infoVolltextsuche nach
Autor, Titel, Verlag, Ort, Jahr, technische und inhaltliche Einträge, Land, Sprache, Namen, Spender, Webseite, Auflage, Sponsoren, Nachlass, Titelnummer und Stichwort.
Sie können mehrere beliebige GANZE Wörter bzw. nur EIN TEIL-Wort eingeben.
Bei der Suche mit GANZEN Wörtern werden alle Datensätze angezeigt, die alle Suchbegriffe enthalten, die relevantesten Einträge zuerst.
Sonderzeichen #,+,§,$,%,&,/,?,*,-,.,_,! werden besonders behandelt und können zu ungenauen Suchergebnissen führen.
Bei Umlauten Gross- und Kleinschreibung beachten.
Phrasensuche = genauer Wortlaut mit Anführungszeichen, z.B. "konkrete, visuelle" oder "Gfeller & Hellsgard".
Sortierung

Abwärts sortierenAnzahl Read Less
Volltext-Suche Erweiterte Suche NeueEinträge


Ergebnis der AAP-Volltext-Katalogsuche nach Pierre Klossowski

Medienart: alle Medien, Sortierung: ID, absteigend.

Alle Suchbegriffe sind in jedem Ergebnis enthalten: 3 Treffer

Klossowski Pierre
Die Ähnlichkeit (La Ressemblance)
Bern / Berlin (Schweiz / Deutschland): Gachnang & Springer, 1986
(Buch) 120 S., 21,5x15,5 cm, ISBN/ISSN 3-906127-11-7
Stichwort 1980er
TitelNummer
005780195 Einzeltitelanzeige (URI) Änderung

Goldmann Renate, Hrsg.
I hate Paul Klee - Papierarbeiten und Künstlerbücher aus der Sammlung Speck
Köln (Deutschland): Snoeck Verlagsgesellschaft, 2011
(Buch) 252 S., 30x21,5 cm, ISBN/ISSN 978-3-940953-94-0
Techn. Angaben Broschur mit aufklappbarem Cover,
ZusatzInformation Erschienen anlässlich der gleichnamigen Ausstellung im Leopold-Hoesch-Museum & Papiermuseum Düren, 02.10.-20.11.2011.
Namen Albert Oehlen / Arnuld Rainer / Bruce Nauman / Cerith Wyn Evans / Cy Twobmly / Dan Asher / Enrico David / Franz von Bayros / Geord Herold / Günter Brus / Günther Förg / Hamish Fulton / Heiner Blum / Hermann Nitsch / Hubert Kiecol / James Lee Byars / James Turrell / Jannis Kounellis / Jérémie Bennequin / Kay Heymer / Lawrence Weiner / Marcel Broodthaers / Marcel Proust / Mario Merz / Martin Kippenberger / Michael von Biel / Nicole Eisenman / Per Kirkeby / Pierre Klossowski / Richard Tuttle / Rosemarie Trockel / Sigmar Polke / Stephen Prina / Thaddeus STrode / Walter Dahn / Walter de Maria
Sprache Deutsch / Englisch
TitelNummer
015650565 Einzeltitelanzeige (URI) Änderung

Crawford William
Selected works from 1990's
Genf (Schweiz): innen, 2016
(Zine) [32] S., 19x13 cm, Auflage: 500,
Techn. Angaben Drahtheftung, Schwarz-Weiss Offsetdruck
ZusatzInformation The William Crawford Estate is owned and represented by Ampersand Gallery. William Crawford's drawings were discovered in an abandoned house in Oakland, California. His work brings to mind characteristics of prison drawings, an impression confirmed by the fact that several were made on the backs of prison roster sheets dated 1997. These printouts, however, were cut down the middle, so the exact prison from which they originate is unknown. But given their origin in the Bay Area and the fact that several drawings include San Francisco landmarks, it's possible that Crawford made the work in a California state prison. Other than this information drawn from the archive itself, nothing is known about Crawford's life. Indeed, we only know his name because he signed just a few of the drawings, either as Bill, William or WM Crawford. The archive appears to have consisted of several books, with individual drawings in sequences of 30 or more adding up to tell complex visual stories. Several include written captions or fragments of conversation between male and female characters. These sequences, however, have been broken up over the years and reach us now in a fragmentary and fascinating collection of hundreds of delicate pencil drawings. The work conveys the intense sense of sexual longing of a man with an urge to tell dynamic stories. The drawings, which resemble the eroticism of Eric Stanton, the exaggerated male anatomy of Tom of Finland or the ample breasts of a John Currin, show scantily dressed women, drug use, cuckolding and orgies. The details of his interiors, the hairdos and style of dress suggest that Crawford might have come of age in the late 70s or early 80s. A cast of recurring figures populate the drawings, notably one man with a short afro and a moustache who often figures at the center of events, presumably the artist William Crawford himself. Remarkably, given the number of drawings, there is little to no repetition in the work. Crawford’s inventive eye for sexual positions, facial expressions and gestures of hand and body was vast and masterful. Simple geometric details and architectural subtleties define the unusual settings where the action unfolds. We see rooms shown from unusual angles, features that are hinted at, erased or altogether omitted and articles of clothing that are drawn with obsessive precision. This singular and original drawing style compels us to immerse ourselves in the world William Crawford created, more dream than documentation, more fantasy than perversion. Crawford's drawings have been widely exhibited, notably at Galerie Susanne Zander (Cologne and Berlin), Zieher, Smith and Horton (New York), Freddy (Baltimore) and upcoming solo exhibitions at FARAGO (Los Angeles) and Richardson (New York). His work is also featured in the latest issue of Richardson Magazine and was included in "System and Vision" at David Zwirner, an exhibition organized in collaboration with Delmes & Zander. Reviewing it, The New Yorker wrote, "William Crawford's orgiastic illustrations on the backs of prison rosters haven an erotic intensity that rivals anything by Hans Bellmer or Pierre Klossowski."
Text von der Webseite
Stichwort Erotik / Porno / Sex / Zeichnung
WEB http://www.innenbooks.com/index.php?/zines/william-crawford/
TitelNummer
026690755 Einzeltitelanzeige (URI) Änderung



nach oben Volltext-Suche Erweiterte Suche NeuEinträge