Boscher Johannes, Hrsg. Techno-somatics and physical experience - Memory on the Internet - Our ears open a whole world to us: about the experiment to program an exhibition on a vinyl recordHamburg ( Deutschland): Curated by Weekly, 2017( Heft) 12 unpag. S., 29,5x21 cm, Techn. Angaben Drahtheftung ZusatzInformation ‘Curated by Weekly’ is a digital art project. It aims to raise questions regarding online formats, web-based distribution and the acceleration of digital platforms in contemporary art. The project is made up of a website and a magazine, which will be released in irregular intervals. The latter will include essays and interventions about digital exhibition formats, the experiences of digital curation and the questions about media and matter in the post-analogue space. Every week, an artwork will be “curated” and published on the website. In cooperation with different individuals, institutions and independent projects from the art field, artistic positions and works will be displayed. They can function as pieces of art in the digital sphere as well as be critical about it, or to contrast itself with the functions of the web. The project’s pace and composition orientates itself around the relevant visual environment of the present day.
The format of the website is consciously purely visual, while complementary content will be published in the magazine. This content will consist of essays and contributions around certain questions. For example: How new formats will be established in contemporary art, which technological tools are required or how curation is practiced in a digital space. What should particularly be highlighted is determining which artistic media, surfaces and materialities provide an adequate digital environment.
'Curated by Weekly' aims for an experimental format, which uses the speed and the possibilities of the digital space, but instead of reproductions and documentations we want to show artistic work itself, to address availability in the digital space and to use catchy visual surfaces. At the same time, the discourse and the self-reflection of the format is discussed in the appearing magazines/readers online and offline.
Text von der Webseite Namen Agnes Gryczkowska (Essay) / Chloe Stead (Essay) / Clara Meister (Essay) / Max Prediger (Design) / Tim Geißler (Editor) Sprache EnglischGeschenk von Xenia FumbarevStichwort contemporary art / Essay / Experiment / InternetWEB www.curatedbyweekly.com
TitelNummer 024057658 Einzeltitelanzeige (URI)
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Grau Oliver, Hrsg. The Archive of Digital Art ADA - The Archive of Digital Arts goes Web 2.0!Krems ( Österreich): The ARCHIVE OF DIGITAL ART, 2018( PostKarte) 8,8x21 cm, Techn. Angaben Infokarte ZusatzInformation As a pioneer in the field of Media Arts research, the ARCHIVE OF DIGITAL ART (ADA) documents the rapidly evolving field of digital installation art for more than a decade now. This complex, research-oriented overview of works at the intersection of art, science, and technology has been developed in cooperation with international media artists, researchers and institutions, as a collective project.
Since todays digital artworks are processual, ephemeral, interactive, multimedia-based, and fundamentally context dependent, because of their different structure, they require a modified, we called it an ‚expanded concept of documentation‘. ADA represents the scientific selection of 500 international artists of approx. 5.000 evaluated artists. We ascribe high importance to artistic inventions like innovative interfaces, displays or software.
Text von der Webseite Sprache EnglischStichwort Archiv / Digital / Display / Dokumentation / Forschung / Interface / Multimedia / Research / Software / Video WEB http://digitalartarchive.at/nc/home.html
TitelNummer 026217801 Einzeltitelanzeige (URI)
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Shapes DaniaSoundsystem PastoralBerlin ( Deutschland): naivsuper, 2006( CD, DVD) 13x13 cm, Techn. Angaben naivsuper Nr 007, Musik-CD in gefalteter Papphülle mit Beiblatt in transparenter Kunststoffhülle, cover art: Stephane Leonard ZusatzInformation music by Daniel Lopatin aka Dania Shapes.
Soundsystem Pastoral was recorded by Daniel Lopatin aka Dania Shapes during the winter of 2004 using synthesizers, a first generation digital sequencer, and a freeware sound editor. It was remixed in 2006 for the release on naivsuper.
Celebrating the potential of amateurishness, decadence and romance in the realm of digital audio arts, Lopatin looks to marry the aesthetic sensibilities of experimental electronics with his allegiance to the classic 'beauty' in music. 'Glitch' is less a process for Lopatin -- rather it is an aesthetic impression which Lopatin emulates by hand. Pairing the residual effects of romantic, heart string melodies with steroidal, detailed, maximalist noise, Dania Shapes' audible bricolage is a tribute to both the beautiful and the broken all at once.
Working with simple tools such as handheld tape recorders, retro synthesizers, and a personal computer, Lopatin creates conceptual systems and processes to create a solo music that's beautiful and inventive, with interesting textures and unexpected sonic interventions. The music has a lush, ambient quality, but an edge as well. Throughout the CD, one finds a subtle use of repetition. The pieces are formally well-conceived and never contrived. The music is clearly indebted to heroes of electronica such as Christian Fennesz, William Basinski, and Brian Eno. and it has links to classic experimentalists such as David Tudor and David Behrman. Yet Lopatin maintains a more song-based musical position that results in an accessible product that will attract fans of ambient, post-rock, and experimental music Namen Daniel Lopatin / Stephane LeonardStichwort Digitale Musik / Nullerjahre / SynthesyserWEB www.naivsuper.de
TitelNummer 008576267 Einzeltitelanzeige (URI)
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Dusanek Ivan / Kretschmer Hubert, Hrsg. Kunstschule DigitalHof ( Deutschland): Selbstverlag, 2006( PostKarte) 2 S., 10,5x14,8 cm, 2 Stück. Techn. Angaben Werbeflyer ZusatzInformation Ziel der kudi ist das Entwerfen von Unterrichtskonzepten sowie die Produktion von eigenen Kunstwerken. Damit verbunden ist für bayerische Lehrer die Möglichkeit einer redaktionellen Mitarbeit an der bundesweiten Internetplattform Kunstschule-digital.de. Text von Website. Gestaltung des Flyers: Hubert Kretschmer
Anm. Die Webseite wurde geschlossen und die Fortbildungsmöglichkeiten eingestellt (2014) Sprache DeutschStichwort Fortbildung / Weiterbildung
TitelNummer 016231601 Einzeltitelanzeige (URI)
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Fontcuberta JoanPandora's Camera - Photogr@phy after PhotographyLondon ( Großbritannien): MACK, 2014( Buch) 192 S., 22,8x15 cm, ISBN/ISSN 9781910164037 Techn. Angaben Klappenbroschur, ZusatzInformation 16 Essays mit Illustrationen. Herausgegeben von Michael Mack, Izabella Scott, Martyn Oliver.
This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. ...
Text von der Webseite Namen Izabella Scott / Martyn Oliver / Michael MackSprache EnglischStichwort Digital / Essay / Fotografie / Theorie
TitelNummer 016659597 Einzeltitelanzeige (URI)
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Tonnard ElisabethThe Invisible BookLeerdam ( Niederlande): Selbstverlag, 2012( Digitales SpeicherMedium) 0 S., Auflage: 100, Techn. Angaben fiktives Buch ZusatzInformation 1. Auflage. Vermutlich unauthorisierte Kopie. Im Netz gefunden und aufgeklaubt.
The Invisible Book is a book produced in a limited edition at the affordable price of €0. It will work as a digital book too, on any platform. The edition is limited to 100 copies (neither numbered nor signed). This is a product without a single fault, available at the lowest price possible. The book was made as a reaction to both the trend of decreasing booksales and the trend of increasing expectations from audiences. Published by Elisabeth Tonnard, Leerdam, April 2012. A second edition became available in June 2012. It too was limited to 100 copies, neither numbered nor signed, but all made to perfection and available at the price of €0.
Text von der Website der Künstlerin
Das Buch kann man leider bei mir nicht anschauen. Es existiert nur in dieser Art als Datensatz auf einem Monitor Sprache EnglischStichwort Fiktion / Konzept / Kunstmarkt / Künstlerbuch / Leer / Protest / Unsichtbar WEB http://elisabethtonnard.com/works/the-invisible-book/
TitelNummer 002625dig Einzeltitelanzeige (URI)
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Mars LeoLightearsBerlin ( Deutschland): naivsuper, 2007( CD, DVD) 13x13 cm, Techn. Angaben naivsuper Nr 011, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard ZusatzInformation recorded in 2007 at the Leo Mars studio.
´Lightears´ is the long awaited debut album by Berlin duo Leo Mars. After a year of trial and error, a lot of sessions, sound collecting and analysation of possibilities a precisely crafted, yet astonishingly free floating album came to life. In times of almost infinite sounds, instruments and styles it took the duo some time to come up with the basic material, form a language and then of course learn to speak it. Hours were spent in the studio and their favourite lebanese restaurant discussing the world of sound.
´Lightears´ intelligently smudges the borders between a classic drone, an underground noise, a playful improvisation and an old fashion musique concrete record. All the genres fall into place rather unpretentious with pure sound excitingly assembled to challenge ones listening habits.
It is a rather harsh production always bouncing back and forth between digital, crisp electronics and field recordings pushed way over the edge.
With minimal gear and set up Leo Mars managed to manoveur themselves somewhere inbetween a bedroom thrashing noise keyboard project and a theoratical paper score composer duo. Performing in a trance - allowing things to happen - awaken - making a conscious decision - slipping back into space Stichwort NullerjahreWEB www.naivsuper.de
TitelNummer 008567267 Einzeltitelanzeige (URI)
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Cerezo María / Llensa Emma, Hrsg. Atem BooksLa Bisbal d'Empordà ( Spanien): Atem Books, 2010( Plakat) 48x33 cm, 2 Stück. Techn. Angaben Plakat, vermutlich beschnitten ZusatzInformation Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
Why ‘Atem’?
‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
Who we are
Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
What we can do
We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
Atem Books is 100% independent!
We don’t receive any external money. This project survives with the earns we do selling our publications.
Von der Webseite WEB www.atembooks.com
TitelNummer 009056303 Einzeltitelanzeige (URI)
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Grenzfurthner Johannes / Schneider Frank Apunkt, Hrsg. monochrom #26-34 - Ye Olde Self-ReferentialityWien ( Österreich): monochrom, 2010( Zeitschrift, Magazin) 500 S., 29,7x21 cm, ISBN/ISSN 978-3-9502372-6-9 Techn. Angaben Softcover. 1900 gr ZusatzInformation WTF is monochrom print? monochrom is a magazine object appearing in telephone book format, which is published by the art/tech group of the same name. monochrom came into being in the mid-1990s as a fanzine for cyberculture, science, theory, cultural studies and the archaeology of pop culture in everyday life. Its collage format is reminiscent both of the early DIY fanzines of the punk and new wave underground and of the artist books of figures such as Dieter Roth, Martin Kippenberger and others. With a great deal of forced discontinuity, a cohesive potpourri of digital and analog subversion is pressed between the covers of monochrom. Each issue is an unnostalgic amalgam of 125 years of Western counterculture cocked, aimed and ready to fire at the present. It is a Sears catalog of subjective and objective irreconcilability -- the Godzilla version of the conventional coffee table book.
Text von der Webseite Geschenk von iRRlandWEB www.monochrom.at
TitelNummer 011254394 Einzeltitelanzeige (URI)
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Guayabero Oscar / SC Santa Cruc Rocio, Hrsg. Arts Libris 2012Barcelona ( Spanien): Raina Lupa produccions, 2012( Mappe) 16,5x12,5 cm, Techn. Angaben 71 beidseitig bedruckte Karten, 17 davon gefaltet, verschiedenfarbige Papiere, lose zusammengelegt, eingeschlagen in Umschlag, gestanzt, mit Gummbiband umbunden ZusatzInformation Katalog zur Buchmesse mit Einzeldarstellungen der Aussteller.
Raíña Lupa was born in Paris in 1994 as an editorial project specialised in artists books and original graphic work. In 1998 Raíña Lupa’s art gallery
opened in the same city, orienting its work towards a relationship among art and literature. From 2002 the project continues in Barcelona, with a new editorial line in which photography and the new digital tehcniques take a predominant place.
Text von der Webseite WEB www.rainalupa.com/en/
TitelNummer 011570368 Einzeltitelanzeige (URI)
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Ruscha EdThen & Now - Hollywood Boulevard 1973-2004Göttingen ( Deutschland): Steidl Verlag, 2005( Buch) 152 S., 44,7x32,5 cm, ISBN/ISSN 978-3-86521105-7 Techn. Angaben Hardcover, Leineneinband im Schuber, ZusatzInformation One of the most well-known of Ruscha's books from his early period is Every Building on The Sunset Strip, showing a famous stretch of real estate along Sunset Boulevard in Los Angeles, published in 1966. In July, 1973 he followed the same procedure while documenting Hollywood Boulevard.
Loading a continuous strip of 33 feet of Ilford FP-4 black & white 35mm film into his motor-drive Nikon F2 and then mounting it on a tripod in the bed of a pickup truck, he drove back and forth across the 12 miles of the street shooting, frame-by-frame, both the north and south sides of its entire length. The negatives were developed, contact sheets were made, and the materials were placed in storage.
Thirty years later, in 2003, a digital record of Hollywood Boulevard was created and it served as a reference guide for the traditional film/still documentary of 2004. For this shoot, the same type of camera equipment was used to re-photograph the street on 35mm color-negative film.
The resulting material of both shoots — 4500 black & white and 13,000 color images — have been scanned and digitally composed into four panoramics of the complete 12 miles. In THEN & NOW, the original 1973 North side view is shown along the top of the page and juxtaposed with its 2004 version underneath. Along the bottom of the page, you find the original 1973 South side view shown upside down, also juxtaposed with its 2004 version. The panoramics face each other and they are aligned.
Text von der Webseite Sprache EnglischStichwort Nullerjahre
TitelNummer 011975024 Einzeltitelanzeige (URI)
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Görig Matze / Kaßner FrankaMatze Görig - Volumen, das dunkleMünchen ( Deutschland): Kunstraum München, 2015( Flyer, Prospekt) 6 S., 9,9x21 cm, Techn. Angaben Einladungsflyer, zweimal gefaltet, beidseitig bedruckt ZusatzInformation zur Ausstellung vom 10.09.-11.10.2015 im Kunstraum - Verein für aktuelle Kunst und Kritik, München.
Matze Görig und Franka Kaßner stellen im Kunstraum ihre neuesten Arbeiten vor:
Matze Görig zeigt in der oberen Etage seinen Film durch Hain und Aue und Franka Kaßner unten ihre Installation Sie weint trocken. An seinem Animationsfilm durch Hain und Aue (28 min.) hat Matze Görig seit 2012 gearbeitet. Seine digital-analoge Konstruktion setzt sich aus hunderten Fotos und Videos zusammen. Zu dem Thema hat der Künstler sich unter anderem von Hieronymus Boschs Triptychon „Der Garten der Lüste“ und Johannes Brahms’ Duett „Die Meere“ inspirieren lassen. Der Film erzählt Geschichten und Legenden, die eine eigene Welt zwischen Leben und Tod erschaffen.
Text von der Webseite Namen Luise Horn (Kuratorin) WEB www.kunstraum-muenchen.de
TitelNummer 013866501 Einzeltitelanzeige (URI)
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Sackner Marvin / Sackner Ruth, Hrsg. The art of typewritingLondon ( Großbritannien): Thames & Hudson, 2015( Buch) 352 S., 32x25,5 cm, ISBN/ISSN 978-0-500-24149-3 Techn. Angaben Hardcover, Leinen bedruck mit HP Indigo 10000, mit Lesebändchen. Die Bilder auf dem Umschlag werden per Zufall aus 230 Bildern kombiniert ZusatzInformation Mit Texten von Steven Heller, John Maeda, Eugene S Flamm.
The beloved typewriter--its utilitarian beauty, the pleasing percussive action of striking its keys, the singularity of the impressed page--is enjoying a genuine renaissance across the creative industries. In this authoritative publication, the founders of the Sackner Archive of Visual and Concrete Poetry, the largest such collection in the world, apply their experience, mining the collection they have created over four decades to present examples produced by more than 200 of the world's finest typewriter artists. From the early ornamental works produced by secretaries in the late nineteenth century to more recent works that consider the unique position of the typewritten document in the digital age, there is an astonishing and delightful range of creativity in every artwork.
Text von der Webseite Sprache Englisch
TitelNummer 014648529 Einzeltitelanzeige (URI)
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Gacek Marysia / Toumazou MariaMARIA editionsNikosia ( Zypern): MARIA editions, 2016( Ephemera, div. Papiere) 15x5,2 cm, 2 Stück. Techn. Angaben Lesezeichen, einseitig bedruckt, eines mit handschriftlichen Notizen ZusatzInformation MARIA†. editions is an independent publisher founded by Marysia Gacek and Maria Toumazou in 2014. Based in Nicosia and New York, MARIA†. editions is devoted to producing digital and printed matter, providing a platform for new artworks, collaborations, writing, and exhibitions.
Text von der Webseite Geschenk von Maria ToumazouStichwort TypografieWEB www.mariaeditions.com
TitelNummer 016013601 Einzeltitelanzeige (URI)
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Hampton MichaelUnshelfmarked - Reconceiving the artist's bookDevon ( Großbritannien): Uniformbooks, 2015( Buch) 180 S., 23,3x14,1 cm, ISBN/ISSN 978-1-910010-06-8 Techn. Angaben Klappbroschur, ZusatzInformation Post-Deweyed, these works form an entirely new corpus, showcasing the artists’ book not as a by-product of the book per se, but both its antecedent and post-digital flowering, many salient twentieth-century features proleptically flickering here and there through time, its epigenetic influence finally come to permeate mainstream book design everywhere, the manifold traits and studio processes inherent to the artists’ book bursting from their stitched sheath, cheerfully pollinating the whole gamut of reading impedimenta and spaces.
Text von der Webseite Sprache EnglischStichwort Künstlerbücher / Künstlerpublikationen / SekundärliteraturWEB www.colinsackett.co.uk/uniformbooks.php
TitelNummer 016535599 Einzeltitelanzeige (URI)
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Eggleston WilliamStranded in CantonSanta Fe, NM ( Vereinigte Staaten von Amerika): Twin Palms Publishers, 2008( Buch mit Schallplatte o. CD) 48 S., 25x18 cm, Auflage: 2000, ISBN/ISSN 9781931885713 Techn. Angaben Hardcover, beiliegend Werbekarte des Verlags, Eingelegte DVD ZusatzInformation William Eggleston’s pioneering video work, Stranded In Canton, has been restored and is finally available, almost thirty-five years after it was made. The book contains forty frame enlargements from the digital remaster, an appreciation by Gus Van Sant, and a DVD of the seventy-seven-minute film itself, along with more than thirty minutes of bonus footage and an interview with Mr. Eggleston conducted at the 2005 Toronto Film Festival.
Shot in 1974 with a Sony Porta-Pak, the crazily careering Stranded in Canton documents a cast of hard-drinking Southerners with the intimacy, ease and instability of a seasoned participant.
Text von der Webseite Sprache EnglischStichwort Alkoholismus / Close-up / Porträt / Schwarz-Weiß-Fotografie / USA
TitelNummer 016658562 Einzeltitelanzeige (URI)
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Thalmair Franz, Hrsg. Possible Content for 18 Pages - Volume II - A Set of Lines, A Stack of PaperBerlin ( Deutschland): Revolver Publishing, 2015( Buch) 80 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-274-6 Techn. Angaben Broschur, mit zahlreichen Abbildungen, drei Bände in Banderole, ZusatzInformation "A Set of Lines, A Stack of Paper" is the second in a series of exhibitions and publication based on a wide-reaching research about writing with the title 'Possible Content for 18 Pages'. The original typewritten manuscript of Vilém Flusser's essay 'The Gesture of Writing' provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication. 'To write,' says the philosopher about the basic requirements that should lead to a complete piece of writing, we need 'a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, 'orthography' = correct writing, the rules which order that language, what is called 'grammar', an idea to be expressed in a language, and a motive to express that idea'. Understanding the act of writing as a culturally embedded gesture, 'A Set of Lines, A Stack of Paper' covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the correspondent exhibition at KARST, Plymouth (June 5 - July 5, 2015). The publication comprises an exhibition documentation with installation views and a curatorial statement. Furthermore, the author Maria Fusco situates the concept of the exhibition in an actual context of literature.
The participating visual artists expand the topic of the exhibition with artistic contributions especially made for the book.
Text von der Webseite Namen Ane Mette Hol / Birgit Knoechl / Egon van Herreweghe / Franz Thalmair / Heinrich Dunst / John Wood / Karolis Kosas / Lotte Lyon / Maria Fusco / Maria Fusco / Ovidiu Anton / Paul Harrison / Peter DownsbroughSprache EnglischGeschenk von Franz ThalmairStichwort Appropriation / Gegenwartskunst / Post-Digital / Strategie
TitelNummer 016715579 Einzeltitelanzeige (URI)
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Thalmair Franz, Hrsg. Possible Content for 18 Pages - Volume I - This Page Intentionally Left Blank Berlin ( Deutschland): Revolver Publishing, 2014( Buch) 168 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-101-5 Techn. Angaben Broschur, mit zahlreichen Abbildungen, drei Bände in Banderole, ZusatzInformation Publikation zur Ausstellung: This Page Intentionally Left Blank im Akbank Art Centre, Istanbul, 19.03-17.05.2014
„This Page Intentionally Left Blank“ ist das erste einer Reihe von Ausstellungs- und Publikationsprojekten, die dem Akt des Schreibens an der Schnittstelle von sprachlicher, visueller, körperlicher und räumlicher Kommunikation nachgehen. Als Grundlage für das breit angelegte Rechercheprojekt mit dem Titel „Possible Content for 18 Pages“ dient Vilém Flussers Essay „Die Geste des Schreibens“, dessen mit Schreibmaschine getipptes Manuskript sich nicht nur als fotografische Reproduktion im Buch befindet, sondern das ebenso die Struktur der Recherche bestimmt.
Text von der Webseite Namen Agnes Miesenberger / Anita Witek / Bethan Huws / Daniel Hafner / Falke Pisano / Fiona Banner / Ignacio Uriarte / John Baldessari / Joséphine Kaeppelin / Jörg Piringer / Karin Sander / Kenneth Goldsmith / Marianne Holm Hansen / Michael Kargl / Stefan Riebel / Ulrich Kehrer / VALIE EXPORT / Wade GuytonSprache EnglischGeschenk von Franz ThalmairStichwort Appropriation / Gegenwartskunst / Post-Digital / Strategie
TitelNummer 016716579 Einzeltitelanzeige (URI)
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Thalmair Franz, Hrsg. Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit AmetBerlin ( Deutschland): Revolver Publishing, 2016( Buch) 200 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-345-3 Techn. Angaben Fadenheftung, mit zahlreichen Abbildungen, drei Bände in Banderole, Anschreiben liegt bei, ZusatzInformation “Lorem Ipsum Dolor Sit Amet” is the third in a series of exhibitions and publication based on a wide-reaching research about writing with the title “Possible Content for 18 Pages”. The original typewritten manuscript of Vilém Flusser’s essay “The Gesture of Writing” provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication.
“To write,” says the philosopher about the basic requirements that should lead to a complete piece of writing, we need “a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, ‘orthography’ = correct writing, the rules which order that language, what is called ‘grammar’, an idea to be expressed in a language, and a motive to express that idea”.
Understanding the act of writing as a culturally embedded gesture, “Lorem Ipsum Dolor Sit Amet” covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the eponymous performance by Lois Bartel at the Akademie der Künste in Berlin (June 11, 2016) and contains a curatorial-editorial statement by Franz Thalmair. Furthermore, the artist Michalis Pichler and the professor for media theory and aesthetics Oliver Ruf situate the publication in an actual context of literature and criticism. The participating visual artists expand the topic of the research with artistic contributions especially made for „Lorem Ipsum Dolor Sit Amet“.
Text von der Webseite Namen Agnes Fuchs / Alejandro Cesarco / Charles Gute / Daniel Gustav Cramer / Haris Epaminonda / Irma Blank / Lois Bartel / Natalie Czech / Nikolaus Gansterer / Rafaël Rozendaal / Thomas FreilerSprache EnglischGeschenk von Franz ThalmairStichwort Appropriation / Gegenwartskunst / Post-Digital / Strategie
TitelNummer 016717579 Einzeltitelanzeige (URI)
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Jörg RupertLudwigskirche 2ter Altar rechtsMünchen ( Deutschland): Nir Altman Galerie, 2017( PostKarte) 2 S., 10,5x14,8 cm, Techn. Angaben Einladungskarte ZusatzInformation Zur Präsentation am 17.01.2017 um 19 Uhr, Ludwigskirche 2ter Altar Rechts" 10:05 min, 2016. Flurstraße 2, 12:30 min, 2015 / 2016.
FULLSCREEN is a dynamic curated video art program which supports Munich based digital and media artists. Each month Nir Altman Galerie features one significant video during a special event in the gallery space. In addition the video is screened on the gallery's website during the entire month.
Text von der Webseite Geschenk von Heidi JörgStichwort PerformanceWEB www.niraltman.com
TitelNummer 017211701 Einzeltitelanzeige (URI)
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Kutsche KatharinaVon Daguerre bis digital - Abdrücken, entwickeln, vergrößern – dann an die Wand hängen oder als Dia-Schau starten: Mehr Möglichkeiten gab es lange Zeit nicht, um Bilder zu zeigen. Heute dagegen gibt es viele Wege, Fotos in Szene zu setzen, vom selbst gestalteten Buch bis zum Drucker in HandygrößeMünchen ( Deutschland): Süddeutsche Zeitung, 2016( Presse, Artikel) 1 S., 57x40 cm, Techn. Angaben Beitrag in der SZ Nr. 289 vom 14. Dezember 2016, Wiretschaft & Technik, S. 26 Sprache DeutschStichwort Cloud / Fotodrucker / Moderne Medien / Polaroid / Studium
TitelNummer 017253619 Einzeltitelanzeige (URI)
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Becker Hubertus, Hrsg. super paper no 088 village voice 05München ( Deutschland): super magazin, 2017( Zeitschrift, Magazin) 32 unpag. S., 47x31,5 cm, Auflage: 15000, 2 Stück. Techn. Angaben Blätter lose zusammengelegt, farbiger Druck auf Zeitungspapier ZusatzInformation Art Director Mirko Borsche. Art von Z-E-B-U. U. a mit einem Artikel Über Trumps Ende seiner Amtszeit, über Karel Martens und Julian Rosefeldts Ausstellungen, über den Auftritt von Max Goldt im Volkstheater. Village Voice vornehmlich mit Beiträgen, die sich aus der DLD (Digital Life Design) Konferenz speisen, u. a. mit Hans Ulrich Obrist und Rem Koolhaas Namen Hans Ulrich Obrist / Julian Rosefeldt / Karel Martens / Max Goldt / Mirko Borsche / Rem Koolhaas / Z-E-B-U.Stichwort Events / Interviews / Kunstkritik / Musik / VeranstaltungenWEB www.superpaper.de
TitelNummer 017558631 Einzeltitelanzeige (URI)
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Hartung Elisabeth, Hrsg. [Edit]München ( Deutschland): PLATFORM, 2017( Sticker, Button) 2 S., 7,2x10,5 cm, 2 Stück. Techn. Angaben Beidseitig bedruckter Sticker ZusatzInformation Anlässlich Münchens erstem ART+FEMINISM Wikipedia Edit-a-thon am 1.04.2017 in der PLATFORM München, organisiert von Laura Lang und Mira Sacher. Paneldiskussion mit Émilie Gendron (Bloggerin, Initiatorin von munichagain), Augusta Laar (Künstlerin, Musikerin, Lyrikerin, Leitung Schamrock Festival), María Inés Plaza Lazo (Kuratorin, Herausgeberin von Reflektor M – Online Magazin für Zeitgenössische Kunst in München), Daniela Stöppel (Kunsthistorikerin, Kuratorin des Kunstraum München) und Cécile Schneider (Content Strategist, Stellvertr. Quartiersleitung Digital Media Women in München). Moderiert wird das Gespräch von Sophie Dezlhofer (Autorin beim BR, Leitung Onlineredaktion Zündfunk) Namen Augusta Laar / Cécile Schneider / Daniela Stöppel / Laura Lang / María Inés Plaza Lazo / Mira Sacher / Sophie Dezlhofer / Émilie GendronGeschenk von Laura LangStichwort Feminismus / Kunst / Wikipedia / WorkshopWEB www.platform-muenchen.de/programm
TitelNummer 023271701 Einzeltitelanzeige (URI)
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