related to design and typography. He is also professor of typography and design at the University of Applied Sciences
and Arts Dortmund.
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106 S., Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 010 aus der Reihe 100for10.
Leo-Leander Namislow, born in 1983 in Essen, lives and works as a freelance artist in Essen. Growing up in a rural environment in Rhineland-Palatinate, he started to creatively engage with his surroundings early on. After his training
as a stonemason, Leo worked for an animation company in Frankfurt. When he moved back to Essen in 2007 he eventually started living off his creative output. Since then he has had several solo exhibitions and took part in
many group shows in a variety of institutions such as the Kunstverein Essen-Werden. His works fascinate by opening up new fantastic worlds to the viewer on the one hand and by proving of a large multiplicity of techniques on the other hand. This book gives an insight into a sample, mainly comprised of black and white works, of a much larger, colourful and ever increasing artistic universe.
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100 problems for no reason
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106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 014 aus der Reihe 100for10.
After graduating with a degree in Graphic Design (London and Augsburg) Mirko Borsche worked as an art director for advertising agency Springer & Jacoby where he was responsible for several campaigns. From 1999 to 2002 he was art director of jetzt magazine (spin-off of Süddeutsche Zeitung). From 2002 M. Borsche was art director for Mini-International BMW Group for several years. Also in 2002 he launched the youth magazine NEON for Stern/Gruner+Jahr as art director. In 2004, he returned to jetzt for the magazine’s relaunch and stayed until 2007. Since 2007 he is creative director for weekly newspaper DIE ZEIT and every other publication of the Zeit-Verlag such as Zeitmagazin and Zeit Wissen. In 2007 Borsche also founded his design studio Bureau Mirko Borsche in Munich. His clients hail from all fields, from culture and media to business: Bavarian State Opera, Bavarian Radio Symphony Orchestra, Thalia Theater, Harper’s Bazaar, Audi, BMW Group, Saskia Diez, Stefan Diez, Kostas Murkudis, Nike… Mirko Borsche received numerous national and international awards for his work. Amongst many national exhibtions, his work was exhibited in Amsterdam, Barcelona, Florence, Stockholm, Seoul and Tokyo.
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106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 020 aus der Reihe 100for10.
Adam Hayes is a specialist in hand-rendered typography and intricate, intelligent illustration. His prolific work style has generated an impressive portfolio that reflects an interest in vernacular lettering and a fascination with urban and natural landscapes. Adam’s creative process see’s his simple pencil sketches transformed and refined into elaborate and optimistic illustration. Each project is concept-driven, allowing his work to grow and maintain a sense of energy and sophistication. A graduate of the Royal College of Art, Adam has since established a diverse client base which welcomes collaboration with global companies, charitable organisations and small, local start-ups.
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You will have everything you need
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106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 026 der Reihe 100for10.
Christopher is a graphic designer living and working in Atlanta. In 2014, he established Christowerks as a studio for graphic design. Before opening Christowerks, he worked at the studios of Laurie Rosenwald, Young Professionals and completed major work for Sony Music Entertainment. He has taught design at PI Art Center in Manhattan and his work has been featured in Print Magazine and The New York Art Book Fair 2014. He graduated in 2012 from The Creative Circus in Atlanta.
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106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 028 aus der Reohe 100for10.
Christopher is a graphic designer living and working in Atlanta. In 2014, he established Christowerks as a studio for graphic design. Before opening Christowerks, he worked at the studios of Laurie Rosenwald, Young Professionals and completed major work for Sony Music Entertainment. He has taught design at PI Art Center in Manhattan and his work has been featured in Print Magazine and The New York Art Book Fair 2014. He graduated in 2012 from The Creative Circus in Atlanta.
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106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 032 aus der Reihe 100for10.
I’m a young illustrator currently moored on the Thames in my houseboat. Working from my home studio I like to draw in a variety of mediums, more recently focusing on vector graphics. I enjoy the fast paced nature of vectors, which allows me to capture vivid ideas in a hopefully bold, interesting and thought provoking manner. Working regardless of brief I like to continue to produce a body of work to satisfy my creative habits. This has led to sharing daily drawings online via Instagram, which is a great platform to discover and meet other creatives. I have had the honour of working with some fantastic individuals over the past year, which I try to share online via my website. This September I plan to go to Central Saint Martins to further my studies, devote my time to and produce more art! I’m looking forward to all that this opportunity has to offer.
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106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 037 aus der Reihe 100for10
Before studying Arts I did my Bachelor Degree in Arts and Multimedia. In my first academic studies I was confronted with most digital media and how to use them in creative, functional or artistic way. I appreciate the wide field of modern creativity tools that I got to know. But actually I felt deeper connected to handcraft because I can express myself more immediate. So I decided to go back to the roots and applied at the Academy of fine Arts in Munich. I visited my Professor with giant artworks of naked bodies and peculiar cartoons. The painting showed strong emotion, pubertal suffering and indignation. Although it became more calm inside myself, I still stand for an type of art that results out of the psyche. So please enjoy watching my pictural diary.
Text von der Webseite.
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106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 043 aus der Reihe 100for10
MHDK is an independent designstudio based in Munich, founded by Christina John and Rafael Dietzel in 2009. Focused on classical fields of communication and design they find their creative balance by searching for experimental approaches to question defined lines between function and aesthetic. Their 100for10-contribution is an attempt of expressing this kind of passion.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
My name is Aleksi but on the interwebs I’m known as xbstrxct. I’m a visual artist and a creative maker, obsessive doodler from Helsinki. My journey into the world of art started at a young age when I discovered the joys of scribbling your name to the walls of public buildings. I did this for quite some time but at some point people weren’t very fond of it anymore. Nowadays my days are mostly spent drawing weird repetitive shapes and abstract patterns on pieces of paper, mainly because I got nothing better to do, but also because it’s lots of fun. These drawings often grow into wildly expanding, neverending little worlds of their own. My tools of choice are fineliners & markers, with them I try to make art images that at are fun, easily approachable, interesting and most importantly, nice to look at. Sometimes I succeed.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
Stijn Jonckheere (°1989) recieved his MA in explorative architectural development in 2012. While working as an architect his personal work gained traction, sparking his career as a visual artist. Monochrome yet visually tense, his work revolves around the themes of memory and alternative reality. Contrasting their minimalistic composition, his drawings often contain a more complex message, presenting a critical look at social behaviour within our built environment. Exhibited throughout Europe and featured in publications worldwide, Jonckheere subsequently ventured into teaching by means of his digital design masterclass and lectures given across architecture universities. He has lent his creative vision to a wide spectrum of projects, ranging from architecture to advertisement for both start-ups and high-profile clients. Jonckheere currently resides in Munich, where he is Art Director at a leading brand activation agency.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
A graphic designer, illustrator with a keen interest in developing skills by setting personalised projects focussing around the themes of design, illustration, typography and photography, which then translate into an overall creative approach.
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Stoned marker in houston w / Chris
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
Mike Perry makes paintings, animation, sculptures, books, public art installations, monographs, exhibitions, drawings, silkscreens, and more. His creative purpose is to conjure that feeling of soul-soaring wonder you have when you stare into distant galaxies on a dark night, when you go on long journeys into the imagination, when you ponder what it is that this life is all about. In so doing, he celebrates form: of the human body, of shapes and lines that coalesce into lyrical masses, of the vastness of the cosmos and the questions it calls us to. In Mike’s patterns, portraits, and dreamscapes, there are layers upon layers of meaning, some erased, some covering, some asking you to look deeper, some no longer there but still vibrating with a story that sought not to be forgotten. His use of color, pattern, and form, at times child-like, expresses a joyful spirit and a reverence for the bliss that is inherent in the human experience.
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Stock fiction – A meta story
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
Ariane Spanier was born in Weimar, Germany. She studied visual communication at the Art Academy Berlin-Weißensee. After that she went to New York to intern at Sagmeister Inc. and she opened her own design studio in Berlin in 2005. Many of Ariane Spanier’s clients have a cultural background such as galleries, artists, publishers and architects. The studio’s focus lies on the design of books, catalogues, posters, but also branding, animation, illustration and websites. Since 2006 she has been the creative director of Fukt, an annual magazine for contemporary drawing. Her playful approach to typography and image explores the perception of depth, gravity and weightlessness, revealing the underlying and hidden.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
Hallow, we are bungalow, providing visual art for brands, companys and cultural projects. In 2012 the six of us — Alex, Markus, Niklas, Laura, Tim and Yvonne — started to study Communication Design at FH Würzburg. 4 years later we established bungalow kreativbüro. Our naming, inspired by architecture, symbolizes our flat hierarchy and creative working all together.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
Æther-Design is a collaborative creative group based in Heidelberg, Germany. Æther-Design consists of Götz Gramlich, Max Hathaway, Lukas Breitkreutz and friends. The group is dedicated to creating unique designs and aesthetics, merging contemporary visual influences with a constant craving for new perspectives and fresh impulses.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke
C100 is a creative studio working for global brands, small businesses and private projects. It is headed by Christian Hundertmark who founded the studio in 2003. Specialised in delivering inventive and precise visual solutions C100 Studio implements each project with enthusiasm, dedicated hands and a individual style which is evident in the diverse output. Over the years C100 Studio’s work was published in many books and magazines. French publishing house Pyramyd released an edition in their ‘Design & Designers’ book series. From 2007-2011 C100 Studio was European correspondent for Hong Kong based IdN design magazine.
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OWK 9 - Oi oraioi Kypraioi. (Die wunderbaren Zyprioten) - Engaged objectivity of street life mobility -
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20 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Drahtheftung, Prägedruck rechts unten, Risographie.
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Nr. 9, November 2018. Gedruckte Korrektur neben Jahreszahl 2019 in Pink.
OWK is an independent visual library for words and images that create linear or abstract stories providing a structure for publishing and archiving projects. We focus on graphic design, illustration, photography, art and creative writing.
OWK is a Riso print project, meaning that color will fail to present photographs in its purest form. Registration too will fail and colors will be imperfect. It is what it is. An experimental electronic single drum screenprint with its own unique aesthetic and feel.
Text von der Webseite
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Banque du Fluxus - Five Fluxus Bucks
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[2] S., 7x15,3 cm, numeriert, keine weiteren Angaben vorhanden
Ein Blatt, beidseitig bedruckt, Vorderseite gestempelt
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Banque du Fluxus, Blanko Geldschein, Banknote.
This art money is valid only after transformation by an artist. Add to, alter or transform this certificate with your creative input. Make it into ART MONEY. Then spend it, trade it, give it away, or send it with your name and adress to Banque du Fluxus, for exchange and more Fluxus Bucks.
Text vom Geldschein.
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ZEITmagazin No. 37 - Man wäre doof, Fehler zu wiederholen - also macht man neue Fehler - Ein Gespräch mit dem legendären Kurator Kasper König
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88 S., 28,8x21,5 cm, keine weiteren Angaben vorhanden
Drahtheftung
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Heft u. a. über Kasper König.
... In München haben Sie auch in der Kunstszene mitgemacht. Wie kam Ihnen dort die Idee zur Westkunst?
Mein Kollege Wolfger Pöhlmann und ich organisierten eine Aktion gegen den Chef der Bayerischen Staatsgemäldesammlung, der sagte, er würde grundsätzlich nur Kunstwerke kaufen, die 1000 Jahre überstehen würden. Wir positionierten uns dagegen mit einem Pamphlet und einer Aktion im Münchner Kunstverein. Später entstand eine Ausstellung im Münchner Völkerkundemuseum, zu der ich auch viele lokale Künstler einlud, ihre Arbeiten zu zeigen. Einem Journalisten vom Bayernkurier schmeckte das gar nicht. Er bezeichnete mich als »selbst ernannten linksanarchistischen Meinungsmacher in Sachen "Kunst". Kunst stand in Anführungszeichen, wie bei der Springer-Presse "DDR". Ausgerechnet dieser Artikel erregte dann die Aufmerksamkeit des damaligen Kölner Kulturdezernenten Kurt Hackenberg, der mich für ein großes Ausstellungsprojekt nach Köln holte. Ich nahm Laszlo Glozer als souveränen Intellektuellen mit ins Boot, und wir wählten den Titel Westkunst als ironischen Begriff, weil wir uns in der Schau mit der deutschen Geschichte, dem Kalten Krieg und dem Universalitätsanspruch der Kunst auseinandersetzen wollten. ...
Auszug aus dem Interview
In der Ausstellung im Völkerkundemuseum damals mit dabei Berengar Laurer.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke, Nr. 013 aus der Reihe 100for10.
Rob Lowe, also known as Supermundane, is an artist, graphic designer, letterer, illustrator and printmaker with 20 years experience in the creative industry. His signature mesmeric drawings have been published and exhibited worldwide. He has been responsible for designing some of the most groundbreaking independent magazines of the last decade including the alternative children’s magazine Anorak and the award-winning food quarterly Fire & Knives. His practice is defined by a distinctive use of colour, line, simplicity and humour which can be seen through all his different disciplines from typeface design to his personal works.
Text von der Webseite.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
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Schwarz-Weiß-Drucke, Nr. 095 aus der Reihe 100for10
Æther-Design is a collaborative creative group based in Heidelberg, Germany. Æther-Design consists of Götz Gramlich, Max Hathaway, Lukas Breitkreutz and friends. The group is dedicated to creating unique designs and aesthetics, merging contemporary visual influences with a constant craving for new perspectives and fresh impulses.
Text von der Webseite.
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106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
Broschur
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Schwarz-Weiß-Drucke, Nr. 035 aus der Reihe 100for10
Johannes was born, will die in Hamburg/Germany. After graduating at the Musthesius Kunsthochschule in Kiel he designed for several studios (Lo Breier, Neville Brody, Meta Design) before he co-founded FACTOR DESIGN in 1993. Erler stood there for 18 years as partner and creative director. After the breakup in 2010 he co-founded EST (ErlerSkibbeTönsmann) in Hamburg. In 2012 he relaunched famous german magazine STERN and stood there as the art director for three years. Since 2014 he’s back at EST. For his work in corporate design and editorial design Erler received numerous national and international awards. He also is a type designer and an author.
Text von der Webseite.
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Design Schau! Das Magazin 2019
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130 S., 23,4x16,5 cm, 3 Teile. keine weiteren Angaben vorhanden
Broschur, Leporello und Heft (Event Guide) eingelegt
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105 Events für Design Lovers vom 09.-17.03.2019. Detailliertes Programm der Design Schau! unter anderem mit Ausstellungen, Vernissagen, Aktionen, Workshops, Designmarkt, Führungen und diversen Artikeln zu Design und Stadt München.
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DAS TREFFEN DREIER PUNKTE - Kapitel 1
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[48] S., 19x12,3 cm, keine weiteren Angaben vorhanden
Gefaltete Einzelblätter, mit Gummiband gebunden.
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Katalog zur Ausstellung DAS TREFFEN DREIER PUNKTE, 01.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
Text von der Webseite.
INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
Text von der Webseite.
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HIDDEN TREASURES - Katipel 2
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[40] S., 19x12,3 cm, keine weiteren Angaben vorhanden
Gefaltete Einzelblätter, mit Gummiband gebunden, Wendeheft.
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Katalog zur Ausstellung HIDDEN TREASURES, 03.,07.,13.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
Text von Der Webseite.
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THE MIDDLE STUFF - Kapitel 4
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[36] S., 19x12,3 cm, keine weiteren Angaben vorhanden
Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
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Katalog zur Ausstellung THE MIDDLE STUFF, 05.-12.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
Text von der Webseite.
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[64] S., 19x12,3 cm, keine weiteren Angaben vorhanden
Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
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Katalog zur Ausstellung HOSTING, 02.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
Text von der Webseite.
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RAUMANEIGNUNG - Kapitel 6
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[64] S., 19x12,3 cm, keine weiteren Angaben vorhanden
Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
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Katalog zur Ausstellung RAUMANEIGNUNG, 19.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
Text von der Webseite.
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time for us to go on / creative manifesto / a new realm / the secret of my lost year / o. T. / for now anyway
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[8] S., 14,8x10,5 cm, 6 Teile. keine weiteren Angaben vorhanden
Einzelblatt, geschnitten und mehrfach gefaltet, Farbdruck
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Small Publishers Fair 2019 - Key to Publishers
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[2] S., 29,7x21 cm, keine weiteren Angaben vorhanden
Einzelblatt
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Ausstellerliste und Hallenplan mit den Ständen zur Messe vom 15.-16.11.2019 in der Conway Hall, Red Lion Square, London WC1R 4RL.
The Small Publishers Fair is the annual gathering of small press publishers, writers, artists, poets and book designers. 65 publishers from across the UK and around the world together with a featured exhibition, readings and talks in the historic Conway Hall, the centre of humanism and literary Bloomsbury. FREE ENTRY
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Small Publishers Fair 2019
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16 S., 21x14,7 cm, 2 Stück. keine weiteren Angaben vorhanden
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Katalog zur Messe vom 15.-16.11.2019 in der Conway Hall, Red Lion Square, London WC1R 4RL.
The Small Publishers Fair is the annual gathering of small press publishers, writers, artists, poets and book designers. 65 publishers from across the UK and around the world together with a featured exhibition, readings and talks in the historic Conway Hall, the centre of humanism and literary Bloomsbury. FREE ENTRY
Text von der Webseite
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Small Publishers Fair 2019
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[2] S., 14,8x21 cm, 2 Stück. keine weiteren Angaben vorhanden
Postkarte
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Werbekarte zur Messe vom 15.-16.11.2019 in der Conway Hall, Red Lion Square, London WC1R 4RL.
The Small Publishers Fair is the annual gathering of small press publishers, writers, artists, poets and book designers. 65 publishers from across the UK and around the world together with a featured exhibition, readings and talks in the historic Conway Hall, the centre of humanism and literary Bloomsbury. FREE ENTRY
Text von der Webseite
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1 S., 21x14,7 cm, 2 Stück. keine weiteren Angaben vorhanden
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Preisliste der Publikationen der UCA zur Small Publishers Fair 2019 London
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Code-X – Paper, Ink, Pixel and Screen
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276 S., 24,3x14 cm, Auflage: 500, ISBN/ISSN 9780957682832
Klappbroschur, mit ausklappbaren Seiten
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Code X brings together a selection of personal histories of the current ‘transforming’ and ‘expanding’ of the book medium with the aim to challenge the very notion of what it could be(come) in today’s complex information era.
The design of Code—X within codex form represents a playful and daring twist of ink imitating pixel to render composition and design. The content is seen as a continuous scroll, cropped where screen meets paper edge. We celebrate both camps by highlighting dichotomies of edge to scroll, sequence to time and image to place.
Text von der Webseite
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BAU 2 - Contenitore di Cultura Contemporanea
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31,5x22,5 cm, Auflage: 150, numeriert, signiert, keine weiteren Angaben vorhanden
Box aus braunem Stülpdeckel Karton, Siebdruck, eingelegt 16-seitiges redaktionelles Schwarz-Weiss Heft, 55 Arbeiten von 65 Künstlern. Diverse Techniken auf Papier, dünnem Karton, Folie, Metall, plus 6 Multimedia Discs. Cover und Layout: Carlo Battisti. Zollinhaltserklärung beigelegt
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BAU was founded in 2004 in Viareggio, on the coast of Tuscany, by a group of artists and individuals interested in the many-sided aspects of the culture of our times. Thanks to a widespread and constantly expanding network of contacts, every year the project takes the shape of an expressly designed UniA4 sized box: BAU container of contemporary culture. This non-profit box is produced in a limited edition of 150 copies (120 for issue 1 and 200 for issues 9-10) and contains original works, signed and numbered, from a large number of international contributors.
The BAU container fits in the vast tradition of assembling publications and artists‘ magazines that developed since the early sixties. It intends to experiment with new languages, technologies and materials, operating in a peculiar dimension of group work that is open also to contributions from non-artists: outsiders, travellers, collectors of curiosities, creative gastronomers, anomalous scientists.
In a relational and non competitive perspective that is responsive to the relationships between art and science, politics and environment, BAU acts as a meeting point in order to stimulate dialogues, interactions and exchanges among the most diverse disciplines: graphics, collage, photography and the visual arts in general, but also poetical and narrative researches, acoustic and performative experiences, documents pertaining the fields of fashion and design, etc. The operative network expresses itself also through the planning of exhibitions, meetings, festivals and events, organized in institutional spaces (libraries, galleries, museums) and in atypic locations.
Text von der Webseite
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14,7x21 cm, keine weiteren Angaben vorhanden
beidseitig bedruckte Karte
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Flyer zur Ausstellung von Oli Watt und Brandstifter in der Walpodenakademie Mainz 02.08.-22.09.2019.
Oli Watt ist derzeit Artist in Residence in Krems Niederösterreich, eine AIR Exchange Kooperation mit der School of the Art Instiute of Chicago (S.A.I.C.) an der er Drucktechniken lehrt. 2019 hatte Oli Watt den Aktionskünstler Brandstifter nach Chicago eingeladen, wo beide ein gemeinsames Druckprojekt mit Fundstücken (CREATIVE CHILD GAMES) unter dem Namen B.O.W.S. starteten. In der Ausstellung in der Walpodenakademie zeigen beide aber nicht nur gemeinsame und eigene Arbeiten aus Chicago (Siebdruck, Holzschnitt, Video, Readymades) sondern haben auch illustre Freunde wie Karen Constance (Chocolate Monk, Brighton), GOTT30 (Gruppe Scheiße, Mainz) und Annelies Kamen (Crybaby, Berlin) eingeladen.
Text von der Karte
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[48] S., 21x17,4 cm, Auflage: 500, 2 Teile. ISBN/ISSN 9780955116674
Broschur, Flyer, A3 gefaltet, eingelegt
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Zur Ausstellung 02.07.-13.09.2008 im Centre Culturel Jean-Pierre Fabrègue in Saint-Yrieix
This project looks at the poster campaigns of the 2007 French presidential elections, attempting to reveal what lies behind the semiotic construction of the messages. In the 10 days between the 2 rounds of the elections, Waeckerle took close up photographs of the 12 posters displayed in every town square in France, ending up with around 60 fragments of smiles, eyes, slogans and textures. These deconstructions display new banners, political candidates, and slogans in this artists' book.
Text von der Webseite.
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MCBW MAG 2023 - Why Disruption Unleashes Creativity
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144 S., 24x16,7 cm, keine weiteren Angaben vorhanden
Broschur
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Magazin zur Munich Creative Business Week vom 06.-14.05.2023
Dass sich die Welt in einem Zustand der Disruption befindet, ist keine Neuigkeit mehr. Doch eine Forderung, wie sie in Politik, Industrie und Gesellschaft immer wieder gefordert und gehofft wird, ein „Zurück zur Normalität“, wird es nicht geben. Wir wissen heute, dass „anders“ das neue „normal“ ist. Doch worin wir uns einig sind, ist: Die größten Umbrüche haben schon immer Kreativität entfesselt und Neues entstehen lassen.
Durch die Verbindung unterschiedlicher Themen und Perspektiven ermöglicht Design den Blick für die großen Zusammenhänge. Diese Vielschichtigkeit greift die mcbw auf, gibt neue Impulse und zeigt konkrete Strategien und Lösungsansätze. Im Online Magazin findest du besondere Inhalte von bayern design, mcbw Partner:innen und weiteren Kooperationspartner:innen.
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15x21 cm, keine weiteren Angaben vorhanden
Flyer, beidseitig bedruckt
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Begleitmaterial zur gleichnamigen Ausstellung vom 30.03.-21.04.2018 in Nikosia.
Im Juli 2016 begannen Simon Pruciak und Alexandra Reddaway ihre einjährige Weltumrundung mit dem Motorrad. Die Reise begann in Brasilien, Südamerika, und führte über 45 000 km durch 40 Länder und 4 Kontinente. Im Juli 2017 hat das Paar die Weltumrundung erfolgreich abgeschlossen und ein umfangreiches Archiv an Foto- und Filmmaterial geschaffen. Ausgewähltes Material wird in der kommenden Ausstellung zu sehen sein.
Die Reise wurde entlang moderner und historischer Handelsrouten kartiert. Im Laufe der Jahrhunderte hat sich die Kontrolle der Handelsrouten als weitaus profitableres Unterfangen erwiesen als der bloße Besitz von Rohstoffquellen. Die Existenz und das Gedeihen der Handelswege waren von einem sicheren Umfeld für die Abwicklung des Handels abhängig. Ihre Untersuchung kann daher viel über die Wechselwirkungen zwischen den Handelsregionen und über die Faktoren aussagen, die zu wirtschaftlichem Aufschwung oder im Gegenteil zu wirtschaftlichem Niedergang und politischem Zusammenbruch geführt haben. Die Arbeit erforscht die Oberflächen der Handelsrouten und die Reise der Reisenden entlang dieser Routen.
Text von der Webseite, übersetzt mithilfe von DeepL.
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Our Hands imbibe like Roots
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162 S., 36x27,3 cm, ISBN/ISSN 9789963861866
Broschur
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Künstlerbuch des Fotografen Menelaos Pittas im Verlag Ραβδοσκόπος, das nach seinem Tod 2022 von seinem Umfeld veröffentlicht wurde.
Er setzt sich mit der Vielfarbigkeit und der Beschaffenheit der zyprischen Flora auseinander.
Es finden sich in der Veröffentlichung zusätzlich zum Künstlerbuch eine Künstlerbiografie, Nachrufe und Beiträge befreundeter Künstler und Künstlerinnen.
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RISE WITH YOUR CLASS NOT FROM IT
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82 S., 20,2x12,3 cm, Auflage: 200, ISBN/ISSN 9780957682870
Blätter lose mit Gummiband zusammen gehalten
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The fruit of a collaboration with artist/activist/creator of the Working Press archive Stefan Szczelkun and keeper archivist Rebekah Taylor.
Rise with your class not from it represents a lasting trace of and a vehicle for the Working Press project whose archive is now housed in UCA library special collections in Farnham. It highlights some important works by working-class artists while providing a valuable resource for anybody interested in working with archive material.
Working Press is a collective publishing imprint, which had the subtitle books by and about Working Class Artists, 1986-1996. Working Press includes the first computer generated comic (Harwood), the first book by Micheline Mason (disability and inclusion artist), and the first book about Greenham Common Yellowgate (Beth Junor).
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Art/Life Volume 02, Number 09
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[92] S., 28,3x22 cm, Auflage: 125, numeriert, signiert, keine weiteren Angaben vorhanden
Einzelblätter in Klemmschiene. Originalarbeiten, verschiedene Papiere und Techniken, Blätter signiert, gestempelt bemalt und beklebt
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Originating as a conceptual exchange among artists, Art/Life Magazine, was one of the longest continually published artists’ periodicals of the 20th century, presenting a diverse array of art during its 25-year history. Art/Life founder Joe Cardella had asked artists to submit and mail original artworks from all over the world to be compiled into limited edition magazines. As a way to increase accessibility to contemporary art practice, Art/Life documented the lives of the artists, their thoughts, emotions, and creative processes through the transition from industrial to digital art practice. The magazine’s legacy can be seen at MoMa, the Guggenheim, Getty, and LACMA, portraying a global consciousness and collaboration between distanced networks of contemporary artists.
Text von der Webseite
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40 S., 38x26,5 cm, keine weiteren Angaben vorhanden
Drahtheftung
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The magazine of outdoor art and street culture
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cross currents bookworks from the edge of the pazific
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58 S., 28x22 cm, 2 Stück. keine weiteren Angaben vorhanden
Spiralbindung, verschiedene Papiere, einzelne Farbabbildungen hinzugefügt
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Katalog zu einer Ausstellung von Künstlerbüchern im College of Creative Studies der University of California in Santa Barbara, 13.11.-21.12.1990, und in der California State University Hayward, 02.-25.10.1991, und in der Selby Gallery in der Ringling School of Art an Design in Sarasota Florida, 23.02.-28.03.1992, mit zusätzlichen Arbeiten ab 1992 aus Neuseeland und Australien
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Artist Music Journals Vol. 1 No. 10 - Brian Roettinger & No Age
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[24] S., 26,5x26,5 cm, Auflage: 1.000, numeriert, keine weiteren Angaben vorhanden
Drahtheftung, in Heft eingelegt eine Schallplatte in Schutzumschlag, in Pappschuber mit Aufkleber. Einseitige 10" Schallplatte "Brian Roettinger w/ No Age", 45 UpM, Katalognr. SSD.10
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Edition 10 in the ongoing Artist Music Journals series features the work of the Los Angeles based designer, artist, musician and label owner Brian Roettinger, who operates the creative umbrella Hand Held Heart. Unlike any previous Artist Music Journal, this installment includes Brian's 24-page book as well as a one-sided 10" record, featuring a collaboration between Brian and No Age with three exclusive tracks!
Brian lives and works in Los Angeles primarily as a graphic designer. He received a BFA in graphic design from CalArts in 2004. His work encompasses design, publishing, writing and curating as well as running his own vinyl-only record label Hand Held Heart. In 2009 he was nominated for a Grammy for his design of the No Age Nouns album packaging. In 1999 he was providing bass duties for This Machine Kills. He is a part-time professor in the design department at CalArts, as well as a current designer in residency in the Design | Media Arts program at UCLA
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Between the Lines Vol. 1: A Coloring Book of Drawings by Contemporary Artists.
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112 S., 27,1x20,5 cm, keine weiteren Angaben vorhanden
Malbuch
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A Coloring Book of Drawings by Contemporary Artists. The coloring book is an integral part of our mission to engage patients through contemporary art. Between the Lines is distributed free of charge to children in RxArt’s participating healthcare facilities and sold to benefit RxArt’s projects. Like the artwork we install, the coloring book is meant to give the children and their families something new and stimulating to think about. It is another tool to take children to an emotionally less stressful place and provides a creative outlet for children confined to the austerity of a hospital room.
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6 S., 21,5x9,3 cm, keine weiteren Angaben vorhanden
Werbeflyer der non-profit Organisation, gefaltet
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RxArt is a non-profit organization that transforms pediatric hospital facilities into comforting and engaging spaces through site-specific installations by contemporary artists. The therapeutic potential of visual art to stimulate healing is well known, and we provide children and their families with creative respite from the anxiety and the pain of illness, offering hope.
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158 S., 29,3x23 cm, ISBN/ISSN 9780976164197
Broschur, diverse Papiere, teilweise zum Ausklappen, mit eingelegter CD und eingestecktem Heft von Kay Rosen
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As usual, the magazine contains a multidisciplinary mix of contemporary artists’ projects, critical writing, creative nonfiction, visual essays, and a themed CD of brand-new music. Some highlights include projects by Kay Rosen, Charlie White, and Sarah Malakoff, and a deconstruction of crossword-puzzle science by New York Times crossword genius David Quarfoot, as well as new installments in the magazine's regular series.
For our 9th CD, “Dreams,” readers submitted transcripts of their dreams, which were then passed along to musicians, each of whom picked one to serve as the basis for a song. The 11 musical acts, including White Whale, Ida, Dirty Projectors, Califone, and Paavoharju, chose from over 100 submissions. Transcripts of the selected dreams appear in Esopus 9 alongside five illustrations by New York–based artist Daniel Gordon.
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Esopus 20 Special Collections
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29,3x23 cm, ISBN/ISSN 9780981574592
Schuber mit 14 Heften (Drahtheftung) und einer Mappe, diverse eingeklebte, teils gefaltete Blätter oder beigelegte Blätter auf diversen Papieren, einlegte CD in Schutzhülle,
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Jubiläumsausgabe zum 10-jährigen Bestehen.
With this 20th issue of Esopus, we celebrate our 10th anniversary. We couldn’t think of a better way to commemorate this milestone than by producing a special issue filled with archival material. To us, archives reflect a purity of purpose—on the part of both those who originally crafted their contents and those who have since collected and cared for them—that perfectly complements our mission over the past decade: to present unfiltered perspectives on creative expression in all of its forms.
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Artlife Volume 20, Number 08 - Issue No. 217
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28x21,7 cm, Auflage: 100, numeriert, signiert, ISBN/ISSN 87560895
Blockbindung mit Kunststoffschiene, Originalarbeiten, Cover aus Transparentfolie, verschiedene Papiere und Techniken, Blätter teilweise signiert, gestempelt, bemalt und beklebt
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Mit Originalbeiträgen der Künstler. Erschien früher unter dem Titel Art/Life.Communication for the creative mind
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70 S., 29,5x21,5 cm, keine weiteren Angaben vorhanden
Blätter lose zusammengelegt, einmal gefaltet
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DOG FOOD is a photography newspaper born out of the Istanbul photo community that combines mostly archival material mixed with a dash of cynicism. The dog was the symbol of the cynics so we question our practices and have some creative fun doing it.
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Fuck Seth Price - A Novel
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122 S., 17,8x11,8 cm, ISBN/ISSN 9780981546834
Broschur, Cover mit gestanztem Loch, Schrift: Caslon, Lesezeichen beigelegt von aliasbooks east
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1. Ausgabe.
From one of the most influential artists of his generation comes a provocative, moving novella about what it means to be a creative person under today's digital regime. In the course of a gripping, headlong narrative, Price's unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps. from Kanye West and Jeff Koons to George Bush and Patricia Highsmith. from the playground to the internet to the mirror, Price's hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now
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Remember Hiroshima: Stamps for Peace
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21x29,7 cm, keine weiteren Angaben vorhanden
Ein Blatt bedruckt mit 60 Künstlerbriefmarken, schwarz-weiß auf gelbem Papier
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Briefmarken zum Thema Frieden und Hiroshima, gestaltet von diversen Künstlern
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256 S., 29,8x24,6 cm, ISBN/ISSN 9780061995118
Hardcover mit Schutzumschlag.
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Organized so as to encourage creativity, serendipitous discovery, and inspiration, Layout Look Book 2 is an essential guide to layout design for both amateur and professional designers. The book includes techniques that can be used to enhance any layout, as well as insights into the factors that helped make each layout an effective piece. The styles covered in the volume range from traditional to cutting edge, and will enable any designer to become a more creative thinker and produce fantastic work. Layout Look Book 2 showcases outstanding work by more than fifty of the world's best design studios and professionals working in print design today.
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lightworks, Nr. 22 The Ray Johnson Issue
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96 S., 28x21,7 cm, ISBN/ISSN 01614223
Klebebindung, mit Audio CD "Ray Johnson" by Nick Maravel (1987-1988), Postkarte mit "Correspondance from Ray Johnson postmarked 7. January 1976" und Visitenkarte von Charlton Burch beiliegend
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"This is not the document of Ray Johnson wall art. It's not about his famous collages or what remains in museums and for sale in galleries. It's an issue about the 'atmosphere' of Ray Johnson - the element, the ambient specifics of who he was and what he did. Years in the making, it's an homage to the Ray Johnson who made communication, letter writing, and otherwise unlikely creative gestures his art. It's about Ray's correspondences seen and not seen, sent or otherwise, and his notions of the world that he caused to flow between islands of friends, acquaintances and strangers."
Charlton Burch, Editor
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Art/Life Volume 11, Number 11
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[46] S., Auflage: 200, numeriert, signiert, ISBN/ISSN 87560895
Mit zwei Kunststoffschienen zusammengehalten. Cover: Collage aus verschiedenen Papieren und Strohhalm, diverse Papiere, Mal- und Klebetechniken, Plastik, Folien, Stoff, Blätter beklebt und bedruckt, zu meist handsigniert und nummeriert
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Communication for the creative mind. The original limited Edition monthly - Dezember/Januar umfasst Arbeiten von 46 Künstlern aus Canada, Deutschland und den USA.
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Art/Life Volume 14, Number 03
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[46] S., 27,8x21,5 cm, Auflage: 200, numeriert, signiert, ISBN/ISSN 87560895
Mit zwei Kunststoffschienen zusammengehalten. Cover: aufgenähter Briefumschlag mit eingesteckter mehrfach gefalteter Schwarz-WeißKopi auf rotem Papier. Diverse Papiere, Mal- und Klebetechniken, Plastik, Folien, Stoff, Muschel, Blätter beklebt und bedruckt, zu meist handsigniert und nummeriert
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Communication for the creative mind. The original limited Edition monthly - April 1994 umfasst Arbeiten von 24 Künstlern aus Deutschland und den USA.
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Wasting Time on the Internet
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256 S., 18,1x12,4 cm, ISBN/ISSN 9780062416476
Broschur
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Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that “wasted” time differently. Unlike old media, the internet demands active engagement—and it’s actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called “Wasting Time on the Internet”, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith’s ideas struck a nerve, because they are brilliantly subversive—and endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we’re “wasting time,” we’re actually creating a culture of collaboration. We’re reading and writing more—and quite differently. And we’re turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictable—like the internet itself—Wasting Time on the Internet is the manifesto you didn’t know you needed.
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[44] S., 36x28,5 cm, Auflage: 1.000, ISBN/ISSN 1590051742
Hardcover, Fadenheftung, Leineneinband, Titel geprägt. ehem. Bibliotheksexemplar, Loyola Marymount University, siehe Etikett im Vorsatz und Aufdruck auf den Schnitt
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Recto, Verso is the latest attempt to grasp the magnitude of the monumental archive of photograms that Robert Heinecken created during the past 40 years. In this current sampling, comprised of work from his own archive, Heinecken offers a look back at the decade of the 1980s, where decadence and narcissism inhabit the same space as spirituality and family values. Though the patinas of these color photograms speak of that generation, their revelations are contemporary in their incisiveness. In looking at the history of the photogram, beginning with Henry Fox Talbot’s ‘photogenic drawings’ and Man Ray’s ‘Rayographs’, Heinecken must be viewed as its most rebellious practitioner – unflinching, enigmatic and alert. Robert Heinecken’s work has been widely exhibited in the United States, Europe and Asia, and is included in many major collections, including the Museum of Contemporary Art, Chicago. LA County Museum of Art. and the Center for Creative Photography, Tucson. Recto/Verso is printed in a first edition of 1,000 casebound copies, with an introduction by Rod Slemmons, Director of the Museum of Contemporary Photography, Chicago.
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CREATIVE CHILD GAMES - B.O.W.S. 001
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26 S., 26,5x19 cm, Auflage: 75, numeriert, signiert, keine weiteren Angaben vorhanden
Leporello, ausgefaltet 60 x 45 cm, in Umschlag, Vorderseite Umschlag bedruckt, mehrfarbiger Siebdruck
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doppelseitig besiebdruckter, mehrfarbiger Leporello mit lost & founds aus Chicago in bedruckter Original-US-Versandtasche mit Metallschließe, handgedruckt von Oli Watt, Lehrbeauftragter für Printmedien der School of the Art Institute of Chicago und Brandstifter in free range [...]. Innen eine vergrößerte Grafik eines Schreiners
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Beyond Beat 2018 Mailart Exhibition
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28x43,2 cm, 18 Teile. keine weiteren Angaben vorhanden
Briefumschlag, mehrfach gestempelt, ein Bogen mit 16 Künstlerbriefmarken, perforiert, gestempelt, ein Plakat, beidseitig bedruckt
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Material zur Mailart Ausstellung 2018. Mailart exhibition celebrating the Beat Generation and Beat culture past, present and beyond. Beyond Baroque Literary Arts Center, Venice, CA, 08.03.-12.03.2018.
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How to Prepare Yourself for the Collapse of the Industrial Publishing System
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[8] S., 21,6x13,9 cm, Auflage: 248, keine weiteren Angaben vorhanden
Drahtheftung, Risodruck
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Das Heft besteht ins Englische übersetzte Essay "How to Prepare Yourself for the Collapse of the Industrial Publishing System" des argentinischen Künstlers Eric Schierloh. Der Text wurde zusammen mit Paul Holzman übersetzt.
This publication is the result of a warm exchange between Public Collectors and Eric Schierloh of the press Barba de Abejas, (Beard of Bees).
In 2020 Eric wrote this essay that he translated into English with an American friend, Paul Paul Holzman, who also lives in Buenos Aires. In December 2021, Eric reached out to me to share his enthusiasm for my text “Towards a Self Sustaining Publishing Model.” Eric proposed making a Spanish translation and publishing my writing as a cheap edition in Argentina. He felt my text had similarities to his own words; the two works share a similar spirit of encouraging publishing experimentation outside of typically limiting market constraints.
Though Eric’s text had already been published in English in World Literature Today magazine and translated into French by the cardboard press La Liebre Dorada, we agreed that it could still be worthwhile to make a US edition that stood alone. So, in a celebration of artist publishing exchanges, Public Collectors is happy to share Eric Schierloh’s inspiring writing. It provides many potential creative paths forward for people with access to any form of printing, and any materials that could be used to make a book.
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Commonpress 77 - The Big Golden Book of Flash
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28x22,5 cm, Auflage: 400, numeriert, signiert, keine weiteren Angaben vorhanden
Spiralbindung aus Kunststoff, mit Widmung
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Commonpress wurde gegründet 1977 von Pawel Petasz
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