Raeder Manuel Makulatur 2010 - 2016 Berlin (Deutschland): Bom Dia Boa Tarde Boa Noite, 2016 (Buch) . ISBN/ISSN: 978-3-943514-60-5 Techn. Angaben Softcover, fadengeheftet, mit Schutzumschlag ZusatzInformation Makulatur, a German word that derives from lat. maculatura ’something stained’, refers to misprinted paper that is discarded at the beginning of the printing process as use- and worthless. In 2010, the graphic designer Manuel Raeder started to collect and preserve misprinted sheets of all the publications he designed not only for his own publishing house BOM DIA BOA TARDE BOA NOITE but also for fellow artists and institutions.
Text von der Website. Sprache Englisch StichwortArtist Book / Concept Art / Konzept Kunst / Künstlerbuch WEB https://bomdiabooks.de/ TitelNummer 025272696 Einzeltitelanzeige (URI)
Goller Manuel / Raeder Manuel, Hrsg. o. T. Berlin (Deutschland): Bom Dia Boa Tarde Boa Noite, 2017 (Lieferverzeichnis) 24 unpag. S., 29,7x13,2 cm, 3 Teile. Techn. Angaben Drahtheftung, zwei Streifen aus Papier und Karton, in Briefumschlag ZusatzInformation The small publishing house is specialized in high quality artist books that are conceived as an integral part of an art work or as the art work itself that, often, plays with the format of the book and reflects its medium. In 2014, the first book of Bom Dia Kinder, a new series of children books made by artists, was launched.The books of Bom Dia are produced in close collaboration with a group of fellow artists, among others Henning Bohl, Daniel Steegmann Mangrané, Mariana Castillo Deball, Haegue Yang, Leonor Antunes, Abraham Cruzvillegas.
Text von der Webseite Sprache Englisch StichwortAnthropologie / Fotografie / Künstlerbuch / Malbuch / Poesie WEB www.bomdiabooks.de TitelNummer 024680610 Einzeltitelanzeige (URI)
Berberich Frank, Hrsg. Lettre International, Heft 109 Berlin (Deutschland): Lettre International, 2015 (Zeitschrift, Magazin) 146 S., 37x27 cm, ISBN/ISSN 0945-5167 Techn. Angaben Drahtheftung, Cover halbseitig beschnitten, eingebundene Bestellkarte ZusatzInformation Mit Fotografien von Juan Manuel Castro Pietro.
KUNSTKONZEPTE
Jean-Claude Pinson, HOBBY UND DANDY - Die Demokratisierung der Kunst und der Horizont der Unsterblichkeit
Georges Didi-Huberman, Heinz-Norbert Jocks, BLICKVERÄNDERUNGEN - Die Kultur der Schwelle im Lichte von Prinzip Hoffnung
John Roberts, APORETISCHER REALISMUS - Alter-Realismus als philosophisches Konzept und künstlerischer Horizont
Eva-Maria Schön, AUS DER HAND - Photogramm Namen Eva-Maria Schön / Georges Didi-Huberman / Heinz-Norbert Jocks / Jean-Claude Pinson / John Roberts / Juan Manuel Castro Pietro WEB www.lettre.de TitelNummer 015007K55 Einzeltitelanzeige (URI)
Chiocca Susana, Hrsg. a Sala 2006-2011 Porto (Portugal): Selbstverlag, 2012 (Sammeltuete, Schachtel, Kassette) 32,2x21,5 cm, 14 Teile. ISBN/ISSN 978-989-20-2880-4 Techn. Angaben 12 zweifach gefaltete Plakate (je 42,4x43,8 cm), 2 geklammerte Hefte, eingschlagen in ein mehrfach gefaltetes Plakat (43,4x76,1 cm), zusammengehalten durch eine Banderole mit Betitelung
Altaió Vicenc / Guerrero Manuel / Pibernat Joaquim / Sala Manel / Serrahima Claret, Hrsg. Cave Canis, 1. Barcelona (Spanien): A.C.T. invisible, 1995 (Sammeltuete, Schachtel, Kassette / Heft / Objekt, Multiple / Ephemera, div. Papiere / Plakat / Zeitschrift, Magazin) 32x24x5 cm, Auflage: 600, Techn. Angaben Schachtel Hartpappe, Siebdruck (?), mit verschiedenen Materialien ZusatzInformation Inhalt: Einzelblatt (Manifest contra el Populisme Pervers), gefaltete Pappe mit Baumwollsocke, 3 Hefte, Leporello, Heft mit Originalnegativ, geschlossener Umschlag, gefaltetes Poster mit Sand, Folder.
In the wake of the worldwide glorification of Barcelona via the 1992 Olympics Games, a group of publishers felt that it was time to revive the creative and critical spirit at a cultural level, in the form of a magazine, in order to demonstrate the prevailing level of creativity - via manifestos and works without intermediaries. As a result, Vicenc Altaió, Claret Serrahima, Manel Guerrero, Joaquim Pibernat and Manel Sala launched the magazine, Cave Canis, (which literally means "beware of the dogs") in Barcelona, in 1996.
Starting with its first edition the magazine announced that it would have a short-lived existence - only 9 issues were published, each corresponding to one letter of the publication’s name. The magazine was constituted by a cardboard box, designed by Claret Serrahima, a manifesto, an artist’s book and sometimes contained CDs with recordings and other artistic objects, all associated with the same monographic topic. Each issue had a letter on the front cover designed by an artist. Cave Canis wasn’t available in the usual retail outlets. Each issue was presented in an unusual place in the city, where the manifesto was read, copies were distributed and the magazine then disappeared from sight. The last issue was published in 1999.
Text von der Website Namen Albert Mestre / Alfredo Jaar / Antoni Tŕpies / Enric Satue / Fernando Pessoa / Harry Mathews / Joaquim Sala Sanahuja / Manel Esclusa / Marcial / Miquel Baucŕ / Mŕrius Serra / Perejaume / Xin Kedu / Zusch Sprache Katalanisch / Spanisch Stichwort1990er Jahre Kollektiv / Zusammenarbeit TitelNummer 012550067 Einzeltitelanzeige (URI)
Almeida e Sousa Manuel Viagem em Busca da Profundeza das Coisas - Contém Arte Cascais Codex (Portugal): Mandragora, 1983 (Grafik, Einzelblatt) 22 unpag. S., 29,9x21,1 cm, Auflage: 1000, signiert, 2 Stück. Techn. Angaben Elf Einzelblätter, einseitig bedruckt und links oben geklammert in bedrucktem Umschlag mit Stempeldruck, Lithografie
Strauss Joulia, Hrsg. Krytyka Polityczna Athens Athen (Griechenland): futura Publications, 2017 (Buch) 272 S., 23,5x16,5 cm, signiert, ISBN/ISSN 1644-0919 Techn. Angaben Broschur, mit Widmung, gefaltetes Blatt eingelegt, Cover manuel bearbeitet, mit Glitzer ZusatzInformation Dear Reader,
In your hands is the Athenian issue of Krytyka Polityzcna. The Warsaw-based journal unites polymorphous freedom struggles in geographic Europe. This book is an anarchist, anti-capitalist, anti-fascist artwork. A hypothesis, and yet one that continues to be written actively on the ground. It clashes migration and education of the status quo, the effect and the cause of current violence.
The publication documents an initiative, Universitas*, and accompanies the forthcoming Symposion, The School of Everything.
This book contains the contributions of people who have recently moved to Athens from the Middle East, of Athenians who have lived here a long time, as well as of those who are based in Berlin but frequently visit Athens. brought together, they form a de-elitized and de-colonized remix of knowledge.
The chapters in this book are intertwined and in each part the reader will find contributions relevant to the whole. The authors are all united by their portrayal in anti-phrenological drawings.
In Athens, despite the invention of the State, streams of interlapping cultural influences never stopped pulsating. Such an experience of fluid identity demonstrates that citizenship is an outdated concept of class separation and nationalism. The devastating contradiction: human rights are only valid in the economically privileged zones. The failure to collaborate with the revolution in Syria dispels the last illusions of an occidental civilization and unveils the truth: we all live in the absolute financial dictatorship.
This publication includes several essays and statements on education. These are written by thinkers, philosophers, “activists”, and artists who are affiliated with the Avtonomi Akadimia, a disobedient grassroots university in Athens which claims education as a form of art. These texts, poems, manifestos and sketches of educational models are published in lieu of the abstracts for an upcoming Symposion entitled: “The School of Everything”.
We build an educational system which consists of indignant initiatives for sharing knowledge, and of proposals by thinkers who see education as key. We shift from learning to sharing. We decriminalize sharing because we would like to enjoy the pleasure of giving. We liberate ourselves from the strictures of “Homo Sapiens”, a construct imposed upon life.
We will transform the educational system of Europe.
The clash of migration and education will release a Promethean fire.
Text von der Webseite
In collaboration with aneducation and the Public Programs of documenta 14 Namen Abed Nasralla / Agnčs Rammant-Peeters / Ahmad Alkhatieb / Ariam Um al Wafa / Arnisa Zeqo / Brandon LaBelle / Click Ngwere / Elad Lapidot / Georgia Kotretsos / Ismail Alsafo / Jean-Pierre Rammant / Jenny Marketou / Joulia Strauss / Junaid Baloch / Katja Ehrhardt / Leopold Helbich / Lindsay Parkhowell / Liwaa Yazji / Luca Di Blasi / Manaf Halbouni / Mathilde ter Heijne / Mehul Sangham / Mohammad Abu Hajar / Mriganka Madhukaillya / Noah Fischer / Paul B. Preciado / Pirate Cinema / Rachel Clarke / Sameer Ahmed / Sotirios Bahtsetzis / Suhel Ahmad / Tanja Schomaker / Vasyl Cherepanyn Sprache Englisch StichwortAnarchist / Antifaschismus / Antikapitalismus / Athen / Bildung / documenta 14 / Gedicht / Gesellschaft / Kritik / Manifest / Politik / Text WEB www.futurabooks.wordpress.com/2017/06/15/874 WEB www.politicalcritique.org TitelNummer 024389676 Einzeltitelanzeige (URI)
Hefele Theresia / Hottner Oliver, Hrsg. EDITION Karbit München (Deutschland): Edition Karbit, 2015 (PostKarte) 10,5x15 cm, Techn. Angaben Werbekarte der Künstlerinitiative zu neuen Auflagen der Edition ZusatzInformation 04.12.-06.12.2015
Die „Edition Karbit“ ist eine Initiative von Münchner Künstlern, die ohne den Umweg über die Galerienlandschaft den direkten Weg zu ihrem Publikum suchen. Gute Kunst zu erschwinglichen Preisen anzubieten - das ist unser Ziel.
Text von der Webseite Geschenk vonManuel Heyer WEB www.editionkarbit.de TitelNummer 014494501 Einzeltitelanzeige (URI)
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