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schraenen-vinyl
schraenen-vinyl
schraenen-vinyl

Schraenen Guy: Vinyl - records and covers by artists


Schraenen Guy
Vinyl - records and covers by artists
Bremen (Deutschland): Studienzentrum für Künstlerpublikationen / Weserburg, 2005
(Buch) 276 S., 26,8x19 cm, ISBN/ISSN 3-9288761-68-4
Techn. Angaben Broschur mit Schutzumschlag,
ZusatzInformation Anlässlich der gleichnamigen Ausstellung im Neuen Museum Weserburg, Bremen, 21.08.-27.11.2005, Museu D'art Contemporani de Barcelona, 17.05.-03.09.2006, Museu Serralves, Porto, Frühjahr 2008.
As creative talents began to design record sleeves, the standard 30 x 30 cm album cover came to be an especially attractive object. Now vinyl has an almost mythic character and real historical value. 'Vinyl' is a detailed catalogue of the collection held by the Archive for Small Press and Communication in the Neues Museum Weserburg in Bremen, which includes not only records and CDs but also books, posters and other objects.As creative talents began to design record sleeves, the standard 30 x 30 cm album cover came to be an especially attractive object. Now vinyl has an almost mythic character and real historical value. 'Vinyl' is a detailed catalogue of the collection held by the Archive for Small Press and Communication in the Neues Museum Weserburg in Bremen, which includes not only records and CDs but also books, posters and other objects.
Text von amzn.to/2odxfUv
Namen Albrecht D. / Allen Ginsberg / Art & Language / Audio Arts / Bernard Heidsieck / Christian Boltanski / Claus Böhmler / Dick Higgins / Dieter Roth / Ed Ruscha / Ernst Caramelle / Ernst Jandl / Gerhard Rühm / John Armleder / John Cage / John Cage / Joseph Beuys / Jürgen Klauke / Klaus Groh / Laurie Anderson / Marcel Duchamp / Milan / Nicola Frangione / Pierre Boulez / Raoul Hausmann / Reiner Ruthenbeck / Robon Crozier / Terry Fox / Timm Ulrichs / Ulises Carrion / Ulrike Rosenbach / Vittore Baroni
Sprache Englisch
Geschenk von Studienzentrum für Künstlerpublikationen
Stichwort Cover Art / Music / Schallplatte
WEB www.amzn.to/2odxfUv
TitelNummer
023384647 Einzeltitelanzeige (URI)
the silent scream
the silent scream
the silent scream

Oppen Monica / Lyssiotis Peter, Hrsg.: The Silent Scream: Political and Social Comment in Books by Artists


Lyssiotis Peter / Oppen Monica, Hrsg.
The Silent Scream: Political and Social Comment in Books by Artists
Petersham (Australien): Ant Press, 2011
(Buch) 190 S., 24,5x20,5 cm, ISBN/ISSN 9780987160607
Techn. Angaben Klappeinband, beigelegt ein Brief und Visitenkarte von Monica Oppen
ZusatzInformation Preface by Sarah Bodman, Essays by Walter Struve (librarian State Library of Victoria), Dr Scott McQuire (Associate Professor and Reader, School of Culture and Communication, University of Melbourne), Humphrey McQueen (freelance historian) and Des Cowley (Rare Printed Collections Manager, State Library of Victoria).
The Silent Scream: political and social comment in books by artists presents, not only a companion catalogue to an exhibition held at Monash University Rare Books, but also a journey through some of humanity's most inhumane and hypocritical moments. Reaching back to William Blake with a facsimile of his illuminated book America: A Prophecy then travelling through the two world wars and on to the modern era the catalogue provides insights into 77 influential books and works presented in book form.
Von der Webseite
WEB www.bibliotheca.org.au
TitelNummer
009098253 Einzeltitelanzeige (URI)
Charley 01
Charley 01
Charley 01

Cattelan Maurizio / Gioni Massimiliano / Subotnick Ali, Hrsg.: Charley 01


Cattelan Maurizio / Gioni Massimiliano / Subotnick Ali, Hrsg.
Charley 01
Dijon (Frankreich): Les Presses du Réel, 2001
(Zeitschrift, Magazin) 192 S., 20x15 cm, ISBN/ISSN 978-1-56466-092-3
Techn. Angaben softcover
ZusatzInformation Charley is a contemporary art publication series edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick. A do-it-yourself magazine, Charley is an inclusive publication relying on assimilation, rather than on selection : Charley is a machine for redistribution, a mechanism for spreading and exploiting information, rumors, and communication. Like most information, it is partial, unstable, and untrustworthy. There are no hierarchies and no favorites in Charley : it flirts equally with celebrity and failure. Charley is a multiform creature, bound to transform with each issue. Charley is a pre-digested combine, with pages assembled from catalogues, brochures, press clips, postcards, and other visuals. But what is Charley really? Charley is a new publication on emerging artists. Prominent curators, writers, artists, and other arts professionals from around the world were asked to suggest up to 10 up-and-coming artists and/or submit materials on the artists for inclusion in Charley. 400 art makers from around the globe responded, and each of them is represented by one page of Charley
Namen Alexandre Perigot / Barthélémy Toguo / Bless / Carsten Nicolai / Christoph Büchel / Fabrice Gygi / Franz Ackermann / Joe Scanlan / Jonathan Meese / Jonathan Monk / Mark Handforth / Martin Boyce / Olaf Breuning / Trisha Donnely / Urs Fischer
Sprache Englisch
Stichwort Nullerjahre
TitelNummer
007072227 Einzeltitelanzeige (URI)
first-stickers-award
first-stickers-award
first-stickers-award

Ullrich Andreas / Marx Matthias / Müller Matthias, Hrsg.: Stickers. From the first international sticker awards


Marx Matthias / Müller Matthias / Ullrich Andreas, Hrsg.
Stickers. From the first international sticker awards
Berlin (Deutschland): Die Gestalten Verlag, 2006
(Buch / Sticker, Button) [324] S., 13x21 cm, 3 Teile. ISBN/ISSN 978-3-89955-151-8
Techn. Angaben Broschur, beiliegend 2 Bögen mit Stickers, Aufklebern
ZusatzInformation Stickers have become an essential element of contemporary street art used by the most underground of artists. With stickers, anyone can plant their flag, gain notoriety, recognition and attain instant coverage while the action itself is inconspicuous. This book documents the best submissions from the first international sticker awards which have been established to record this constantly evolving movement.
Low-tech and prepared in advance, stickers are made from a multitude of materials and techniques from hand, photocopies, posters and wheat pastes to walls. From drainpipes and crosswalk boxes to street signs and walls, stickers can be found almost anywhere at eye level on public surfaces blending into and becoming part of the streets. Motifs vary from scribbles and characters to intricate figurative images, often personal logos or tags functioning as trademarks. Stickers have created a revolution in communication – proving to be effective tools in establishing dialog, inspiring reaction and feature messages that are subversive, fun and often cryptic.
This extensive volume presents over 800 examples from around the world and includes 2 pages of award winning real stickers for the reader’s enjoyment.
Text von der Webseite
Sticker aus Asien, Israel, Latein- und Süd-Amerika, Nordamerika, Europa
Namen Wildsmile Studios (Produktion)
Sprache Englisch
Stichwort Engagement / Humor / Kritik / Politik / Protest / Underground
WEB http://shop.gestalten.com/stickers.html
TitelNummer
024931678 Einzeltitelanzeige (URI)
future fantasteek 13
future fantasteek 13
future fantasteek 13

Batey Jackie, Hrsg.: Future Fantasteek, Issue 13


Batey Jackie, Hrsg.
Future Fantasteek, Issue 13
Brighton (Großbritannien): Damp Books, 2012
(Zine) 20 S., 21x15 cm, Auflage: 40, signiert,
Techn. Angaben Drahtheftung, Farbkopien auf verschiedene Papiere, 2 aufgeklebte Spielzeug-Augen auf Vorderseite, Rückseite mit Prägedruck
ZusatzInformation Future Fantasteek! brings together a trichotomy of investigation. art-zines and independent publishing. artist as social commentator and drawing as a means of immediate visual communication. The series explores obdurate boundaries between journalism and authorial illustration using satire to reflect notions of ‘Britishness’. The series can be read as a sequence, from just prior to the ‘credit crunch’ through to the ‘age of austerity’. The series is independently published as a limited edition art-zine, with two issues per year. The approach is experimental, incremental and reflective focussing on both the microcosm and macrocosm of living in the UK. Visual humour is developed throughout as a vehicle for change, combining techniques such as pastiché, parody and socratic irony. Typography and images are juxtaposed to create new narrative possibilities. Language is explored using different ‘voices’ such as anecdotal, colloquial or profane. This text is then translated into drawn commentaries on etiquette, politics and advertising. The ‘anxiety of the individual’ is a running theme throughout the series with many reoccurring protagonists and antagonists soliloquizing their notions of ‘Das Unheimliche’. The series also explores changing technologies with regard to notions of ‘the book’ with online versions of Future Fantasteek! available via a blog and online PDF reader (issuu and .swf).
Text von der Webseite
Geschenk von Reinhard Grüner
WEB www.futurefantasteek.blogspot.de
TitelNummer
010249351 Einzeltitelanzeige (URI)
thalmair-Lorem-Ipsum-Dolor-Sit-Amet
thalmair-Lorem-Ipsum-Dolor-Sit-Amet
thalmair-Lorem-Ipsum-Dolor-Sit-Amet

Thalmair Franz, Hrsg.: Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet


Thalmair Franz, Hrsg.
Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet
Berlin (Deutschland): Revolver Publishing, 2016
(Buch) 200 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-345-3
Techn. Angaben Fadenheftung, mit zahlreichen Abbildungen, drei Bände in Banderole, Anschreiben liegt bei,
ZusatzInformation “Lorem Ipsum Dolor Sit Amet” is the third in a series of exhibitions and publication based on a wide-reaching research about writing with the title “Possible Content for 18 Pages”. The original typewritten manuscript of Vilém Flusser’s essay “The Gesture of Writing” provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication.
“To write,” says the philosopher about the basic requirements that should lead to a complete piece of writing, we need “a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, ‘orthography’ = correct writing, the rules which order that language, what is called ‘grammar’, an idea to be expressed in a language, and a motive to express that idea”.
Understanding the act of writing as a culturally embedded gesture, “Lorem Ipsum Dolor Sit Amet” covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the eponymous performance by Lois Bartel at the Akademie der Künste in Berlin (June 11, 2016) and contains a curatorial-editorial statement by Franz Thalmair. Furthermore, the artist Michalis Pichler and the professor for media theory and aesthetics Oliver Ruf situate the publication in an actual context of literature and criticism. The participating visual artists expand the topic of the research with artistic contributions especially made for „Lorem Ipsum Dolor Sit Amet“.
Text von der Webseite
Namen Agnes Fuchs / Alejandro Cesarco / Charles Gute / Daniel Gustav Cramer / Haris Epaminonda / Irma Blank / Lois Bartel / Natalie Czech / Nikolaus Gansterer / Rafaël Rozendaal / Thomas Freiler
Sprache Englisch
Geschenk von Franz Thalmair
Stichwort Appropriation / Gegenwartskunst / Post-Digital / Strategie
TitelNummer
016717579 Einzeltitelanzeige (URI)
Techno-somatics
Techno-somatics
Techno-somatics

Boscher Johannes, Hrsg.: Techno-somatics and physical experience - Memory on the Internet - Our ears open a whole world to us: about the experiment to program an exhibition on a vinyl record


Boscher Johannes, Hrsg.
Techno-somatics and physical experience - Memory on the Internet - Our ears open a whole world to us: about the experiment to program an exhibition on a vinyl record
Hamburg (Deutschland): Curated by Weekly, 2017
(Heft) 12 unpag. S., 29,5x21 cm,
Techn. Angaben Drahtheftung
ZusatzInformation ‘Curated by Weekly’ is a digital art project. It aims to raise questions regarding online formats, web-based distribution and the acceleration of digital platforms in contemporary art. The project is made up of a website and a magazine, which will be released in irregular intervals. The latter will include essays and interventions about digital exhibition formats, the experiences of digital curation and the questions about media and matter in the post-analogue space. Every week, an artwork will be “curated” and published on the website. In cooperation with different individuals, institutions and independent projects from the art field, artistic positions and works will be displayed. They can function as pieces of art in the digital sphere as well as be critical about it, or to contrast itself with the functions of the web. The project’s pace and composition orientates itself around the relevant visual environment of the present day.
The format of the website is consciously purely visual, while complementary content will be published in the magazine. This content will consist of essays and contributions around certain questions. For example: How new formats will be established in contemporary art, which technological tools are required or how curation is practiced in a digital space. What should particularly be highlighted is determining which artistic media, surfaces and materialities provide an adequate digital environment.
'Curated by Weekly' aims for an experimental format, which uses the speed and the possibilities of the digital space, but instead of reproductions and documentations we want to show artistic work itself, to address availability in the digital space and to use catchy visual surfaces. At the same time, the discourse and the self-reflection of the format is discussed in the appearing magazines/readers online and offline.
Text von der Webseite
Namen Agnes Gryczkowska (Essay) / Chloe Stead (Essay) / Clara Meister (Essay) / Max Prediger (Design) / Tim Geißler (Editor)
Sprache Englisch
Geschenk von Xenia Fumbarev
Stichwort contemporary art / Essay / Experiment / Internet
WEB www.curatedbyweekly.com
TitelNummer
024057658 Einzeltitelanzeige (URI)
schriftenreihe-fuer-kuenstlerpublikationen_4
schriftenreihe-fuer-kuenstlerpublikationen_4
schriftenreihe-fuer-kuenstlerpublikationen_4

Schwarz Isabelle, Hrsg.: Schriftenreihe für Künstlerpublikationen - Band 4 - Archive für Künstlerpublikationen der 1960er bis 1980er Jahre


Schwarz Isabelle, Hrsg.
Schriftenreihe für Künstlerpublikationen - Band 4 - Archive für Künstlerpublikationen der 1960er bis 1980er Jahre
Köln (Deutschland): Salon Verlag, 2008
(Buch) 496 S., 23,5x16,5 cm, 2 Stück. ISBN/ISSN 978-3-89770-281-3
Techn. Angaben Broschur
ZusatzInformation "Untersucht werden Geschichte und Bedeutung von Archiven für Künstlerpublikationen in der internationalen avantgardistischen Kunstszene während der 1960er bis 1980er Jahre: das Archive for Small Press & Communication (ASPC, B), das Archiv Sohm (D), das Art Information Centre (NL), die Exchange Gallery (P), Other Books and So (NL), Zona Archives (I) und Artpool Archive (H). Ohne ihre jeweiligen Besonderheiten außer Betracht zu lassen, müssen die Archive für Künstlerpublikationen als Vertreter eines eigenständigen Archivtyps betrachtet werden. Die Archive als solche, ihre Organisation und Materialien sind als Ausdruck ihrer Zeit zu betrachten und stellen per se (kunsthistorische) Dokumente dar, durch deren Analyse sich der Blick auf Kunstszene, Politik und Kultur erweitert."
Text von der Webseite
Mit Herausgeber sind: Forschungsverbund Künstlerpublikationen für Universität Bremen, Jacobs University, Hochschule für Künste, Forschungsstelle Osteuropa an der Universität Bremen. In Kooperation mit dem Institute for Cultural Studies in the Arts ICS an der Züricher Hochschule der Künste
Namen Archive for Small Press & Communication / Archiv Sohm / Art Information Centre / Artpool Archive / ASPC / Exchange Gallery / Forschungsstelle Osteuropa an der Universität Bremen / ICS / Institute for Cultural Studies in the Arts / Jacobs University / Other Books and So / Zona Archives
Geschenk von Studienzentrum für Künstlerpublikationen
Stichwort Archiv / Aufbewahrung / Forschung / Künstlerarchiv / Sammlung
WEB www.salon-verlag.de
TitelNummer
006202229 Einzeltitelanzeige (URI)

Bragadini Giovanna, Hrasg.
Libri d’arte, passione di una vita
Parma (Italien): FermoMAG, 2012
(Presse, Artikel)
Techn. Angaben Artikel über Reinhard Grüner,
ZusatzInformation Reinhard Grüner is a collector from Monaco. His passion is art books, which he collects – and sometimes exhibits – since the 1960s.
His website, www.buchkunst.info is a real “online museum”, where international artist books are catalogued and photographed. Amongst the artists there are Marc Chagall, Anselm Kiefer, Henri Matisse, Pablo Picasso and Andy Warhol. Books, but also works of art made of images and text, created by the artist often in collaboration with a writer and a publisher. For the high artistic quality – original graphics, unique designs, paintings and collages – these works are different from the usual picture books. Their manifestations are multiple: books with graphic effects, objects-book, artist’s books, sometimes printed in offset or illustrated by works of artists.
At the centre of Grüner’s attention there are Eastern German and Eastern European books (mainly Russia, Hungary, Lithuania). many of these works were created in response to specific social, political and cultural issues, with unimaginable insights into the culture of modernity.
Reinhard first came in contact with the art in book form with the English Edition, printed privately, of “A Dissertation Upon Roast Pig”, printed in 1975 by Shoestring Press on paper of the legendary Chiswick Press: from here begins a life of a book maniac among thousands of books. As Grüner states in an essay, the acquisition of artist books is more than a simple purchase: the artist, the life as a collector and thoughts are tied together, they influence each other, and a network of contacts with other collectors begins. With nearly all the books in his collection Grüner forms a symbiotic relationship: each of them describes, explains, and gets to the heart of some chapters of his life.
Download the pdf file with the essay on the collection of Reinhard Grüner (in English)
Namen Andy Warhol / Anselm Kiefer / Henri Matisse / Marc Chagall / Pablo Picasso / Reinhard Grüner
Sprache Englisch / Italienisch
Stichwort Künstlerbücher / Malerbücher / Sammlung
WEB www.fermomag.it/2012/02/01/libri-d%E2%80%99arte-passione-di-una-vita
TitelNummer
008503304 Einzeltitelanzeige (URI)
spheres 1
spheres 1
spheres 1

Bonajo Melanie / Karrer Philippe, Hrsg.: Spheres Issue 1


Bonajo Melanie / Karrer Philippe, Hrsg.
Spheres Issue 1
St. Gallen (Schweiz): Philippe Karrer, 2012
(Zeitschrift, Magazin) 40 unpag. S., 32x22 cm, 2 Stück. ISBN/ISSN 7629999015104
Techn. Angaben Drahtheftung. Verschiedene farbige Papiere. Eingelegt ein gefaltetes Poster
ZusatzInformation The publication Spheres is the creative documentation of a close collaboration between an artist and the editor, graphic designer Philippe Karrer. Every issue is dedicated to a young artist and their work, in each case exploring character, surroundings, every-day life, inspirations and ideas using unconventional innovative formats so as to create a different, more visual approach and understanding of the artist and his or her work. The focus lies on what is important to the artist during the time period of working together for the publication, hereby capturing a certain essence of the artists work at the moment. Not only can the reader dive in to the artist‘s world, receiving little personal snippets of the life in and around his or her art, but also (and perhaps even more importantly) — how the artist chooses to present things in the publication gives the reader an idea of his or her whole artistic sphere.
Melanie Bonajo explores the relationship of the individual to its surroundings in a commodified, globalised culture. In her work, she uncovers how our ideas of identity, genre, value and such structures formed by conventions are ever shifting to feelings of uncertainty and instability. She approaches these issues by trying to newly create, to turn around overpowering views and conditions that are today so influenced by our consumer society and tries to get nearer to traits that are rooted in human nature.
Text von der Webseite
WEB www.spheres-publication.ch
TitelNummer
010281353 Einzeltitelanzeige (URI)
scenes-from-zagreb
scenes-from-zagreb
scenes-from-zagreb

Senior David, Hrsg.: Scenes from Zagreb: Artists' Publications of the New Art Practice


Senior David, Hrsg.
Scenes from Zagreb: Artists' Publications of the New Art Practice
New York, NY (Vereinigte Staaten von Amerika): MoMA Library, 2012
(Heft) 40 S., 29,7x21 cm,
Techn. Angaben Farbkopien nach PDF, lose ineinander gelegt
ZusatzInformation The New Art Practice was a term created for a generation of artists in the former Yugoslavia active in the late 1960s and throughout the 1970s. These artists shifted their practice to spaces outside the traditional studio, onto city streets, into artist-run spaces, and in multimedia performances and experimental publications. Focusing on artists working in the city of Zagreb, this exhibition documents aspects of this shift and highlights the ability of artists' publications to record these often ephemeral gestures and ideas. While artists such as Goran Trbuljak, Braco Dimitrijević,, Sanja Iveković,, Mladen Stilinović,, and Vlado Martek, among others, worked in a variety of mediums, they shared a common impulse to produce publications. These artists questioned and played with ideas about the place of an artist within this particular political and socioeconomic context. Their work often involved public participation and blurred traditional notions of authorship through collective activities, chance operations, and the appropriation of language and imagery from the state and commercial media. The materials in this installation resonate with other contemporaneous scenes in Eastern and Central Europe and with broader international trends, while also providing an insight into very local networks of experimental artists and writers in Zagreb. All materials are drawn from the collection of the Museum of Modern Art Library.
Text von der Webseite
WEB www.moma.org/visit/calendar/exhibitions/1229
TitelNummer
009240221 Einzeltitelanzeige (URI)
peter-fuerstenau-the-real-mccoy
peter-fuerstenau-the-real-mccoy
peter-fuerstenau-the-real-mccoy

Peter-Fürstenau Klaus, Hrsg.: The Real McCoy - The Most Postponed Yearbook of the Decade


Peter-Fürstenau Klaus, Hrsg.
The Real McCoy - The Most Postponed Yearbook of the Decade
Frankfurt am Main (Deutschland): Artist Communication Network Group, 1986
(Heft) 64 S., 20,8x14,8 cm, signiert,
Techn. Angaben Broschur, Schwarzweiß-Fotokopien, signiert, teils gestempelt, ,
ZusatzInformation Projekt der ArtComNet (Artist Communication Network Group), gegründet 1982 von Larry D. Smith
Namen Carlo Pitorre / David Cole / George Myers Jr. / Joachim Frank / John Bennett / Jürgen O. Olbrich / Klaus Groh / Larry Ashe / Marc Pawson / Ruggero Maggi / Ulrich Kattenstroth
Sprache Deutsch / Englisch
Geschenk von Klaus Groh
Stichwort 1980er Jahre / Mail Art
TitelNummer
017118627 Einzeltitelanzeige (URI)
konvolut-london-2017
konvolut-london-2017
konvolut-london-2017

N. N.: Konvolut London Mai 2017


N. N.
Konvolut London Mai 2017
London (Großbritannien): N.N., 2017
(Sammeltuete, Schachtel, Kassette) 22x16 cm, 17 Teile.
Techn. Angaben Umschlag mit 2 Heften (Drahtheftung), 4 mehrfach gefalteten Flyern, 2 Visitenkarten, 2 Eintrittskarten, 4 Postkarten und einem Einzelblatt
ZusatzInformation u.a. von der University of Westminster, The Photographers' Gallery, Tenderbooks, Tate Modern, London College of Communication, The Radical Eye - Modernist Photography from the Sir Elton John Collection
Namen Elton John / London College of Communication / Tate Modern / Tenderbooks / The Photographers Gallery / University of Westminster
Sprache Englisch
Stichwort Bookshop / Fotografie / Malerei / Sammlung
TitelNummer
024131701 Einzeltitelanzeige (URI)
thalmair-A-Set-of-Lines
thalmair-A-Set-of-Lines
thalmair-A-Set-of-Lines

Thalmair Franz, Hrsg.: Possible Content for 18 Pages - Volume II - A Set of Lines, A Stack of Paper


Thalmair Franz, Hrsg.
Possible Content for 18 Pages - Volume II - A Set of Lines, A Stack of Paper
Berlin (Deutschland): Revolver Publishing, 2015
(Buch) 80 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-274-6
Techn. Angaben Broschur, mit zahlreichen Abbildungen, drei Bände in Banderole,
ZusatzInformation "A Set of Lines, A Stack of Paper" is the second in a series of exhibitions and publication based on a wide-reaching research about writing with the title 'Possible Content for 18 Pages'. The original typewritten manuscript of Vilém Flusser's essay 'The Gesture of Writing' provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication. 'To write,' says the philosopher about the basic requirements that should lead to a complete piece of writing, we need 'a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, 'orthography' = correct writing, the rules which order that language, what is called 'grammar', an idea to be expressed in a language, and a motive to express that idea'. Understanding the act of writing as a culturally embedded gesture, 'A Set of Lines, A Stack of Paper' covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the correspondent exhibition at KARST, Plymouth (June 5 - July 5, 2015). The publication comprises an exhibition documentation with installation views and a curatorial statement. Furthermore, the author Maria Fusco situates the concept of the exhibition in an actual context of literature.
The participating visual artists expand the topic of the exhibition with artistic contributions especially made for the book.
Text von der Webseite
Namen Ane Mette Hol / Birgit Knoechl / Egon van Herreweghe / Franz Thalmair / Heinrich Dunst / John Wood / Karolis Kosas / Lotte Lyon / Maria Fusco / Maria Fusco / Ovidiu Anton / Paul Harrison / Peter Downsbrough
Sprache Englisch
Geschenk von Franz Thalmair
Stichwort Appropriation / Gegenwartskunst / Post-Digital / Strategie
TitelNummer
016715579 Einzeltitelanzeige (URI)
Kryptyka-Julia-Strauss
Kryptyka-Julia-Strauss
Kryptyka-Julia-Strauss

Strauss Joulia, Hrsg.: Krytyka Polityczna Athens


Strauss Joulia, Hrsg.
Krytyka Polityczna Athens
Athen (Griechenland): futura Publications, 2017
(Buch) 272 S., 23,5x16,5 cm, signiert, ISBN/ISSN 1644-0919
Techn. Angaben Broschur, mit Widmung, gefaltetes Blatt eingelegt, Cover manuel bearbeitet, mit Glitzer
ZusatzInformation Dear Reader,
In your hands is the Athenian issue of Krytyka Polityzcna. The Warsaw-based journal unites polymorphous freedom struggles in geographic Europe. This book is an anarchist, anti-capitalist, anti-fascist artwork. A hypothesis, and yet one that continues to be written actively on the ground. It clashes migration and education of the status quo, the effect and the cause of current violence.
The publication documents an initiative, Universitas*, and accompanies the forthcoming Symposion, The School of Everything.
This book contains the contributions of people who have recently moved to Athens from the Middle East, of Athenians who have lived here a long time, as well as of those who are based in Berlin but frequently visit Athens. brought together, they form a de-elitized and de-colonized remix of knowledge.
The chapters in this book are intertwined and in each part the reader will find contributions relevant to the whole. The authors are all united by their portrayal in anti-phrenological drawings.
In Athens, despite the invention of the State, streams of interlapping cultural influences never stopped pulsating. Such an experience of fluid identity de­monstrates that citizenship is an outdated concept of class separation and nationalism. The devastating contradiction: human rights are only valid in the economically privileged zones. The failure to collaborate with the revolution in Syria dispels the last illusions of an occidental civilization and unveils the truth: we all live in the absolute financial dictatorship.
This publication includes several essays and statements on education. These are written by thinkers, philosophers, “activists”, and artists who are affili­ated with the Avtonomi Akadimia, a disobedient grassroots university in Athens which claims education as a form of art. These texts, poems, mani­festos and sketches of educational models are published in lieu of the abs­tracts for an upcoming Symposion entitled: “The School of Everything”.
We build an educational system which consists of indignant initiatives for sharing knowledge, and of proposals by thinkers who see education as key. We shift from learning to sharing. We decriminalize sharing because we would like to enjoy the pleasure of giving. We liberate ourselves from the strictures of “Homo Sapiens”, a construct imposed upon life.
We will transform the educational system of Europe.
The clash of migration and education will release a Promethean fire.
Text von der Webseite
In collaboration with aneducation and the Public Programs of documenta 14
Namen Abed Nasralla / Agnès Rammant-Peeters / Ahmad Alkhatieb / Ariam Um al Wafa / Arnisa Zeqo / Brandon LaBelle / Click Ngwere / Elad Lapidot / Georgia Kotretsos / Ismail Alsafo / Jean-Pierre Rammant / Jenny Marketou / Joulia Strauss / Junaid Baloch / Katja Ehrhardt / Leopold Helbich / Lindsay Parkhowell / Liwaa Yazji / Luca Di Blasi / Manaf Halbouni / Mathilde ter Heijne / Mehul Sangham / Mohammad Abu Hajar / Mriganka Madhukaillya / Noah Fischer / Paul B. Preciado / Pirate Cinema / Rachel Clarke / Sameer Ahmed / Sotirios Bahtsetzis / Suhel Ahmad / Tanja Schomaker / Vasyl Cherepanyn
Sprache Englisch
Stichwort Anarchist / Antifaschismus / Antikapitalismus / Athen / Bildung / documenta 14 / Gedicht / Gesellschaft / Kritik / Manifest / Politik / Text
WEB www.futurabooks.wordpress.com/2017/06/15/874
WEB www.politicalcritique.org
TitelNummer
024389676 Einzeltitelanzeige (URI)
Michael-Gibs-All-or-nothing
Michael-Gibs-All-or-nothing
Michael-Gibs-All-or-nothing

Gibbs Michael: All or nothing and other pages


Gibbs Michael
All or nothing and other pages
Devon (Großbritannien): Uniformbooks, 2016
(Buch) 224 S., 23,4 x 14,2 cm, ISBN/ISSN 978-1-910010-13-6
Techn. Angaben Klappbroschur, mit einigen schwarz-weiß Abbildungen,
ZusatzInformation A survey of the work of Michael Gibbs whose activities included poetry, performance, film, and publishing, and his immersion in what he called “a genuinely ‘underground ’ culture… which owed nothing to the official art establishment ”. As well as visual poetry and texts, the book includes his major study of blank books ‘All or Nothing ’, written in 2005, a selection of critical writing that originally appeared in Kontexts, and Artzien, journals that he edited and published, as well as articles from the photography journal Perspektief, and Art Monthly, for which he wrote a regular column. A chronology of examples of his visual and concrete poems, books and photography is reproduced, along with documentation of performances.
Text von der Website
Sprache Englisch
Stichwort Fotografie / Konkrete Poesie / Künstlerpublikationen / Performance / Untergrund Kultur / Visuelle Poesie
WEB www.colinsackett.co.uk/uniformbooks.php
TitelNummer
016957618 Einzeltitelanzeige (URI)
warhol-magazine-work
warhol-magazine-work
warhol-magazine-work

Maréchal Paul, Hrsg.: Andy Warhol - the complete commissioned magazine work 1948 - 1987


Maréchal Paul, Hrsg.
Andy Warhol - the complete commissioned magazine work 1948 - 1987
München (Deutschland): Prestel Verlag, 2014
(Buch) 407 S., 39x27,5x5 cm, ISBN/ISSN 978-3-7913-4992-3
Techn. Angaben Hardcover, Fadenbindung, in Schuber
ZusatzInformation This gorgeously illustrated deluxe volume shows the full range of Warhol’s work for magazines—which will surprise even his most ardent fans—and includes cover art, editorial illustration, and ad work.
Beginning with the cover of a 1948 issue of Carnegie Tech’s student magazine, Cano, and ending with a 1987 issue of Jet Society International, this stunning book explores, for the very first time, the full story of Warhol’s collaborations with some of the most influential publications of the 20th century, including Harper’s Bazaar, Vogue, Time, TV Guide, Vanity Fair, and Playboy. Generously illustrated with images of the magazine layouts, this landmark publication collects more than 400 issues, revealing the artist’s full range of styles while also charting his artistic development over the decades. From charming drawings of shoes, hats, flowers, and cats to iconic illustrations of cars and cosmetics, from glitzy celebrity portraits to sexy pinups made with collaged Polaroids, this catalogue raisonné sheds new light on the influence of the media and consumerism on contemporary art (and vice versa) even as it offers a unique perspective on Warhol’s deep and lifelong connection to popular culture.
Text von der Webseite
Namen Andy Warhol
Sprache Englisch
Stichwort Druckgrafik / Gestaltung / Illustration / Konsum / Medien / Pop / Werbung / Werkverzeichnis / Zeichnung / Zeitschrift
WEB www./prestelpublishing.randomhouse.de/book/Andy-Warhol/Paul-Marechal/Prestel-com/e465400.rhd
TitelNummer
025234076 Einzeltitelanzeige (URI)
artist music journals 1 9 seripop 2010
artist music journals 1 9 seripop 2010
artist music journals 1 9 seripop 2010

Lum Chloe / Desranleau Yannick: Artist Music Journals Vol. 1 No. 9 - Seripop


Desranleau Yannick / Lum Chloe
Artist Music Journals Vol. 1 No. 9 - Seripop
Brooklyn, NY (Vereinigte Staaten von Amerika): Soundscreen Design, 2010
(Zeitschrift, Magazin) 24 unpag. S., 26,5x26,5 cm, Auflage: 1000,
Techn. Angaben Drahtheftung, Heft in Pappschuber mit Aufkleber
ZusatzInformation Edition 09 in the ongoing Artist Music Journals series features the work of the Montreal based artists and musicians Chloe Lum and Yannick Desranleau, known as Seripop. Known for their original illustration and design work, as well as their longstanding tenure as founders and members of the musical outfit Aids Wolf, Seripop have a broad following around the globe. For their AMJ, Seripop compiled years of original gig poster work, the first collection of its kind for the studio, which has made thousands of prints over the years.
About Seripop: Yannick Desranleau and Chloe Lum are visual artists and musicians who started collaborating in 2002 under the nom de guerre Seripop. Based in Montreal, Seripop has earned international attention for its stylistically distinct, silkscreened street posters. In 2005, Lum and Desranleau began experimenting with sculptural print installations which merge notions of city politics and visual perception. The duo has been speaking and exhibiting their work at various art institutions including Baltic Centre for Contemporary Art in Gateshead, England, Peacock Visual Arts in Aberdeen, Scotland, and the University of North Texas, Denton, USA. In addition to Seripop, Lum and Desranleau play in AIDS Wolf, a noise-rock band and Hamborghinni, a drums and electronics project.
Text von der Webseite
TitelNummer
010678375 Einzeltitelanzeige (URI)
destroy all monsters magazine 2011
destroy all monsters magazine 2011
destroy all monsters magazine 2011

Wingate Donna, Hrsg.: Destroy All Monsters Magazine 1976-1979


Wingate Donna, Hrsg.
Destroy All Monsters Magazine 1976-1979
New York, NY (Vereinigte Staaten von Amerika): Primary Information, 2011
(Buch) 270 unpag. S., 27x20,8 cm, Auflage: 3000, ISBN/ISSN 978-0-9788697-8-6
Techn. Angaben verschiedene Papiere, erste Seite mit Schablone gesprüht
ZusatzInformation Facsimile edition of Destroy All Monsters Magazine including remnants of the "lost" seventh issue, which was never released. Destroy All Monsters Magazine features work by Mike Kelley, Cary Loren, Niagara, and Jim Shaw.
Destroy All Monsters Magazine was edited by Cary Loren and contained artwork, photographs, and flyers from band mates Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Printed using any papers and techniques available to the band, the issues combine the cut and paste tactics of punk zines with a psychedelic affinity for color. Destroy All Monsters Magazine functions as a kind of manifesto, providing insight into the band through densely layered pages with movie imagery, kitsch, cartoons, delicate drawings, and counter-culture collages. While Destroy All Monsters has been the subject of recent exhibitions and partial reprints, this is the first time that all issues have been reprinted.
Text von der Verlagswebseite
TitelNummer
010357361 Einzeltitelanzeige (URI)

Drouet Dominique / Lecointre Didier, Hrsg.
Guy Schraenen éditeur
Paris (Frankreich): La Librairie, 2014
(Lieferverzeichnis) 34 S., 29,7x21 cm,
Techn. Angaben Verkaufsprospekt, Farbloserkopien nach PDF, Blätter lose ineinander gelegt
ZusatzInformation Zur Ausstellung Guy Schraenen Editeur 13 Mars 2014.
Guy Schraenen is the founder of the publishing house Guy Schraenen éditeur and the Archive for Small Press & Communication (A.S.P.C.) and an international known curator, publisher and advisor. Furthermore he is the author of essays and various publications. His many activities are mainly focused on Artists' publications of the various international Avant-garde and independent art movements from the late 1950s until the 1980s. mehr auf der Webseite der Buchhandlung
WEB www.lecointredrouet.com
TitelNummer
011442381 Einzeltitelanzeige (URI)
desjardin book
desjardin book
desjardin book

Desjardin Arnaud, Hrsg.: the book on books on artists books


Desjardin Arnaud, Hrsg.
the book on books on artists books
London (Großbritannien): The Everyday Press, 2011
(Buch) 230 S., 24x17 cm, ISBN/ISSN 978-0-9561738-4-3
Techn. Angaben erschienen zur Ausstellung at the Bloomberg Space London, eingelegt eine Karte mit handschriftlichem Text
ZusatzInformation The Bloomberg website says of the project:
For Comma 38, artist and publisher Arnaud Desjardin will exhibit new, old, rare, and popular books while running an active printing press in Bloomberg Space. His COMMA commission, part of an ongoing project titled The Book on Books on Artists' Books, is intended to create an active and participatory review of current and historical practice. This exhibition is about both the display of books on artists' books and the production of a book about the books displayed. He intends to print a first edition, a book of books, a critical anthology and source book, alongside which a large range of books on artists' books will be displayed in a series of vitrines.
Artists' books have normally been sold and distributed through small networks of bookshops and galleries that often produce lists of available titles in printed form. The advent of the Internet has meant that information online has changed the nature of this documentary evidence. Desjardin's unique and extraordinary combination of display and production makes an exhibition that actively engages in both the making and disseminating in real time. The books themselves become both vehicles for information and documents that testify for artistic activity in its own right
Sprache Englisch
WEB www.theeverydaypress.net
TitelNummer
007877259 Einzeltitelanzeige (URI)
mr-fluxus
mr-fluxus
mr-fluxus

Williams Emmett / Ay-O / Noel Ann, Hrsg.: Mr. Fluxus - A Collective Portrait of George Maciunas, 1931–1978


Ay-O / Noel Ann / Williams Emmett, Hrsg.
Mr. Fluxus - A Collective Portrait of George Maciunas, 1931–1978
London (Großbritannien): Thames & Hudson, 1997
(Buch) 352 S., 24,5x17,7 cm, ISBN/ISSN 978-0500974612
Techn. Angaben Hardcover, fadengeheftet, mit Schutzumschlag, mit Illustrationen
ZusatzInformation George Maciunas was the founding member and leader of the most radical and experimental art movement of th 1960s: "Fluxus". Associated with artists such as Joseph Bueys and Yoko Ono, Fluxus rejected traditional systems of high art and practised a form of "anti-art" encompassing everything from photography and pavement art to poetry and drama. This biography of one of the key figures in the history of 20th-century art recounts in text and archive photographs the life story of this contradictory and unorthodox man. Emmett Williams provides anecdotes and impressions from former Fluxus colleagues and other friends (and enemies), to produce a portrait of this crusader, whose mission was to change the world - beginning with the world of art. Although tempered with wit and wisdom, his iconoclasm won him few friends amongst the art establishment during his lifetime, but Fluxus prevailed as an acknowledged force behind the upheavals in the art of the 20th century.
Text von der Webseite
Namen George Maciunas / Yoko Ono
Sprache Englisch
Stichwort 1960er Jahre / Fluxus
TitelNummer
025104685 Einzeltitelanzeige (URI)
naivsuper-cd 007
naivsuper-cd 007
naivsuper-cd 007

Shapes Dania: Soundsystem Pastoral


Shapes Dania
Soundsystem Pastoral
Berlin (Deutschland): naivsuper, 2006
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 007, Musik-CD in gefalteter Papphülle mit Beiblatt in transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInformation music by Daniel Lopatin aka Dania Shapes.
Soundsystem Pastoral was recorded by Daniel Lopatin aka Dania Shapes during the winter of 2004 using synthesizers, a first generation digital sequencer, and a freeware sound editor. It was remixed in 2006 for the release on naivsuper.
Celebrating the potential of amateurishness, decadence and romance in the realm of digital audio arts, Lopatin looks to marry the aesthetic sensibilities of experimental electronics with his allegiance to the classic 'beauty' in music. 'Glitch' is less a process for Lopatin -- rather it is an aesthetic impression which Lopatin emulates by hand. Pairing the residual effects of romantic, heart string melodies with steroidal, detailed, maximalist noise, Dania Shapes' audible bricolage is a tribute to both the beautiful and the broken all at once.
Working with simple tools such as handheld tape recorders, retro synthesizers, and a personal computer, Lopatin creates conceptual systems and processes to create a solo music that's beautiful and inventive, with interesting textures and unexpected sonic interventions. The music has a lush, ambient quality, but an edge as well. Throughout the CD, one finds a subtle use of repetition. The pieces are formally well-conceived and never contrived. The music is clearly indebted to heroes of electronica such as Christian Fennesz, William Basinski, and Brian Eno. and it has links to classic experimentalists such as David Tudor and David Behrman. Yet Lopatin maintains a more song-based musical position that results in an accessible product that will attract fans of ambient, post-rock, and experimental music
Namen Daniel Lopatin / Stephane Leonard
Stichwort Digitale Musik / Nullerjahre / Synthesyser
WEB www.naivsuper.de
TitelNummer
008576267 Einzeltitelanzeige (URI)
allen-artists-magazines
allen-artists-magazines
allen-artists-magazines

Allen Gwen: Artists' Magazines - An Alternative Space for Art


Allen Gwen
Artists' Magazines - An Alternative Space for Art
Cambridge, MA / London (Vereinigte Staaten von Amerika / Großbritannien): the MIT Press, 2015
(Buch) 368 S., 24,8x19 cm, ISBN/ISSN 9780262528412
Techn. Angaben Broschur
ZusatzInformation Originalausgabe von 2011.
During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists’ Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists’ postage stamps, and collectible chapbooks, Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions, and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists’ Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Text von der Webseite
Erwähnt werden neben vorwiegend amerikanischen Magazinen auch europäische Magazine
Namen 4 taxis / Art-Language / Arte Postale! / Aspen / Audio Arts / Ausgabe / Avalanche / AXE / Commonpress / Der Löwe / Doc (k)s / Dé-Coll/age / Ephemera / IAC Info / Interfunktionen / King Kong International / Kunststoff / Lotta Poetica / Neon de Suro / Nervenkritik / Nota / Omnibus News / Ou / Pages / Palazzo / Reaktion / Salon / Sondern / ZG
Sprache Englisch
Stichwort 1960er Jahre / 1970er Jahre / 1980er Jahre / Konzeptkunst / Künstlermagazin / Künstlerzeitschrift / Multimedia / Theorie
WEB www.mitpress.mit.edu/books/artists-magazines
TitelNummer
023614657 Einzeltitelanzeige (URI)
monochrom-26-34
monochrom-26-34
monochrom-26-34

Schneider Frank Apunkt / Grenzfurthner Johannes, Hrsg.: monochrom #26-34 - Ye Olde Self-Referentiality


Grenzfurthner Johannes / Schneider Frank Apunkt, Hrsg.
monochrom #26-34 - Ye Olde Self-Referentiality
Wien (Österreich): monochrom, 2010
(Zeitschrift, Magazin) 500 S., 29,7x21 cm, ISBN/ISSN 978-3-9502372-6-9
Techn. Angaben Softcover. 1900 gr
ZusatzInformation WTF is monochrom print? monochrom is a magazine object appearing in telephone book format, which is published by the art/tech group of the same name. monochrom came into being in the mid-1990s as a fanzine for cyberculture, science, theory, cultural studies and the archaeology of pop culture in everyday life. Its collage format is reminiscent both of the early DIY fanzines of the punk and new wave underground and of the artist books of figures such as Dieter Roth, Martin Kippenberger and others. With a great deal of forced discontinuity, a cohesive potpourri of digital and analog subversion is pressed between the covers of monochrom. Each issue is an unnostalgic amalgam of 125 years of Western counterculture cocked, aimed and ready to fire at the present. It is a Sears catalog of subjective and objective irreconcilability -- the Godzilla version of the conventional coffee table book.
Text von der Webseite
Geschenk von iRRland
WEB www.monochrom.at
TitelNummer
011254394 Einzeltitelanzeige (URI)

Eröss Nikolett / Juhász Anna / Somogyi Hajnalka / Stepanovic Tijana / Szalai Borbála / Szoboszlai János / Székely Katalin, Hrsg.
OFF-Biennale Budapest - Call for contributions to map artistic/curatorial self-organizations worldwide
Budapest (Ungarn): OFF-BIENNALE, 2015
(Text) 2 S., 29,7x21 cm,
Techn. Angaben Ausdruck einer Email vom 28.2.2015
ZusatzInformation Independent. Contemporary. Art. 24 April – 31 May 2015.
OFF-Biennale Budapest is a series of exhibitions and art events in and beyond the city of Budapest. Its concept is different from traditional biennials as we know them. Not affiliated with any institution, it is a voluntary collaborative initiative of artists, groups of artists, curators, art managers, gallerists and collectors. OFF-Biennale Budapest is a civil initiative, whose aim is to bring a segment of culture, contemporary art, closer to the public at large. OFF proclaims the importance of independent thinking and action, breaking away from clichés and habitual routines. It is meant to demonstrate that contemporary art can foster and catalyse this kind of activity – in other words, that contemporary art is much more than mere luxury and a source of aesthetic pleasure.
Text von der Webseite
WEB www.offbiennale.hu
TitelNummer
012616304 Einzeltitelanzeige (URI)
punk-press
punk-press
punk-press

Bernière Vincent / Primois Mariel, Hrsg.: Punk Press - Rebel Rock in the Underground Press 1968-1980


Bernière Vincent / Primois Mariel, Hrsg.
Punk Press - Rebel Rock in the Underground Press 1968-1980
New York, NY (Vereinigte Staaten von Amerika): Abrams, 2013
(Buch) 240 S., 34x22,5 cm, ISBN/ISSN 978-1-4197-0629-2
Techn. Angaben Broschur mit Klappumschlag
ZusatzInformation Punk was born on the East Coast in the late 1960s, later crossing the Atlantic and exploding in London and Paris. This dynamic countermovement churned out heaps of professional magazines and photocopied, hand-stapled fanzines, all expressing ideas on music, art, and current events. By creating its own press, the punk movement secured its place in the history of 20th-century culture. Featuring collages, cutouts, and handcrafted typography, Punk Press compiles the stunning graphics created by these publications, spanning from the East Village to East London to the Left Bank. With unforgettable images of punk’s greatest bands—the Ramones, the Sex Pistols, the Clash, the Dead Kennedys, Iggy Pop, and more—this is a captivating look at some of music’s most fascinating personalities and greatest talents.
Text von der Webseite
Stichwort 1960er Jahre / 1970er Jahre / Kultur / Musik / Zeitschriften / Zines
TitelNummer
017439K66 Einzeltitelanzeige (URI)
lomme-jurkjes-en-jason-27
lomme-jurkjes-en-jason-27
lomme-jurkjes-en-jason-27

Lomme Freek, Hrsg.: Jurkjes en Jason - 27 views on terrorism today


Lomme Freek, Hrsg.
Jurkjes en Jason - 27 views on terrorism today
Eindhoven (Niederlande): Onomatopee, 2008
(Buch) 64 unpag. S., 24x17 cm, Auflage: 700, ISBN/ISSN 978-90-78454-18-2
ZusatzInformation Students of the Eindhoven Design Academy, Faculty of Man and Communication, have worked on a project about the representation of terrorism under the guidance of designer and teacher Annelys de Vet. In collaboration with Freek Lomme, director of Eindhoven based presentation-institution and publishing company Onomatopee, a book and exposition became the result of this.
Text von der Webseite
Sprache Englisch / Niederländisch
Stichwort Nullerjahre
WEB www.onomatopee.net
TitelNummer
011526401 Einzeltitelanzeige (URI)
davis-the-trip-andy-warhol
davis-the-trip-andy-warhol
davis-the-trip-andy-warhol

Davis Deborah: The Trip - Andy Warhol's Plastic Fantastic Cross-Country Adventure


Davis Deborah
The Trip - Andy Warhol's Plastic Fantastic Cross-Country Adventure
New York (Vereinigte Staaten von Amerika): Atria Books, 2015
() 324 S., 24x14 cm, ISBN/ISSN 978-1-4767-0351-0
Techn. Angaben Hardcover, fadengeheftet, mit Schutzumschlag
ZusatzInformation From the author of Strapless and Guest of Honor, a book about a little-known road trip Andy Warhol took from New York to LA in 1963, and how that journey—and the numerous artists and celebrities he encountered—profoundly influenced his life and art.
In 1963, up-and-coming artist Andy Warhol took a road trip across America. What began as a madcap, drug-fueled romp became a journey that took Warhol on a kaleidoscopic adventure from New York City, across the vast American heartland, all the way to Hollywood and back.
With locations ranging from a Texas panhandle truck stop to a Beverly Hills mansion, from the beaches of Santa Monica to a Photomat booth in Albuquerque, The Trip captures Warhol’s interactions with Dennis Hopper, Peter Fonda, Marcel Duchamp, Elizabeth Taylor, Elvis Presley, and Frank Sinatra. Along the way he also met rednecks, beach bums, underground filmmakers, artists, poets, socialites, and newly minted hippies, and they each left an indelible mark on his psyche.
In The Trip, Andy Warhol’s speeding Ford Falcon is our time machine, transporting us from the last vestiges of the sleepy Eisenhower epoch to the true beginning of the explosive, exciting ’60s. Through in-depth, original research, Deborah Davis sheds new light on one of the most enduring figures in the art world and captures a fascinating moment in 1960s America—with Warhol at its center.
Text von der Webseite
Sprache Englisch
Stichwort 60er Jahre / Pop Art / Reise
WEB www.artbooksonline.eu/art-16612
TitelNummer
025107686 Einzeltitelanzeige (URI)
naivsuper-cd 013
naivsuper-cd 013
naivsuper-cd 013

Chessex Antoine: self titled


Chessex Antoine
self titled
Berlin (Deutschland): naivsuper, 2008
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 013, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInformation recorded at the Electronic Church in 2007.
Saxophon recorded at the Electronic Church in 2007. No overdubs, no manipulations.
When we (naivsuper) met Antoine in november 2007 to record his saxophone drones we didn´t really know what to expect because Antoine´s drones are perfect in a live situation. We weren´t sure if we could capture the richness of his sound, his working with the accoustics of a room and the strange almost discomforting breathing noises he makes when circular breathing on a CD. We basically wanted to hear him moving in the room, we wanted to see with our ears.
For the recording we chose the Electronic Church in Berlin because we have seen him perform there earlier the same year and it was absolutely fantastic.
The day of the recording was an incredible cold day in Berlin and due to the fact that the Church has no heating we could see our breath and feel the unbelievable cold humidity of a groundfloor room that hasn´t been aired in some time crawling up our pants.
It took Antoine almost an hour to warm up the saxophone and to get a satisfying tone. When he was finally ready to record the first take he was already a little bit out of breath. After 5 minutes of circular breathing his nose and lung started to freeze. We then tried a few more times but after another hour we were all coughing and sneezing and the saxophone was frozen so that we decided to postpone this session.
When we listened to the material at home we discovered that there was almost everything we wanted. We recorded how Antoine is fighting the cold and the exhaustion. There is the room, the breathing and movement. There is sound - almost an evolution of sounds - they are born slowly, grow up and then slowly disappear or extinguish.
We highly recommend you to listen with headphones. A follow up to this great document is planned, too
Stichwort Nullerjahre
WEB www.naivsuper.de
TitelNummer
008565267 Einzeltitelanzeige (URI)
unpublished issue01
unpublished issue01
unpublished issue01

Mineo Andrea, Hrsg.: Unpublished - Best unseen photography - Issue no. 01


Mineo Andrea, Hrsg.
Unpublished - Best unseen photography - Issue no. 01
Mailand (Italien): Unpublished, 2010
(Zeitschrift, Magazin) 40 S., 29,7x21 cm,
Techn. Angaben Lose Blätter ineinander gelegt, Farbkopien nach PDF
ZusatzInformation ABOUT
A simple and straightforward layout, an awesome format, no advertising, 500 hand numbered copies and
a free and selected distribution. Unpublished is a democratic and exchange place where photography
meets the public, without any filter.
Unpublished gathers the best unpublished images of young photographers from all over the world,
selected not only for their aesthetic value, but through a careful analysis of the cultural context,
the artistic and human paths.
A large project that ends each edition of Unpublished with a group exhibition in which it will
be possible to buy at affordable prices the original and signed prints of the published works, donated
and assessed by the authors themselves. No art dealers, no galleries and outside the market logic.
Unpublished is a "call for freedom", a pure and direct line that connects the artist and his work with
the outside world. And vice versa.
Artists:
Nina Ahn, Bjarne Bare, Maryanne Casasanta, Elisabetta Claudio, Bridget Collins, Matthew Connors, Jonnie Craig, Marius Ektvedt, Charlie Engman, Andris Feldmanis, Todd Fisher, Levi Mandel, Mitsuko Nagone, Erin Jane, Nelson, Violeta Niebla, Osvaldo Sanviti, Katie Shapiro, Micol Talso.
Von der Webseite
WEB www.unpublishedmag.com
TitelNummer
009058269 Einzeltitelanzeige (URI)

Bokoros Christos Th.
Odos Eleftherias - Freedom Street
Nikosia (Zypern): the Office Gallery, 2012
(Plakat) 59x42 cm,
Techn. Angaben Plakat
ZusatzInformation In the context of a continuous and persistent spiritual quest in the field of Greek art and its history, the artist Christos Bokoros appears —through simple themes and earthy, warm materials— to win an important battle. He has silently found a subtle and significant way of stripping bare certain symbols—his own ‘signs’: a way of isolating those symbols from anything unnecessary and superfluous, and of drawing the community’s attention to them by revealing them to be purified, resurrectional and full of fire.
Through the presentation of a series of paintings entitled ‘ODOS ELEFTHERIAS’, Bokoros ventures a direct discourse of these ‘signs’ with buildings and streets that are adjacent to, or end up at, Lefkosia’s Green Line. Many of these buildings have suffered damages and decay. One could say that in their own way they constitute a second crevice near the Green Line that divides the state. It is in these fissures that the artist sets up - plants - his ‘ODOS ELEFTHERIAS’, in the hope of giving the city’s centre new fruits and joyous vibrations—in a silent and honest alliance with all the indigenous revitalizing forces
Geschenk von the Office Gallery
Stichwort Ausstellung / Malerei
WEB www.bokoros.gr
TitelNummer
016887079 Einzeltitelanzeige (URI)
ozon shelter
ozon shelter
ozon shelter

Dragonea Danai, Hrsg.: OZON International Winter 2012-13 Shelter issue


Dragonea Danai, Hrsg.
OZON International Winter 2012-13 Shelter issue
Athen (Griechenland): Ozon Magazine, 2012
(Zeitschrift, Magazin) 29x23 cm, ISBN/ISSN 1792-3085
ZusatzInformation OZON Magazine is an urban fashion magazine that has had a stable and significant reputation as an independent publication since 1996. OZON is a different form of fashion periodical that focuses on urban youth culture, modern fashion, art and music.
The new international issue of OZON is devoted to our personal shelters all over the universe. You will gaze at beautiful pictures and read beautiful minds in search of tranquility and introspection. We discover forgotten places and wonder whether our shelters look alike.
Interviews with: Anders Petersen, George Pitts, Steven Tai, Wes Lang, Martin Stranka, Phoebe English and more. Photography by Alena Jascanka, Yorgos Mavropoulos, Sonia Szóstak, Rita Lino, Nikolas Ventourakis, Hayley Louisa Brown, Sophie Van Der Perre, Winter Vandenbrink.
Text von der Webseite
Namen Alena Jascanka / Anders Petersen / George Pitts / Hayley Louisa Brown / Martin Stranka / Nikolas Ventourakis / Phoebe English / Rita Lino / Sonia Szóstak / Sophie Van Der Perre / Steven Tai / Wes Lang / Winter Vandenbrink / Yorgos Mavropoulos
Sprache Englisch
Stichwort Fotografie / Jugendkultur / Mode / Musik
WEB www.ozonweb.com
TitelNummer
009715307 Einzeltitelanzeige (URI)

Antelo-Suarez Sandra, Hrsg.
TRANS> arts.cultures.media, 01 Premier Issue
New York, NY (Vereinigte Staaten von Amerika): PASSIM , 1995
(Zeitschrift, Magazin) 27x21 cm, ISBN/ISSN 1888209003
Techn. Angaben Broschur
ZusatzInformation TRANS>, a multilingual journal, chronicles contemporary art and culture from around the world. The multidisciplinary publication is divided into three sections - Project Sites, Telesymposium, and Overviews, Views and Reviews - and includes theoretical, critical, art historical and fictional texts by leading thinkers and critics.
Namen Barry Schwabsky / Ben Neill / Bill Jones / Dan Cameron / David Reed / DJ Spooky / Erena Hernandez / Ernesto Laclau / Felix Gonzalez-Torres / Gerardo Mosquera / Gregory Volk / Guy Brett / Judith Butler / Karen Stempel / Ken Lum / Lisette Lagnado / Matthew Weinstein / Maureen Sherlock / Michael Madore / Nancy Campbell / Paul Mattick / Paul Miller / Reginald Woolery / Reinaldo Laddaga / Roger Denson / Sandra Antelo-Suarez / Sheila Faria Glaser / Sonia Salztein-Goldberg / Thomas McEvilley
Stichwort 1990er Jahre
WEB www.transmag.org
TitelNummer
003125218 Einzeltitelanzeige (URI)
dimanche-skate-co
dimanche-skate-co
dimanche-skate-co

N. N.: LA.ZINE.


N. N.
LA.ZINE.
London (Großbritannien): Dimanche skate co., 2016
(Zine) 20 unpag. S., 21x14,8/ cm,
Techn. Angaben Drahtheftung
ZusatzInformation Dimanche skate co. is a London based brand born from the love for skateboarding, culture, design, and photography. It all started with a roll of film shot in London and New York at the start of 2014, these photos then went on to inspire the brand's original style aesthetic and products. All products are made in limited runs with a focus on quality and simplicity. The product line ranges from decks, t-shirts, rugby shirts and beanies to patches and photography.
Text von der Webseite
Stichwort Fotografie / Los Angeles / Skate Boards / Sport
TitelNummer
023298605 Einzeltitelanzeige (URI)
cane-popular-culture-1
cane-popular-culture-1
cane-popular-culture-1

Crane Diana: The Production of Culture - Media and the Urban Arts - Foundations of Popular Culture Vol. 1


Crane Diana
The Production of Culture - Media and the Urban Arts - Foundations of Popular Culture Vol. 1
Newbury Park, CA (Vereinigte Staaten von Amerika): SAGE Publications, 1992
(Buch) 198 S., 21,5x13,2 cm, ISBN/ISSN 0-8039-3694-X
Techn. Angaben Broschur

Stichwort 1990er Jahre
TitelNummer
014634530 Einzeltitelanzeige (URI)
pixel-this-06
pixel-this-06
pixel-this-06

Fotiadou Anna, Hrsg.: Pixel this no. 006 - Connected Urban Retreat


Fotiadou Anna, Hrsg.
Pixel this no. 006 - Connected Urban Retreat
Nikosia (Zypern): Selbstverlag, 2006
(Zeitschrift, Magazin) 40 unpag. S., 20x20 cm, Auflage: 200,
Techn. Angaben Drahtheftung, in transparenter Kunststoffhülle mit Aufkleber
ZusatzInformation PIXEL THIS zine is a communication medium that aims to bring together voices to unleash feelings, concepts, desires, experiments, thoughts and questions. Targeted to creative lovers, every issue will have a theme that all contributing artists (local & international) will work towards – the zine accepts illustrations, photographs, graphic art, poetry, articles, and rants, basically anything that can be printed. The zine’s format is: 20x20cm, black & white, photocopied, staple bind, in plastic sleeve and sealed with paper sticker
Text von ZineWiki
Stichwort Nullerjahre
TitelNummer
014460524 Einzeltitelanzeige (URI)
naprushkina-the-convincing-victory
naprushkina-the-convincing-victory
naprushkina-the-convincing-victory

Naprushkina Marina: the convincing victory - two stories on what really happened


Naprushkina Marina
the convincing victory - two stories on what really happened
Berlin (Deutschland / Weißrussland): Büro für Antipropropaganda, 2011
(Zeitschrift, Magazin) 12 unpag. S., 51x26 cm,
Techn. Angaben Blätter, lose ineinander gelegt,
ZusatzInformation The Office for Anti-Propaganda was founded by Marina Naprushkina in 2007.
Started as an archive on political propaganda with the focus on Belarus the „The Office for Anti-Propaganda“ drifted to a political platform. In cooperation with activists and cultural makers Office lounges and supports political campaigns, social projects, organizes protest actions, and publishes underground newspapers.
The emphasis lies on projects which work outside the white cube and has social and political relevance. The 16-page newspaper-size novel illustrates the events which happened in Belarus during 2010 Presidential Elections. This is a story about the elections and, in particular, of the day and night of December 19, when the citizens’ peaceful demonstration against falsified elections was brutally suppressed by the police. The novel presents two views
on the developments in parallel. The first one shows how the events are interpreted by the state regime and currently widely publicized by state-run newspapers and television. The other version was assembled from information presented by independent media, which for the most part can exist only in the Internet, i.e. blogs, oppositional websites, users’ comments, testimonies of victims and political activists.
Text von der Website
Mit Untzerstützung der Konrad Adenauer Stiftung und der Zeit-Stiftung Ebelin und Gerd Bucerius
Sprache Englisch
Geschenk von Radmila Krstajic
Stichwort Aktivist / Politik
WEB www.office-antipropaganda.com
TitelNummer
015890559 Einzeltitelanzeige (URI)

Yoon J. Meejin: ABSENCE

yoon-absence-zu
yoon-absence-zu
yoon-absence-zu

Yoon J. Meejin: ABSENCE


Yoon J. Meejin
ABSENCE
New York, NY (Vereinigte Staaten von Amerika): Printed Matter, 2003
(Buch) 240 ca. S., 12,5x10 cm, Auflage: 2000, ISBN/ISSN 0-89439-013-9
Techn. Angaben Umschlag aus Karton mit Leinenstreifen, ca. 120 Seiten gestanzt
ZusatzInformation 2004 winner of I.D. Magazine's Design Distinction award, Absence is the third book to come out of Printed Matter’s Publishing Program for Emerging Artists, a program made possible through the generous support of New York City's Department of Cultural Affairs, The Andy Warhol Foundation for the Visual Arts, the Elizabeth Firestone Graham Foundation, and the Heyday Foundation. The generosity of Whitney trustees Melva Bucksbaum and Raymond J. Learsy was instrumental to the Museum’s participation in the publication of this exciting new work.
Both a book and a sculptural object, Absence is a memorial to the twin towers of the World Trade Center. Yoon, an architect and designer who is currently an Assistant Professor of Architecture at the Massachusetts Institute of Technology, chose not to produce a traditional design proposal for the World Trade Center Memorial Competition. Instead she created a non-architectural, non site-specific space of remembrance: a portable personal memorial in the form of book.
At almost two pounds, Absence has a considerable physical presence, but it is in every way the ghost of a presence, and it is this ghostliness that gives it its particular emotional weight. A solid white block of thick stock cardboard pages, the book’s only "text" consists of one pinhole and two identical squares die-cut into each of its one-hundred-and-twenty pages – one for each story of the towers including the antenna mast. These removed elements lead the reader floor by floor through the missing buildings towards the final page where the footprint of the entire site of the World Trade Center is die-cut into a delicate lattice of absent structures.
Of all of the proposed monuments and grand designs for the twin towers to emerge in the last two years, Absence is remarkable for its employment of an under-used strategy: restraint. The simplicity of Yoon’s materials and her use of repetition speak, without words, about unspeakable loss. Quiet, respectful, mournful, the book does not aim to represent the magnitude of the disaster. Instead it appeals to the vastness of the reader’s imagination and capacity to grieve. The human scale of her memorial operates on a personal level – it delivers the memory of lives lost into the reader’s hands. At the same time, as a scale model of a vanished architectural site, it operates on a larger cultural level by commemorating the site itself.
Text von der Webseite. Fotos Xenia Fumbarev
Sprache Englisch
Stichwort Amerika / Erinnerung / Künstlerbuch / Terror / Twin Towers
WEB https://www.printedmatter.org/catalog/16965/
TitelNummer
024451593 Einzeltitelanzeige (URI)
naivsuper 007
naivsuper 007
naivsuper 007

Leonard Stephane / Eichhorn Martin: LOVE


Eichhorn Martin / Leonard Stephane
LOVE
Berlin (Deutschland): naivsuper, 2011
(Buch) 28 S., 14,8x14,8 cm, ISBN/ISSN 978-3-940548-22-1
Techn. Angaben Buch 007, Drahtheftung, in Transparenthülle
ZusatzInformation Sketches and Experiments from the artwork:
ALARMA MAN | LOVE FOREVER.
The record was published by sinnbus records in 2010.
In the process of drawing and designing the cover a small book emerged and was meant to be published and shared with the world.
´LOVE´ is a selection of drawings on found footage photographs by the artist Stephane Leonard and those drawings processed and edited by the designer Martin Eichhorn.
The first half of the book is dedicated to all the drawings and the second half to various layout sketches and experiments for the artwork of the swedish band Alarma Man´s 2010 record LOVE FOREVER. The photographs display different stages within relationsships - from childhood to marriage to death. Leonard´s drawings and drawn words react and interact with the photos scratching off the obvious, exposing invisible emotional aspects of the scene
WEB www.naivsuper.de
TitelNummer
008510213 Einzeltitelanzeige (URI)
naivsuper-cd 011
naivsuper-cd 011
naivsuper-cd 011

Mars Leo: Lightears


Mars Leo
Lightears
Berlin (Deutschland): naivsuper, 2007
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 011, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInformation recorded in 2007 at the Leo Mars studio.
´Lightears´ is the long awaited debut album by Berlin duo Leo Mars. After a year of trial and error, a lot of sessions, sound collecting and analysation of possibilities a precisely crafted, yet astonishingly free floating album came to life. In times of almost infinite sounds, instruments and styles it took the duo some time to come up with the basic material, form a language and then of course learn to speak it. Hours were spent in the studio and their favourite lebanese restaurant discussing the world of sound.
´Lightears´ intelligently smudges the borders between a classic drone, an underground noise, a playful improvisation and an old fashion musique concrete record. All the genres fall into place rather unpretentious with pure sound excitingly assembled to challenge ones listening habits.
It is a rather harsh production always bouncing back and forth between digital, crisp electronics and field recordings pushed way over the edge.
With minimal gear and set up Leo Mars managed to manoveur themselves somewhere inbetween a bedroom thrashing noise keyboard project and a theoratical paper score composer duo. Performing in a trance - allowing things to happen - awaken - making a conscious decision - slipping back into space
Stichwort Nullerjahre
WEB www.naivsuper.de
TitelNummer
008567267 Einzeltitelanzeige (URI)

Cerezo María / Llensa Emma, Hrsg.
Atem Books
La Bisbal d'Empordà (Spanien): Atem Books, 2010
(Plakat) 48x33 cm, 2 Stück.
Techn. Angaben Plakat, vermutlich beschnitten
ZusatzInformation Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
Why ‘Atem’?
‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
Who we are
Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
What we can do
We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
Atem Books is 100% independent!
We don’t receive any external money. This project survives with the earns we do selling our publications.
Von der Webseite
WEB www.atembooks.com
TitelNummer
009056303 Einzeltitelanzeige (URI)

Morrison Rachael / Senior David, Hrsg.
Millennium Magazines
New York, NY (Vereinigte Staaten von Amerika): MoMA Library, 2012
(Heft) 78 S., 29,7x21 cm,
Techn. Angaben Farbkopien nach PDF, lose ineinander gelegt, Dokumentation der Ausstellung
ZusatzInformation This survey of experimental art and design magazines published since 2000 explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Throughout the 20th century, international avant-garde activities in the visual arts and design were often codified first in the informal context of a magazine or journal. This exhibition, drawn from the holdings of the MoMA Library, follows the practice into the 21st century. The works on view represent a broad array of international titles within this genre, from community-building newspapers to image-only photography magazines to conceptual design projects. The contents illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are obvious connections to the past lineage of artists’ magazines and little architecture and design magazines of the 20th century, as well as a clear sense of the application of new techniques of image-editing and printing methods. Assembled together, these contemporary magazines provide a first-hand view into these practices and represents the MoMA Library’s sustained effort to document and collect this medium.
Text von der Webseite
WEB www.moma.org/visit/calendar/exhibitions/1244
TitelNummer
009734335 Einzeltitelanzeige (URI)
ruiz-bearcode-by-anna-colin
ruiz-bearcode-by-anna-colin
ruiz-bearcode-by-anna-colin

Ruiz Francesc, Hrsg.: bearcode by Anna Colin


Ruiz Francesc, Hrsg.
bearcode by Anna Colin
London (Großbritannien): Gasworks, 2010
(Heft) 44 unpag. S., 25,3x17,8 cm,
Techn. Angaben Drahtheftung, in losem Pappumschlag, zwei verschiedene Papiere, in transparenter Kunststoffhülle mit Aufklebern
ZusatzInformation Begleitheft zur Ausstellung "Gasworks Yaoi" vom 26.11.2010 - 23.01.2011 im Gasworks in London.
"Gasworks Yaoi" is the first solo exhibition by Spanish artist Francesc Ruiz in London. The show is the culmination of Ruiz's research in the local area, conducted during his residency at Gasworks. Inspired by the longstanding gay establishments in Vauxhall, the artist has created a semi-fictional narrative that overemphasises the clichés around sexuality and lifestyle in the area.
For "Gasworks Yaoi", Ruiz will transform the front of the gallery into a bookshop specialising in yaoi comic books. Originating in Japan, this genre (translated as 'boys love') depicts male homoerotic narratives. However, unlike male-oriented gay erotica, yaoi comic books are both produced and consumed by women.
The yaoi comics, featured in Ruiz's bookshop at Gasworks are allegedly produced by female amateur illustrators who portray the encounters of a group of men whose nightlives revolve around Vauxhall's sprawling gay club and bar scene. By adopting the yaoi comic format and resorting to female authorship, Ruiz distances himself from the stories and characters he depicts, allowing for the imagination to run wild, indulging in stereotypes and idealised situations. Through the comics' humour and distortion of reality Ruiz gives himself license to explore a specific subculture and the way it sits within the wider fabric of the neighbourhood.
Turned into a specialised comic bookshop for women, Gasworks' space becomes an environment where sexuality, local context and its social dynamics are fictionalised and packaged into a product for consumption.
Text von der Webseite
WEB www.gasworks.org.uk
TitelNummer
011791407 Einzeltitelanzeige (URI)
vries-wit-white
vries-wit-white
vries-wit-white

De Vries Herman: wit white


De Vries Herman
wit white
Brest (Frankreich): Zédélé éditions, 2012
(Buch) 352 S., 21x15 cm, ISBN/ISSN 978-2-915859-41-6
Techn. Angaben Broschur mit Banderole, eingelegt ein Informationsblatt
ZusatzInformation Originalausgabe erschienen bei Artists Press, Bern, 1980.
This book is the third and final version of the first artist’s book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: “wit is overdaad”. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second “revised” edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjörg Mayer in Stuttgart. The only printed elements were the artist’s name, the title and the publisher’s name on the cover, the word “introduction” and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the “third revised edition”, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means “white” in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:

white is white
0 = 0
no name
no idea
not even emptiness,

Text von der Webseite
TitelNummer
012052000 Einzeltitelanzeige (URI)
art-rite-20
art-rite-20
art-rite-20

Demi: Art-Rite, No. 20 Pearl Girl, An Operetta - a libretto


Demi
Art-Rite, No. 20 Pearl Girl, An Operetta - a libretto
New York, NY (Vereinigte Staaten von Amerika): Art-Rite Publishing, 1978
(Zeitschrift, Magazin) 24 S., 28x21 cm,
Techn. Angaben Drahtheftung
ZusatzInformation Illustrated with charming line drawings of urban love, this score includes music and lyrics for eight voices and clavichord, bell, flute, violin, oboe, horn, cymbal, drum. Each of the three acts are introduced with a plot synopsis of the amorous adventures of protagonists Pearl and Anthony. The libretto ends with a thoughtful epilogue: As young lovers Pearl and Anthony must acknowledge the reality of their sentiment for each other as a separate and a whole reality from their surroundings they must effectively substitute the ...skylines that they could inhabit for the places and constructs as spiritual parts of themselves and to the intuitions and instincts to their intentions and to their youth as ingenuous their present and their future have become realized as each other they must consider a different sort of naiveté
Stichwort 1970er Jahre
TitelNummer
012539446 Einzeltitelanzeige (URI)
bonnet-whose-heritage
bonnet-whose-heritage
bonnet-whose-heritage

Bonnet Anne-Marie, Hrsg.: Whose Heritage? - Floorplan Papers


Bonnet Anne-Marie, Hrsg.
Whose Heritage? - Floorplan Papers
München (Deutschland): autopress, 2017
(Buch) 252 S., 19x13,5 cm, Auflage: 500, ISBN/ISSN 978-3-931184-08-7
Techn. Angaben Broschur
ZusatzInformation Whose heritage are we dealing with? With this one-day conference, we want to create an overview of the contemporary discussions on museums dealing with old and new formats of heritage. The morning session has been set up as an informal “World Café”. In this interactive format, the guests are invited to address pertinent topics such as transnationality, transculturality, shared heritage, intellectual property, “Deutungshoheit”, restitution, museological concepts & categorisations and the management of meaning in art and culture. In the afternoon, the conference will bring together honourable guests from the academic and practical museum-fields. The podium is not only dedicated to aspects of how to deal with/handle/encounter so called “other” cultures but also in addressing questions of our own cultural and intellectual heritage. We would like to encourage the audience to participate in the debate.
Text von der Webseite
Namen Benjamin Dodenhoff / Caroline Yi / Christoph Balzar / Janine Huge / Kathrin Michel / Kristina Engels / Marie-Christin Gerwens-Voß / Martin Schmidl / Samia Ouladzahra / Sandra Duhem
Sprache Deutsch / Englisch
Geschenk von Martin Schmidl
Stichwort Konferenz / Kulturerbe
WEB http://floorplan-research.com/
TitelNummer
023960658 Einzeltitelanzeige (URI)
magazine-1
magazine-1
magazine-1

Moon Hanna, Hrsg.: A Nice Magazine Issue 1


Moon Hanna, Hrsg.
A Nice Magazine Issue 1
London (Großbritannien): A Nice Magazine, 2014
(Zeitschrift, Magazin) 192 S., 24x17 cm, Auflage: 500,
Techn. Angaben Broschur
ZusatzInformation A Nice Magazine is a collaborative platform for emerging and established talent, including work from a group of friends, and names such as Tyrone and Mark Lebon. A space that aims to define a counter culture through imagery and humour, A Nice Magazine rejects seriousness, whilst celebrating collaboration and being young!
Abschlussarbeit bei Central Saint Martins
WEB www.anicemagazine.com
TitelNummer
012394446 Einzeltitelanzeige (URI)
1843-heft-1
1843-heft-1
1843-heft-1

Duncan Emma, Hrsg.: The Economist 1943 Issue 01


Duncan Emma, Hrsg.
The Economist 1943 Issue 01
London (Großbritannien): The Economist, 2016
(Zeitschrift, Magazin) 130 S., 27,5x20,2 cm, ISBN/ISSN 2397-2238
Techn. Angaben Broschur
ZusatzInformation The launch issue hits newsstands on March 9 with an April/May cover, and will have 120 pages. The redesigned site will go live, without a paywall, on March 7, the same day that the social accounts and the app will revert from Intelligent Life to 1843. 1843 will, like Intelligent Life before it, publish six issues a year.
Newly appointed editor Emma Duncan has come on board from The Economist where she was deputy editor. At 1843, she leads a team of 25 across editorial and commercial, and also can pull on the wider global Economist team.
Text von der Webseite
A new magazine of ideas, lifestyle and culture
Stichwort Design / Kulturmagazin / Style / Travel
TitelNummer
015658000 Einzeltitelanzeige (URI)
lust auf gut
lust auf gut
lust auf gut

Feicht Thomas, Hrsg.: Lust auf Gut - Republic of Culture - München und drum herum 10


Feicht Thomas, Hrsg.
Lust auf Gut - Republic of Culture - München und drum herum 10
München (Deutschland): Freie Radikale, 2012
(Zeitschrift, Magazin) 98 S., 30x23 cm, Auflage: 10000, 2 Stück.
Techn. Angaben Erste Ausgabe für München
ZusatzInformation Dabei geht es uns nicht um Hochkultur gegen Design gegen Schnick-Schnack. Uns geht es auch nicht um Abgrenzung, sondern um eine ganzheitliche An-Sicht der Kultur. Wir wollen loben, ausloben. Die, die einfach versuchen, die Dinge gut zu machen. Aber ehrlich – es geht schon etwas gegen die Billig-Billig- und die Geiz-Kultur.
Deshalb haben wir einen virtuellen Staat der Qualität gegründet – die „Republic of Culture“.
Wir vernetzen (sagt man ja heute so) dort die KLASSISCHE KULTUR mit
der von uns mal so genannten AUFTRAGS-KULTUR (Architektur, Design,
Fotografie und Gestaltung), der KOMMERZIELLEN KULTUR (Marken) und
dem qualifizierten Handel (auch Galerien).
Text von der Webseite
Geschenk von Christian Topp
WEB www.lust-auf-gut.de
TitelNummer
009402282 Einzeltitelanzeige (URI)



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