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Ergebnis der AAP-Volltext-Katalogsuche nach Why not smile

Medienart: alle Medien, Sortierung: ID, absteigend. 50 Treffer

artists-book-not.
artists-book-not.
artists-book-not.

Sanders Jeremy / Kugelberg Johan, Hrsg.: ARTISTS’ BOOK NOT ARTISTS’ BOOK, 2012


Kugelberg Johan / Sanders Jeremy, Hrsg.
ARTISTS’ BOOK NOT ARTISTS’ BOOK
New York, NY (Vereinigte Staaten von Amerika): 6 Decades Books, 2012
(Buchobjekt) 17,6x13,8 cm, Auflage: 500, ISBN/ISSN 978-0-9829694-2-7
Techn. Angaben Buch zu einer Ausstellung in der Boo-Hooray Gallery New York, eingesteckt in ein mehrfach gefaltetes A2-Format-Blatt mit den Farbabbildungen der im Buch beschriebenen Bücher
ZusatzInformation "Artists' book" is a troublesome term. There seems to be no single well-understood or generally-accepted working definition. Say "artists' book" in general conversation and you'll likely get a blank look, if not outright confusion. even with a specialized audience of bibliophiles, or art world cognoscenti, it may be necessary to clarify exactly what you mean...
Artists' Book Not Artists' Book is an exhibition co-curated by Johan Kugelberg and Jeremy Sanders. In it are about one hundred books and of course all of them either are, or are not, artists’ books, but whether it is even possible to say which ones fall into which category is a matter that's not entirely clear. And in any case, it's likely no two viewers would draw exactly the same conclusions.
Artists' Book Not Artists' Book.
Von der Webseite des Verlages
Namen Chris Burden / Dara Birnbaum / David Wojnarowicz / Ed Ruscha / Ira Cohen / Jim Shaw / John Baldessari / Michelangelo Pistoletto / Richard Hell / Richard Meltzer / Richard Prince / Sean Landers / Seth Price / Sue Williams / Tina Lhotsky / Tom Sachs / William Gibson
Stichwort Buchobjekt
WEB www.6decadesbooks.com/2012/01/artists-book-not-artists-book.html
TitelNummer
009042253 Einzeltitelanzeige (URI) Änderung
hand-smile
hand-smile
hand-smile

Olbrich Jürgen O.: smile / Hand-Smile / Smile-Hands, 1985


Olbrich Jürgen O.
smile / Hand-Smile / Smile-Hands
Kassel (Deutschland): Selbstverlag, 1985
(Zeitschrift, Magazin) 27,5x27 cm, Auflage: 10, signiert,
Techn. Angaben Collagen mit div. Papieren, Schwarz-Weiß Kopien auf bunte Papiere, Prägepapier, Zeitschriftenausschnitte, Umschlag in Koffer-Form gestanzt
ZusatzInformation Bei jeder Ausgabe wechselnde Herausgeber und Orte. Beigelegt eine Karte von Michaela Melián: Take the Kern Craft
Namen Michaela Melián
Stichwort 1980er / Collage / Künstlerzeitschrift / Mail Art
TitelNummer
003745423 Einzeltitelanzeige (URI) Änderung

Weber Max: Layout Look Book 2, 2010

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weber-layout-look-book-2
weber-layout-look-book-2

Weber Max: Layout Look Book 2, 2010


Weber Max
Layout Look Book 2
New York, NY (Vereinigte Staaten von Amerika): Collins Design, 2010
(Buch) 256 S., 29,8x24,6 cm, ISBN/ISSN 978-0-06-199511-8
Techn. Angaben Hardcover mit Schutzumschlag.
ZusatzInformation Organized so as to encourage creativity, serendipitous discovery, and inspiration, Layout Look Book 2 is an essential guide to layout design for both amateur and professional designers. The book includes techniques that can be used to enhance any layout, as well as insights into the factors that helped make each layout an effective piece. The styles covered in the volume range from traditional to cutting edge, and will enable any designer to become a more creative thinker and produce fantastic work. Layout Look Book 2 showcases outstanding work by more than fifty of the world's best design studios and professionals working in print design today.
Text von der Webseite.
Namen 2x Goldstein / 75B / Ariane Spanier / Bendita Gloria / Browns / Catalogtree / Chris Bolton / Come de Bouchony / Company London / Coöp / David Pearson / Dynamo / Emperor of Antarctica / Fageta / Folch Studio / Fraser Muggeridge Studio / Glamcult Studio / Géraldine Roussel / Hey Ho / Hi / Homework / Hvass/Hannibal / ICE CREAM FOR FREE / James Langdon / Jeffrey Docherty / Jeffrey Lai / Jiminie Ha / Joost Grootens / Julian Bittiner / Lesley Moore / Manuel Raeder / Milkxhake / Non-Format / onlab / Paulus M. Dreibholz / Pipi arade / Project Projects / Raffinerie / Salon de The / Sam Same / Schaffter Sahli / Snasen / Stiletto / StoutKramer / Studio Sport / Surface / The Map Office / Tomato / Triboro Design / Undesign / Why not smile / YES / à 2 c'est mieux
Sprache Englisch
Stichwort 2010er / Bücher / Cover / Design / Gestaltung / Grafik / Layout / Magazin / Mode / Plakate / Plattencover / Poster / Typografie / Zeitdokument
WEB https://www.artbooksonline.eu/art-09746
WEB https://www.wearecollins.com/work
TitelNummer
025719713 Einzeltitelanzeige (URI) Änderung
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monok-brian-eno
monok-brian-eno

von Rabenau Kai, Hrsg.: MONO.KULTUR #34 Brian Eno - Revaluation (a warm feeling), 2013


von Rabenau Kai, Hrsg.
MONO.KULTUR #34 Brian Eno - Revaluation (a warm feeling)
Berlin (Deutschland): mono.kultur, 2013
(Zeitschrift, Magazin / Heft) 44 S., 20x15 cm, ISBN/ISSN 1861-7085
Techn. Angaben Drahtheftung, gedruckt auf verschieden farbigem Papier
ZusatzInformation Chances are that you will be far more familiar with Brian Eno and his work than you might realise. Whether you know him as a founding member of the gloriously influential 1970s art-rock outfit Roxy Music, or as the inventor of ambient music, in one breathless career Eno has actually released no less than 25 solo albums and contributed to countless projects and collaborations, but also left his fingerprints on dozens of seminal albums as a producer – think U2, Talking Heads or Coldplay, to name but a few – composed several film scores not to mention the start-up theme for Microsoft’s Windows 95. All of which is to say that it is hard to not be in earshot of his musical influence in one way or another. With mono.kultur, Brian Eno talked about the impact of technology on culture, the similarities between producing music and parenting, and why they called Elvis ‘The Pelvis’. Given Brian Eno’s interest in how art can affect moods and emotions, our new issue turned into somewhat of an experiment in chromatics, with the pages gradually traveling the entire colour spectrum from yellow to blue and back again, which not only affects the optical perception of the yellow text, but also how one responds to the content of the interview. Suffice to say: this must certainly rank as the most colourful mono.kultur to date.
Text von der Website.
Namen Brian Eno
Sprache Englisch
Stichwort Chromatik / Farbe / Farbspektrum / Interview / Musik / Portrait / Prisma / Regenbogen / zeitgenössische Kunst
WEB www.mono-kultur.com
TitelNummer
026624737 Einzeltitelanzeige (URI) Änderung
smile 04-7
smile 04-7
smile 04-7

Hainke Wolfgang: smile Issue 4, 1985


Hainke Wolfgang
smile Issue 4
Ganderkesee (Deutschland): Selbstverlag, 1985
(Zeitschrift, Magazin) 28,5x15,5 cm, Auflage: 10, signiert,
Techn. Angaben Mit lauter Originalarbeiten, diverse Materialien, Folien, Postkarte, Spiegelklebeband, Siebdruck, Stempeldruck, Foto. Blätter lose ineinander gelegt und eingelegte Papierstreifen in einer Papiertüte mit handschriftlichem Vermerk
ZusatzInformation Bei jeder Ausgabe wechselnde Herausgeber und Orte.
1985 wurden an verschiedene Künstler je 10 identische Cover der Zeitschrift "Smile" Nr.4 gesandt. Die Künstler gestalteten ihre Exemplare und verteilten sie.
Stichwort 1980er
TitelNummer
001581423 Einzeltitelanzeige (URI) Änderung
smile 04-3
smile 04-3
smile 04-3

Olbrich Jürgen O.: smile Issue 4, 1985


Olbrich Jürgen O.
smile Issue 4
Kassel (Deutschland): Selbstverlag, 1985
(Zeitschrift, Magazin) 23,5x15 cm, Auflage: 10, signiert, 2 Stück.
Techn. Angaben Mit lauter Originalarbeiten, verschiedene Hefte. Verschiedene Materialien, Zeitungspapier, Fotos, Maßband, verschiedene Papiere. Siebdruck, Stempeldruck. Drahtheftung, auf dem Cover ist ein Lutscher aufgeklebt, Rückseite mit Plastikniete versehen
ZusatzInformation Bei jeder Ausgabe wechselnde Herausgeber und Orte.
1985 wurden an verschiedene Künstler je 10 identische Cover der Zeitschrift "Smile" Nr.4 gesandt. Die Künstler gestalteten ihre Exemplare und verteilten sie.
Stichwort 1980er
TitelNummer
003749307 Einzeltitelanzeige (URI) Änderung
to-express-the-feelings
to-express-the-feelings
to-express-the-feelings

Kyriakides Christos / Minas Antonis, Hrsg.: To Express The Feelings Of A Chair When We Sit On It., 2016


Kyriakides Christos / Minas Antonis, Hrsg.
To Express The Feelings Of A Chair When We Sit On It.
Nikosia (Zypern): the Office Gallery, 2016
(Plakat) 42x59 cm,
Techn. Angaben Plakat,
ZusatzInformation As a possible – perhaps – reaction to all those who love the comfort and permanence of the status of their position, I have gathered a series of unusual chairs / personas that are characterised by a sensitive nervous system. I believe their creators foresaw for the visitor not to forget and become complacent while seated, as would someone when sitting on any chair and shortly thereafter forgetting the very action of sitting. The visitor is called upon to reflect on the condition that the chair’s form presents them with. I would not argue that they are pleasant or comfortable to sit on, seeing as their construction does not allow the sitter to acquaint himself immediately. Note that the chair’s presence is not always obvious but it is implied, as for example in Mario Carbone’s photograph Donna in Osteria 1956. Different in style, they all meet in this exhibition to converse.
Text aus der Presseerklärung
Namen Apollo Glykas / Asteris Gkekas / Bernhard Hosa / Broomberg & Chanarin / Carol Christian Poell / Christos Th. Bokoros / Deepti Barth / Dimitris Merantzas / Francis Bacon / Glavkos Koumides / Laurie Franck / Mario Carbone / Michelangelo Antonioni / Nazgol Ansarinia
Geschenk von the Office Gallery
Stichwort Ausstellung / Installation / Plastik / Skulptur / Stühle
TitelNummer
016848079 Einzeltitelanzeige (URI) Änderung
hunger-one
hunger-one
hunger-one

Waddell John Rankin, Hrsg.: Hunger Issue #1, 2011


Waddell John Rankin, Hrsg.
Hunger Issue #1
London (Großbritannien): Rankin Photography, 2011
(Zeitschrift, Magazin) 512 S., 30x23 cm,
Techn. Angaben Broschur
ZusatzInformation In dieser Nummer: Welsh actor Rhys Ifans and intriguing young songwriter Sky Ferreira took to the covers for
, the launch issue of The Hunger. Other highlights of the issue include Terence Stamp on why being shunned by the film industry as a young actor was a blessing in disguise, The Winstone family invite us to their family home for an old-fashioned knees up, Anna Friel grills her friend, folk star Fionn Regan, on what inspires him, and Erin O’Connor divulges why she is finally ready to express her often ignored femininity. For our fashion stories, we shot Kelis, Cheryl Cole, Holliday Grainger, Portia Freeman, Heidi Klum, Milla Jovovich, Giggs and DELS.
Text von der Webseite
Geschenk von Vadim Kretschmer
WEB www.hungertv.com
TitelNummer
015008535 Einzeltitelanzeige (URI) Änderung
brunnmeier-souvenirs-voles
brunnmeier-souvenirs-voles
brunnmeier-souvenirs-voles

Brunnmeier Quirin: souvenirs volés, 2013


Brunnmeier Quirin
souvenirs volés
München (Deutschland): ApparentMotion, 2013
(Heft) 24 unpag. S., 21x14,7 cm, Auflage: 30, signiert,
Techn. Angaben Drahtheftung, zwei verschiedene Papiere, in Pergaminhülle
ZusatzInformation 'say cheese', 'please laugh', 'show your smile' - this is what people usually say, when they take a private picture of their friends or family. These pictures normally remain in the private sphere of the photographer and are only shown to a selected audience. For this conceptual and experimental photo-series such private images have been forcefully appropriated: individual prints have been taken randomly from drug stores and photo developers, the pictures where selected and then set in relation to others. The negatives of these images were not taken. Unlike the concept of the objet trouvé, where found objects and materials are the basis for creative work, the images used in this project are objets appropriés, they have been actively taken rather than found. They are documents of other peoples memories, memento mori of their existence, beautiful in their own right. By blurring and distorting them, the concept of remembering and forgetting, documentation and memory is questioned.
Text von der Webseite
WEB www.apparent-motion.net
TitelNummer
011762418 Einzeltitelanzeige (URI) Änderung

Burch Charlton, Hrsg. : lightworks, Nr. 22 The Ray Johnson Issue, 1995-2000

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lightworks-n22
lightworks-n22

Burch Charlton, Hrsg. : lightworks, Nr. 22 The Ray Johnson Issue, 1995-2000


Burch Charlton, Hrsg.
lightworks, Nr. 22 The Ray Johnson Issue
Birmingham, MI (Vereinigte Staaten von Amerika): Lightworks Magazine, 1995-2000
(Zeitschrift, Magazin) 96 S., 28x21,7 cm, ISBN/ISSN 0161-4223
Techn. Angaben Klebebindung, mit Audio CD "Ray Johnson" by Nick Maravel (1987-1988), Postkarte mit "Correspondance from Ray Johnson postmarked 7. January 1976" und Visitenkarte von Charlton Burch beiliegend
ZusatzInformation "This is not the document of Ray Johnson wall art. It's not about his famous collages or what remains in museums and for sale in galleries. It's an issue about the 'atmosphere' of Ray Johnson - the element, the ambient specifics of who he was and what he did. Years in the making, it's an homage to the Ray Johnson who made communication, letterwriting, and otherwise unlikely creative gestures his art. It's about Ray's correspondences seen and not seen, sent or otherwise, and his notions of the world that he caused to flow between islands of friends, acquaintances and strangers."
Charlton Burch, Editor
Excerpt from the editor's letter
Namen Alison Knowles / Clive Phillpot / Dick Higgins (Text) / Geoffry Hendricks / John Held / Katie Seiden / Marianne Moore / Mike Crane / Nick Maravell / Peter Frank / Ray Johnson / Will Farrington
Sprache Englisch
Stichwort Collage / mail art / Musik / Stempel
TitelNummer
025768K55 Einzeltitelanzeige (URI) Änderung
dncht-16
dncht-16
dncht-16

Kruse Calin, Hrsg.: dncht #16 - Magazine for Photography, Design und Subculture, 2014


Kruse Calin, Hrsg.
dncht #16 - Magazine for Photography, Design und Subculture
Trier (Deutschland): Calin Kruse Verlag / dienacht Magazin, 2014
(Zeitschrift, Magazin) 128 S., 18x15 cm, Auflage: 1000, ISBN/ISSN 1868-1506
Techn. Angaben Klebebindung
ZusatzInformation So, here we are again. dienacht is not just a portfolio magazine, but also a personal project. That's why some personal circumstances lead to the fact that this issue is released much later as it should have been – but now it's here, on the last days of the year 2014!
We have, once again, outstanding photographers and artists, like Birgit Krause and her out-of-this-world-series "Plánětes", Jean-Marc Caimi showing a selection from "Daily Bread", Zhe Chen and her painfully intimate diary "The Bearable", the funny childhood memories translated into photography by Vendula Knopová, Magdalena Sawicka's raw but precise illustrations, Elena Montemurro's "Coming of Age" (which is also this issue's cover story) and many more incredible photographers and photobook reviews.
Text von der Webseite
Namen Birgit Krause / Elena Montemurro / Jean-Marc Caimi / Magdalena Sawicka / Vendula Knopová / Zhe Chen
Sprache Deutsch / Englisch
Geschenk von Xenia Fumbarev
Stichwort Akt / Fotografie / Gestaltung / Körper / Subkultur / Zeichnung
WEB www.dienacht-magazine.com
TitelNummer
024174667 Einzeltitelanzeige (URI) Änderung

Zabel Frauke, Hrsg.: Gender Studies in Architecture - Performativity – The relationship of public and protected space, 2018

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zabel_frauke_gender2018_2
zabel_frauke_gender2018_2

Zabel Frauke, Hrsg.: Gender Studies in Architecture - Performativity – The relationship of public and protected space, 2018


Zabel Frauke, Hrsg.
Gender Studies in Architecture - Performativity – The relationship of public and protected space
München (Deutschland): Faktultät für Architektur der Technischen Universität München / Selbstverlag, 2018
(Zine / Sammeltuete, Schachtel, Kassette) 20x40 cm cm, 10 Teile.
Techn. Angaben Konvolut mit Heften/Zines unterschiedlicher Formate A6-A5 in Plastiktüte des Lenbachhaus mit Applikationen aus farbigem, geschnittenem Tape und Geschenkband. Teils Collage von ausgedruckten Fotos auf Transparentpapier, Fold-outs, gezeichnete u. geklebte Karten, übereinandergedruckter e-mail-Verkehr zum Seminar, Ausdruck des Seminarprogramms, als Binde um das Konvolut. Handschriftlicher Begleitbrief
ZusatzInformation Produziert zum Seminar von Frauke Zabel an der TU München, Oktober/November 2018. In diesem Rahmen auch Besuch im AAP am 03.11.2018.
Based on an observation of public, semi-public and commercial spaces in which we move in Munich today, the seminar takes a look at the regulation of the public space (gender construction and repression of political opinions) in different times and cultures. We will consider various counter cultural movements in their emergence in relation to the public space of the respective time. Why do counter cultural movements withdraw from the public space into protected spaces and imitate a form of reality in them? We will look at the development of Brazilian theater under military dictatorship in the 1960s in Brazil by examining two architectural examples. The imaginative space of the theater, in which the reality is put into negotiation, will be regarded in relation to the imitation of the public space in the Ballroom culture of the 1980s in New York. There people were able to perform and to imitate (gender) roles, which the society did not provide for them. These historical references are complemented by a consideration of the current LGBTQ+ movement in different locations worldwide and their relationship to the public space. What are the moments that engage counter cultural movements to move in public space to gain visibility? We will look at examples like invisible theater, artistic processions, performances, parades and manifestations.
Text von der Webseite
Namen Julia Maria Maia / Julia Sophie Schultes / Michelle Hagenauer / Milan Wagner / Patricia Loges / Pedro Mendoca / Sebastian Palacios Romero
Sprache Englisch
Geschenk von Frauke Zabel
Stichwort Architektur / Collage / Gegenkultur / Gender / Hochschule / Homosexualität / München / Performance / Student / Zines
WEB https://www.ar.tum.de/en/the-department/gender/lectureships/lectureship-ii
WEB https://www.ar.tum.de/fakultaet/gender/lehrauftraege/lehrauftrag-ii
TitelNummer
026460680 Einzeltitelanzeige (URI) Änderung

von Rabenau Kai, Hrsg.: MONO.KULTUR #37 James Nachtwey - Shades of Time, 2014

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monok-nachtwey1

von Rabenau Kai, Hrsg.: MONO.KULTUR #37 James Nachtwey - Shades of Time, 2014


von Rabenau Kai, Hrsg.
MONO.KULTUR #37 James Nachtwey - Shades of Time
Berlin (Deutschland): mono.kultur, 2014
(Zeitschrift, Magazin / Heft) 52 S., 20x15 cm, ISBN/ISSN 1861-7085
Techn. Angaben Zwei Hefte, Drahtheftung, ineinander gelegt
ZusatzInformation Inspired by the press images from the Vietnam War that told a very different story to the official government statements, James Nachtwey found his calling that he would pursue with determination and compassion that are admirable: to document the effects of war, terror and disease. In the hope of raising awareness and inspiring intervention and change, his photographs are neither easy to look at nor easy to forget. Having witnessed and reported on the defining conflicts and tragedies of the past three decades – from the revolutions of South America and Eastern Europe to the famines in Africa, from 9/11 to the wars in Iraq and Afghanistan – Nachtwey’s photographs focus on the costs of war: the suffering of civilians, the damage and the scars. There is no doubt that Nachtwey’s images are a challenge – to the powers that be by proposing an unflinching look at the reality on the ground, at the effects of politics on human lives, but also to us as their audience, by questioning our implication and, quite simply, by opening our eyes to the world. In a rare and frank interview with mono.kultur, James Nachtwey talked about his struggles with photography, the different realities of war, and why images have the power to create change. Graphically, the issue is at its most reduced, giving ample space to let the words and images unfold: coming in two separate booklets, it presents a personal and uncommented selection of James Nachtwey’s work in one, and a highly intriguing and challenging conversation in the other.
Text von der Website.
Namen James Nachtwey
Sprache Englisch
Stichwort Armut / Dokumentation / Fotografie / Gewalt / Hunger / Krieg / Not
WEB www.mono-kultur.com
TitelNummer
026626737 Einzeltitelanzeige (URI) Änderung
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monok-39-thaemlitz
monok-39-thaemlitz

von Rabenau Kai, Hrsg.: MONO.KULTUR #39 Terre Thaemlitz - The Arrogance of Optimism, 2015


von Rabenau Kai, Hrsg.
MONO.KULTUR #39 Terre Thaemlitz - The Arrogance of Optimism
Berlin (Deutschland): mono.kultur, 2015
(Zeitschrift, Magazin / Heft) 48 S., 20x15 cm, ISBN/ISSN 1861-7085
Techn. Angaben Drahtheftung, auf verschiedenem Papier gedruckt, von rechts nach links zu lesen
ZusatzInformation Politics and the dance floor make for uneasy bedfellows, and it is this uneasiness that drives most of the work of Terre Thaemlitz, confronting head-on issues that are usually off limits in electronic music. Thaemlitz is a producer and DJ, also known under their monikers of DJ Sprinkles, Social Material, and K-S.H.E, among others. But they are also a writer, educator and activist of sorts, with very fluid notions of gender, switching continuously between male and female drag. Born in 1968, Terre Thaemlitz left the rigidly conservative and violently homophobic environment of their home state, Missouri, in the mid-1980s for New York. They became involved in the queer and transgender scenes both socially and musically at a time when house music was not a genre but simply the wide open sound of a specific social and political space. As New York’s underground queer music scenes dissolved under gentrification, Thaemlitz eventually relocated to Tokyo at the beginning of the ’00s. In a challenging interview with mono.kultur, Terre Thaemlitz talked about the politics of sexuality, his disillusion with the music industry, and why roller disco was so amazing. Visually, the issue is a dark affair, steeped in a dirty, gritty black. Printed on no less than six different paper stocks and juxtaposing several grids and graphic systems, it creates its own visual logic – only to disturb our most fundamental habits of reading and navigating a magazine by opening backwards, from right to left.
Text von der Website.
Namen DJ Sprinkles / G.R.R.L. / K-S.H.E. / Teriko / Terre Thaemlitz
Sprache Englisch
Stichwort 1980er Jahre / DJ / elektronische Musik / Interview / Musik / Queer / Szene / Transgender
WEB www.mono-kultur.com
TitelNummer
026627737 Einzeltitelanzeige (URI) Änderung

von Rabenau Kai, Hrsg.: MONO.KULTUR #44 Trevor Paglen - The Edge of Tomorrow, 2017

monok-45-paglen
monok-45-paglen
monok-45-paglen

von Rabenau Kai, Hrsg.: MONO.KULTUR #44 Trevor Paglen - The Edge of Tomorrow, 2017


von Rabenau Kai, Hrsg.
MONO.KULTUR #44 Trevor Paglen - The Edge of Tomorrow
Berlin (Deutschland): mono.kultur, 2017
(Zeitschrift, Magazin / Heft) 24 S., 20x15 cm, ISBN/ISSN 1861-7085
Techn. Angaben Drahtheftung, sechs Blätter, gefalltet, in Antistatiktasche
ZusatzInformation Best known for his series on clandestine military bases and spy satellites, Trevor Paglen’s practice reaches far beyond museum walls. Instead, it encompasses a variety of disciplines; from image-making and installations to investigative journalism, writing, engineering, geography, and sound design. Along the way, Paglen challenges our traditional notions of fine art. He has published a number of books on the functioning of the US intelligence services, installed a series of Autonomy Cubes that allow access to the entirely anonymous Tor network, and is currently working on his own satellite to be launched into space in summer 2018. In a sweeping conversation with mono.kultur, Trevor Paglen talked about the volatility of truth, the dilemmas of the Anthropocene, and why Artificial Intelligence will not outlast humanity. True to its precious content, the issue comes in a Static Shielding Bag normally used for sensitive electronic products. In loose reference to computer coding as well as archival documents, it contains a main booklet with the text and excerpts from Paglen’s current cycle on machine vision, as well as six ‘attachments’ covering seminal projects from his career to date.
Text von der Website.
Namen Trevor Paglen
Sprache Englisch
Stichwort Interview / Künstliche Intelligenz / Satellit / Space / Technik / Weltraum / Überwachung
WEB www.mono-kultur.com
TitelNummer
026630737 Einzeltitelanzeige (URI) Änderung

Closa Jesús, u. a, Hrsg.
SMILE Numero 7 - Oficina de Producción Neoísta
Barcelona (Spanien): smilemagazine, 2007
(Zeitschrift, Magazin) 68 S., 21x14,5 cm,
Techn. Angaben Fotokopien Drahtheftung, Cover Farbkopie
Stichwort Nullerjahre
TitelNummer
005794027 Einzeltitelanzeige (URI) Änderung

Closa Jesús, u. a, Hrsg.
SMILE Numero 8 - Oficina de Producción Neoísta
Barcelona (Spanien): smilemagazine, 2008
(Zeitschrift, Magazin) 52 S., 21x14,5 cm,
Techn. Angaben Fotokopien Drahtheftung, Cover Farbkopie
Stichwort Nullerjahre
TitelNummer
005795027 Einzeltitelanzeige (URI) Änderung
Postkarte-Tobias-Premper
Postkarte-Tobias-Premper
Postkarte-Tobias-Premper

Premper Tobias: Stille, glückliche Frau (2016), 2016


Premper Tobias
Stille, glückliche Frau (2016)
Berlin (Deutschland): Selbstverlag, 2016
(PostKarte) 10,5x14,7 cm, signiert,
Techn. Angaben farbige Postkarte mit Smile Aufkleber
ZusatzInformation handschriftlicher Gruß
Stichwort Collage / Überarbeitung
TitelNummer
016479594 Einzeltitelanzeige (URI) Änderung

Giorno John: Le point d'ironie no 60 - God is man made - Sit in my heart and smile, 2017

pointdironie-60-rs
pointdironie-60-rs
pointdironie-60-rs

Giorno John: Le point d'ironie no 60 - God is man made - Sit in my heart and smile, 2017


Giorno John
Le point d'ironie no 60 - God is man made - Sit in my heart and smile
Paris (Frankreich): pointdironie, 2017
(Zeitschrift, Magazin) 8 S., 42x29,7 cm, 2 Stück.
Techn. Angaben Blätter lose ineinander gelegt, Infoblatt über le Point d'ironie
ZusatzInformation zwei Texte jeweils einmal farbig, einmal Schwarz-Weiß, nach Gemälden von 2016
Namen agnès b. (Verlegerin) / Obrist Hans-Ulrich (Herausgeber) / William Massey (managing editor)
Sprache Englisch
Geschenk von Rüdiger Hoyer
Stichwort Text
WEB www.pointdironie.com
TitelNummer
024687K13 Einzeltitelanzeige (URI) Änderung

Block Friedrich W. / Kretschmer Hubert, Hrsg.: Objekt-Magazine, 2018

objekt-magazine-kunsttempel-kassel-2018-pk
objekt-magazine-kunsttempel-kassel-2018-pk
objekt-magazine-kunsttempel-kassel-2018-pk

Block Friedrich W. / Kretschmer Hubert, Hrsg.: Objekt-Magazine, 2018


Block Friedrich W. / Kretschmer Hubert, Hrsg.
Objekt-Magazine
Kassel (Deutschland): Kunsttempel Kassel / Kunst und Literatur, 2018
(PostKarte / ) 2 S., 9,8x21 cm, 2 Stück. 2 Teile.
Techn. Angaben Einladungskarte, Presseinformation
ZusatzInformation Zur Ausstellung Objekt-Magazine aus dem Archive Artists Publications im kunsTTempel Kassel, 04.05.–10.06.2018.
Mit der Ausstellung Objekt-Magazine präsentiert die Galerie Kunsttempel erstmals 39 herausragende Titel mit über 100 Ausgaben von Objekt-Zeitschriften, die von 1965–2016 publiziert wurden. Die Ausstellung gibt mit dieser Bandbreite an Titeln aus dreizehn unterschiedlichen Ländern (Australien, Belgien, Deutschland, Frankreich, Italien, Japan, Niederlande, Österreich, Polen, Schweiz, Spanien, USA, Zypern) einen repräsentativen Überblick über diese Sonderform künstlerischen Verlegens. Einige der ausgestellten Magazine sind raumgreifend und regelrechte Skulpturen, andere zeigen sich in ungewöhnlichen Verpackungen wie Dosen, Mützen, Kleidungsstücken oder Flaschen. Es werden auch Magazine gezeigt, die noch dem herkömmlichen Zeitschriftenformat ähneln, jedoch sind auch diese mit Materialien durchsetzt und zeigen oftmals auf dem Cover applizierte Gegenstände. Die ausgestellten Objekte lassen sich den Kunstrichtungen Mail Art, Neo-Dada, Post-Fluxus und neueren Stilrichtungen zuordnen.
Gezeigt werden Ausgaben von
Aspen, 1965-1971 / AXE, 1975-1976 / Reaktion, 1975-1983 / Lightworks, seit 1975 oder 1976 / TAU/MA, 1976-1981 / Plages, 1978-2011 / Arte Postale!, 1979-2009 / Brauchbar/Unbrauchbar, 1980/1981 / Museum Rost, 1980-1983 / Art/Life, Artlife, 1981-2006 / Artfusion, 1979-1982 / Toi et moi pour toujours, 1982 bis ca. 1985 / CAPS.A., 1982-1985 / CARE, ab 1982 / Canoe, ab 1983 / Tango, ab 1983 / Tra, frühe 1980er Jahre / Normal, 1984-1988 / smile, ab 1984 / Tiegel & Tumult, 1986-1992 / PiPs, 1986-2009 / DOOS, 1988 bis ca. 1992 / Miniature obscure, 1991-2007 / Skola, 1991 bis ca. 1993 / No News, 1993-1998 / La Más Bella, 1993-2014 / Cave Canis, 1995-1999 / Boxhorn, 1998 bis heute / Achse Kassel-Bern, 1999-2007 / Bella Triste, 2003 bis heute / Esopus, 2003 bis heute / Papermind, ab 2005 / KART, 2006 bis heute / Landjäger, 2007 bis heute / Wipe, schon vor 2009 bis heute / Tigre énorme, ab 2010 / Matchbook Stories, 2012 bis heute / RUW, 2013 bis heute.
Zur Ausstellung erscheint ein Katalog in einer Normal- und einer limitierten Vorzugsausgabe im icon Verlag.
Namen Jürgen O. Olbrich (Kurator)
Sprache Deutsch
Stichwort Archiv / Künstlerbücher / Künstlerpublikation / Künstlerzeitschrift / Objekt-Magazin / Sammlung
Sponsoren Kulturamt der Stadt Kassel / Kunsttempel Kassel
WEB www.kunsttempel.net
TitelNummer
025352701 Einzeltitelanzeige (URI) Änderung

Fischer Konrad, Hrsg.
with a certain smile
Zürich (Schweiz): internationale neue kunst, 1979
(Buch)
Stichwort 1970er
TitelNummer
001150000 Einzeltitelanzeige (URI) Änderung
Ono smile
Ono smile
Ono smile

Ono Yoko: A Box of Smile, 1971


Ono Yoko
A Box of Smile
New York, NY (Vereinigte Staaten von Amerika): ReFlUX Editions, 1971
(Objekt, Multiple) 5,2x5,2x5,4 cm,
Techn. Angaben aufklappbare weiße Kunststoffschachtel mit eingeklebtem Spiegel und zerknülltem hellblauen Seidenpapier. Titel, Initialen und Jahr goldgeprägt auf dem Deckel
Stichwort 1970er / Aktionskunst / Box / Fluxus / Spiegel
TitelNummer
003810112 Einzeltitelanzeige (URI) Änderung
lisme-nr-4
lisme-nr-4
lisme-nr-4

Cantsin Monty (Zack David), Hrsg.: Lisme Nr.4 (Smile), 1985


Cantsin Monty (Zack David), Hrsg.
Lisme Nr.4 (Smile)
Amsterdam (Niederlande): Selbstverlag, 1985
(Zeitschrift, Magazin) 56 S., 21x15 cm,
Techn. Angaben Drahtheftung, Druck, vermutlich Xerox, teils händisch koloriert und beschriftet, mit eingeklebten, bemalten und aufklappbaren Papieren,
ZusatzInformation Lisme ist eine Zeitschrift der pregropertivistischen Bewegung. Lisme hat keine Regel, Zensur, Beschränkung oder Kontrolle. Es wird höchstens kontrolliert, ob es Kontrolle gegeben hat. (Text aus dem Magazin.)
Namen Anna Banana Productions / Arthur Berkhoff / Damaso Ogaz / David Cole / David Zack / György Galantai / Jürgen O. Olbrich / Klaus Groh / Manifest von Pata-Duddi / Mark Bloch / Misao Kusumoto / Pawel Petasz / Prop. / Robert Rehfeldt / Robin Crozier / Vittore Baroni
Sprache Englisch
Geschenk von Klaus Groh
Stichwort 1980er / Mail Art
WEB www.thing.de/projekte/7:9%23/smile_index.html
TitelNummer
017124627 Einzeltitelanzeige (URI) Änderung

Kretschmer Hubert, Hrsg.: ObjektMagazineObject, 2018

objektmagazineobject-katalog
objektmagazineobject-katalog
objektmagazineobject-katalog

Kretschmer Hubert, Hrsg.: ObjektMagazineObject, 2018


Kretschmer Hubert, Hrsg.
ObjektMagazineObject
München (Deutschland): icon Verlag Hubert Kretschmer, 2018
(Buch) [244] S., 23x15,5 cm, Auflage: 500, 2 Stück. ISBN/ISSN 978-3-928804-83-7
Techn. Angaben Softcover, Fadenheftung, 104 SW-Abbildungen
ZusatzInformation Zur Ausstellung Objekt-Magazine aus dem Archive Artists Publications im kunsTTempel Kassel, 04.05.–10.06.2018.
Enthaltene Magazine:
Aspen, 1965-1971 / AXE, 1975-1976 / Reaktion, 1975-1983 / Lightworks, seit 1975 oder 1976 / TAU/MA, 1976-1981 / Plages, 1978-2011 / Arte Postale!, 1979-2009 / Brauchbar/Unbrauchbar, 1980/1981 / Museum Rost, 1980-1983 / Art/Life, Artlife, 1981-2006 / Artfusion, 1979-1982 / Toi et moi pour toujours, 1982 bis ca. 1985 / CAPS.A., 1982-1985 / CARE, ab 1982 / Canoe, ab 1983 / Tango, ab 1983 / Tra, frühe 1980er Jahre / Normal, 1984-1988 / smile, ab 1984 / Tiegel & Tumult, 1986-1992 / PiPs, 1986-2009 / DOOS, 1988 bis ca. 1992 / Miniature obscure, 1991-2007 / Skola, 1991 bis ca. 1993 / No News, 1993-1998 / La Más Bella, 1993-2014 / Cave Canis, 1995-1999 / Boxhorn, 1998 bis heute / Achse Kassel-Bern, 1999-2007 / Bella Triste, 2003 bis heute / Esopus, 2003 bis heute / Papermind, ab 2005 / KART, 2006 bis heute / Landjäger, 2007 bis heute / Wipe, schon vor 2009 bis heute / Tigre énorme, ab 2010 / Matchbook Stories, 2012 bis heute / RUW, 2013 bis heute.
Ein Überblick über 50 Jahre Objekt-Zeitschriften, mit 38 Titeln und über 170 Ausgaben und Hunderten von Einzelelementen aus dem Bestand des Archive Artist Publications (Sammlung Hubert Kretschmer) in München.
„Die Objektzeitschriften erweitern den Rahmen der zweidimensionalen, gedruckten Künstlerzeitschriften ins Skulpturale und Materielle. Jede Ausgabe an sich ist ein Objekt, eine Skulptur oder ein objekthaftes Multiple.“
Rolf Dittmar und Jürgen O. Olbrich
Namen Béatrice Hernad (Text) / Jürgen O. Olbrich (Kurator - Text) / Rainer Resch (Text) / Rolf Dittmar (Text)
Sprache Deutsch / Englisch
Stichwort 1960er / 1970er / 1980er / 1990er / 2000er / Künstlerpublikation / Künstlerzeitschrift / Objekt-Magazin / Objektmagazin / Privatsammlung
Sponsoren Kulturamt der Stadt Kassel / Kunsttempel Kassel
WEB www.icon-verlag.de
TitelNummer
025380690 Einzeltitelanzeige (URI) Änderung
miller-miro-laecheln-leiter
miller-miro-laecheln-leiter
miller-miro-laecheln-leiter

Miller Henry / Miró Joan: Das Lächeln am Fuße der Leiter, 1988


Miller Henry / Miró Joan
Das Lächeln am Fuße der Leiter
Reinbek bei Hamburg (Deutschland): Rowohlt Taschenbuch Verlag, 1988
(Buch) 80 S., 19x12,4 cm, Auflage: 141000, ISBN/ISSN 3-499-14163-9
Techn. Angaben Broschur
ZusatzInformation rororo 780 4163. Zuerst veröffentlicht im März 1978, mit 10 farbigen Illustrationen von Miró. copyright 1961. The Smile at the Food of the Ladder, Big Sur, USA 1948.
Auflage 14000-157000
Sprache Deutsch
Stichwort 1960er / 1980er / Illustration / Literatur
TitelNummer
025560699 Einzeltitelanzeige (URI) Änderung

Burch Charlton, Hrsg.: lightworks, Nr. 18 illuminating new & experimental art, 1986/87

lightworks-n18-cover
lightworks-n18-cover
lightworks-n18-cover

Burch Charlton, Hrsg.: lightworks, Nr. 18 illuminating new & experimental art, 1986/87


Burch Charlton, Hrsg.
lightworks, Nr. 18 illuminating new & experimental art
Birmingham, MI (Vereinigte Staaten von Amerika): Lightworks Magazine, 1986/87
(Zeitschrift, Magazin) 56 S., 27,8x21,7 cm, ISBN/ISSN 0161-4223
Techn. Angaben Drahtheftung, mit zwei Einklebungen, Fotodruck und bestempelter Briefumschlag
ZusatzInformation Titelzusatz: "The art of Archimedes' Lever creativities that move the earth"
Unterstützt durch die John W. and Clara C. Higgins Foundation
Namen Achim Schnyder / Albrecht D. / Aloys Ohlmann / Andrea Eis / Ben Porter / Bob Schuler / Boris Nieslony / Crackerjack Kid / David Anderson / David Barr / David Buchan / David Cole / Donna Grund Slepack / Gary S. Vasilash / Gary S. Vasilashi / Georg Mühleck / H.R. Fricker / Jean-Jacques Cory / Jim Burch / Joel Lipman / Klaus Urbons / Lowry Burgess / Miriam Seidel / Peter Cherches / Thierry Tillier / Ulrich Bernhardt
Sprache Englisch
Stichwort 1980er / Archimedes / Auschwitz / Birkenau / Copy Art / Fotografie / Künstlerbriefmarke / mail art / Network / Smile / Telecommunications Art / Xerography / Zeichnung
TitelNummer
025765K55 Einzeltitelanzeige (URI) Änderung
naivsuper-cd 010
naivsuper-cd 010
naivsuper-cd 010

dis.playce: Das Ende von Amerika, 2007


dis.playce
Das Ende von Amerika
Berlin (Deutschland): naivsuper, 2007
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 010, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard & Martin Eichhorn
ZusatzInformation recorded in 2006, mastered at ICEM in 2007.
We are very proud to announce our 10th release !!! and what makes it even better is that it´s a new dis.playce album!
The EP is called ´Das Ende von Amerika´ (The End of America) and it´s dis.playce´s second release on naivsuper. The title refers to the book ´Amerika´ by Franz Kafka and should not be interpretated in the wrong way)
´Amerika´, also known as ´Der Verschollene´ or ´The Man Who Disappeared´, was the incomplete first novel by Franz Kafka, published posthumously in 1927.
The story describes the bizarre wanderings of a sixteen-year-old European emigrant named Karl Rossmann in the United States, who was forced to go to New York to escape the scandal of his seduction by a housemaid.
Hope originates when something else is absent and holes need to be filled again. The purpose of hope is to make itself vanish again and to reach a state of mind where Utopia or the promised land of North America won´t be needed anymore.
Kafka puts his hero Karl Rossmann over and over again in situations where he is lacking something only to discover that he is lacking even more. The spiral of hope, disappointment and reproaches seems to be endless. With ´Amerika´ Kafka finishes a series of America-fiction from the 19. Century which glorified the United States as the land of boundless possibilities. For Kafka America is not the solution of our problems anymore, it is almost like a second Europe - a land where the problems stay the same.
´Das Ende von Amerika´ is one 24 minute piece published on high quality CDRs
Stichwort Nullerjahre
WEB www.naivsuper.de
TitelNummer
008568267 Einzeltitelanzeige (URI) Änderung
backcover 01
backcover 01
backcover 01

Dimos Alexandre, Hrsg.: Back Cover #01 graphic design, typography, etc., 2008


Dimos Alexandre, Hrsg.
Back Cover #01 graphic design, typography, etc.
Paris (Frankreich): Editions B42, 2008
(Zeitschrift, Magazin) 58 S., 28x19,5 cm, ISBN/ISSN 1964-5392
Techn. Angaben Drahtheftung. Text
ZusatzInformation Back Cover is a French magazine about graphic design and typography. Back Cover is an open place for personalities from all countries who make or analyse our visual environment. Back Cover does not deal with news and does not present portfolios. It contains thoughts, critical or historical analysis and individual or collective experiences in graphic design, typography, illustration and visual arts. Each issue brings together contributions by international actors in the mentioned areas: graphic designers, typographers, art critics and historians, journalists, under different shapes: interviews, diaries, theoretical articles, transcripts of lectures…
Namen ak / Anne Lemonnier / Annick Lantenois / Aurélien Froment / John O’Reilly / Peter Biľ / Pierre Leguillon / Raphael Zarka / Richard Hollis
Sprache Englisch / Französisch
Stichwort Nullerjahre
WEB www.editions-b42.com/back-cover
TitelNummer
010177355 Einzeltitelanzeige (URI) Änderung
the endless story of two lovers
the endless story of two lovers
the endless story of two lovers

Gigotti Lorenzo Micheli: documenta 1955-2012 - The Endless Story Of Two Lovers, 2012


Gigotti Lorenzo Micheli
documenta 1955-2012 - The Endless Story Of Two Lovers
Rom (Italien): Nero Magazine, 2012
(Heft) 60 S., 28x21 cm, Auflage: 200, ISBN/ISSN 978-88-97503-15-6
Techn. Angaben Drahtheftung, goldener Umschlag
ZusatzInformation Publikation anlässlich der dOCUMENTA (13)

This publication contains a selection of 60 photographs from the documenta Archive, one of the oldest and most esteemed exhibition of contemporary art in the world. The photographs — belonging to different ages — depict the two elements that make art history possible: artwork and spectator. This amazing journey through time not only concerns the history of one of the most important exhibitions in the world, but also traces the evolution, customs, and traditions of the society that created it. The book portrays a love story between two subjects — a human being and an inanimate element — that are capable of a relationship even if they speak a different language. The photographs capture the moment of these encounters, and this is what their distinctive feature consists in. Of course we are not able to listen to the dialogues, but we can still imagine them.
Text von der Verlagswebseite
WEB www.neromagazine.it
TitelNummer
010375361 Einzeltitelanzeige (URI) Änderung
tamtam-thd-2014
tamtam-thd-2014
tamtam-thd-2014

Stadler Matthias, Hrsg.: TAMTAM - 20 Jahre THD - Campus Open Air, 2014


Stadler Matthias, Hrsg.
TAMTAM - 20 Jahre THD - Campus Open Air
München (Deutschland): icon Verlag Hubert Kretschmer, 2014
(Heft) 24 S., 15x10,8 cm, Auflage: 1000, 2 Stück. ISBN/ISSN 978-3-928804-26-4
Techn. Angaben Drahtheftung. Programmheft zur Veranstaltung
ZusatzInformation Design Caroline von Eichhorn, Illustrationen Marc Allignano.
Zum 20 jährigen Jubiläum der Technische Hochschule Deggendorf.
LIVE: Attwenger [Trikont, München], Aloa Input [Morr Music, Berlin], Deparlisé [In Bloom / Blackflowerstreet, München], Silver Dolls [Azetti, Deggenau], Der Heizkörper.
INSTALLATIONEN u. a. von: Interaktive und multimediale Installationen der Studierenden und TAMTAM, Videoprojektionen von Karambolage, Siebdruck mit Illustrationen von Fellherz, Interaktive Torwand von Not Yet, QR-Code-Ausstellung, Interaktive Videoinstallationen der Masterstudenten aus dem Medienkunstseminar von Herrn Winterfeldt, Ernst Jürgens und Günter Reinhardt von der TH Deggendorf und OTH Amberg + Elektronisches Bezahlsystem „Sminks“
Namen Aloa Input / Attwenger / Caroline von Eichhorn / Deparlisé / Der Heizkörper / Ernst Jürgens / Fellherz / Günter Reinhardt / Karambolage / Marc Allignano / Not Yet / Silver Dolls
Geschenk von Matthias Stadler
Stichwort Künstler-Kollektiv
WEB www.tamtam-ok.de
TitelNummer
011867415 Einzeltitelanzeige (URI) Änderung
vries-wit-white
vries-wit-white
vries-wit-white

De Vries Herman: wit white, 2012


De Vries Herman
wit white
Brest (Frankreich): Zédélé éditions, 2012
(Buch) 352 S., 21x15 cm, ISBN/ISSN 978-2-915859-41-6
Techn. Angaben Broschur mit Banderole, eingelegt ein Informationsblatt
ZusatzInformation Originalausgabe erschienen bei Artists Press, Bern, 1980.
This book is the third and final version of the first artist’s book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: “wit is overdaad”. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second “revised” edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjörg Mayer in Stuttgart. The only printed elements were the artist’s name, the title and the publisher’s name on the cover, the word “introduction” and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the “third revised edition”, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means “white” in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:

white is white
0 = 0
no name
no idea
not even emptiness,

Text von der Webseite
TitelNummer
012052000 Einzeltitelanzeige (URI) Änderung
what-the-shop
what-the-shop
what-the-shop

Schweiger Mirjam: What the Shop, 2012


Schweiger Mirjam
What the Shop
Wien (Österreich): Selbstverlag, 2012
(Sammeltuete, Schachtel, Kassette) Auflage: 100, 5 Teile.
Techn. Angaben transparenter bedruckter Kunststoffschuber mit 3 Heften und 2 gefalteten Plakaten
ZusatzInformation WHAT THE SHOP is an art project that first took place in Vienna 2012. WHAT THE SHOP was foundet by Mirjam Schweiger in collaboration with Michael Bäckström and Judith Rohrmoser. WHAT THE SHOP does not stay at one place for long. WHAT THE SHOP speaks several languages. WHAT THE SHOP is run by people who have worked with each other before and trust each other. WHAT THE SHOP always ends with a publication. WHAT THE SHOP is an investigation of artistic practice and the city. WHAT THE SHOP is not about selling things but about everything else. WHAT THE SHOP is open for change. WHAT THE SHOP is always up for tasty food. WHAT THE SHOP is a social sculpture and an artwork. WHAT THE SHOP what the fuck haters?!
Text von der Webseite
Geschenk von Hammann & von Mier
TitelNummer
012064424 Einzeltitelanzeige (URI) Änderung
burger-this-will-not-work
burger-this-will-not-work
burger-this-will-not-work

Burger Stefan / Delfrati Federico / Velonis Kostis: This probably will not work, 2015


Burger Stefan / Delfrati Federico / Velonis Kostis
This probably will not work
München (Deutschland): Lothringer13, 2015
(Flyer, Prospekt) 6 S., 21x10 cm,
Techn. Angaben Flyer, mehrfach gefaltet
ZusatzInformation Einladung zur Eröffnung der Ausstellung This probably will not work in der Lothringer13 am 16.07. 2015
WEB www.lothringer13.com
TitelNummer
013683501 Einzeltitelanzeige (URI) Änderung

Holt Guy Lee
Fantasy of One
Nikosia (Zypern): Neoterismoi Toumazou, 2016
(Flyer, Prospekt) 4 S., 21x14,9 cm, 2 Stück.
Techn. Angaben Einladungsflyer, beiliegend ein beidseitig bedrucktes Informationsschreiben zur Ausstellung
ZusatzInformation zur Ausstellung vom 21.05.-04.06.2016 im Neo Toum - Neoterismoi Toumazou, Nikosia, Zypern.
He was dancing steadily. He could see the backs of people’s heads moving in the darkness and was aware of the shifting spaces between their bodies. He did not register the music except as a sort of vibration. He felt as if he was dancing in perfect silence. He saw the already dim room growing ever darker around him. He became less conscious of his surroundings and more aware of himself. His introspection grew but his body was now moving automatically, softly cycling through a short loop of set motions. He noticed dust under his feet, and soon the realisation reached him that he was slowly wearing a shallow hole in the wooden floor. His body was locked in an efficient cycle. Before too long he was six inches below floor level, his head parallel with some of the shorter dancers. Yet he could not stop. Gradually he sank deeper into the ground until his face was level with people’s waists. No one noticed, below the eye level of the crowd, he was almost invisible. Presently his eyes came level with the soles of dancing shoes. He could see shards of coloured light flashing through a forest of legs casting jagged shapes across the floor. There were points where soft reflected light shone through looming figures like sunlight into a clearing. Eventually he was entirely submerged. He could look up through the hole and see foreshortened bodies moving above him oblivious to his plight. Still his feet moved, wearing away damp, pungent earth. The vibrations from the music lessened until the dull thump of the kick drum was all that he could feel. When it stopped he realised he too was still, and looking up he saw the sphere of light was gone.
Text von der Webseite
Geschenk von Maria Toumazou
WEB www.neoterismoi.com
TitelNummer
016014601 Einzeltitelanzeige (URI) Änderung
sheikh-the-circle
sheikh-the-circle
sheikh-the-circle

Sheikh Fazal: The Circle, 2008


Sheikh Fazal
The Circle
Göttingen (Deutschland): Steidl Verlag, 2008
(Buch) [114] S., 21,5x17,5 cm, ISBN/ISSN 978-3-86521-599-4
Techn. Angaben Hardcover mit Leineneinband und Prägung,
ZusatzInformation Through his earlier projects, Moksha and Ladli, Fazal Sheikh came to realize that for many women in India life is not a line, but a circle. Death is not an end but a resting place in the afterlife, from which the soul returns to earth and is reborn. The Circle reflects this cycle. It is dedicated to the women who helped Fazal Sheikh in India and to the hundreds of thousands of women with similar experiences that these portraits represent.
Text von der Webseite
Sprache Englisch
Stichwort Fotografie / Frauen / Indien / Porträts / Schwarz-Weiß
WEB www.fazalsheikh.org
TitelNummer
016550606 Einzeltitelanzeige (URI) Änderung

Yoon J. Meejin: ABSENCE, 2003

yoon-absence-zu
yoon-absence-zu
yoon-absence-zu

Yoon J. Meejin: ABSENCE, 2003


Yoon J. Meejin
ABSENCE
New York, NY (Vereinigte Staaten von Amerika): Printed Matter, 2003
(Buch) 240 ca. S., 12,5x10 cm, Auflage: 2000, ISBN/ISSN 0-89439-013-9
Techn. Angaben Umschlag aus Karton mit Leinenstreifen, ca. 120 Seiten gestanzt
ZusatzInformation 2004 winner of I.D. Magazine's Design Distinction award, Absence is the third book to come out of Printed Matter’s Publishing Program for Emerging Artists, a program made possible through the generous support of New York City's Department of Cultural Affairs, The Andy Warhol Foundation for the Visual Arts, the Elizabeth Firestone Graham Foundation, and the Heyday Foundation. The generosity of Whitney trustees Melva Bucksbaum and Raymond J. Learsy was instrumental to the Museum’s participation in the publication of this exciting new work.
Both a book and a sculptural object, Absence is a memorial to the twin towers of the World Trade Center. Yoon, an architect and designer who is currently an Assistant Professor of Architecture at the Massachusetts Institute of Technology, chose not to produce a traditional design proposal for the World Trade Center Memorial Competition. Instead she created a non-architectural, non site-specific space of remembrance: a portable personal memorial in the form of book.
At almost two pounds, Absence has a considerable physical presence, but it is in every way the ghost of a presence, and it is this ghostliness that gives it its particular emotional weight. A solid white block of thick stock cardboard pages, the book’s only "text" consists of one pinhole and two identical squares die-cut into each of its one-hundred-and-twenty pages – one for each story of the towers including the antenna mast. These removed elements lead the reader floor by floor through the missing buildings towards the final page where the footprint of the entire site of the World Trade Center is die-cut into a delicate lattice of absent structures.
Of all of the proposed monuments and grand designs for the twin towers to emerge in the last two years, Absence is remarkable for its employment of an under-used strategy: restraint. The simplicity of Yoon’s materials and her use of repetition speak, without words, about unspeakable loss. Quiet, respectful, mournful, the book does not aim to represent the magnitude of the disaster. Instead it appeals to the vastness of the reader’s imagination and capacity to grieve. The human scale of her memorial operates on a personal level – it delivers the memory of lives lost into the reader’s hands. At the same time, as a scale model of a vanished architectural site, it operates on a larger cultural level by commemorating the site itself.
Text von der Webseite. Fotos Xenia Fumbarev
Sprache Englisch
Stichwort Amerika / Erinnerung / Künstlerbuch / Terror / Twin Towers
WEB https://www.printedmatter.org/catalog/16965/
TitelNummer
024451593 Einzeltitelanzeige (URI) Änderung
price-fuck-seth-2015
price-fuck-seth-2015
price-fuck-seth-2015

Price Seth: Fuck Seth Price - A Novel, 2015


Price Seth
Fuck Seth Price - A Novel
New York, NY (Vereinigte Staaten von Amerika): Leopard, 2015
(Buch) 122 S., 17,8x11,8 cm, ISBN/ISSN 978-0-9815468-3-4
Techn. Angaben Broschur, Cover mit gestanztem Loch, Schrift: Caslon, Lesezeichen beigelegt von aliasbooks east
ZusatzInformation 1. Ausgabe.
From one of the most influential artists of his generation comes a provocative, moving novella about what it means to be a creative person under today's digital regime. In the course of a gripping, headlong narrative, Price's unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps. from Kanye West and Jeff Koons to George Bush and Patricia Highsmith. from the playground to the internet to the mirror, Price's hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now
Text von Amazon.com
Namen Joseph Logan (Design) / Rachel Hudson (Design)
Sprache Englisch
Stichwort Fiktion / Geschichte / Gesellschaft / Roman / Witschaft
TitelNummer
024555668 Einzeltitelanzeige (URI) Änderung
tonnard-enduring-freedom
tonnard-enduring-freedom
tonnard-enduring-freedom

Tonnard Elisabeth: ENDURING FREEDOM - The Poetry of the President, 2011


Tonnard Elisabeth
ENDURING FREEDOM - The Poetry of the President
Leerdam (Niederlande): The Conquerer Edition, 2011
(Buch) 20 unpag. S., 21,1x15 cm, Auflage: 124,
Techn. Angaben Fadenheftung mit aufklappbarem Cover
ZusatzInformation Speeches that George W. Bush made shortly after the 9/11 attacks, are turned into poetry in this book. The tone varies as we witness consolatory words and war speech. What does not change is the intensity of the rhetoric used. The poems first appeared in the Dutch literary magazine Armada, tijdschrift voor wereldliteratuur, No. 24, December 2001. The edition is printed on a paper that adds its own voice to the project in the form of a watermark. It reads “conqueror”, the brand name of the paper. Not only does that word seem to describe the voice in the book, it is also a description of itself. the watermark as a rhetoric, as a conquest.
Namen George W. Bush
Sprache Englisch
Stichwort Appropriation Art / Internet / Lyrik / Politik / politische Kunst / Popkultur
WEB www.elisabethtonnard.com/works/enduring-freedom-the-poetry-of-the-president/
TitelNummer
024727673 Einzeltitelanzeige (URI) Änderung
dany-zillig
dany-zillig
dany-zillig

Dany Hans-Christian / Zillig Steffen: unendlich unwahrscheinlich Nummer 06 - Alle wollen hier raus, 2018


Dany Hans-Christian / Zillig Steffen
unendlich unwahrscheinlich Nummer 06 - Alle wollen hier raus
Berlin / Nürnberg (Deutschland): Institut für moderne Kunst Nürnberg / SuKuLTuR, 2018
(Heft) 22 S., 14,8x10,3 cm, ISBN/ISSN 978-3-955660-76-5
Techn. Angaben Drahtheftung
ZusatzInformation Wie kann Protest aussehen in einer Zeit, die alles offenlegt und alle zu Komplizen des Fatalismus macht?
Steffen Zilligs Videocollage Pessimismus organisieren beschwört einen zombifizierten Michael Jackson und dessen letzte Weltrettungshalluzinationen im Mausoleum von Neverland. Verschwand mit dem König des Pop auch das vereinende Versprechen von Perfektion, Glamour und Verwandlung? Bleibt nur rasender Stillstand? Und wo artikuliert sich die Zukunft, wenn nicht im anonymisierten Tribalismus? In schlafwandelnden Mobs? Die sich überall da zusammenrotten, wo die kollektive Sediertheit brüchig wird – während aus dem Off Anonymous droht: »We do not forgive. We do not forget. Expect us.«
Hans-Christian Dany sucht in seinem Essay nach Wegen raus aus einer Gegenwart, aus der es keine Auswege zu geben scheint.
Text von der Webseite
Namen Hans-Christian Dany (Text) / Karin Kolb (Gestaltung) / Steffen Zillig (Abbildungen)
Sprache Deutsch
Geschenk von Stephan Janitzki
Stichwort Collage / Litertatur / Stills / Video
Sponsoren da Vinci / Kulturstiftung der Sparkasse Nürnberg
WEB www.sukultur.de/alle-wollen-hier-raus.html
TitelNummer
025248680 Einzeltitelanzeige (URI) Änderung
shore-the-nature-of-photographs
shore-the-nature-of-photographs
shore-the-nature-of-photographs

Shore Stephen: The Nature of Photographs, 2007


Shore Stephen
The Nature of Photographs
London / New York, NY (Großbritannien / Vereinigte Staaten von Amerika): Phaidon, 2007
(Buch) [142] S., 24,5x21 cm, ISBN/ISSN 978-0-7148-5904-0
Techn. Angaben Broschur
ZusatzInformation The Nature of Photographs is the essential primer of photography, not only for students but for anyone with an interest in the medium. This book grew out of a college course that Stephen Shore taught for many years. Its aim is not to explore photographic content – the subject of an image – but to describe the physical and formal attributes of a photographic print, the very elements that form the tools a photographer uses to define and interpret that content. By teaching us how to look at photographs and helping us to see the world the way the photographer may have seen it, Shore also teaches us a way of looking at the world around us.
Text von der Webseite.
Namen Alfred Stieglitz / Andreas Gursky / August Sander / Cindy Sherman / Eugene Atget / Jeff Wall / Lee Friedlander / Robert Frank / Thomas Demand / Thomas Struth / Walker Evans / William Eggleston
Sprache Englisch
Geschenk von Barbara Donaubauer
Stichwort Fotografie / Lehre / Unterricht
WEB http://uk.phaidon.com/store/photography/the-nature-of-photographs-9780714859040/
TitelNummer
025410704 Einzeltitelanzeige (URI) Änderung
weiwei-large
weiwei-large
weiwei-large

Weiwei Ai: @Large - Ai Weiwei on Alcatraz, 2014


Weiwei Ai
@Large - Ai Weiwei on Alcatraz
San Francisco, CA (Vereinigte Staaten von Amerika): Chronicle Books, 2014
(Buch) [196] S., 26x26 cm, ISBN/ISSN 978-1-4521-4276-0
Techn. Angaben Hardcover, fadengeheftet
ZusatzInformation Erschienen zur Ausstellung bei der FOR-SITE Foundation, San Francisco 27.09.2014-26.04.2015.
Internationally renowned Chinese artist and activist Ai Weiwei is one of contemporary art's most newsworthy figures, noted for both his groundbreaking work and his outspoken stance on human rights, which ultimately resulted in his controversial 2011 detainment. In an astonishing new large-scale project, he turns his attention to Alcatraz—a place he could not visit because he was not permitted to leave China, but that stands as a world-famous symbol of both incarceration and protest. This book showcases the major exhibition presented by FOR-SITE Foundation of site-specific, multimedia installations and sculptures Ai Weiwei create for the island, on view from the fall of 2014 through the spring of 2015. Featuring beautiful photographs and thought-provoking text, At Large is the essential document of this remarkable happening from one of today's most celebrated artists.
Text von der Website.
Namen Cheryl Haines (Einleitung) / David Spalding (Herausgeber) / Frank Dean (Vorwort) / Greg Moore (Vorwort) / Hans Ulrich Obrist (Interview) / Vaclav Havel (Text)
Sprache Englisch
Stichwort Aktivist / Alcatraz / Fotografie / Gefängnis / Installation / Menschenrecht / Politik / Repression
WEB www.chroniclebooks.com/at-large.html
TitelNummer
025945713 Einzeltitelanzeige (URI) Änderung
forouhar-written-room
forouhar-written-room
forouhar-written-room

Forouhar Parastou: Written Room, 2018


Forouhar Parastou
Written Room
München (Deutschland): Galerie Karin Sachs, 2018
(Flyer, Prospekt) [2] S., 17x12,2 cm,
Techn. Angaben Postkarte, beidseitig bedruckt
ZusatzInformation Einladungskarte zur Ausstellung Written Room in der Galerie Karin Sachs vom 15.09.-27.10.2018.
The Persian script is turned into an ornament. Covering the white walls of the museums, the characters serve Forouhar as “paper” for her own text. The room becomes a “written room”. Whereas the white walls of the gallery room are raised to a universal norm and an unmarked instance, the Oriental ornament stands for difference or the deviating.
The writing is also strange, if not alien, because it is illegible for Western visitors – as an “incomprehensible” text it becomes a pure ornament. In defying attempts by Western visitors to assign its meaning, the script remains locked into its irreducible pictorial graphicness and indissoluble representation. The meaning cannot be grasped; at best, the inscribed ping-pong balls, which cover the base of the installation, can be grasped in the tactual sense. The legibility is made even more difficult by the movement of the ping-pong balls, which due to their spherical form also offer no stable vertical or horizontal reading axes; they form new patterns over and over again, are always in motion, and become incoherently disjointed.
Even if one has a command of Persian, the characters prove to be nothing more than word fragments and syllables, which are not subject to a linear order. The script ornamentation covers the whole room. Viewers entering the rooms are surrounded by patterns, forcing them to give up their sovereign, distanced standpoint.
Text von der Website der Künstlerin.
Sprache Deutsch
Stichwort Ausstellung / Installation / Iran / Nastaliq / Ornament / Persisch / Schrift / Typografie / Zeichen
WEB http://www.galeriekarinsachs.de
WEB www.parastou-forouhar.de
TitelNummer
026027801 Einzeltitelanzeige (URI) Änderung
wordpharmacy_adjectives
wordpharmacy_adjectives
wordpharmacy_adjectives

Søndergaard Morten: Adjectives, 2012


Søndergaard Morten
Adjectives
Pietrasanta (Italien): wordpharmacy, 2012
(Objekt, Multiple) 18x30 cm, ISBN/ISSN 978-3-94319-605-4
Techn. Angaben Kartonbox 10x11,5x7,5 cm (HxLxB, auseinandergefaltet 18x30 cm, mit Beipackzettel A4 gefaltet auf 4x7 cm
ZusatzInformation Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Søndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Tromsø and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Ramsø and is now available in six languages.
Text von der Webseite
Namen Barbara Haveland (Übersetzung) / Christian Ramsø (Design)
Sprache Englisch
Stichwort Konzept / Medizin / Multiple / Objekt / Sprache / Text / Wort
WEB http://www.wordpharmacy.com/
TitelNummer
026227730 Einzeltitelanzeige (URI) Änderung
daled-collection-hdk-2010
daled-collection-hdk-2010
daled-collection-hdk-2010

Dander Patrizia / Wilmes Ulrich, Hrsg.: A Bit of Matter and a Little Bit More. The Collection and the Archives of Herman and Nicole Daled 1966–1978, 2010


Dander Patrizia / Wilmes Ulrich, Hrsg.
A Bit of Matter and a Little Bit More. The Collection and the Archives of Herman and Nicole Daled 1966–1978
München / Köln (Deutschland): Haus der Kunst / Verlag Buchhandlung Walther König, 2010
(Buch) 456 S., 27x20,3 cm, ISBN/ISSN 978-3-86560-763-8
Techn. Angaben Klappbroschur mit Banderole (gestanzte Formen und Texte)
ZusatzInformation erschienen zur Ausstellung 30.04.-25.07.2010
Mit Essays von Benjamin H.D. Buchloh und Birgit Pelzer sowie einem Text von Herman und Nicole Daled.
The Brussels-based collectors Herman Daled and Nicole Daled refuse to perceive art as decoration and to, thereby, exploit it. They approach art in a fundamentally different way: Basis for their activities are their relationships and conversations with artists.
In keeping with the aim of Conceptual Art that places the intellectual content of a work above its realisation, they consider themselves not collectors but communicators and producers: They provide artists with the opportunity to also realise works outside of established market mechanisms. Their intense engagement with Conceptual Art, one of the most important movements in recent art history, goes far beyond usual collecting practices. This is not only apparent in the actual works, but also in the meticulously archived documents containing actions and works.
One of the most important influences for Herman and Nicole Daled was Marcel Broodthaers, more than 80 of his works are in their collection. Moreover, the collection holds several works by Daniel Buren, Dan Graham, On Kawara, Sol Lewitt, Niele Toroni, Lawrence Weiner, Cy Twombly and many more.
Text von der Webseite
Namen Benjamin H.D. Buchloh / Birgit Pelzer / Carl Andre / Cy Twombly / Dan Graham / Daniel Buren / Ed Ruscha / Hanne Darboven / Hans Haacke / Herman Daled / James Lee Byars / Jan Dibbets / Jaques Charlier / Jörg Immendorf / Kathy Acker / Lawrence Weiner / Marcel Broodthaers / Nicole Daled / Niele Toroni / On Kawara / Peter Downsbrough / Richard Long / Robert Filliou / Sol LeWitt / Stanly Brouwn / Steve Reich / Vito Acconci / Walter Nikkels (Form und Typografie)
Sprache Englisch
Geschenk von Sabine Brantl
Stichwort Archiv / Dokumentation / Ephemera / Fluxus / Installation / Konzeptkunst / Malerei / Sammlung
WEB https://www.moma.org/research-and-learning/archives/finding-aids/Daledf
WEB www.hausderkunst.de
TitelNummer
026316739 Einzeltitelanzeige (URI) Änderung

Wolf-Rehfeldt Ruth: Signs Fiction, 2016

wolf-rehfeldt-signs-fiction
wolf-rehfeldt-signs-fiction
wolf-rehfeldt-signs-fiction

Wolf-Rehfeldt Ruth: Signs Fiction, 2016


Wolf-Rehfeldt Ruth
Signs Fiction
Berlin (Deutschland): Chert Galerie / Motto Books, 2016
(Buch) [490] S., 32x24 cm, Auflage: 700, ISBN/ISSN 978-2-940524-46-4
Techn. Angaben Broschur
ZusatzInformation This book aims to collect and present a comprehensive overview of the work of Ruth Wolf-Rehfeldt. It is the result of a long and intense immersion into her archive, and intends to establish the importance of this unique artist – who did not have much recognition in the past – not only to the present day, but also to the precise political context and time to which she and her work belong.
The book presents her typewritings series, all produced between the early 1970s (some of the earliest works are dated 1972) and 1989.
Mail Art was her way to be in contact with the world outside the GDR, otherwise impossible to reach. After the fall of the Berlin Wall and the Reunification, the artist stopped producing any art: She felt her involvement was no longer “needed”.
At the beginning of 2015 we started to archive Ruth Wolf- Rehfeldt’s work, discovering little by little an enormous and fascinating body of work, composed by more classic poetry, simple typewriting texts, visual poetry, concrete poetry, and abstraction.
Text von der Webseite
Namen 1970er Jahre / 1980er Jahre / Archiv / Jennifer Chert (Text) / Till Gathmann (Design) / Zanna Gilbert (Text)
Sprache Deutsch / Englisch
Stichwort abstrakt / Konkrete Poesie / Mail Art / Muster / Schreibmaschinenkunst / Symmetrie / Typewriting / Visuelle Poesie
Sponsoren Kulturverwaltung des Berliner Senats
TitelNummer
026489742 Einzeltitelanzeige (URI) Änderung
omnibus-news
omnibus-news
omnibus-news

Niggl Thomas / Prem Heimrad / D'Orville Christian, Hrsg.: Omnibus News 1, 1969


D'Orville Christian / Niggl Thomas / Prem Heimrad, Hrsg.
Omnibus News 1
München (Deutschland): Selbstverlag, 1969
(Buch) [300 ca.] S., 29,7x21 cm, Auflage: 1500, signiert, 2 Stück.
Techn. Angaben Nur mit Originalbeiträgen von ca. 140 internationalen Künstlern, verschiedene Papiere und Techniken, einige signiert, Stempeldrucke. Alle Arbeiten von den Künstlern selbst vervielfältigt, von den Herausgebern zusammen getragen.
ZusatzInformation According to ARTBASE Jan 2001, this is the first visual artists' assembling ever! The editors state on the first page that "everybody is responsible for his own contribution," and, "there was no censorship or selection." These rules became the basis for what many poets/artists considered the foundation of Assembling publications although there have been and continue to be dissenters. Almost all the contributors were German. The pages in this periodical are composed of varied paper and colored stock reflecting the unedited contributions. However, the magazine was not called an Assembling and was probably not the first to employ an unedited format as can be appreciated by earlier such magazines in the Sackner Archive. However, it was probably the first to formulate the rules.
Text von Sackner Archive
Namen Aldo Walker / Alfred Feussner / Almuth Hickl / Andreas Bindl / Angel Luque / Annalies Klophaus / Arnulf Rainer / Attila Kotany / Ben Vautier / Bread And Puppet Theater / Bruno Demattio / Bubu Siemens / Christel Fischer / Comfac / Costa Pinheiro / D. Schüttenhelm / Daster Hesse / Dick Higgins / Dieter Glasmacher / Dieter Reick / Dietrich Albrecht / Edward Krasinski / Elena Whiteside / Eric Andersen / Eric Van Zuylen / Ernst Neukamp / Erwin Wortelkamp / Fongi / Georg Rosenthal / Gerhard Merz / Gunther Keusen / Gunther Laschinger / Gunther Radloff / Günter Eckert / H.P. Hartmann / H. Weld / Hans-Peter Zimmer / Hans Georg Schultz / Hansjörg Grollmann / Harvey Spevak / Heimrad Prem / Heiner Dattenberg / Heino Naujoks / Heinz Decker / Helmut Rieger / Herbert Distel / Herbert Peters / Herbert Späth / Heribert Sturm / Hermann Richter / Horst Albert Glaser / Imre Kocsis / Irma Hünerfauth / J. Lüngen / J. Schüttenhelm / Joachim Schmettau / Jochen Gerz / Jutta Brand / Jörgen Brynjolf / Jörg Immendorf (Lidl) / K.F. Günther / Karl-Rudolf Pigge / Karl Bohrmann / Karl Heinz Wegert / Karl Ludwig Schmalz / Klaus Heider / Klaus Hoffmann / Klaus Staeck / Kleinhammes / Konrad Balder Schäuffelen / Kuno Raeber / Kurt Benning / Lerizo (Riki Pezold) / Lola Byron / Lothar Fischer / Ludi Armbruster / Manfred Günzel / Manfred Mohr / Manfred Weihe (Puyk) / Mardersteig / Margit Hefft / Margot Luf / Markus Sing / Memo Zeillemaker / Michael Badura / Michael Heininger / Michael Langer / Milan Knizak / Nicole Braun / Nikolaus Jungwirth / Ottfried Narewski / Otto / Otto Dressler / Paco Munser / R. Wiprsek / Renate Sautermeister / Richard Dietrich / Robert Schneider / Rozanek / Schneider-Henn / Siegfried Neuenhausen / Sipke Huismans / Stanley Brouwn / Stefan Szczesny / Thomas Niggl / Timm Ulrichs / U. Breger / Uwe Streifeneder / Volker Brinker / Werner Nöfer / Werner Schreib / Will Wiprsek / Winfried Welch / Wolfgang Feelisch / Wolfgang Hufnagel / Wolf Vostell
Sprache Deutsch / Englisch
Geschenk von Christoph Mauler
Stichwort 1960er / Assembling / Collage / Fotografie / Grafik / Konzeptkunst / Kooperative / Poesie / Textarbeit / Zeichnung
TitelNummer
003052214 Einzeltitelanzeige (URI) Änderung
bos-the-perfect-picture
bos-the-perfect-picture
bos-the-perfect-picture

Bos Theo: The Perfect Picture, 1998


Bos Theo
The Perfect Picture
Den Bosch (Niederlande): Tuesday Multumedia, 1998
(CD, DVD) 12,5x14,2 cm,
Techn. Angaben CD-Rom in Hülle
ZusatzInformation The Perfect Picture is a project on CD-ROM. It is an attempt to make a perfect picture of a formerly impassible part of the town of Utrecht: the military barracks The Kromhoutkazerne. The goal of The Perfect Picture is not to formulate a representative photographic vision of the subject. It seeks rather to present a method whereby the subject can be experienced - experienced in a manner that verges on the way we do that in reality: one that is complex, abundant, and not always equally clear and unambiguous.
Text von der Website
Sprache Englisch / Niederländisch
Geschenk von Joachim Schmid
Stichwort 1990er
WEB www.theobos.nl/past/the-perfect-picture
TitelNummer
013062465 Einzeltitelanzeige (URI) Änderung

von Rabenau Kai, Hrsg.: MONO.KULTUR #41 Meg Stuart - Make the first move, 2016

monok41-stuart
monok41-stuart
monok41-stuart

von Rabenau Kai, Hrsg.: MONO.KULTUR #41 Meg Stuart - Make the first move, 2016


von Rabenau Kai, Hrsg.
MONO.KULTUR #41 Meg Stuart - Make the first move
Berlin (Deutschland): mono.kultur, 2016
(Zeitschrift, Magazin / Heft) 48 S., 20x15 cm, ISBN/ISSN 1861-7085
Techn. Angaben Drahtheftung, auf verschiedenem Papier gedruckt
ZusatzInformation Meg Stuart’s work is not about the elegance and beauty of dance, or at least not in the conventional sense. It is about exploring the outer edges of movement, where bodies age, fail, and surrender, where individual spaces disintegrate and bleed into each other, where physical memories are exposed like open wounds. Meg Stuart’s work is located at the vanishing point where dance meets visual arts. Within just two decades, Stuart’s dance company Damaged Goods, which she founded in 1994, have produced a lengthy and diverse list of projects, ranging from countless full-length feature works to multi-disciplinary dance installations, improvisations, and films that spread far beyond the theatre stages of the world, into museum spaces, film festivals or the wide open street. With mono.kultur, Meg Stuart talked about her first physical memories, the healing power of dancing and the thrill of disorientation. Following Meg Stuart’s interest in abundance and complexity, the design discards all notions of top or bottom, left or right, with text and images set in different and ever-changing directions. A magazine as a physical object that wants to be handled and turned. Reading as a dance.
Text von der Website.
Namen Damaged Goods / Meg Stuart
Sprache Englisch
Stichwort Bewegung / Interview / Körper / Tanz / Visuelle Kunst
WEB www.mono-kultur.com
TitelNummer
026629737 Einzeltitelanzeige (URI) Änderung

Tanner Esmé
Why don't you just take your time and ...
London (Großbritannien): Selbstverlag, 2011
(Buch) 16 S., 21x15 cm, Auflage: 25, 2 Stück.
Techn. Angaben Drahtheftung, Farbkopien, farbiger Filzstift, in bedruckter Papiertüte, handschriftliche Notiz
TitelNummer
007849218 Einzeltitelanzeige (URI) Änderung

Cerezo María / Llensa Emma, Hrsg.
Atem Books
La Bisbal d'Empordà (Spanien): Atem Books, 2010
(Plakat) 48x33 cm, 2 Stück.
Techn. Angaben Plakat, vermutlich beschnitten
ZusatzInformation Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
Why ‘Atem’?
‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
Who we are
Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
What we can do
We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
Atem Books is 100% independent!
We don’t receive any external money. This project survives with the earns we do selling our publications.
Von der Webseite
WEB www.atembooks.com
TitelNummer
009056303 Einzeltitelanzeige (URI) Änderung



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