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Ergebnis der AAP-Volltext-Katalogsuche nach Third Text

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Alle Suchbegriffe sind in jedem Ergebnis enthalten: 13 Treffer

De Vries Herman
wit white
Brest (Frankreich): Zédélé éditions, 2012
(Buch) 352 S., 21x15 cm, ISBN/ISSN 978-2-915859-41-6
Techn. Angaben Broschur mit Banderole, eingelegt ein Informationsblatt
ZusatzInformation Originalausgabe erschienen bei Artists Press, Bern, 1980.
This book is the third and final version of the first artist’s book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: “wit is overdaad”. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second “revised” edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjörg Mayer in Stuttgart. The only printed elements were the artist’s name, the title and the publisher’s name on the cover, the word “introduction” and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the “third revised edition”, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means “white” in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:

white is white
0 = 0
no name
no idea
not even emptiness,

Text von der Webseite
TitelNummer
012052000 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

van der Weijde Erik
Third Reich - Bavaria Trilogy Part I
Dordrecht (Niederlande): 4478zine, 2014
(Buch) 96 unpag. S., 20.5x14.5 cm, ISBN/ISSN 978-94-91047-03-9
Techn. Angaben Hardcover, fadengeheftet, Cover Leinen mit Silberfolien Prägung
ZusatzInformation Mit 91 Schwarz-Weiß Fotografien. Third Reich is a collection of photographs of buildings and constructions that were erected during the Nazi period in Bavaria, Southern Germany. The sites that Van der Weijde photographed include Hitler-Jugend Heime, Schools, Government Buildings, Bridges, Tunnels, Private homes, Farms, SS-Barracks, Museums, Factories, etc.
This series of photographs offers a view of how the cultural landscape must have influenced German society in the 1930's.
Text von der Website
Stichwort Architektur / Bayern / Deutschland / Dokumentation / Fotografie / Nationalsozialismus
WEB www.4478zine.com
TitelNummer
017518623 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

Schmidt Petra, Hrsg.
In Production - Self-Publishing Fair for Design and Art - Third Issue
Frankfurt am Main (Deutschland): museum angewandte kunst, 2013
(Plakat) 16 unpag S., 59,2x41,6 cm,
Techn. Angaben Mehrfach gefaltetes, beidseitig bedrucktes Plakat
ZusatzInformation Infobroschüre und Programm zur dritten Self-Publishing Fair for Design and Art, museum für angewandte kunst, Frankfurt am Main, 11.-12.10.2013.
Unter dem Titel „In Production“ untersuchen die Teilnehmer der Third Issue – Self-Publishing Fair for Design and Art am 11. und 12. Oktober im Frankfurter Museum Angewandte Kunst die Grenze zwischen Gestaltung und Druck. Im Rahmen einer Messe zeigen rund 30 junge Verlage ihre gestalterisch anspruchsvollen Bücher, Zeitschriften und Fanzines. Text von Website.
Namen Benjamin Kivikoski / David Keshavjee / Dorothea Strauss / Eva Linhart / Gerhard Steidl / Gina Bucher / Julien Tavelli / Jürg Lehni / Martino Gamper / Philipp Staege / Rafael Koch / Urs Hofer / Yuri Suzuki
Sprache Deutsch
Geschenk von Remo Weiss
Stichwort artistbooks / Druck / Konferenz / Künstlerbuch / Messe / self publishing / Symposium / Tagung
WEB www.issue-ffm.com
TitelNummer
024157649 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

Michalka Matthias, Hrsg.
to expose, to show, to demonstrate, to inform, to offer. Künstlerische Praktiken um 1990
Köln (Deutschland): Verlag der Buchhandlung Walther König, 2015
(Buch) 256 S., 26,5x20,5 cm, ISBN/ISSN 978-3-902947-23-9
Techn. Angaben Schweizer Broschur, beigelegt eine Karte mit handschriftlichem Vermerk
ZusatzInformation Katalog zur Ausstellung vom 10.10.2015 bis Sonntag bis 24.01.2016 im mumok (museum moderner kunst stiftung ludwig wien)
Vor dem Hintergrund großer gesellschaftlicher Herausforderungen fand um 1990 eine Auseinandersetzung mit den sozialen Funktionen und Grundlagen künstlerischer Arbeit statt. Die Reflexion von künstlerischen Rahmenbedingungen und Ausstellungsfragen verschränkte sich dabei auf vielfache Weise mit der Bearbeitung konkreter gesellschaftlicher Anliegen. Es wurden der Objektstatus und die ökonomischen Bedingungen des Kunstwerks hinterfragt. Soziale Ausschlussmechanismen wurden zu einem zentralen Thema. Identitäts- und Genderfragen wurden heftig diskutiert, und die AIDS-Krise steuerte ihrem Höhepunkt entgegen. Ebenso waren die Folgen der Osteuropaöffnung und die rasant voranschreitende Globalisierung allerorts spürbar.
Text von der Webseite
Namen A.N.Y.P. / ACME / ACT UP / Allan McCollum / Andrea Fraser / ARTFAN / Botschaft e.V. / BüroBert / Christian Philipp Müller / Christopher Williams / Clegg & Guttmann / Cosima von Bonin / DANK / Das ästhetische Feld / Democracy / DOCUMENTS / Dorit Margreiter / Fareed Armaly / Felix Gonzalez-Torres / Florian Pumhösl / Fred Wilson / Friesenwall 120 / Game Girl / Gerwald Rockenschaub / Gregg Bordowitz / Group Material / Hans Küng / Heimo Zobernig / If You Lived Here… / Ines Doujak / Informationsdienst / Jason Simon / Josef Strau / Judith Barry / Klaus Scherübel / Lesezimmer / Louise Lawler / Maria Eichhorn / Mark Dion / Martha Rosler / Mathias Poledna / META / Michael Krebber / minimal club / museum in progress / Octavian Trauttmansdorff / On the Museums Ruins / Peter Fend / Regina Möller / Renée Green / Services / Stephan Dillemuth / Stephen Prina / Texte zur Kunst / The V-Girls / Third Text / Thomas Locher / Tom Burr / Vor der Information / when tekkno turns to sound of poetry / Zoe Leonard
TitelNummer
014388529 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

Yoon J. Meejin
ABSENCE
New York, NY (Vereinigte Staaten von Amerika): Printed Matter, 2003
(Buch) 240 ca. S., 12,5x10 cm, Auflage: 2000, ISBN/ISSN 0-89439-013-9
Techn. Angaben Umschlag aus Karton mit Leinenstreifen, ca. 120 Seiten gestanzt
ZusatzInformation 2004 winner of I.D. Magazine's Design Distinction award, Absence is the third book to come out of Printed Matter’s Publishing Program for Emerging Artists, a program made possible through the generous support of New York City's Department of Cultural Affairs, The Andy Warhol Foundation for the Visual Arts, the Elizabeth Firestone Graham Foundation, and the Heyday Foundation. The generosity of Whitney trustees Melva Bucksbaum and Raymond J. Learsy was instrumental to the Museum’s participation in the publication of this exciting new work.
Both a book and a sculptural object, Absence is a memorial to the twin towers of the World Trade Center. Yoon, an architect and designer who is currently an Assistant Professor of Architecture at the Massachusetts Institute of Technology, chose not to produce a traditional design proposal for the World Trade Center Memorial Competition. Instead she created a non-architectural, non site-specific space of remembrance: a portable personal memorial in the form of book.
At almost two pounds, Absence has a considerable physical presence, but it is in every way the ghost of a presence, and it is this ghostliness that gives it its particular emotional weight. A solid white block of thick stock cardboard pages, the book’s only "text" consists of one pinhole and two identical squares die-cut into each of its one-hundred-and-twenty pages – one for each story of the towers including the antenna mast. These removed elements lead the reader floor by floor through the missing buildings towards the final page where the footprint of the entire site of the World Trade Center is die-cut into a delicate lattice of absent structures.
Of all of the proposed monuments and grand designs for the twin towers to emerge in the last two years, Absence is remarkable for its employment of an under-used strategy: restraint. The simplicity of Yoon’s materials and her use of repetition speak, without words, about unspeakable loss. Quiet, respectful, mournful, the book does not aim to represent the magnitude of the disaster. Instead it appeals to the vastness of the reader’s imagination and capacity to grieve. The human scale of her memorial operates on a personal level – it delivers the memory of lives lost into the reader’s hands. At the same time, as a scale model of a vanished architectural site, it operates on a larger cultural level by commemorating the site itself.
Text von der Webseite. Fotos Xenia Fumbarev
Sprache Englisch
Stichwort Amerika / Erinnerung / Künstlerbuch / Terror / Twin Towers
WEB https://www.printedmatter.org/catalog/16965/
TitelNummer
024451593 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

Cattelan Maurizio / Ferrari Pierpaolo / Leon Humberto / Lim Carol, Hrsg.
KENZINE Vol.3
Bologna (Italien): Freedman Damiani, 2014
(Zeitschrift, Magazin) [44] S., 29x22,4 cm, Auflage: 2000, ISBN/ISSN 978-88-6208-385-0
Techn. Angaben Drahtheftung
ZusatzInformation Nur Bilder, ohne Text. KENZINE ist eine Kollaboration zwischen TOILETPAPER Magazine und KENZO.
“For the third installment in our collaboration with TOILETPAPER for our advertising campaigns, we worked with Maurizio, Micol and Pierpaolo to take people on a mysterious journey to an unfamiliar world. A place where the ordinary is slightly disorted, mirrors lead to other dimensions and the strange and beautiful coexist in singular harmony. We love that David Lynch’s (the inspiration for our collections) skewed and somewhat disruptive sense of storytelling seamlessly fits with how the TOILETPAPER approach image making and the final results speak for themselves. Needless to say we’re delighted with the out come and hope everyone else enjoys the images as much as we do.” Carol Lim & Humberto Leon
Text von der Webseite
Namen Micol Talso (Art Direktor) / Sebastiano Mastroeni (Projekt Direktor)
Sprache Englisch
Stichwort absurd / David Lynch / Farbfotografie / Kampagne / Kenzo / Kollaboration / Körper / Künstlermagazin / Mode / Stillleben / Surrealismus / Toiletpaper Magazine / Werbung
WEB https://www.damianieditore.com/en-US/product/449
TitelNummer
025617708 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

John Christina, Hrsg.
You're my type - Programmbuch 2018
München (Deutschland): Typografische Gesellschaft München, 2018
(Buch) 20,5x13,5 cm,
Techn. Angaben 4 Bände in Schuber. Schuber geprägt in Gold und Schwarz, Rückseite mit Umkehr der Farben. einzelne Cover mit Reliefprägung, geometrische Formen, Farbschnitt schwarz. Einzelne Bände in Schweizer Broschur (Umschlag nur auf Rückseite angeklebt, Rücken mit Gewebestreifen eingefasst). Bd. 1 130 S., letzte Seite mit Kalender als Fold-Out. Bd. 2 160 S., Bd. 3 96 S., Bd. 4 Blindband, (Notizbuch), 72 S.
ZusatzInformation The Typographic Society Munich is the largest organisation in Europe for typographers and people who are interested in typography and design. Since being founded in 1874 the designers’ club establishes a foundation for sophisticated and interdisciplinary thinking and dialogues among content and form, text and photo, tradition and innovation, design and technology. The tgm represents quality and education for the branch of communication and offers a huge accompanying training program. As Chairwoman of the club I curated several lectures in the last years, inviting design and typography celebrities.Throughout the years designers like Stefan Sagmeister, Mirko Borsche, Eike König, Mario Lombardo, Sascha Lobe, Fons Hickmann, Amir Kassaei or Kurt Weidemann to name a view, followed these invitations and appreciated the warm welcome of our community.
To show the wide range of offerings we traditionally create a yearbook. More over I tried to give the content based complexity of our proposal a clear and neat arrangement. Therefore the new release is a compilation of four different books, which should invite the reader to inform themselves, to browse, to experience and to participate. The first one exposes all the topics, facts and dates for the further education programs. Part two presents all the people and their stories who are involved in the club, who are on stage and behind the scenes. The third book is a journey into the past and also the future of tgm’s conferences, excursions and other specials. And finally there is room for the reader’s own ideas, experiences and criticism as a foundation for a future dialogue with tgm.
Every offer under the roof of tgm is a result of solidarity. It is a result of people and companies who are united by the common interest in typographic quality. This project has only been possible with the support of Kösel Druck GmbH & Co Kg, Geese Paper, mycolorserver and the collaboration with Boah Kim.
Text von der Webseite
Namen Boah Kim (Design) / Boris Kochan (Produktion) / Christina John (Design / Michael Lang (Lektorat) / Petra Marth (Lektorat)
Sprache Deutsch
Geschenk von Typografische Gesellschaft München
Stichwort Buchdruck / Drucktechnik / Fortbildung / Programm / Prägung / Schrift / Typografie
Sponsoren Bavaria Direktmarketing / Kammerspiele München / Kösel GmbH / Landeshauptstadt München
WEB http://www.tgm-online.de/das-programmjahr-2018
WEB https://www.milchundhonig-dk.de/tgm-programmbuch-2018/
TitelNummer
026526709 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

Boltanski Christian / Roubaud Jacques
Les Habitants du Louvre
Paris (Frankreich): Editions Dilecta, 2009
(Buch) 160 S., 23x17,5 cm, Auflage: 2000, ISBN/ISSN 978-2-916275-63-5
Techn. Angaben Hardcover
ZusatzInformation The names of all the artists featured in the collections of the Louvre are first mixed with the names of the museum's employees to comprise a unique and generic list. The authors can thus play on the notions of anonymity and celebrity, while creating a sort of directory of all those, whether known or unknown, artist or employee, who uphold the Louvre's reputation. They also add several "themed" lists cleverly organized with a good dose of humor. The third part of the book likens the portrait of Louvre employees to the self-portraits of artists displayed at the Louvre.
Text von der Webseite
Sprache Französisch
Stichwort Nullerjahre
TitelNummer
011947427 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

Vilunki 3000
B.L.A.D. NO. 03 - FACES OF FECES
Berlin (Deutschland): Sex Tags & Blank Blank, 2011
(Zeitschrift, Magazin) 52 unpag. S., 13,5x9,5 cm, Auflage: 300, ISBN/ISSN 0962-0873
Techn. Angaben Drahtheftung, Rückseite mit Silberprägung, in transparenter Kunststoffhülle mit beigelegtem Blatt, Aufkleber
ZusatzInformation Faces of Feces is the title of the third issue out. This time we will explore the fascinating and deep original work of Finland's master mind Vilunki 3000. The Helsinki based artist shows us a small overview of his most inspiring and sought after works, which includes drawings, graphics, posters, ads and jokes. It can be called a small retrospect, and it's a perfect opportunity for those outside Finland to get familiar with his unique style. He has been a true inspiration for a whole decade in Finland, and we understand why.
Text von der Webseite
Stichwort Comic / Figur / Zeichnung
WEB www.blad.us
TitelNummer
016074587 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

Thalmair Franz, Hrsg.
Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet
Berlin (Deutschland): Revolver Publishing, 2016
(Buch) 200 unpag. S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-95763-345-3
Techn. Angaben Fadenheftung, mit zahlreichen Abbildungen, drei Bände in Banderole, Anschreiben liegt bei,
ZusatzInformation “Lorem Ipsum Dolor Sit Amet” is the third in a series of exhibitions and publication based on a wide-reaching research about writing with the title “Possible Content for 18 Pages”. The original typewritten manuscript of Vilém Flusser’s essay “The Gesture of Writing” provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication.
“To write,” says the philosopher about the basic requirements that should lead to a complete piece of writing, we need “a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, ‘orthography’ = correct writing, the rules which order that language, what is called ‘grammar’, an idea to be expressed in a language, and a motive to express that idea”.
Understanding the act of writing as a culturally embedded gesture, “Lorem Ipsum Dolor Sit Amet” covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the eponymous performance by Lois Bartel at the Akademie der Künste in Berlin (June 11, 2016) and contains a curatorial-editorial statement by Franz Thalmair. Furthermore, the artist Michalis Pichler and the professor for media theory and aesthetics Oliver Ruf situate the publication in an actual context of literature and criticism. The participating visual artists expand the topic of the research with artistic contributions especially made for „Lorem Ipsum Dolor Sit Amet“.
Text von der Webseite
Namen Agnes Fuchs / Alejandro Cesarco / Charles Gute / Daniel Gustav Cramer / Haris Epaminonda / Irma Blank / Lois Bartel / Michalis Pichler / Natalie Czech / Nikolaus Gansterer / Oliver Ruf / Rafaël Rozendaal / Thomas Freiler / Vilém Flusser
Sprache Englisch
Geschenk von Franz Thalmair
Stichwort Appropriation / Gegenwartskunst / Kommunikation / Post-Digital / Strategie
TitelNummer
016717579 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

Doeringer Eric
Collected Works
New York, NY (Vereinigte Staaten von Amerika): Copycat Publications, 2014
(Buch) 66 S., 27,9x21,6 cm, Auflage: Print on Demand,
Techn. Angaben Broschur, Digitaldruck, Umschlag glänzend laminiert. Schwarz-Weiß
ZusatzInformation Collected Works compiles eight of my books into one convenient volume. The books are combined together, so that page one of Collected Works is a "sandwich" of the first page of all eight books, page two contains the second page of each book, page three the third page, etc. Collected Works reproduces Squares With Sides And Corners Torn Off, Some Los Angeles Apartments, Real Estate Opportunities, The Location of Lines, and Records in their entirety, plus excerpts from 60 Years Later, Arcs Circles & Grids, and The Xeroxed Book. - Eric Doeringer
Text von der Webseite
Namen Sol LeWitt
Sprache Englisch
Stichwort Fotokopie / Konzept / Photocopy / Xerox / Überlagerung
WEB http://www.lulu.com/shop/eric-doeringer/eric-doeringer-collected-works/paperback/product-21675660.html
WEB https://www.printedmatter.org/catalog/38053/
TitelNummer
026110665 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

d'Agata Antoine
Position(s)
Paris / Berlin (Frankreich / Deutschland): AVARIE, 2012
(Buch) [124] S., 18x13,5 cm, ISBN/ISSN 978-2-9541974-0-1
Techn. Angaben Broschur, Buchrücken aufklappbar, gefaltetes Plakat in eingeklebter Papierhülle, Posterformat 85,4x64cm, in Schutzhülle mit Aufkleber
ZusatzInformation A journal written at the third person that seeks to depict Antoine d’Agata’s quest – the inexorable course from void to void.A literary and photographic experiment where words, sometimes descriptive, sometimes poetic, intersect with images in a narrative continuity. An example of the photographer’s existential choice and form of resistance which leads toward the subject’s disappearance and the ego’s negation within the neutral spectrum of the image while insisting on an intimate involvement with its matter and a perfect superposition of art and life. The pictures have been treated and reduced to the simple black and white contrast, following the main axis of this editorial project: shaplessness and the sense of fading-out. This flattening to a drawing effect releases the image as a shadow, a border between a recognizable sign and a blurry, ambiguous one, so that the photograph is both “trace” and “other”. The book, whose main language is English, also foresees a separate and folded poster, including texts in French on one side and, for the first time, in Italian on the other printed on a background colour image. The two languages allow to include texts in their original version, but allude as well to the artist’s double origins. In line with the book, the poster also reflects d’Agata’s search direction towards the interlacing of word and image and it finally refers to the idea of a topographic description of passions. Member of the Magnum agency, Antoine d’Agata (1961) is one of the most influential photographers of his generation. He lives in both Paris and Marseilles and he works around the world. He is represented by the gallery Les Filles du Calvaire, Paris.
Text von der Webseite.
Sprache Englisch / Französisch / Italienisch
Geschenk von Giuliana Prucca
Stichwort Akt / Fotograf / Fotografie / Körper
WEB http://avarie.tictail.com/product/antoine-dagata-positions
TitelNummer
026565729 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung

Dunn Alec Icky / MacPhee Josh, Hrsg.
signal 03
Oakland, CA (Vereinigte Staaten von Amerika): PM Press, 2014
(Zeitschrift, Magazin) 164 S., 17,8x12,8 cm, ISBN/ISSN 978-1-60486-362-8
Techn. Angaben Broschur
ZusatzInformation Highlights of the third volume of Signal include: Sonic Internationalism: An Interview with Paredon Records Founder Barbara Dane, Game of Destruction: Deltor Stencils the Enemies of Socialism by Stephen Goddard, Organized Artists/Reproductive Resistance: Reflecting on the Medu Arts Ensemble, Quebec Spring: Striking Culture by David Widgington, Memories of Revolution: Yugoslav Partisan Memorials by Robert Burghardt and Gal Kirn.
Text von der Website.
Namen Barbara Dane / David Widgington / Gal Kirn / Robert Burghardt / Stephen Goddard
Sprache Englisch
Stichwort Anarchie / Architektur / Comic / Demonstration / Fotografie / Freiheit / Geschichte / Graffiti / Interview / Kultur / Kunst / Politik / Protest / Sozialismus / Straßenkunst / Widerstand
WEB https://secure.pmpress.org/index.php?l=product_detail&p=569
TitelNummer
026901757 / Abbildung darf nicht angezeigt werden / Einzeltitelanzeige = Permalink (URL) Änderung



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