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hervy-lamy_23-festival-international-chaumont
hervy-lamy_23-festival-international-chaumont
hervy-lamy_23-festival-international-chaumont

Hervy Étienne / Lamy Émilie, Hrsg.: 23e Festival International de l'affiche et du graphisme de Chaumont - 23rd International Poster and Graphic Design Festival of Chaumont 2012, 2012


Hervy Étienne / Lamy Émilie, Hrsg.
23e Festival International de l'affiche et du graphisme de Chaumont - 23rd International Poster and Graphic Design Festival of Chaumont 2012
Paris (Frankreich): Pyramyd, 2012
(Buch) 184 S., 30x23,4 cm, ISBN/ISSN 978-2-35017-276-7
Techn. Angaben Broschur, Prägung auf Titelseite, diverse Papiere
ZusatzInformation Seit 1990 feiert das Festival Chaumont Graphic Design sowohl das Poster als auch die Grafikdesigner. Es ist eine international renommierte Veranstaltung und das erste französische Festival in dieser Kategorie.
Sprache Englisch / Französisch
Geschenk von Julia Hartmann
Stichwort Ausstellung / Chaumont / Gebrauchsgrafik / Plakat / Wettbewerb
Sponsoren Conseil général of Haute-Marne / Conseil Régional of Champagne-Ardenne / DRAC of Champagne-Ardenne / Ministery of Culture and Communication
WEB http://www.centrenationaldugraphisme.fr/fr/cig/
TitelNummer
024905684 Einzeltitelanzeige (URI) Änderung
97_neu_design_bureau
97_neu_design_bureau
97_neu_design_bureau

Neu Designbüro: A visual mixtape, 2018


Neu Designbüro
A visual mixtape
München (Deutschland): 100for10 / Melville Brand Design, 2018
(Buch) 106 S., 21x14,8 cm, Auflage: Print on Demand,
Techn. Angaben Broschur
ZusatzInformation Schwarz-Weiß-Drucke
NEU creates integral visual identies, appearances, brandings and communication strategies for print and web in various disciplines as editorial design, corporate design, web design and UX design, illustration, communication and marketing of towns. Unexpected, exciting, focused, convincing – NEU interacts between emotion and logic, art and culture, economy and design.
Sprache Englisch
Geschenk von Melville Brand Design
Stichwort Collagen / Fotografie / Schwarz-Weiß / Typografie
WEB http://www.neu-designbuero.de/
WEB https://100for10.com/product/neu-designburoa-visual-mixtape
TitelNummer
026386741 Einzeltitelanzeige (URI) Änderung
38_maycec
38_maycec
38_maycec

Maycec / Vonverhille / Damien sayer / Alizée lenox: 75 g/m², 2017


Alizée lenox / Damien sayer / Maycec / Vonverhille
75 g/m²
München (Deutschland): 100for10 / Melville Brand Design, 2017
(Buch) 106 S., 21x14,8 cm, Auflage: Print on Demand,
Techn. Angaben Broschur
ZusatzInformation Schwarz-Weiß-Drucke
75 g/m² started as a black and white photocopy exhibition. The project was initiated by Maycec, a photographer, self-publisher and graphic designer who draws inspiration from alternative culture and her personal life. She is co-founder of Vesselroom Project and Atelier29. The first 75 g/m² exhibition took place in Berlin in 2014 with Maycec alongside Vonverhille and Damien Sayer whom both grew up in the suburbs of Paris. Vonverhille started in the graffiti scene in the 90s. He diversified his means of expression and explored photography and experimental electronic music. He now lives in Berlin where he founded Erratum galerie. Damien Sayer has photographed his family, friends and encounters over the course of five years. His small format pictures remain simple documentary pages, simple facts or portraits recorded on a sheet of paper. Alizee Lenox joined the exhibitions 75 g/m2 part II and part III. She is a poet deeply influenced by Pop Culture mostly because you cannot not be influenced by a soft machine that creates so many idols you can hate and worship at the same time. She is currently working on her first chapbook manuscript.
Sprache Englisch
Geschenk von Melville Brand Design
Stichwort Fotografie / Humor / Menschen / Schwarz-Weiß / Typography
WEB http://www.maycec.com
WEB https://100for10.com/product/maycec-vonverhille-damien-sayer-alize-lenox-75-gm2
TitelNummer
026330741 Einzeltitelanzeige (URI) Änderung
Techno-somatics
Techno-somatics
Techno-somatics

Boscher Johannes, Hrsg.: Techno-somatics and physical experience - Memory on the Internet - Our ears open a whole world to us: about the experiment to program an exhibition on a vinyl record, 2017


Boscher Johannes, Hrsg.
Techno-somatics and physical experience - Memory on the Internet - Our ears open a whole world to us: about the experiment to program an exhibition on a vinyl record
Hamburg (Deutschland): Curated by Weekly, 2017
(Heft) 12 unpag. S., 29,5x21 cm,
Techn. Angaben Drahtheftung
ZusatzInformation ‘Curated by Weekly’ is a digital art project. It aims to raise questions regarding online formats, web-based distribution and the acceleration of digital platforms in contemporary art. The project is made up of a website and a magazine, which will be released in irregular intervals. The latter will include essays and interventions about digital exhibition formats, the experiences of digital curation and the questions about media and matter in the post-analogue space. Every week, an artwork will be “curated” and published on the website. In cooperation with different individuals, institutions and independent projects from the art field, artistic positions and works will be displayed. They can function as pieces of art in the digital sphere as well as be critical about it, or to contrast itself with the functions of the web. The project’s pace and composition orientates itself around the relevant visual environment of the present day.
The format of the website is consciously purely visual, while complementary content will be published in the magazine. This content will consist of essays and contributions around certain questions. For example: How new formats will be established in contemporary art, which technological tools are required or how curation is practiced in a digital space. What should particularly be highlighted is determining which artistic media, surfaces and materialities provide an adequate digital environment.
'Curated by Weekly' aims for an experimental format, which uses the speed and the possibilities of the digital space, but instead of reproductions and documentations we want to show artistic work itself, to address availability in the digital space and to use catchy visual surfaces. At the same time, the discourse and the self-reflection of the format is discussed in the appearing magazines/readers online and offline.
Text von der Webseite
Namen Agnes Gryczkowska (Essay) / Chloe Stead (Essay) / Clara Meister (Essay) / Max Prediger (Design) / Tim Geißler (Editor)
Sprache Englisch
Geschenk von Xenia Fumbarev
Stichwort contemporary art / Essay / Experiment / Internet
WEB www.curatedbyweekly.com
TitelNummer
024057658 Einzeltitelanzeige (URI) Änderung
davila-legible-visible-katalog
davila-legible-visible-katalog
davila-legible-visible-katalog

Dávila Mela / Muñoz Maite, Hrsg.: Legible – Visible - Between the Film Frame and the Page, 2018


Dávila Mela / Muñoz Maite, Hrsg.
Legible – Visible - Between the Film Frame and the Page
Barcelona (Spanien): Arts Santa Mònica / Tenov, 2018
(Buch) 92 S., 24x18 cm, ISBN/ISSN 978-84-944234-3-7
Techn. Angaben Broschur
ZusatzInformation Katalog erschienen zur Ausstellung in Arts Santa Mònica, Barcelona, 06.04.-28.05.2017
Legible-Visible. Between the Film Frame and the Page explores the relationship between print publications and audio-visual documents, two of the most important media underpinning the social and cultural landscape of our time which also define the evolution of contemporary art in the 20th and 21st centuries.
The emergence of relatively inexpensive home video technologies in the 1970s brought with it an alternative model for the creation and diffusion of artist publications, and a prolific period of exploration, reflected in the work of Baldessari, Gilbert & George, Boltanski, Carrión, Rucha and Rosler, among others. The popularization of digital media at the beginning of the 21st century sparked a revolution in the systems of production of both audio-visuals and books, exemplified by a new generation of artists, such as McGeorge, Kentridge, Cine Quieto or Van Leijsen.
Mela Dávila proposes a theoretical and historical framework for works that the market long dismissed as secondary on account of their serial nature. This characteristic, together with the particular space of experience they generate, and the linearity and temporality common to both media, have opened up a range of new narrative (or anti-narrative) possibilities which have enabled artists to redefine contemporary art.
Starting from a detailed study of 24 double works, Maite Muñoz looks at how different artists have taken advantage of the permeability between publications and audio-visuals, in which ideas and strategies of narration and editing intrinsic to both mutually infect and enrich one another through the play of opposition, complementarity and dialectics.
Text von der Webseite
Namen Alain Robbe-Grillet / Benet Rossell / Chris Marker / Christian Boltanski / Cine Quieto / Dan Graham / Dominique Hurth / Ed Ruscha / Eline McGeorge / Fortunato Depero / Gilbert & George / Gloria Vilches / Gloria Vilches / Guy Debord / Isidoro Valcárcel Medina / Jef Cornelis / John Baldessari / Julián Barón / Lawrence Weiner / László Moholy-Nagy / Marcel Pey / Martha Rosler / Miralda / Núria Gómez Gabriel / Patrícia Dauder / Raymond Pettibon / Rob van Leijsen / Rose Lowder / RTVE Publications Department / Stan Brakhage / stanley brouwn / Ulises Carrión / Vicente Huidobro / William Kentridge
Sprache Englisch
Geschenk von Mela Davila
Stichwort 1970er Jahre / Aktuelle Kunst / audio visuell / Film / Künstlerbuch / Künstlerpublikation / Medien / Serie
TitelNummer
025751715 Einzeltitelanzeige (URI) Änderung
the silent scream
the silent scream
the silent scream

Oppen Monica / Lyssiotis Peter, Hrsg.: The Silent Scream: Political and Social Comment in Books by Artists, 2011


Lyssiotis Peter / Oppen Monica, Hrsg.
The Silent Scream: Political and Social Comment in Books by Artists
Petersham (Australien): Ant Press, 2011
(Buch) 190 S., 24,5x20,5 cm, ISBN/ISSN 9780987160607
Techn. Angaben Klappeinband, beigelegt ein Brief und Visitenkarte von Monica Oppen
ZusatzInformation Preface by Sarah Bodman, Essays by Walter Struve (librarian State Library of Victoria), Dr Scott McQuire (Associate Professor and Reader, School of Culture and Communication, University of Melbourne), Humphrey McQueen (freelance historian) and Des Cowley (Rare Printed Collections Manager, State Library of Victoria).
The Silent Scream: political and social comment in books by artists presents, not only a companion catalogue to an exhibition held at Monash University Rare Books, but also a journey through some of humanity's most inhumane and hypocritical moments. Reaching back to William Blake with a facsimile of his illuminated book America: A Prophecy then travelling through the two world wars and on to the modern era the catalogue provides insights into 77 influential books and works presented in book form.
Von der Webseite
WEB www.bibliotheca.org.au
TitelNummer
009098253 Einzeltitelanzeige (URI) Änderung

Koch Andreas / Sack Janine / Berkes Christian / Mettler Yves / Worthington Simon, Hrsg.: Paper News #11 - August, September, Oktober 2018, 2018

papernews-11-vorne
papernews-11-vorne
papernews-11-vorne

Koch Andreas / Sack Janine / Berkes Christian / Mettler Yves / Worthington Simon, Hrsg.: Paper News #11 - August, September, Oktober 2018, 2018


Berkes Christian / Koch Andreas / Mettler Yves / Sack Janine / Worthington Simon, Hrsg.
Paper News #11 - August, September, Oktober 2018
Berlin (Deutschland): Drucken Heften Laden, 2018
(Zeitschrift, Magazin) 4 S., 29,7x21 cm,
Techn. Angaben Ein Blatt, gefaltet
ZusatzInformation The independent publisher's quarterly by Drucken Heften Laden. Drucken Heften Laden discusses and analyses the conditions and possi­bili­ties for independent publishing in the context of art and city (politics). Drucken Heften Laden derives from an eponymous exhibition, workshop and series of events at neue Gesellschaft für bildende Kunst (nGbK) in Berlin which took place in January 2015. Since then a small group of Berlin-based producers and publishers gathers regularly: “We share experiences and resources, and build a discourse around production methods and values as well as the distribution of books and booklets.Publishing is always set in distinct time and space. Today’s diversity of media fosters hybrid formats between the analogue and the digital. We are interested to negotiate and sharpen our idea of what „independent“ and „self“ publishing means today.Drucken Heften Laden filters and disseminates information, and creates a public platform for exchange and discussion, accessible to everyone interested in such practice.”
Text von der Website.
Namen Nicolas Kemper (Cartoon)
Sprache Deutsch / Englisch
Geschenk von Albert Coers
Stichwort Art Book Fair / Independent / Kunstbuchmesse / Künstlerpublikation / Network / publishing / Publizieren / Unabhängig / Verlag / Zeitung
WEB http://papernews.ink/
TitelNummer
026311728 Einzeltitelanzeige (URI) Änderung
nyabf2017
nyabf2017
nyabf2017

Schumann Max, Hrsg.: NY Art Book Fair 2017, 2017


Schumann Max, Hrsg.
NY Art Book Fair 2017
New York, NY (Vereinigte Staaten von Amerika): Printed Matter, 2017
(Buch) 15x10,5 cm,
Techn. Angaben Softcover, Broschur
ZusatzInformation Publikation zur New York Art Book Fair 2017. Printed Matter presents the twelfth annual NY Art Book Fair, from September 22 to 24, 2017, at MoMA PS1, Long Island City, Queens. Free and open to the public, the NY Art Book Fair is the world’s premier event for artists’ books, catalogs, monographs, periodicals, and zines. The 2017 NY Art Book Fair will feature over 370 booksellers, antiquarians, artists, institutions and independent publishers from twenty-eight countries. This year’s NY Art Book Fair will include an ever-growing variety of exhibitors - from zinesters in (XE)ROX & PAPER + SCISSORS and the Small Press Dome representing publishing at its most innovative and affordable, to rare and antiquarian dealers offering out-of-print books and ephemera from art and artist book history, plus the NYABF-classic Friendly Fire, focused on the intersections of art and activism. NYABF17 will host an array of programming and special events, including: The Classroom, a curated engagement of informal conversations, workshops, readings, and other artist-led interventions, for the eighth year running, as well as The Contemporary Artists’ Book Conference (CABC), in its tenth year, featuring two full days of conversation on emerging practices and issues within art-book culture.
Text von der Website.
Namen Christopher Gianunzio (Coordinator) / Garrick Gott (Designer) / Hannah Myall (Administration) / Shannon Michael Cane (Kurator) / Yoshié Hozumi (Assistant Designer)
Sprache Englisch
Geschenk von Marlene Obermayer
Stichwort Antiquariat / Artist Book / Ausstellung / Druck / Künstlerbuch / Lesung / Messe / Pint / Printed Matter / Programm / Publishing / Verlag / Workshop / Xerox / Zine
WEB http://nyartbookfair.com/archive/2017
WEB www.printedmatter.org
TitelNummer
026036719 Einzeltitelanzeige (URI) Änderung
Charley 01
Charley 01
Charley 01

Cattelan Maurizio / Gioni Massimiliano / Subotnick Ali, Hrsg.: Charley 01, 2001


Cattelan Maurizio / Gioni Massimiliano / Subotnick Ali, Hrsg.
Charley 01
Dijon (Frankreich): Les Presses du Réel, 2001
(Zeitschrift, Magazin) 192 S., 20x15 cm, ISBN/ISSN 978-1-56466-092-3
Techn. Angaben softcover
ZusatzInformation Charley is a contemporary art publication series edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick. A do-it-yourself magazine, Charley is an inclusive publication relying on assimilation, rather than on selection : Charley is a machine for redistribution, a mechanism for spreading and exploiting information, rumors, and communication. Like most information, it is partial, unstable, and untrustworthy. There are no hierarchies and no favorites in Charley : it flirts equally with celebrity and failure. Charley is a multiform creature, bound to transform with each issue. Charley is a pre-digested combine, with pages assembled from catalogues, brochures, press clips, postcards, and other visuals. But what is Charley really? Charley is a new publication on emerging artists. Prominent curators, writers, artists, and other arts professionals from around the world were asked to suggest up to 10 up-and-coming artists and/or submit materials on the artists for inclusion in Charley. 400 art makers from around the globe responded, and each of them is represented by one page of Charley
Namen Alexandre Perigot / Barthélémy Toguo / Bless / Carsten Nicolai / Christoph Büchel / Fabrice Gygi / Franz Ackermann / Joe Scanlan / Jonathan Meese / Jonathan Monk / Mark Handforth / Martin Boyce / Olaf Breuning / Trisha Donnely / Urs Fischer
Sprache Englisch
Stichwort Nullerjahre
TitelNummer
007072227 Einzeltitelanzeige (URI) Änderung
future fantasteek 13
future fantasteek 13
future fantasteek 13

Batey Jackie, Hrsg.: Future Fantasteek, Issue 13, 2012


Batey Jackie, Hrsg.
Future Fantasteek, Issue 13
Brighton (Großbritannien): Damp Books, 2012
(Zine) 20 S., 21x15 cm, Auflage: 40, signiert,
Techn. Angaben Drahtheftung, Farbkopien auf verschiedene Papiere, 2 aufgeklebte Spielzeug-Augen auf Vorderseite, Rückseite mit Prägedruck
ZusatzInformation Future Fantasteek! brings together a trichotomy of investigation. art-zines and independent publishing. artist as social commentator and drawing as a means of immediate visual communication. The series explores obdurate boundaries between journalism and authorial illustration using satire to reflect notions of ‘Britishness’. The series can be read as a sequence, from just prior to the ‘credit crunch’ through to the ‘age of austerity’. The series is independently published as a limited edition art-zine, with two issues per year. The approach is experimental, incremental and reflective focussing on both the microcosm and macrocosm of living in the UK. Visual humour is developed throughout as a vehicle for change, combining techniques such as pastiché, parody and socratic irony. Typography and images are juxtaposed to create new narrative possibilities. Language is explored using different ‘voices’ such as anecdotal, colloquial or profane. This text is then translated into drawn commentaries on etiquette, politics and advertising. The ‘anxiety of the individual’ is a running theme throughout the series with many reoccurring protagonists and antagonists soliloquizing their notions of ‘Das Unheimliche’. The series also explores changing technologies with regard to notions of ‘the book’ with online versions of Future Fantasteek! available via a blog and online PDF reader (issuu and .swf).
Text von der Webseite
Geschenk von Reinhard Grüner
WEB www.futurefantasteek.blogspot.de
TitelNummer
010249351 Einzeltitelanzeige (URI) Änderung
first-stickers-award
first-stickers-award
first-stickers-award

Ullrich Andreas / Marx Matthias / Müller Matthias, Hrsg.: Stickers. From the first international sticker awards, 2006


Marx Matthias / Müller Matthias / Ullrich Andreas, Hrsg.
Stickers. From the first international sticker awards
Berlin (Deutschland): Die Gestalten Verlag, 2006
(Buch / Sticker, Button) [324] S., 13x21 cm, 3 Teile. ISBN/ISSN 978-3-89955-151-8
Techn. Angaben Broschur, beiliegend 2 Bögen mit Stickers, Aufklebern
ZusatzInformation Stickers have become an essential element of contemporary street art used by the most underground of artists. With stickers, anyone can plant their flag, gain notoriety, recognition and attain instant coverage while the action itself is inconspicuous. This book documents the best submissions from the first international sticker awards which have been established to record this constantly evolving movement.
Low-tech and prepared in advance, stickers are made from a multitude of materials and techniques from hand, photocopies, posters and wheat pastes to walls. From drainpipes and crosswalk boxes to street signs and walls, stickers can be found almost anywhere at eye level on public surfaces blending into and becoming part of the streets. Motifs vary from scribbles and characters to intricate figurative images, often personal logos or tags functioning as trademarks. Stickers have created a revolution in communication – proving to be effective tools in establishing dialog, inspiring reaction and feature messages that are subversive, fun and often cryptic.
This extensive volume presents over 800 examples from around the world and includes 2 pages of award winning real stickers for the reader’s enjoyment.
Text von der Webseite
Sticker aus Asien, Israel, Latein- und Süd-Amerika, Nordamerika, Europa
Namen Wildsmile Studios (Produktion)
Sprache Englisch
Stichwort Engagement / Humor / Kritik / Politik / Protest / Underground
WEB http://shop.gestalten.com/stickers.html
TitelNummer
024931678 Einzeltitelanzeige (URI) Änderung
scenes-from-zagreb
scenes-from-zagreb
scenes-from-zagreb

Senior David, Hrsg.: Scenes from Zagreb: Artists' Publications of the New Art Practice, 2012


Senior David, Hrsg.
Scenes from Zagreb: Artists' Publications of the New Art Practice
New York, NY (Vereinigte Staaten von Amerika): MoMA Library, 2012
(Heft) 40 S., 29,7x21 cm,
Techn. Angaben Farbkopien nach PDF, lose ineinander gelegt
ZusatzInformation The New Art Practice was a term created for a generation of artists in the former Yugoslavia active in the late 1960s and throughout the 1970s. These artists shifted their practice to spaces outside the traditional studio, onto city streets, into artist-run spaces, and in multimedia performances and experimental publications. Focusing on artists working in the city of Zagreb, this exhibition documents aspects of this shift and highlights the ability of artists' publications to record these often ephemeral gestures and ideas. While artists such as Goran Trbuljak, Braco Dimitrijević,, Sanja Iveković,, Mladen Stilinović,, and Vlado Martek, among others, worked in a variety of mediums, they shared a common impulse to produce publications. These artists questioned and played with ideas about the place of an artist within this particular political and socioeconomic context. Their work often involved public participation and blurred traditional notions of authorship through collective activities, chance operations, and the appropriation of language and imagery from the state and commercial media. The materials in this installation resonate with other contemporaneous scenes in Eastern and Central Europe and with broader international trends, while also providing an insight into very local networks of experimental artists and writers in Zagreb. All materials are drawn from the collection of the Museum of Modern Art Library.
Text von der Webseite
WEB www.moma.org/visit/calendar/exhibitions/1229
TitelNummer
009240221 Einzeltitelanzeige (URI) Änderung
suture-soven
suture-soven
suture-soven

Höhfeld Nadja, Hrsg.: Sutere Soven Musicfestival, 2018


Höhfeld Nadja, Hrsg.
Sutere Soven Musicfestival
Dannenberg (Deutschland): Suture Soven, 2018
(PostKarte) [2] S., 21x14,8 cm,
Techn. Angaben Postkarte
ZusatzInformation 17.-19.08.2018.
Suture means sewing. This is the idea we will be following on each and every level of our festival. Suture Soven Music Festival emerged out of the wish and the need to bring musicians and their audience together in a way that enhances deep listening and watching musical appearances that provide the potential for creating something new in a cheerful and caring atmosphere. We will watch and hear the beautifully radical positions and ideas of international musicians. In terms of musical style, we are situated at the intersection of jazz, free improvised music, classical modernism and new music.
The first Suture Soven Music Festival will take place in an old farm house in the countryside; the concerts will be held in the barn and in the attic of an old stable. By locating the genre defying music in the beautiful countryside of Lower Saxony (Wendland) we invite local people from the area as well as from the cities to make the connection between different worlds and points of views for three days in Suture Soven. We are striving to shape the surrounding area of the festival and make it as sustainable as possible, while working with local farmers and craftsmen. We offer a space and time that taps on an urge to create a sensual narrative. The music we listen to, the words we hear and speak, the food and drink we are provided with, in a setting that will be home to us for three summer days offer us the possibility of making sense.
Namen Ada Rave / Catherine Lamb / Christian Lillinger / Greta Eacott / G·Bop Orchestra / Hanna Schörken Hearth / Joseph Houston / Kaja Draksler / Laraaji / Lucy Railton / Marcin Masecki / Mette Rasmussen / Natalia Mateo / Rebecca Lane/ Sofia Jernberg / Susana Santos Silva / The Still / Thomas Lehn
Sprache Englisch
Geschenk von Michael Münnich
Stichwort Improvisation / Jazz / Musik / Musikfestival / Neue Musik
WEB https://suturesoven.com/
TitelNummer
025908801 Einzeltitelanzeige (URI) Änderung

Bragadini Giovanna, Hrasg.
Libri d’arte, passione di una vita
Parma (Italien): FermoMAG, 2012
(Presse, Artikel)
Techn. Angaben Artikel über Reinhard Grüner,
ZusatzInformation Reinhard Grüner is a collector from Monaco. His passion is art books, which he collects – and sometimes exhibits – since the 1960s.
His website, www.buchkunst.info is a real “online museum”, where international artist books are catalogued and photographed. Amongst the artists there are Marc Chagall, Anselm Kiefer, Henri Matisse, Pablo Picasso and Andy Warhol. Books, but also works of art made of images and text, created by the artist often in collaboration with a writer and a publisher. For the high artistic quality – original graphics, unique designs, paintings and collages – these works are different from the usual picture books. Their manifestations are multiple: books with graphic effects, objects-book, artist’s books, sometimes printed in offset or illustrated by works of artists.
At the centre of Grüner’s attention there are Eastern German and Eastern European books (mainly Russia, Hungary, Lithuania). many of these works were created in response to specific social, political and cultural issues, with unimaginable insights into the culture of modernity.
Reinhard first came in contact with the art in book form with the English Edition, printed privately, of “A Dissertation Upon Roast Pig”, printed in 1975 by Shoestring Press on paper of the legendary Chiswick Press: from here begins a life of a book maniac among thousands of books. As Grüner states in an essay, the acquisition of artist books is more than a simple purchase: the artist, the life as a collector and thoughts are tied together, they influence each other, and a network of contacts with other collectors begins. With nearly all the books in his collection Grüner forms a symbiotic relationship: each of them describes, explains, and gets to the heart of some chapters of his life.
Download the pdf file with the essay on the collection of Reinhard Grüner (in English)
Namen Andy Warhol / Anselm Kiefer / Henri Matisse / Marc Chagall / Pablo Picasso / Reinhard Grüner
Sprache Englisch / Italienisch
Stichwort Künstlerbücher / Malerbücher / Sammlung
WEB www.fermomag.it/2012/02/01/libri-d%E2%80%99arte-passione-di-una-vita
TitelNummer
008503304 Einzeltitelanzeige (URI) Änderung
spheres 1
spheres 1
spheres 1

Bonajo Melanie / Karrer Philippe, Hrsg.: Spheres Issue 1, 2012


Bonajo Melanie / Karrer Philippe, Hrsg.
Spheres Issue 1
St. Gallen (Schweiz): Philippe Karrer, 2012
(Zeitschrift, Magazin) 40 unpag. S., 32x22 cm, 2 Stück. ISBN/ISSN 7629999015104
Techn. Angaben Drahtheftung. Verschiedene farbige Papiere. Eingelegt ein gefaltetes Poster
ZusatzInformation The publication Spheres is the creative documentation of a close collaboration between an artist and the editor, graphic designer Philippe Karrer. Every issue is dedicated to a young artist and their work, in each case exploring character, surroundings, every-day life, inspirations and ideas using unconventional innovative formats so as to create a different, more visual approach and understanding of the artist and his or her work. The focus lies on what is important to the artist during the time period of working together for the publication, hereby capturing a certain essence of the artists work at the moment. Not only can the reader dive in to the artist‘s world, receiving little personal snippets of the life in and around his or her art, but also (and perhaps even more importantly) — how the artist chooses to present things in the publication gives the reader an idea of his or her whole artistic sphere.
Melanie Bonajo explores the relationship of the individual to its surroundings in a commodified, globalised culture. In her work, she uncovers how our ideas of identity, genre, value and such structures formed by conventions are ever shifting to feelings of uncertainty and instability. She approaches these issues by trying to newly create, to turn around overpowering views and conditions that are today so influenced by our consumer society and tries to get nearer to traits that are rooted in human nature.
Text von der Webseite
WEB www.spheres-publication.ch
TitelNummer
010281353 Einzeltitelanzeige (URI) Änderung
thalmair-Lorem-Ipsum-Dolor-Sit-Amet
thalmair-Lorem-Ipsum-Dolor-Sit-Amet
thalmair-Lorem-Ipsum-Dolor-Sit-Amet

Thalmair Franz, Hrsg.: Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet, 2016


Thalmair Franz, Hrsg.
Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet
Berlin (Deutschland): Revolver Publishing, 2016
(Buch) 200 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-345-3
Techn. Angaben Fadenheftung, mit zahlreichen Abbildungen, drei Bände in Banderole, Anschreiben liegt bei,
ZusatzInformation “Lorem Ipsum Dolor Sit Amet” is the third in a series of exhibitions and publication based on a wide-reaching research about writing with the title “Possible Content for 18 Pages”. The original typewritten manuscript of Vilém Flusser’s essay “The Gesture of Writing” provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication.
“To write,” says the philosopher about the basic requirements that should lead to a complete piece of writing, we need “a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, ‘orthography’ = correct writing, the rules which order that language, what is called ‘grammar’, an idea to be expressed in a language, and a motive to express that idea”.
Understanding the act of writing as a culturally embedded gesture, “Lorem Ipsum Dolor Sit Amet” covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the eponymous performance by Lois Bartel at the Akademie der Künste in Berlin (June 11, 2016) and contains a curatorial-editorial statement by Franz Thalmair. Furthermore, the artist Michalis Pichler and the professor for media theory and aesthetics Oliver Ruf situate the publication in an actual context of literature and criticism. The participating visual artists expand the topic of the research with artistic contributions especially made for „Lorem Ipsum Dolor Sit Amet“.
Text von der Webseite
Namen Agnes Fuchs / Alejandro Cesarco / Charles Gute / Daniel Gustav Cramer / Haris Epaminonda / Irma Blank / Lois Bartel / Natalie Czech / Nikolaus Gansterer / Rafaël Rozendaal / Thomas Freiler
Sprache Englisch
Geschenk von Franz Thalmair
Stichwort Appropriation / Gegenwartskunst / Post-Digital / Strategie
TitelNummer
016717579 Einzeltitelanzeige (URI) Änderung
Kryptyka-Julia-Strauss
Kryptyka-Julia-Strauss
Kryptyka-Julia-Strauss

Strauss Joulia, Hrsg.: Krytyka Polityczna Athens, 2017


Strauss Joulia, Hrsg.
Krytyka Polityczna Athens
Athen (Griechenland): futura Publications, 2017
(Buch) 272 S., 23,5x16,5 cm, signiert, ISBN/ISSN 1644-0919
Techn. Angaben Broschur, mit Widmung, gefaltetes Blatt eingelegt, Cover manuel bearbeitet, mit Glitzer
ZusatzInformation Dear Reader,
In your hands is the Athenian issue of Krytyka Polityzcna. The Warsaw-based journal unites polymorphous freedom struggles in geographic Europe. This book is an anarchist, anti-capitalist, anti-fascist artwork. A hypothesis, and yet one that continues to be written actively on the ground. It clashes migration and education of the status quo, the effect and the cause of current violence.
The publication documents an initiative, Universitas*, and accompanies the forthcoming Symposion, The School of Everything.
This book contains the contributions of people who have recently moved to Athens from the Middle East, of Athenians who have lived here a long time, as well as of those who are based in Berlin but frequently visit Athens. brought together, they form a de-elitized and de-colonized remix of knowledge.
The chapters in this book are intertwined and in each part the reader will find contributions relevant to the whole. The authors are all united by their portrayal in anti-phrenological drawings.
In Athens, despite the invention of the State, streams of interlapping cultural influences never stopped pulsating. Such an experience of fluid identity de­monstrates that citizenship is an outdated concept of class separation and nationalism. The devastating contradiction: human rights are only valid in the economically privileged zones. The failure to collaborate with the revolution in Syria dispels the last illusions of an occidental civilization and unveils the truth: we all live in the absolute financial dictatorship.
This publication includes several essays and statements on education. These are written by thinkers, philosophers, “activists”, and artists who are affili­ated with the Avtonomi Akadimia, a disobedient grassroots university in Athens which claims education as a form of art. These texts, poems, mani­festos and sketches of educational models are published in lieu of the abs­tracts for an upcoming Symposion entitled: “The School of Everything”.
We build an educational system which consists of indignant initiatives for sharing knowledge, and of proposals by thinkers who see education as key. We shift from learning to sharing. We decriminalize sharing because we would like to enjoy the pleasure of giving. We liberate ourselves from the strictures of “Homo Sapiens”, a construct imposed upon life.
We will transform the educational system of Europe.
The clash of migration and education will release a Promethean fire.
Text von der Webseite
In collaboration with aneducation and the Public Programs of documenta 14
Namen Abed Nasralla / Agnès Rammant-Peeters / Ahmad Alkhatieb / Ariam Um al Wafa / Arnisa Zeqo / Brandon LaBelle / Click Ngwere / Elad Lapidot / Georgia Kotretsos / Ismail Alsafo / Jean-Pierre Rammant / Jenny Marketou / Joulia Strauss / Junaid Baloch / Katja Ehrhardt / Leopold Helbich / Lindsay Parkhowell / Liwaa Yazji / Luca Di Blasi / Manaf Halbouni / Mathilde ter Heijne / Mehul Sangham / Mohammad Abu Hajar / Mriganka Madhukaillya / Noah Fischer / Paul B. Preciado / Pirate Cinema / Rachel Clarke / Sameer Ahmed / Sotirios Bahtsetzis / Suhel Ahmad / Tanja Schomaker / Vasyl Cherepanyn
Sprache Englisch
Stichwort Anarchist / Antifaschismus / Antikapitalismus / Athen / Bildung / documenta 14 / Gedicht / Gesellschaft / Kritik / Manifest / Politik / Text
WEB www.futurabooks.wordpress.com/2017/06/15/874
WEB www.politicalcritique.org
TitelNummer
024389676 Einzeltitelanzeige (URI) Änderung

Baroni Vittore / Rossi Manitù, Hrsg.: Tinnitus Tales - le Forbici di Manitù and Friends (SD010), 2016

tinitus-tales
tinitus-tales
tinitus-tales

Baroni Vittore / Rossi Manitù, Hrsg.: Tinnitus Tales - le Forbici di Manitù and Friends (SD010), 2016


Baroni Vittore / Rossi Manitù, Hrsg.
Tinnitus Tales - le Forbici di Manitù and Friends (SD010)
Reggio Emilia (Italien): Sussidiaria, 2016
(CD, DVD) 27x28,5 cm,
Techn. Angaben Plattenhülle, gestanzt mit 3 einklappbaren Teilen, beiliegend gestanzte Pappschlaufe mit handbeschrifteter DVD, Infoblatt zur Edition
ZusatzInformation What do Martin Luther and Pete Townshend, Ozzie Osbourne and Oscar Wilde, Ludwig Van Beethoven and Star Trek’s Dr. Spock have in common? They all painfully suffered from tinnitus, a permanent hiss heard in one or both ears. The condition affects a large percentage of the world population (5-10%) and represents a real “occupational illness” for musicians and rock fans. On the subject, surprisingly, an inexplicable silence is observed by the music press and industry. At the current state of medical research, there is no effective cure for chronic tinnitus and the unpleasant humming can only get worse if you do not protect the ears properly.
In the works for nearly five years, the triple concept album Tinnitus Tales (a 10" vinyl record and two CDs) conceived by Le Forbici di Manitù (i.e. Manitù Rossi and Vittore Baroni, the second long suffering from tinnitus) with the collaboration of over fifty guest musicians, bands and international visual artists, breaks the veil of silence with a series of songs that address the topic blending humor and empathy. The songs are inspired by well-known cases of people suffering from tinnitus, such as Andy Partridge of XTC or Bono and The Edge of U2. To make this "educational audio project" a more collective effort, several old and new friends - many of them with tinnitus problems - were invited to record their own versions of the songs by Le Forbici di Manitù or to contribute original compositions on the subject (included in the CD 1 Songs).
Text von der Webseite
Sprache Englisch
Geschenk von Vittore Baroni
Stichwort Audio / Collaboration / Humor / Hörsturz / Musik / Tinnitus / Zusammenarbeit
TitelNummer
025861723 Einzeltitelanzeige (URI) Änderung
was-ist-backworks
was-ist-backworks
was-ist-backworks

Moore Barbara / Hendricks Jon, Hrsg.: was ist Backworks?, 1976


Hendricks Jon / Moore Barbara, Hrsg.
was ist Backworks?
New York, NY (Vereinigte Staaten von Amerika): BackWorks, 1976
(Lieferverzeichnis) [32] S., 27x21,2 cm,
Techn. Angaben Drahtheftung
ZusatzInformation Lieferverzeichnis des Backworks Buchladen 1976. Documents and Relics of Experimental Art 1952-1970. Table of contents: Fluxus and related objects and documents, Reuben Gallery, other performances and events (Musik, Dance, Happenings).
Co-owners Moore and Hendricks established Backworks in SoHo in 1976, based on their mutual curatorial interest in the objects and events of the downtown art and performance scenes, particularly by artists associated with the Rueben Gallery, Judson Memorial Church, Happenings and Fluxus, with which they were both connected as collaborators and curators. Moore and Hendricks, each of who has written extensively about figures such as George Maciunas, Yoko Ono, Allan Kaprow and Ben Vautier, among others, have been instrumental in the development of major collections, including the Gilbert and Lila Silverman Fluxus Collection at MoMA, and the Barbara and Peter Moore Fluxus Collection at Harvard. Backworks closed in 1983.
Text von der Website.
Namen Albert Fine / Alison Knowles / Allan Kaprow / Andy Warhol / Ben Vautier / Carolee Schneemann / Claes Oldenburg / Daniel Spoerri / Dick Higgins / Frederic Lieberman / Gempei Akasegawa / Geoffrey Hendricks / George Brecht / George Maciunas / Henry Flynt / James Riddle / James Waring / Jean Dupuy / John Cage / Ken Friedman / Les Levine / Meredith Monk / Mieko Shiomi / Nam June Paik / Paul Sharits / Peter Moore / Ray Johnson / Robert Filliou / Robert Watts / Robert Whitman / Takehisa Kosugi / Yoko Ono
Sprache Englisch
Geschenk von Erich Gantzert-Castrillo
Stichwort 1950er Jahre / 1960er Jahre / 1970er Jahre / Action / Ausstellung / Druck / Fluxus / Fotografie / Galerie / Happening / Konzeptkunst / Konzert / Künstlerbuch / Künstlerzeitschrift / Musik / Poster / Postkarte / Printed / SoHo / Stempel / Technologie / Zeichnung
WEB https://www.leftbankbooksny.com/pages/books/567/barbara-moore-jon-hendricks/was-ist-backworks-with-backworks-catalog-no-b-performance-photographs-of-a-decade-1959-69
TitelNummer
026139735 Einzeltitelanzeige (URI) Änderung
goldsmith_wasting_time
goldsmith_wasting_time
goldsmith_wasting_time

Goldsmith Kenneth: Wasting Time on the Internet, 2016


Goldsmith Kenneth
Wasting Time on the Internet
New York, NY (Vereinigte Staaten von Amerika): Harper Collins, 2016
(Buch) 256 S., 18,1x12,4 cm, ISBN/ISSN 978-0-06-241647-6
Techn. Angaben Broschur
ZusatzInformation Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that “wasted” time differently. Unlike old media, the internet demands active engagement—and it’s actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called “Wasting Time on the Internet”, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith’s ideas struck a nerve, because they are brilliantly subversive—and endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we’re “wasting time,” we’re actually creating a culture of collaboration. We’re reading and writing more—and quite differently. And we’re turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictable—like the internet itself—Wasting Time on the Internet is the manifesto you didn’t know you needed.
Text von der Webseite
Namen Aaron Swartz / Andy Warhol / John Berger / Marcel Duchamp
Sprache Englisch
Stichwort 2010er Jahre / Appropriation / Archiv / Bildersuche / Computer / Experiment / Google / Internet / Kreativität / Pinterest / Ready Made / Schreiben / Text
WEB https://www.harpercollins.com/9780062416476/wasting-time-on-the-internet/
TitelNummer
026240717 Einzeltitelanzeige (URI) Änderung
artist music journals 1 9 seripop 2010
artist music journals 1 9 seripop 2010
artist music journals 1 9 seripop 2010

Lum Chloe / Desranleau Yannick: Artist Music Journals Vol. 1 No. 9 - Seripop, 2010


Desranleau Yannick / Lum Chloe
Artist Music Journals Vol. 1 No. 9 - Seripop
Brooklyn, NY (Vereinigte Staaten von Amerika): Soundscreen Design, 2010
(Zeitschrift, Magazin) 24 unpag. S., 26,5x26,5 cm, Auflage: 1000,
Techn. Angaben Drahtheftung, Heft in Pappschuber mit Aufkleber
ZusatzInformation Edition 09 in the ongoing Artist Music Journals series features the work of the Montreal based artists and musicians Chloe Lum and Yannick Desranleau, known as Seripop. Known for their original illustration and design work, as well as their longstanding tenure as founders and members of the musical outfit Aids Wolf, Seripop have a broad following around the globe. For their AMJ, Seripop compiled years of original gig poster work, the first collection of its kind for the studio, which has made thousands of prints over the years.
About Seripop: Yannick Desranleau and Chloe Lum are visual artists and musicians who started collaborating in 2002 under the nom de guerre Seripop. Based in Montreal, Seripop has earned international attention for its stylistically distinct, silkscreened street posters. In 2005, Lum and Desranleau began experimenting with sculptural print installations which merge notions of city politics and visual perception. The duo has been speaking and exhibiting their work at various art institutions including Baltic Centre for Contemporary Art in Gateshead, England, Peacock Visual Arts in Aberdeen, Scotland, and the University of North Texas, Denton, USA. In addition to Seripop, Lum and Desranleau play in AIDS Wolf, a noise-rock band and Hamborghinni, a drums and electronics project.
Text von der Webseite
TitelNummer
010678375 Einzeltitelanzeige (URI) Änderung
offenhuber-waste-is-information-2017
offenhuber-waste-is-information-2017
offenhuber-waste-is-information-2017

Offenhuber Dietmar, Hrsg.: Waste Is Information - Infrastructure Legibility and Governance, 2017


Offenhuber Dietmar, Hrsg.
Waste Is Information - Infrastructure Legibility and Governance
Cambridge, MA (Vereinigte Staaten von Amerika): the MIT Press, 2017
(Buch) 270 S., 23,5x15,8 cm, ISBN/ISSN 978-0-262-03673-3
Techn. Angaben Hardcover mit Schutzumschlag
ZusatzInformation The relationship between infrastructure governance and the ways we read and represent waste systems, examined through three waste tracking and participatory sensing projects.
Waste is material information. Landfills are detailed records of everyday consumption and behavior; much of what we know about the distant past we know from discarded objects unearthed by archaeologists and interpreted by historians. And yet the systems and infrastructures that process our waste often remain opaque. In this book, Dietmar Offenhuber examines waste from the perspective of information, considering emerging practices and technologies for making waste systems legible and how the resulting datasets and visualizations shape infrastructure governance. He does so by looking at three waste tracking and participatory sensing projects in Seattle, São Paulo, and Boston.
Text von der Webseite
Mit einem Beitrag über Paper Police von Jürgen O. Olbrich, Kassel.
Namen Carlo Ratti (Vorwort) / Jürgen O. Olbrich /
Sprache Englisch
Stichwort 2010er Jahre / Archiv / Infrastruktur / Müll / objects trouve / Objekte / Paper Police / Recycling / Sammulung / Tracking
WEB http://www.artistbooks.de/suchen/einzeltitel.php?mediaid=25795
WEB https://mitpress.mit.edu/books/waste-information
TitelNummer
025847700 Einzeltitelanzeige (URI) Änderung
Michael-Gibs-All-or-nothing
Michael-Gibs-All-or-nothing
Michael-Gibs-All-or-nothing

Gibbs Michael: All or nothing and other pages, 2016


Gibbs Michael
All or nothing and other pages
Devon (Großbritannien): Uniformbooks, 2016
(Buch) 224 S., 23,4 x 14,2 cm, ISBN/ISSN 978-1-910010-13-6
Techn. Angaben Klappbroschur, mit einigen schwarz-weiß Abbildungen,
ZusatzInformation A survey of the work of Michael Gibbs whose activities included poetry, performance, film, and publishing, and his immersion in what he called “a genuinely ‘underground ’ culture… which owed nothing to the official art establishment ”. As well as visual poetry and texts, the book includes his major study of blank books ‘All or Nothing ’, written in 2005, a selection of critical writing that originally appeared in Kontexts, and Artzien, journals that he edited and published, as well as articles from the photography journal Perspektief, and Art Monthly, for which he wrote a regular column. A chronology of examples of his visual and concrete poems, books and photography is reproduced, along with documentation of performances.
Text von der Website
Sprache Englisch
Stichwort Fotografie / Konkrete Poesie / Künstlerpublikationen / Performance / Untergrund Kultur / Visuelle Poesie
WEB www.colinsackett.co.uk/uniformbooks.php
TitelNummer
016957618 Einzeltitelanzeige (URI) Änderung
warhol-magazine-work
warhol-magazine-work
warhol-magazine-work

Maréchal Paul, Hrsg.: Andy Warhol - the complete commissioned magazine work 1948 - 1987, 2014


Maréchal Paul, Hrsg.
Andy Warhol - the complete commissioned magazine work 1948 - 1987
München (Deutschland): Prestel Verlag, 2014
(Buch) 407 S., 39x27,5x5 cm, ISBN/ISSN 978-3-7913-4992-3
Techn. Angaben Hardcover, Fadenbindung, in Schuber
ZusatzInformation This gorgeously illustrated deluxe volume shows the full range of Warhol’s work for magazines—which will surprise even his most ardent fans—and includes cover art, editorial illustration, and ad work.
Beginning with the cover of a 1948 issue of Carnegie Tech’s student magazine, Cano, and ending with a 1987 issue of Jet Society International, this stunning book explores, for the very first time, the full story of Warhol’s collaborations with some of the most influential publications of the 20th century, including Harper’s Bazaar, Vogue, Time, TV Guide, Vanity Fair, and Playboy. Generously illustrated with images of the magazine layouts, this landmark publication collects more than 400 issues, revealing the artist’s full range of styles while also charting his artistic development over the decades. From charming drawings of shoes, hats, flowers, and cats to iconic illustrations of cars and cosmetics, from glitzy celebrity portraits to sexy pinups made with collaged Polaroids, this catalogue raisonné sheds new light on the influence of the media and consumerism on contemporary art (and vice versa) even as it offers a unique perspective on Warhol’s deep and lifelong connection to popular culture.
Text von der Webseite
Namen Andy Warhol
Sprache Englisch
Stichwort Druckgrafik / Gestaltung / Illustration / Konsum / Medien / Pop / Werbung / Werkverzeichnis / Zeichnung / Zeitschrift
WEB www./prestelpublishing.randomhouse.de/book/Andy-Warhol/Paul-Marechal/Prestel-com/e465400.rhd
TitelNummer
025234076 Einzeltitelanzeige (URI) Änderung
89_dave_the_chimp
89_dave_the_chimp
89_dave_the_chimp

Dave the chimp: That was a good time, 2018


Dave the chimp
That was a good time
München (Deutschland): 100for10 / Melville Brand Design, 2018
(Buch) 106 S., 21x14,8 cm, Auflage: Print on Demand,
Techn. Angaben Broschur
ZusatzInformation Schwarz-Weiß-Drucke
Dave the Chimp has been riding skateboards since the mid 1980’s, painting on found wood and making fanzines since the mid 1990’s, and working in the streets since 1998. He still does all these things, as well as exhibiting his art in galleries and museums world wide, working as an illustrator for a variety of clients, directing pop videos, compiling books, and curating exhibitions. Dave has exhibited alongside the leading names in the urban art scene, including Banksy, Blu, Miss Van, Swoon, Os Gemeos, Shepard Fairey, Space Invader, and Zevs. He was the first UK artist to have his own artist model shoe created by Vans, and a book of his work (Part Of Rebellion 2 – Dave the Chimp) was published by Publikat in 2009. In 2011 he built his first concrete skateable sculpture “Papa und Ich” outside of the Bethanien, Berlin, and the wooden “friendship bowl” in the Awanganda Gallery, Wroclaw, Poland. He has since built the “Papa und Ich Speilplatz” skatepark in Milan, and the “Troll Bridge Ramp” at La Condition Publique, Roubaix, France. He is currently focused on change, encouraging exploration, protest culture and positive vibrations, with his “Human Bean” characters as the medium through which to go on this adventure.
Sprache Englisch
Geschenk von Melville Brand Design
Stichwort Figuren / Humor / Illustration / Menschen / Schwarz-Weiß
WEB http://www.davethechimp.co.uk/home.php
WEB https://100for10.com/product/dave-the-chimpthat-was-a-good-time
TitelNummer
026378741 Einzeltitelanzeige (URI) Änderung
desjardin book
desjardin book
desjardin book

Desjardin Arnaud, Hrsg.: the book on books on artists books, 2011


Desjardin Arnaud, Hrsg.
the book on books on artists books
London (Großbritannien): The Everyday Press, 2011
(Buch) 230 S., 24x17 cm, ISBN/ISSN 978-0-9561738-4-3
Techn. Angaben erschienen zur Ausstellung at the Bloomberg Space London, eingelegt eine Karte mit handschriftlichem Text
ZusatzInformation The Bloomberg website says of the project:
For Comma 38, artist and publisher Arnaud Desjardin will exhibit new, old, rare, and popular books while running an active printing press in Bloomberg Space. His COMMA commission, part of an ongoing project titled The Book on Books on Artists' Books, is intended to create an active and participatory review of current and historical practice. This exhibition is about both the display of books on artists' books and the production of a book about the books displayed. He intends to print a first edition, a book of books, a critical anthology and source book, alongside which a large range of books on artists' books will be displayed in a series of vitrines.
Artists' books have normally been sold and distributed through small networks of bookshops and galleries that often produce lists of available titles in printed form. The advent of the Internet has meant that information online has changed the nature of this documentary evidence. Desjardin's unique and extraordinary combination of display and production makes an exhibition that actively engages in both the making and disseminating in real time. The books themselves become both vehicles for information and documents that testify for artistic activity in its own right
Sprache Englisch
WEB www.theeverydaypress.net
TitelNummer
007877259 Einzeltitelanzeige (URI) Änderung
naivsuper-cd 007
naivsuper-cd 007
naivsuper-cd 007

Shapes Dania: Soundsystem Pastoral, 2006


Shapes Dania
Soundsystem Pastoral
Berlin (Deutschland): naivsuper, 2006
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 007, Musik-CD in gefalteter Papphülle mit Beiblatt in transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInformation music by Daniel Lopatin aka Dania Shapes.
Soundsystem Pastoral was recorded by Daniel Lopatin aka Dania Shapes during the winter of 2004 using synthesizers, a first generation digital sequencer, and a freeware sound editor. It was remixed in 2006 for the release on naivsuper.
Celebrating the potential of amateurishness, decadence and romance in the realm of digital audio arts, Lopatin looks to marry the aesthetic sensibilities of experimental electronics with his allegiance to the classic 'beauty' in music. 'Glitch' is less a process for Lopatin -- rather it is an aesthetic impression which Lopatin emulates by hand. Pairing the residual effects of romantic, heart string melodies with steroidal, detailed, maximalist noise, Dania Shapes' audible bricolage is a tribute to both the beautiful and the broken all at once.
Working with simple tools such as handheld tape recorders, retro synthesizers, and a personal computer, Lopatin creates conceptual systems and processes to create a solo music that's beautiful and inventive, with interesting textures and unexpected sonic interventions. The music has a lush, ambient quality, but an edge as well. Throughout the CD, one finds a subtle use of repetition. The pieces are formally well-conceived and never contrived. The music is clearly indebted to heroes of electronica such as Christian Fennesz, William Basinski, and Brian Eno. and it has links to classic experimentalists such as David Tudor and David Behrman. Yet Lopatin maintains a more song-based musical position that results in an accessible product that will attract fans of ambient, post-rock, and experimental music
Namen Daniel Lopatin / Stephane Leonard
Stichwort Digitale Musik / Nullerjahre / Synthesyser
WEB www.naivsuper.de
TitelNummer
008576267 Einzeltitelanzeige (URI) Änderung
allen-artists-magazines
allen-artists-magazines
allen-artists-magazines

Allen Gwen: Artists' Magazines - An Alternative Space for Art, 2015


Allen Gwen
Artists' Magazines - An Alternative Space for Art
Cambridge, MA / London (Vereinigte Staaten von Amerika / Großbritannien): the MIT Press, 2015
(Buch) 368 S., 24,8x19 cm, ISBN/ISSN 9780262528412
Techn. Angaben Broschur
ZusatzInformation Originalausgabe von 2011.
During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists’ Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists’ postage stamps, and collectible chapbooks, Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions, and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists’ Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Text von der Webseite
Erwähnt werden neben vorwiegend amerikanischen Magazinen auch europäische Magazine
Namen 4 taxis / Art-Language / Arte Postale! / Aspen / Audio Arts / Ausgabe / Avalanche / AXE / Commonpress / Der Löwe / Doc (k)s / Dé-Coll/age / Ephemera / IAC Info / Interfunktionen / King Kong International / Kunststoff / Lotta Poetica / Neon de Suro / Nervenkritik / Nota / Omnibus News / Ou / Pages / Palazzo / Reaktion / Salon / Sondern / ZG
Sprache Englisch
Stichwort 1960er Jahre / 1970er Jahre / 1980er Jahre / Konzeptkunst / Künstlermagazin / Künstlerzeitschrift / Multimedia / Theorie
WEB www.mitpress.mit.edu/books/artists-magazines
TitelNummer
023614657 Einzeltitelanzeige (URI) Änderung
mr-fluxus
mr-fluxus
mr-fluxus

Williams Emmett / Ay-O / Noel Ann, Hrsg.: Mr. Fluxus - A Collective Portrait of George Maciunas, 1931–1978, 1997


Ay-O / Noel Ann / Williams Emmett, Hrsg.
Mr. Fluxus - A Collective Portrait of George Maciunas, 1931–1978
London (Großbritannien): Thames & Hudson, 1997
(Buch) 352 S., 24,5x17,7 cm, ISBN/ISSN 978-0500974612
Techn. Angaben Hardcover, fadengeheftet, mit Schutzumschlag, mit Illustrationen
ZusatzInformation George Maciunas was the founding member and leader of the most radical and experimental art movement of th 1960s: "Fluxus". Associated with artists such as Joseph Bueys and Yoko Ono, Fluxus rejected traditional systems of high art and practised a form of "anti-art" encompassing everything from photography and pavement art to poetry and drama. This biography of one of the key figures in the history of 20th-century art recounts in text and archive photographs the life story of this contradictory and unorthodox man. Emmett Williams provides anecdotes and impressions from former Fluxus colleagues and other friends (and enemies), to produce a portrait of this crusader, whose mission was to change the world - beginning with the world of art. Although tempered with wit and wisdom, his iconoclasm won him few friends amongst the art establishment during his lifetime, but Fluxus prevailed as an acknowledged force behind the upheavals in the art of the 20th century.
Text von der Webseite
Namen George Maciunas / Yoko Ono
Sprache Englisch
Stichwort 1960er Jahre / Fluxus
TitelNummer
025104685 Einzeltitelanzeige (URI) Änderung
destroy all monsters magazine 2011
destroy all monsters magazine 2011
destroy all monsters magazine 2011

Wingate Donna, Hrsg.: Destroy All Monsters Magazine 1976-1979, 2011


Wingate Donna, Hrsg.
Destroy All Monsters Magazine 1976-1979
New York, NY (Vereinigte Staaten von Amerika): Primary Information, 2011
(Buch) 270 unpag. S., 27x20,8 cm, Auflage: 3000, ISBN/ISSN 978-0-9788697-8-6
Techn. Angaben verschiedene Papiere, erste Seite mit Schablone gesprüht
ZusatzInformation Facsimile edition of Destroy All Monsters Magazine including remnants of the "lost" seventh issue, which was never released. Destroy All Monsters Magazine features work by Mike Kelley, Cary Loren, Niagara, and Jim Shaw.
Destroy All Monsters Magazine was edited by Cary Loren and contained artwork, photographs, and flyers from band mates Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Printed using any papers and techniques available to the band, the issues combine the cut and paste tactics of punk zines with a psychedelic affinity for color. Destroy All Monsters Magazine functions as a kind of manifesto, providing insight into the band through densely layered pages with movie imagery, kitsch, cartoons, delicate drawings, and counter-culture collages. While Destroy All Monsters has been the subject of recent exhibitions and partial reprints, this is the first time that all issues have been reprinted.
Text von der Verlagswebseite
TitelNummer
010357361 Einzeltitelanzeige (URI) Änderung
thalmair-A-Set-of-Lines
thalmair-A-Set-of-Lines
thalmair-A-Set-of-Lines

Thalmair Franz, Hrsg.: Possible Content for 18 Pages - Volume II - A Set of Lines, A Stack of Paper, 2015


Thalmair Franz, Hrsg.
Possible Content for 18 Pages - Volume II - A Set of Lines, A Stack of Paper
Berlin (Deutschland): Revolver Publishing, 2015
(Buch) 80 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-274-6
Techn. Angaben Broschur, mit zahlreichen Abbildungen, drei Bände in Banderole,
ZusatzInformation "A Set of Lines, A Stack of Paper" is the second in a series of exhibitions and publication based on a wide-reaching research about writing with the title 'Possible Content for 18 Pages'. The original typewritten manuscript of Vilém Flusser's essay 'The Gesture of Writing' provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication. 'To write,' says the philosopher about the basic requirements that should lead to a complete piece of writing, we need 'a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, 'orthography' = correct writing, the rules which order that language, what is called 'grammar', an idea to be expressed in a language, and a motive to express that idea'. Understanding the act of writing as a culturally embedded gesture, 'A Set of Lines, A Stack of Paper' covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the correspondent exhibition at KARST, Plymouth (June 5 - July 5, 2015). The publication comprises an exhibition documentation with installation views and a curatorial statement. Furthermore, the author Maria Fusco situates the concept of the exhibition in an actual context of literature.
The participating visual artists expand the topic of the exhibition with artistic contributions especially made for the book.
Text von der Webseite
Namen Ane Mette Hol / Birgit Knoechl / Egon van Herreweghe / Franz Thalmair / Heinrich Dunst / John Wood / Karolis Kosas / Lotte Lyon / Maria Fusco / Maria Fusco / Ovidiu Anton / Paul Harrison / Peter Downsbrough
Sprache Englisch
Geschenk von Franz Thalmair
Stichwort Appropriation / Gegenwartskunst / Post-Digital / Strategie
TitelNummer
016715579 Einzeltitelanzeige (URI) Änderung
schriftenreihe-fuer-kuenstlerpublikationen_4
schriftenreihe-fuer-kuenstlerpublikationen_4
schriftenreihe-fuer-kuenstlerpublikationen_4

Schwarz Isabelle, Hrsg.: Schriftenreihe für Künstlerpublikationen - Band 4 - Archive für Künstlerpublikationen der 1960er bis 1980er Jahre, 2008


Schwarz Isabelle, Hrsg.
Schriftenreihe für Künstlerpublikationen - Band 4 - Archive für Künstlerpublikationen der 1960er bis 1980er Jahre
Köln (Deutschland): Salon Verlag, 2008
(Buch) 496 S., 23,5x16,5 cm, 2 Stück. ISBN/ISSN 978-3-89770-281-3
Techn. Angaben Broschur
ZusatzInformation "Untersucht werden Geschichte und Bedeutung von Archiven für Künstlerpublikationen in der internationalen avantgardistischen Kunstszene während der 1960er bis 1980er Jahre: das Archive for Small Press & Communication (ASPC, B), das Archiv Sohm (D), das Art Information Centre (NL), die Exchange Gallery (P), Other Books and So (NL), Zona Archives (I) und Artpool Archive (H). Ohne ihre jeweiligen Besonderheiten außer Betracht zu lassen, müssen die Archive für Künstlerpublikationen als Vertreter eines eigenständigen Archivtyps betrachtet werden. Die Archive als solche, ihre Organisation und Materialien sind als Ausdruck ihrer Zeit zu betrachten und stellen per se (kunsthistorische) Dokumente dar, durch deren Analyse sich der Blick auf Kunstszene, Politik und Kultur erweitert."
Text von der Webseite
Mit Herausgeber sind: Forschungsverbund Künstlerpublikationen für Universität Bremen, Jacobs University, Hochschule für Künste, Forschungsstelle Osteuropa an der Universität Bremen. In Kooperation mit dem Institute for Cultural Studies in the Arts ICS an der Züricher Hochschule der Künste
Namen Archive for Small Press & Communication / Archiv Sohm / Art Information Centre / Artpool Archive / ASPC / Exchange Gallery / Forschungsstelle Osteuropa an der Universität Bremen / ICS / Institute for Cultural Studies in the Arts / Jacobs University / Other Books and So / Zona Archives
Geschenk von Studienzentrum für Künstlerpublikationen
Stichwort Archiv / Aufbewahrung / Forschung / Künstlerarchiv / Sammlung
WEB www.salon-verlag.de
TitelNummer
006202229 Einzeltitelanzeige (URI) Änderung
naivsuper-cd 013
naivsuper-cd 013
naivsuper-cd 013

Chessex Antoine: self titled, 2008


Chessex Antoine
self titled
Berlin (Deutschland): naivsuper, 2008
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 013, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInformation recorded at the Electronic Church in 2007.
Saxophon recorded at the Electronic Church in 2007. No overdubs, no manipulations.
When we (naivsuper) met Antoine in november 2007 to record his saxophone drones we didn´t really know what to expect because Antoine´s drones are perfect in a live situation. We weren´t sure if we could capture the richness of his sound, his working with the accoustics of a room and the strange almost discomforting breathing noises he makes when circular breathing on a CD. We basically wanted to hear him moving in the room, we wanted to see with our ears.
For the recording we chose the Electronic Church in Berlin because we have seen him perform there earlier the same year and it was absolutely fantastic.
The day of the recording was an incredible cold day in Berlin and due to the fact that the Church has no heating we could see our breath and feel the unbelievable cold humidity of a groundfloor room that hasn´t been aired in some time crawling up our pants.
It took Antoine almost an hour to warm up the saxophone and to get a satisfying tone. When he was finally ready to record the first take he was already a little bit out of breath. After 5 minutes of circular breathing his nose and lung started to freeze. We then tried a few more times but after another hour we were all coughing and sneezing and the saxophone was frozen so that we decided to postpone this session.
When we listened to the material at home we discovered that there was almost everything we wanted. We recorded how Antoine is fighting the cold and the exhaustion. There is the room, the breathing and movement. There is sound - almost an evolution of sounds - they are born slowly, grow up and then slowly disappear or extinguish.
We highly recommend you to listen with headphones. A follow up to this great document is planned, too
Stichwort Nullerjahre
WEB www.naivsuper.de
TitelNummer
008565267 Einzeltitelanzeige (URI) Änderung
unpublished issue01
unpublished issue01
unpublished issue01

Mineo Andrea, Hrsg.: Unpublished - Best unseen photography - Issue no. 01, 2010


Mineo Andrea, Hrsg.
Unpublished - Best unseen photography - Issue no. 01
Mailand (Italien): Unpublished, 2010
(Zeitschrift, Magazin) 40 S., 29,7x21 cm,
Techn. Angaben Lose Blätter ineinander gelegt, Farbkopien nach PDF
ZusatzInformation ABOUT
A simple and straightforward layout, an awesome format, no advertising, 500 hand numbered copies and
a free and selected distribution. Unpublished is a democratic and exchange place where photography
meets the public, without any filter.
Unpublished gathers the best unpublished images of young photographers from all over the world,
selected not only for their aesthetic value, but through a careful analysis of the cultural context,
the artistic and human paths.
A large project that ends each edition of Unpublished with a group exhibition in which it will
be possible to buy at affordable prices the original and signed prints of the published works, donated
and assessed by the authors themselves. No art dealers, no galleries and outside the market logic.
Unpublished is a "call for freedom", a pure and direct line that connects the artist and his work with
the outside world. And vice versa.
Artists:
Nina Ahn, Bjarne Bare, Maryanne Casasanta, Elisabetta Claudio, Bridget Collins, Matthew Connors, Jonnie Craig, Marius Ektvedt, Charlie Engman, Andris Feldmanis, Todd Fisher, Levi Mandel, Mitsuko Nagone, Erin Jane, Nelson, Violeta Niebla, Osvaldo Sanviti, Katie Shapiro, Micol Talso.
Von der Webseite
WEB www.unpublishedmag.com
TitelNummer
009058269 Einzeltitelanzeige (URI) Änderung

Bokoros Christos Th.
Odos Eleftherias - Freedom Street
Nikosia (Zypern): the Office Gallery, 2012
(Plakat) 59x42 cm,
Techn. Angaben Plakat
ZusatzInformation In the context of a continuous and persistent spiritual quest in the field of Greek art and its history, the artist Christos Bokoros appears —through simple themes and earthy, warm materials— to win an important battle. He has silently found a subtle and significant way of stripping bare certain symbols—his own ‘signs’: a way of isolating those symbols from anything unnecessary and superfluous, and of drawing the community’s attention to them by revealing them to be purified, resurrectional and full of fire.
Through the presentation of a series of paintings entitled ‘ODOS ELEFTHERIAS’, Bokoros ventures a direct discourse of these ‘signs’ with buildings and streets that are adjacent to, or end up at, Lefkosia’s Green Line. Many of these buildings have suffered damages and decay. One could say that in their own way they constitute a second crevice near the Green Line that divides the state. It is in these fissures that the artist sets up - plants - his ‘ODOS ELEFTHERIAS’, in the hope of giving the city’s centre new fruits and joyous vibrations—in a silent and honest alliance with all the indigenous revitalizing forces
Geschenk von the Office Gallery
Stichwort Ausstellung / Malerei
WEB www.bokoros.gr
TitelNummer
016887079 Einzeltitelanzeige (URI) Änderung
davis-the-trip-andy-warhol
davis-the-trip-andy-warhol
davis-the-trip-andy-warhol

Davis Deborah: The Trip - Andy Warhol's Plastic Fantastic Cross-Country Adventure, 2015


Davis Deborah
The Trip - Andy Warhol's Plastic Fantastic Cross-Country Adventure
New York, NY (Vereinigte Staaten von Amerika): Atria Books, 2015
(Buch) 324 S., 24x14 cm, ISBN/ISSN 978-1-4767-0351-0
Techn. Angaben Hardcover, fadengeheftet, mit Schutzumschlag
ZusatzInformation From the author of Strapless and Guest of Honor, a book about a little-known road trip Andy Warhol took from New York to LA in 1963, and how that journey—and the numerous artists and celebrities he encountered—profoundly influenced his life and art.
In 1963, up-and-coming artist Andy Warhol took a road trip across America. What began as a madcap, drug-fueled romp became a journey that took Warhol on a kaleidoscopic adventure from New York City, across the vast American heartland, all the way to Hollywood and back.
With locations ranging from a Texas panhandle truck stop to a Beverly Hills mansion, from the beaches of Santa Monica to a Photomat booth in Albuquerque, The Trip captures Warhol’s interactions with Dennis Hopper, Peter Fonda, Marcel Duchamp, Elizabeth Taylor, Elvis Presley, and Frank Sinatra. Along the way he also met rednecks, beach bums, underground filmmakers, artists, poets, socialites, and newly minted hippies, and they each left an indelible mark on his psyche.
In The Trip, Andy Warhol’s speeding Ford Falcon is our time machine, transporting us from the last vestiges of the sleepy Eisenhower epoch to the true beginning of the explosive, exciting ’60s. Through in-depth, original research, Deborah Davis sheds new light on one of the most enduring figures in the art world and captures a fascinating moment in 1960s America—with Warhol at its center.
Text von der Webseite
Namen Andy Warhol / Dennis Hopper / Elizabeth Taylor / Elvis Presley / Frank Sinatra / Marcel Duchamp / Peter Fonda
Sprache Englisch
Stichwort 1960er Jahre / Amerika / Pop Art / Reise
WEB www.artbooksonline.eu/art-16612
TitelNummer
025107686 Einzeltitelanzeige (URI) Änderung

Karasik Mikhail: The Soviet Photobook 1920-1941, 2015

karasik-soviet-photobook
karasik-soviet-photobook
karasik-soviet-photobook

Karasik Mikhail: The Soviet Photobook 1920-1941, 2015


Karasik Mikhail
The Soviet Photobook 1920-1941
Göttingen (Deutschland): Steidl, 2015
(Buch / Sammeltuete, Schachtel, Kassette) 644 S., 29,4x27,4x6 cm, ISBN/ISSN 9783958290310
Techn. Angaben Hardcover, in bedrucktem Karton.
ZusatzInformation The Soviet Union was unique in its formidable and dynamic use of the illustrated book as a means of propaganda. Through the book, the U.S.S.R. articulated its totalitarian ideologies and expressed its absolute power in an unprecedented way—through avant-garde writing and radical artistic design that was in full flower during the 1920s and ’30s. No other country, nation, government or political system promoted itself more by attracting and employing acclaimed members of the avant-garde. Among them were writers like Semion Kirsanov, Vladimir Mayakovsky, Ilya Selvinsky, Sergei Tretyakov and Kornely Zelinsky; artistic designers like Gustav Klutsis, Valentina Kulagina, El Lissitzky, Sergei Senkin, Varvara Stepanova, Solomon Telingater and Nikolai Troshin; and photographers including Dmitry Debabov, Vladimir Griuntal, Boris Ignatovich, Alexander Khlebnikov, Yeleazar Langman, Alexander Rodchenko, Georgy Petrusov—not to mention many of the best printers and book binders.
The Soviet Photobook 1920–1941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. The book also provides short biographies of the photobook contributors, some of whom are presented here for the first time.
Text von der Webseite.
Namen Manfred Heiting (Herausgeber) / Marina Orlova (Research) / Paul Williams (Translation)
Sprache Englisch
Stichwort 1920er Jahre / 1930er Jahre / 1940er Jahre / Dokumentation / Fotografie / Ideologie / Osteuropa / Propaganda / UDSSR
WEB http://www.artbookcologne.com/books/search/art-13756.html?q=soviet+photobook
TitelNummer
025714716 Einzeltitelanzeige (URI) Änderung
daled-collection-hdk-2010
daled-collection-hdk-2010
daled-collection-hdk-2010

Dander Patrizia / Wilmes Ulrich, Hrsg.: A Bit of Matter and a Little Bit More. The Collection and the Archives of Herman and Nicole Daled 1966–1978, 2010


Dander Patrizia / Wilmes Ulrich, Hrsg.
A Bit of Matter and a Little Bit More. The Collection and the Archives of Herman and Nicole Daled 1966–1978
München / Köln (Deutschland): Haus der Kunst / Verlag Buchhandlung Walther König, 2010
(Buch) 456 S., 27x20,3 cm, ISBN/ISSN 978-3-86560-763-8
Techn. Angaben Klappbroschur mit Banderole (gestanzte Formen und Texte)
ZusatzInformation erschienen zur Ausstellung 30.04.-25.07.2010
Mit Essays von Benjamin H.D. Buchloh und Birgit Pelzer sowie einem Text von Herman und Nicole Daled.
The Brussels-based collectors Herman Daled and Nicole Daled refuse to perceive art as decoration and to, thereby, exploit it. They approach art in a fundamentally different way: Basis for their activities are their relationships and conversations with artists.
In keeping with the aim of Conceptual Art that places the intellectual content of a work above its realisation, they consider themselves not collectors but communicators and producers: They provide artists with the opportunity to also realise works outside of established market mechanisms. Their intense engagement with Conceptual Art, one of the most important movements in recent art history, goes far beyond usual collecting practices. This is not only apparent in the actual works, but also in the meticulously archived documents containing actions and works.
One of the most important influences for Herman and Nicole Daled was Marcel Broodthaers, more than 80 of his works are in their collection. Moreover, the collection holds several works by Daniel Buren, Dan Graham, On Kawara, Sol Lewitt, Niele Toroni, Lawrence Weiner, Cy Twombly and many more.
Text von der Webseite
Namen Benjamin H.D. Buchloh / Birgit Pelzer / Carl Andre / Cy Twombly / Dan Graham / Daniel Buren / Ed Ruscha / Hanne Darboven / Hans Haacke / Herman Daled / James Lee Byars / Jan Dibbets / Jaques Charlier / Jörg Immendorf / Kathy Acker / Lawrence Weiner / Marcel Broodthaers / Nicole Daled / Niele Toroni / On Kawara / Peter Downsbrough / Richard Long / Robert Filliou / Sol LeWitt / Stanly Brouwn / Steve Reich / Vito Acconci / Walter Nikkels (Form und Typografie)
Sprache Englisch
Geschenk von Sabine Brantl
Stichwort Archiv / Dokumentation / Ephemera / Fluxus / Installation / Konzeptkunst / Malerei / Sammlung
WEB https://www.moma.org/research-and-learning/archives/finding-aids/Daledf
WEB www.hausderkunst.de
TitelNummer
026316739 Einzeltitelanzeige (URI) Änderung
monochrom-26-34
monochrom-26-34
monochrom-26-34

Schneider Frank Apunkt / Grenzfurthner Johannes, Hrsg.: monochrom #26-34 - Ye Olde Self-Referentiality, 2010


Grenzfurthner Johannes / Schneider Frank Apunkt, Hrsg.
monochrom #26-34 - Ye Olde Self-Referentiality
Wien (Österreich): monochrom, 2010
(Zeitschrift, Magazin) 500 S., 29,7x21 cm, ISBN/ISSN 978-3-9502372-6-9
Techn. Angaben Softcover. 1900 gr
ZusatzInformation WTF is monochrom print? monochrom is a magazine object appearing in telephone book format, which is published by the art/tech group of the same name. monochrom came into being in the mid-1990s as a fanzine for cyberculture, science, theory, cultural studies and the archaeology of pop culture in everyday life. Its collage format is reminiscent both of the early DIY fanzines of the punk and new wave underground and of the artist books of figures such as Dieter Roth, Martin Kippenberger and others. With a great deal of forced discontinuity, a cohesive potpourri of digital and analog subversion is pressed between the covers of monochrom. Each issue is an unnostalgic amalgam of 125 years of Western counterculture cocked, aimed and ready to fire at the present. It is a Sears catalog of subjective and objective irreconcilability -- the Godzilla version of the conventional coffee table book.
Text von der Webseite
Geschenk von iRRland
WEB www.monochrom.at
TitelNummer
011254394 Einzeltitelanzeige (URI) Änderung

Eröss Nikolett / Juhász Anna / Somogyi Hajnalka / Stepanovic Tijana / Szalai Borbála / Szoboszlai János / Székely Katalin, Hrsg.
OFF-Biennale Budapest - Call for contributions to map artistic/curatorial self-organizations worldwide
Budapest (Ungarn): OFF-BIENNALE, 2015
(Text) 2 S., 29,7x21 cm,
Techn. Angaben Ausdruck einer Email vom 28.2.2015
ZusatzInformation Independent. Contemporary. Art. 24 April – 31 May 2015.
OFF-Biennale Budapest is a series of exhibitions and art events in and beyond the city of Budapest. Its concept is different from traditional biennials as we know them. Not affiliated with any institution, it is a voluntary collaborative initiative of artists, groups of artists, curators, art managers, gallerists and collectors. OFF-Biennale Budapest is a civil initiative, whose aim is to bring a segment of culture, contemporary art, closer to the public at large. OFF proclaims the importance of independent thinking and action, breaking away from clichés and habitual routines. It is meant to demonstrate that contemporary art can foster and catalyse this kind of activity – in other words, that contemporary art is much more than mere luxury and a source of aesthetic pleasure.
Text von der Webseite
WEB www.offbiennale.hu
TitelNummer
012616304 Einzeltitelanzeige (URI) Änderung
punk-press
punk-press
punk-press

Bernière Vincent / Primois Mariel, Hrsg.: Punk Press - Rebel Rock in the Underground Press 1968-1980, 2013


Bernière Vincent / Primois Mariel, Hrsg.
Punk Press - Rebel Rock in the Underground Press 1968-1980
New York, NY (Vereinigte Staaten von Amerika): Abrams, 2013
(Buch) 240 S., 34x22,5 cm, ISBN/ISSN 978-1-4197-0629-2
Techn. Angaben Broschur mit Klappumschlag
ZusatzInformation Punk was born on the East Coast in the late 1960s, later crossing the Atlantic and exploding in London and Paris. This dynamic countermovement churned out heaps of professional magazines and photocopied, hand-stapled fanzines, all expressing ideas on music, art, and current events. By creating its own press, the punk movement secured its place in the history of 20th-century culture. Featuring collages, cutouts, and handcrafted typography, Punk Press compiles the stunning graphics created by these publications, spanning from the East Village to East London to the Left Bank. With unforgettable images of punk’s greatest bands—the Ramones, the Sex Pistols, the Clash, the Dead Kennedys, Iggy Pop, and more—this is a captivating look at some of music’s most fascinating personalities and greatest talents.
Text von der Webseite
Stichwort 1960er Jahre / 1970er Jahre / Kultur / Musik / Zeitschriften / Zines
TitelNummer
017439K66 Einzeltitelanzeige (URI) Änderung

Degiorgis Nicolò: Hidden Islam - Islamic makeshift places of worship in North East Italy, 2009-2013, 2015

degiorgis-hidden-islam
degiorgis-hidden-islam
degiorgis-hidden-islam

Degiorgis Nicolò: Hidden Islam - Islamic makeshift places of worship in North East Italy, 2009-2013, 2015


Degiorgis Nicolò
Hidden Islam - Islamic makeshift places of worship in North East Italy, 2009-2013
Bozen (Italien): Rorhof, 2015
(Buch) 90 S., 24,8x17 cm, ISBN/ISSN 978-88-909817-0-8
Techn. Angaben Hardcover mit festgeklebtem Schutzumschlag. Jede Seite aufklappbar.
ZusatzInformation Dritte Auflage.
Consider these facts. In Italy the right to worship, without discrimination, is enshrined within the constitution. There are 1.35 million Muslims in Italy and yet, officially, only eight mosques in the whole country. One consequence is that the Muslim population have accumulated a huge number of makeshift and temporary places of worship. These are housed in a variety of buildings including lock ups, garages, shops, warehouses and old factories. This shortage of places to worship is particularly acute in north east Italy – where the photographer Nicolò Degiorgis lives – home to many anti-Islamic campaigns headed by the right wing party Lega Nord. The dull images of the many and diverse buildings that house the makeshift mosques are printed on folded pages. You open up the gatefold to reveal the scenes inside the mosques, shot in full colour. The size of the gatherings varies, from large crowds who sometimes pray outside to a small room full to bursting, or to intimate groups of two or three Muslims. Degiorgis provides a fascinating glimpse of hidden world and leaves the conclusions about this project entirely in our own hands.
In 2014 Hidden Islam was awarded the Gold Award - Deutscher Fotobuchpreis, First Book Award - Paris Photo/Aperture Foundation and Author Book Award - Les Rencontres des Arles.
Text aus dem Vorwort von Martin Parr.
Namen Martin Parr (Vorwort)
Sprache Englisch
Stichwort Dokumentation / Fotografie / Islam / Italien / Moschee / Religion / Schwarzweiß
Sponsoren Department for German Culture of the Autonomous Province of South Tyrol and the South Tyrolean Artists Association
WEB http://www.rorhof.com/books/hidden-islam
TitelNummer
024962665 Einzeltitelanzeige (URI) Änderung
14_mirko_borsche
14_mirko_borsche
14_mirko_borsche

Burau Mirko Borsche: 100 problems for no reason, 2017


Burau Mirko Borsche
100 problems for no reason
München (Deutschland): 100for10 / Melville Brand Design, 2017
(Buch) 106 S., 21x14,8 cm, Auflage: Print on Demand,
Techn. Angaben Broschur
ZusatzInformation Schwarz-Weiß-Drucke
After graduating with a degree in Graphic Design (London and Augsburg) Mirko Borsche worked as an art director for advertising agency Springer & Jacoby where he was responsible for several campaigns. From 1999 to 2002 he was art director of jetzt magazine (spin-off of Süddeutsche Zeitung). From 2002 M. Borsche was art director for Mini-International BMW Group for several years. Also in 2002 he launched the youth magazine NEON for Stern/Gruner+Jahr as art director. In 2004, he returned to jetzt for the magazine’s relaunch and stayed until 2007. Since 2007 he is creative director for weekly newspaper DIE ZEIT and every other publication of the Zeit-Verlag such as Zeitmagazin and Zeit Wissen. In 2007 Borsche also founded his design studio Bureau Mirko Borsche in Munich. His clients hail from all fields, from culture and media to business: Bavarian State Opera, Bavarian Radio Symphony Orchestra, Thalia Theater, Harper’s Bazaar, Audi, BMW Group, Saskia Diez, Stefan Diez, Kostas Murkudis, Nike… Mirko Borsche received numerous national and international awards for his work. Amongst many national exhibtions, his work was exhibited in Amsterdam, Barcelona, Florence, Stockholm, Seoul and Tokyo.
Sprache Englisch
Geschenk von Melville Brand Design
Stichwort Abstrakt / Grafikdesign / Illustration / Muster / Schwarz-Weiß / Typografie
WEB www.100for10.com/product/bureau-mirko-borsche-100-problems-no-reason
WEB www.bureauborsche.com/
TitelNummer
026284741 Einzeltitelanzeige (URI) Änderung

Burch Charlton, Hrsg. : lightworks, Nr. 22 The Ray Johnson Issue, 1995-2000

lightworks-n22
lightworks-n22
lightworks-n22

Burch Charlton, Hrsg. : lightworks, Nr. 22 The Ray Johnson Issue, 1995-2000


Burch Charlton, Hrsg.
lightworks, Nr. 22 The Ray Johnson Issue
Birmingham, MI (Vereinigte Staaten von Amerika): Lightworks Magazine, 1995-2000
(Zeitschrift, Magazin) 96 S., 28x21,7 cm, ISBN/ISSN 0161-4223
Techn. Angaben Klebebindung, mit Audio CD "Ray Johnson" by Nick Maravel (1987-1988), Postkarte mit "Correspondance from Ray Johnson postmarked 7. January 1976" und Visitenkarte von Charlton Burch beiliegend
ZusatzInformation "This is not the document of Ray Johnson wall art. It's not about his famous collages or what remains in museums and for sale in galleries. It's an issue about the 'atmosphere' of Ray Johnson - the element, the ambient specifics of who he was and what he did. Years in the making, it's an homage to the Ray Johnson who made communication, letterwriting, and otherwise unlikely creative gestures his art. It's about Ray's correspondences seen and not seen, sent or otherwise, and his notions of the world that he caused to flow between islands of friends, acquaintances and strangers."
Charlton Burch, Editor
Excerpt from the editor's letter
Namen Alison Knowles / Clive Phillpot / Dick Higgins (Text) / Geoffry Hendricks / John Held / Katie Seiden / Marianne Moore / Mike Crane / Nick Maravell / Peter Frank / Ray Johnson / Will Farrington
Sprache Englisch
Stichwort Collage / mail art / Musik / Stempel
TitelNummer
025768K55 Einzeltitelanzeige (URI) Änderung
91_ariane_spanier
91_ariane_spanier
91_ariane_spanier

Spanier Ariane : Stock fiction – A meta story, 2018


Spanier Ariane
Stock fiction – A meta story
München (Deutschland): 100for10 / Melville Brand Design, 2018
(Buch) 106 S., 21x14,8 cm, Auflage: Print on Demand,
Techn. Angaben Broschur
ZusatzInformation Schwarz-Weiß-Drucke
Ariane Spanier was born in Weimar, Germany. She studied visual communication at the Art Academy Berlin-Weißensee. After that she went to New York to intern at Sagmeister Inc. and she opened her own design studio in Berlin in 2005. Many of Ariane Spanier’s clients have a cultural background such as galleries, artists, publishers and architects. The studio’s focus lies on the design of books, catalogues, posters, but also branding, animation, illustration and websites. Since 2006 she has been the creative director of Fukt, an annual magazine for contemporary drawing. Her playful approach to typography and image explores the perception of depth, gravity and weightlessness, revealing the underlying and hidden.
Sprache Englisch
Geschenk von Melville Brand Design
Stichwort Calligraphy / Illustration / Schwarz-Weiß / Typografie / Verzerrung
WEB https://100for10.com/product/ariane-spanierstock-fiction
WEB https://www.arianespanier.com/
TitelNummer
026380741 Einzeltitelanzeige (URI) Änderung
naivsuper 007
naivsuper 007
naivsuper 007

Leonard Stephane / Eichhorn Martin: LOVE, 2011


Eichhorn Martin / Leonard Stephane
LOVE
Berlin (Deutschland): naivsuper, 2011
(Buch) 28 S., 14,8x14,8 cm, ISBN/ISSN 978-3-940548-22-1
Techn. Angaben Buch 007, Drahtheftung, in Transparenthülle
ZusatzInformation Sketches and Experiments from the artwork:
ALARMA MAN | LOVE FOREVER.
The record was published by sinnbus records in 2010.
In the process of drawing and designing the cover a small book emerged and was meant to be published and shared with the world.
´LOVE´ is a selection of drawings on found footage photographs by the artist Stephane Leonard and those drawings processed and edited by the designer Martin Eichhorn.
The first half of the book is dedicated to all the drawings and the second half to various layout sketches and experiments for the artwork of the swedish band Alarma Man´s 2010 record LOVE FOREVER. The photographs display different stages within relationsships - from childhood to marriage to death. Leonard´s drawings and drawn words react and interact with the photos scratching off the obvious, exposing invisible emotional aspects of the scene
WEB www.naivsuper.de
TitelNummer
008510213 Einzeltitelanzeige (URI) Änderung
naivsuper-cd 011
naivsuper-cd 011
naivsuper-cd 011

Mars Leo: Lightears, 2007


Mars Leo
Lightears
Berlin (Deutschland): naivsuper, 2007
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 011, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInformation recorded in 2007 at the Leo Mars studio.
´Lightears´ is the long awaited debut album by Berlin duo Leo Mars. After a year of trial and error, a lot of sessions, sound collecting and analysation of possibilities a precisely crafted, yet astonishingly free floating album came to life. In times of almost infinite sounds, instruments and styles it took the duo some time to come up with the basic material, form a language and then of course learn to speak it. Hours were spent in the studio and their favourite lebanese restaurant discussing the world of sound.
´Lightears´ intelligently smudges the borders between a classic drone, an underground noise, a playful improvisation and an old fashion musique concrete record. All the genres fall into place rather unpretentious with pure sound excitingly assembled to challenge ones listening habits.
It is a rather harsh production always bouncing back and forth between digital, crisp electronics and field recordings pushed way over the edge.
With minimal gear and set up Leo Mars managed to manoveur themselves somewhere inbetween a bedroom thrashing noise keyboard project and a theoratical paper score composer duo. Performing in a trance - allowing things to happen - awaken - making a conscious decision - slipping back into space
Stichwort Nullerjahre
WEB www.naivsuper.de
TitelNummer
008567267 Einzeltitelanzeige (URI) Änderung

Cerezo María / Llensa Emma, Hrsg.
Atem Books
La Bisbal d'Empordà (Spanien): Atem Books, 2010
(Plakat) 48x33 cm, 2 Stück.
Techn. Angaben Plakat, vermutlich beschnitten
ZusatzInformation Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
Why ‘Atem’?
‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
Who we are
Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
What we can do
We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
Atem Books is 100% independent!
We don’t receive any external money. This project survives with the earns we do selling our publications.
Von der Webseite
WEB www.atembooks.com
TitelNummer
009056303 Einzeltitelanzeige (URI) Änderung

Morrison Rachael / Senior David, Hrsg.
Millennium Magazines
New York, NY (Vereinigte Staaten von Amerika): MoMA Library, 2012
(Heft) 78 S., 29,7x21 cm,
Techn. Angaben Farbkopien nach PDF, lose ineinander gelegt, Dokumentation der Ausstellung
ZusatzInformation This survey of experimental art and design magazines published since 2000 explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Throughout the 20th century, international avant-garde activities in the visual arts and design were often codified first in the informal context of a magazine or journal. This exhibition, drawn from the holdings of the MoMA Library, follows the practice into the 21st century. The works on view represent a broad array of international titles within this genre, from community-building newspapers to image-only photography magazines to conceptual design projects. The contents illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are obvious connections to the past lineage of artists’ magazines and little architecture and design magazines of the 20th century, as well as a clear sense of the application of new techniques of image-editing and printing methods. Assembled together, these contemporary magazines provide a first-hand view into these practices and represents the MoMA Library’s sustained effort to document and collect this medium.
Text von der Webseite
WEB www.moma.org/visit/calendar/exhibitions/1244
TitelNummer
009734335 Einzeltitelanzeige (URI) Änderung
ruiz-bearcode-by-anna-colin
ruiz-bearcode-by-anna-colin
ruiz-bearcode-by-anna-colin

Ruiz Francesc, Hrsg.: bearcode by Anna Colin, 2010


Ruiz Francesc, Hrsg.
bearcode by Anna Colin
London (Großbritannien): Gasworks, 2010
(Heft) 44 unpag. S., 25,3x17,8 cm,
Techn. Angaben Drahtheftung, in losem Pappumschlag, zwei verschiedene Papiere, in transparenter Kunststoffhülle mit Aufklebern
ZusatzInformation Begleitheft zur Ausstellung "Gasworks Yaoi" vom 26.11.2010 - 23.01.2011 im Gasworks in London.
"Gasworks Yaoi" is the first solo exhibition by Spanish artist Francesc Ruiz in London. The show is the culmination of Ruiz's research in the local area, conducted during his residency at Gasworks. Inspired by the longstanding gay establishments in Vauxhall, the artist has created a semi-fictional narrative that overemphasises the clichés around sexuality and lifestyle in the area.
For "Gasworks Yaoi", Ruiz will transform the front of the gallery into a bookshop specialising in yaoi comic books. Originating in Japan, this genre (translated as 'boys love') depicts male homoerotic narratives. However, unlike male-oriented gay erotica, yaoi comic books are both produced and consumed by women.
The yaoi comics, featured in Ruiz's bookshop at Gasworks are allegedly produced by female amateur illustrators who portray the encounters of a group of men whose nightlives revolve around Vauxhall's sprawling gay club and bar scene. By adopting the yaoi comic format and resorting to female authorship, Ruiz distances himself from the stories and characters he depicts, allowing for the imagination to run wild, indulging in stereotypes and idealised situations. Through the comics' humour and distortion of reality Ruiz gives himself license to explore a specific subculture and the way it sits within the wider fabric of the neighbourhood.
Turned into a specialised comic bookshop for women, Gasworks' space becomes an environment where sexuality, local context and its social dynamics are fictionalised and packaged into a product for consumption.
Text von der Webseite
WEB www.gasworks.org.uk
TitelNummer
011791407 Einzeltitelanzeige (URI) Änderung



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