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Gesucht wurde Third Text, Medienart , Sortierung ID, absteigend. Alle Suchbegriffe sind in allen Ergebnissen enthalten: 13 Treffer

Verfasser
Titel
  • wit white
Ort LandBrest (Frankreich)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 352 S., 21x15 cm, , ISBN/ISSN 9782915859416
    Broschur mit Banderole, eingelegt ein Informationsblatt
ZusatzInfos
  • Originalausgabe erschienen bei Artists Press, Bern, 1980.
    This book is the third and final version of the first artists book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
    The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: wit is overdaad. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second revised edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjrg Mayer in Stuttgart. The only printed elements were the artists name, the title and the publishers name on the cover, the word introduction and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the third revised edition, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means white in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
    On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:

    white is white
    0 = 0
    no name
    no idea
    not even emptiness,

    Text von der Webseite
TitelNummer
012052000
Einzeltitel =



Titel
  • Third Reich - Bavaria Trilogy Part I
Ort LandDordrecht (Niederlande)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 96 unpag. S., 20.5x14.5 cm, , ISBN/ISSN 9789491047039
    Hardcover, fadengeheftet, Cover Leinen mit Silberfolien Prgung
ZusatzInfos
  • Mit 91 Schwarz-Wei Fotografien. Third Reich is a collection of photographs of buildings and constructions that were erected during the Nazi period in Bavaria, Southern Germany. The sites that Van der Weijde photographed include Hitler-Jugend Heime, Schools, Government Buildings, Bridges, Tunnels, Private homes, Farms, SS-Barracks, Museums, Factories, etc.
    This series of photographs offers a view of how the cultural landscape must have influenced German society in the 1930's.
    Text von der Website
WEB Link
TitelNummer
017518623
Einzeltitel =



Verfasser
Titel
  • In Production - Self-Publishing Fair for Design and Art - Third Issue
Ort LandFrankfurt am Main (Deutschland) Medium Plakat
Techn. Angaben
  • 16 unpag S., 59,2x41,6 cm, Keine weiteren Angaben vorhanden
    Mehrfach gefaltetes, beidseitig bedrucktes Plakat
ZusatzInfos
  • Infobroschre und Programm zur dritten Self-Publishing Fair for Design and Art, museum fr angewandte kunst, Frankfurt am Main, 11.-12.10.2013.
    Unter dem Titel In Production untersuchen die Teilnehmer der Third Issue Self-Publishing Fair for Design and Art am 11. und 12. Oktober im Frankfurter Museum Angewandte Kunst die Grenze zwischen Gestaltung und Druck. Im Rahmen einer Messe zeigen rund 30 junge Verlage ihre gestalterisch anspruchsvollen Bcher, Zeitschriften und Fanzines. Text von Website.
Sprache
Geschenk von Remo Weiss
TitelNummer
024157649
Einzeltitel =



Verfasser
Titel
  • to expose, to show, to demonstrate, to inform, to offer. Knstlerische Praktiken um 1990
Ort LandKln (Deutschland) Medium Buch
Techn. Angaben
  • 256 S., 26,5x20,5 cm, , ISBN/ISSN 9783902947239
    Schweizer Broschur, beigelegt eine Karte mit handschriftlichem Vermerk
ZusatzInfos
  • Katalog zur Ausstellung vom 10.10.2015 bis Sonntag bis 24.01.2016 im mumok (museum moderner kunst stiftung ludwig wien)
    Vor dem Hintergrund groer gesellschaftlicher Herausforderungen fand um 1990 eine Auseinandersetzung mit den sozialen Funktionen und Grundlagen knstlerischer Arbeit statt. Die Reflexion von knstlerischen Rahmenbedingungen und Ausstellungsfragen verschrnkte sich dabei auf vielfache Weise mit der Bearbeitung konkreter gesellschaftlicher Anliegen. Es wurden der Objektstatus und die konomischen Bedingungen des Kunstwerks hinterfragt. Soziale Ausschlussmechanismen wurden zu einem zentralen Thema. Identitts- und Genderfragen wurden heftig diskutiert, und die AIDS-Krise steuerte ihrem Hhepunkt entgegen. Ebenso waren die Folgen der Osteuropaffnung und die rasant voranschreitende Globalisierung allerorts sprbar.
    Text von der Webseite
Stichwort
TitelNummer
014388529
Einzeltitel =



Verfasser
Titel
  • ABSENCE
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 240 ca. S., 12,5x10 cm, Auflage: 2.000, , ISBN/ISSN 0894390139
    Umschlag aus Karton mit Leinenstreifen, ca. 120 Seiten gestanzt
ZusatzInfos
  • 2004 winner of I.D. Magazine's Design Distinction award, Absence is the third book to come out of Printed Matters Publishing Program for Emerging Artists, a program made possible through the generous support of New York City's Department of Cultural Affairs, The Andy Warhol Foundation for the Visual Arts, the Elizabeth Firestone Graham Foundation, and the Heyday Foundation. The generosity of Whitney trustees Melva Bucksbaum and Raymond J. Learsy was instrumental to the Museums participation in the publication of this exciting new work.
    Both a book and a sculptural object, Absence is a memorial to the twin towers of the World Trade Center. Yoon, an architect and designer who is currently an Assistant Professor of Architecture at the Massachusetts Institute of Technology, chose not to produce a traditional design proposal for the World Trade Center Memorial Competition. Instead she created a non-architectural, non site-specific space of remembrance: a portable personal memorial in the form of book.
    At almost two pounds, Absence has a considerable physical presence, but it is in every way the ghost of a presence, and it is this ghostliness that gives it its particular emotional weight. A solid white block of thick stock cardboard pages, the books only "text" consists of one pinhole and two identical squares die-cut into each of its one-hundred-and-twenty pages one for each story of the towers including the antenna mast. These removed elements lead the reader floor by floor through the missing buildings towards the final page where the footprint of the entire site of the World Trade Center is die-cut into a delicate lattice of absent structures.
    Of all of the proposed monuments and grand designs for the twin towers to emerge in the last two years, Absence is remarkable for its employment of an under-used strategy: restraint. The simplicity of Yoons materials and her use of repetition speak, without words, about unspeakable loss. Quiet, respectful, mournful, the book does not aim to represent the magnitude of the disaster. Instead it appeals to the vastness of the readers imagination and capacity to grieve. The human scale of her memorial operates on a personal level it delivers the memory of lives lost into the readers hands. At the same time, as a scale model of a vanished architectural site, it operates on a larger cultural level by commemorating the site itself.
    Text von der Webseite. Fotos Xenia Fumbarev
Sprache
TitelNummer
024451593
Einzeltitel =



Titel
  • KENZINE Vol.3
Ort LandBologna (Italien)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • [44] S., 29x22,4 cm, Auflage: 2.000, , ISBN/ISSN 9788862083850
    Drahtheftung
ZusatzInfos
  • Nur Bilder, ohne Text. KENZINE ist eine Kollaboration zwischen TOILETPAPER Magazine und KENZO.
    For the third installment in our collaboration with TOILETPAPER for our advertising campaigns, we worked with Maurizio, Micol and Pierpaolo to take people on a mysterious journey to an unfamiliar world. A place where the ordinary is slightly disorted, mirrors lead to other dimensions and the strange and beautiful coexist in singular harmony. We love that David Lynchs (the inspiration for our collections) skewed and somewhat disruptive sense of storytelling seamlessly fits with how the TOILETPAPER approach image making and the final results speak for themselves. Needless to say were delighted with the out come and hope everyone else enjoys the images as much as we do. Carol Lim & Humberto Leon
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
025617708
Einzeltitel =



Verfasser
Titel
  • You're my type - Programmbuch 2018
Ort LandMnchen (Deutschland) Medium Buch
Techn. Angaben
  • 20,5x13,5 cm, Keine weiteren Angaben vorhanden
    4 Bnde in Schuber. Schuber geprgt in Gold und Schwarz, Rckseite mit Umkehr der Farben. einzelne Cover mit Reliefprgung, geometrische Formen, Farbschnitt schwarz. Einzelne Bnde in Schweizer Broschur (Umschlag nur auf Rckseite angeklebt, Rcken mit Gewebestreifen eingefasst). Bd. 1 130 S., letzte Seite mit Kalender als Fold-Out. Bd. 2 160 S., Bd. 3 96 S., Bd. 4 Blindband, (Notizbuch), 72 S.
ZusatzInfos
  • The Typographic Society Munich is the largest organisation in Europe for typographers and people who are interested in typography and design. Since being founded in 1874 the designers club establishes a foundation for sophisticated and interdisciplinary thinking and dialogues among content and form, text and photo, tradition and innovation, design and technology. The tgm represents quality and education for the branch of communication and offers a huge accompanying training program. As Chairwoman of the club I curated several lectures in the last years, inviting design and typography celebrities.Throughout the years designers like Stefan Sagmeister, Mirko Borsche, Eike Knig, Mario Lombardo, Sascha Lobe, Fons Hickmann, Amir Kassaei or Kurt Weidemann to name a view, followed these invitations and appreciated the warm welcome of our community.
    To show the wide range of offerings we traditionally create a yearbook. More over I tried to give the content based complexity of our proposal a clear and neat arrangement. Therefore the new release is a compilation of four different books, which should invite the reader to inform themselves, to browse, to experience and to participate. The first one exposes all the topics, facts and dates for the further education programs. Part two presents all the people and their stories who are involved in the club, who are on stage and behind the scenes. The third book is a journey into the past and also the future of tgms conferences, excursions and other specials. And finally there is room for the readers own ideas, experiences and criticism as a foundation for a future dialogue with tgm.
    Every offer under the roof of tgm is a result of solidarity. It is a result of people and companies who are united by the common interest in typographic quality. This project has only been possible with the support of Ksel Druck GmbH & Co Kg, Geese Paper, mycolorserver and the collaboration with Boah Kim.
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
026526709
Einzeltitel =



Titel
  • Les Habitants du Louvre
Ort LandParis (Frankreich)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 160 S., 23x17,5 cm, Auflage: 2.000, , ISBN/ISSN 9782916275635
    Hardcover
ZusatzInfos
  • The names of all the artists featured in the collections of the Louvre are first mixed with the names of the museum's employees to comprise a unique and generic list. The authors can thus play on the notions of anonymity and celebrity, while creating a sort of directory of all those, whether known or unknown, artist or employee, who uphold the Louvre's reputation. They also add several "themed" lists cleverly organized with a good dose of humor. The third part of the book likens the portrait of Louvre employees to the self-portraits of artists displayed at the Louvre.
    Text von der Webseite
Sprache
Stichwort
TitelNummer
011947427
Einzeltitel =



Verfasser
Titel
  • B.L.A.D. NO. 03 - FACES OF FECES
Ort LandBerlin (Deutschland) Medium Zeitschrift, Magazin
Techn. Angaben
  • 52 unpag. S., 13,5x9,5 cm, Auflage: 300, , ISBN/ISSN 09620873
    Drahtheftung, Rckseite mit Silberprgung, in transparenter Kunststoffhlle mit beigelegtem Blatt, Aufkleber
ZusatzInfos
  • Faces of Feces is the title of the third issue out. This time we will explore the fascinating and deep original work of Finland's master mind Vilunki 3000. The Helsinki based artist shows us a small overview of his most inspiring and sought after works, which includes drawings, graphics, posters, ads and jokes. It can be called a small retrospect, and it's a perfect opportunity for those outside Finland to get familiar with his unique style. He has been a true inspiration for a whole decade in Finland, and we understand why.
    Text von der Webseite
Stichwort
WEB Link
TitelNummer
016074587
Einzeltitel =



Verfasser
Titel
  • Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 200 unpag. S., 29,7x21 cm, Auflage: 500, , ISBN/ISSN 9783957633453
    Fadenheftung, mit zahlreichen Abbildungen, drei Bnde in Banderole, Anschreiben liegt bei,
ZusatzInfos
  • Lorem Ipsum Dolor Sit Amet is the third in a series of exhibitions and publication based on a wide-reaching research about writing with the title Possible Content for 18 Pages. The original typewritten manuscript of Vilm Flussers essay The Gesture of Writing provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication.
    To write, says the philosopher about the basic requirements that should lead to a complete piece of writing, we need a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, orthography = correct writing, the rules which order that language, what is called grammar, an idea to be expressed in a language, and a motive to express that idea.
    Understanding the act of writing as a culturally embedded gesture, Lorem Ipsum Dolor Sit Amet covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the eponymous performance by Lois Bartel at the Akademie der Knste in Berlin (June 11, 2016) and contains a curatorial-editorial statement by Franz Thalmair. Furthermore, the artist Michalis Pichler and the professor for media theory and aesthetics Oliver Ruf situate the publication in an actual context of literature and criticism. The participating visual artists expand the topic of the research with artistic contributions especially made for Lorem Ipsum Dolor Sit Amet.
    Text von der Webseite
Sprache
Geschenk von Franz Thalmair
TitelNummer
016717579
Einzeltitel =



Verfasser
Titel
  • Collected Works
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 66 S., 27,9x21,6 cm, Auflage: Print on Demand, Keine weiteren Angaben vorhanden
    Broschur, Digitaldruck, Umschlag glnzend laminiert. Schwarz-Wei
ZusatzInfos
  • Collected Works compiles eight of my books into one convenient volume. The books are combined together, so that page one of Collected Works is a "sandwich" of the first page of all eight books, page two contains the second page of each book, page three the third page, etc. Collected Works reproduces Squares With Sides And Corners Torn Off, Some Los Angeles Apartments, Real Estate Opportunities, The Location of Lines, and Records in their entirety, plus excerpts from 60 Years Later, Arcs Circles & Grids, and The Xeroxed Book. - Eric Doeringer
    Text von der Webseite
Beteil. Personen
Sprache
TitelNummer
026110665
Einzeltitel =



Verfasser
Titel
  • Position(s)
Ort LandParis / Berlin (Frankreich / Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • [124] S., 18x13,5 cm, , ISBN/ISSN 9782954197401
    Broschur, Buchrcken aufklappbar, gefaltetes Plakat in eingeklebter Papierhlle, Posterformat 85,4x64cm, in Schutzhlle mit Aufkleber
ZusatzInfos
  • A journal written at the third person that seeks to depict Antoine dAgatas quest the inexorable course from void to void.A literary and photographic experiment where words, sometimes descriptive, sometimes poetic, intersect with images in a narrative continuity. An example of the photographers existential choice and form of resistance which leads toward the subjects disappearance and the egos negation within the neutral spectrum of the image while insisting on an intimate involvement with its matter and a perfect superposition of art and life. The pictures have been treated and reduced to the simple black and white contrast, following the main axis of this editorial project: shaplessness and the sense of fading-out. This flattening to a drawing effect releases the image as a shadow, a border between a recognizable sign and a blurry, ambiguous one, so that the photograph is both trace and other. The book, whose main language is English, also foresees a separate and folded poster, including texts in French on one side and, for the first time, in Italian on the other printed on a background colour image. The two languages allow to include texts in their original version, but allude as well to the artists double origins. In line with the book, the poster also reflects dAgatas search direction towards the interlacing of word and image and it finally refers to the idea of a topographic description of passions. Member of the Magnum agency, Antoine dAgata (1961) is one of the most influential photographers of his generation. He lives in both Paris and Marseilles and he works around the world. He is represented by the gallery Les Filles du Calvaire, Paris.
    Text von der Webseite.
Stichwort
Geschenk von Giuliana Prucca
TitelNummer
026565729
Einzeltitel =



Verfasser
Titel
  • signal 03
Ort LandOakland, CA (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 164 S., 17,8x12,8 cm, , ISBN/ISSN 9781604863628
    Broschur
ZusatzInfos
  • Highlights of the third volume of Signal include: Sonic Internationalism: An Interview with Paredon Records Founder Barbara Dane, Game of Destruction: Deltor Stencils the Enemies of Socialism by Stephen Goddard, Organized Artists/Reproductive Resistance: Reflecting on the Medu Arts Ensemble, Quebec Spring: Striking Culture by David Widgington, Memories of Revolution: Yugoslav Partisan Memorials by Robert Burghardt and Gal Kirn.
    Text von der Website.
Sprache
TitelNummer
026901757
Einzeltitel =