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Dean Tacita: Seven Books Grey, 2011

tacita-dean-seven-books-grey-schuber
tacita-dean-seven-books-grey-schuber
tacita-dean-seven-books-grey-schuber

Dean Tacita: Seven Books Grey, 2011

Dean Tacita
Seven Books Grey
Wien / Göttingen (Österreich / Deutschland): mumok Museum Moderner Kunst Stiftung Ludwig Wien / Steidl, 2011
(Buch / Sammeltuete, Schachtel, Kassette) 26,8x19,8x6,2 cm, 7 Teile. ISBN/ISSN 978-3-86930299-7
Techn. Angaben Schuber mit sieben Büchern (Boschur).
ZusatzInformation Englische Ausgabe. Erschienen anlässlich der Ausstellung "The Line of Fate" im mumok, Wien, 04.03.-29.05.2011.
Seven Books Grey is an updated, expanded version of Tacita Dean’s Seven Books (2003), and is an exploration of Dean’s oeuvre as it straddles film, drawing, photography, writing and book-making. Each book has a different focus and together they are an accurate survey of Dean’s work to date.
Book One: “Complete Works and Filmography 1991–2011”
Book Two: “Selected Writings 1992–2011” (Dean’s writings)
Book Three: “A Panegyric, Gaeta, Edwin Parker” (three projects made with and about Cy Twombly)
Book Four: “Film Works with Merce Cunningham”
Book Five: “Footage” (artist’s book with a text by Marina Warner taking a cultural-historical look at the foot and the significance of limping)
Book Six: “Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean” (essay by Christa-Maria Lerm Hayes)
Book Seven: “Essays on the Work of Tacita Dean” (texts by Wolfram Pichler, Peter Bürger, Douglas Crimp and Achim Hochdörfer)
Text von der Webseite
Namen Achim Hochdörfer (Text) / Christa-Maria Lerm Hayes (Text) / Cy Twombly / Douglas Crimp (Text) / Joseph Beuys / Marina Warner (Text) / Merce Cunningham / Peter Bürger (Text) / W.G. Sebald / Wolfram Pichler (Text)
Sprache Deutsch / Englisch
Stichwort 2010er / Film / Fotografie / Text / Writing
TitelNummer
025588686 Einzeltitelanzeige (URI) Änderung

Doeringer Eric: Collected Works, 2014

doeringer-collected
doeringer-collected
doeringer-collected

Doeringer Eric: Collected Works, 2014

Doeringer Eric
Collected Works
New York, NY (Vereinigte Staaten von Amerika): Copycat Publications, 2014
(Buch) 66 S., 27,9x21,6 cm, Auflage: print on demand,
Techn. Angaben Broschur, Digitaldruck, Umschlag glänzend laminiert. Schwarz-Weiß
ZusatzInformation Collected Works compiles eight of my books into one convenient volume. The books are combined together, so that page one of Collected Works is a "sandwich" of the first page of all eight books, page two contains the second page of each book, page three the third page, etc. Collected Works reproduces Squares With Sides And Corners Torn Off, Some Los Angeles Apartments, Real Estate Opportunities, The Location of Lines, and Records in their entirety, plus excerpts from 60 Years Later, Arcs Circles & Grids, and The Xeroxed Book. - Eric Doeringer
Text von der Webseite
Namen Sol LeWitt
Sprache Englisch
Stichwort Fotokopie / Konzept / Photocopy / Xerox / Überlagerung
WEB http://www.lulu.com/shop/eric-doeringer/eric-doeringer-collected-works/paperback/product-21675660.html
WEB https://www.printedmatter.org/catalog/38053/
TitelNummer
026110665 Einzeltitelanzeige (URI) Änderung

artists-book-not.
artists-book-not.
artists-book-not.

Sanders Jeremy / Kugelberg Johan, Hrsg.: ARTISTS’ BOOK NOT ARTISTS’ BOOK, 2012

Kugelberg Johan / Sanders Jeremy, Hrsg.
ARTISTS’ BOOK NOT ARTISTS’ BOOK
New York, NY (Vereinigte Staaten von Amerika): 6 Decades Books, 2012
(Buchobjekt) 17,6x13,8 cm, Auflage: 500, ISBN/ISSN 978-0-9829694-2-7
Techn. Angaben Buch zu einer Ausstellung in der Boo-Hooray Gallery New York, eingesteckt in ein mehrfach gefaltetes A2-Format-Blatt mit den Farbabbildungen der im Buch beschriebenen Bücher
ZusatzInformation "Artists' book" is a troublesome term. There seems to be no single well-understood or generally-accepted working definition. Say "artists' book" in general conversation and you'll likely get a blank look, if not outright confusion. even with a specialized audience of bibliophiles, or art world cognoscenti, it may be necessary to clarify exactly what you mean...
Artists' Book Not Artists' Book is an exhibition co-curated by Johan Kugelberg and Jeremy Sanders. In it are about one hundred books and of course all of them either are, or are not, artists’ books, but whether it is even possible to say which ones fall into which category is a matter that's not entirely clear. And in any case, it's likely no two viewers would draw exactly the same conclusions.
Artists' Book Not Artists' Book.
Von der Webseite des Verlages
Namen Chris Burden / Dara Birnbaum / David Wojnarowicz / Ed Ruscha / Ira Cohen / Jim Shaw / John Baldessari / Michelangelo Pistoletto / Richard Hell / Richard Meltzer / Richard Prince / Sean Landers / Seth Price / Sue Williams / Tina Lhotsky / Tom Sachs / William Gibson
Stichwort Buchobjekt
WEB www.6decadesbooks.com/2012/01/artists-book-not-artists-book.html
TitelNummer
009042253 Einzeltitelanzeige (URI) Änderung

nyabf2017
nyabf2017
nyabf2017

Schumann Max, Hrsg.: NY Art Book Fair 2017, 2017

Schumann Max, Hrsg.
NY Art Book Fair 2017
New York, NY (Vereinigte Staaten von Amerika): Printed Matter, 2017
(Buch) 15x10,5 cm,
Techn. Angaben Softcover, Broschur
ZusatzInformation Publikation zur New York Art Book Fair 2017. Printed Matter presents the twelfth annual NY Art Book Fair, from September 22 to 24, 2017, at MoMA PS1, Long Island City, Queens. Free and open to the public, the NY Art Book Fair is the world’s premier event for artists’ books, catalogs, monographs, periodicals, and zines. The 2017 NY Art Book Fair will feature over 370 booksellers, antiquarians, artists, institutions and independent publishers from twenty-eight countries. This year’s NY Art Book Fair will include an ever-growing variety of exhibitors - from zinesters in (XE)ROX & PAPER + SCISSORS and the Small Press Dome representing publishing at its most innovative and affordable, to rare and antiquarian dealers offering out-of-print books and ephemera from art and artist book history, plus the NYABF-classic Friendly Fire, focused on the intersections of art and activism. NYABF17 will host an array of programming and special events, including: The Classroom, a curated engagement of informal conversations, workshops, readings, and other artist-led interventions, for the eighth year running, as well as The Contemporary Artists’ Book Conference (CABC), in its tenth year, featuring two full days of conversation on emerging practices and issues within art-book culture.
Text von der Website.
Namen Christopher Gianunzio (Coordinator) / Garrick Gott (Designer) / Hannah Myall (Administration) / Shannon Michael Cane (Kurator) / Yoshié Hozumi (Assistant Designer)
Sprache Englisch
Geschenk von Marlene Obermayer
Stichwort Antiquariat / Artist Book / Ausstellung / Druck / Künstlerbuch / Lesung / Messe / Pint / Printed Matter / Programm / Publishing / Verlag / Workshop / Xerox / Zine
WEB http://nyartbookfair.com/archive/2017
WEB www.printedmatter.org
TitelNummer
026036719 Einzeltitelanzeige (URI) Änderung

Bragadini Giovanna, Hrasg.
Libri d’arte, passione di una vita
Parma (Italien): FermoMAG, 2012
(Presse, Artikel)
Techn. Angaben Artikel über Reinhard Grüner,
ZusatzInformation Reinhard Grüner is a collector from Monaco. His passion is art books, which he collects – and sometimes exhibits – since the 1960s.
His website, www.buchkunst.info is a real “online museum”, where international artist books are catalogued and photographed. Amongst the artists there are Marc Chagall, Anselm Kiefer, Henri Matisse, Pablo Picasso and Andy Warhol. Books, but also works of art made of images and text, created by the artist often in collaboration with a writer and a publisher. For the high artistic quality – original graphics, unique designs, paintings and collages – these works are different from the usual picture books. Their manifestations are multiple: books with graphic effects, objects-book, artist’s books, sometimes printed in offset or illustrated by works of artists.
At the centre of Grüner’s attention there are Eastern German and Eastern European books (mainly Russia, Hungary, Lithuania). many of these works were created in response to specific social, political and cultural issues, with unimaginable insights into the culture of modernity.
Reinhard first came in contact with the art in book form with the English Edition, printed privately, of “A Dissertation Upon Roast Pig”, printed in 1975 by Shoestring Press on paper of the legendary Chiswick Press: from here begins a life of a book maniac among thousands of books. As Grüner states in an essay, the acquisition of artist books is more than a simple purchase: the artist, the life as a collector and thoughts are tied together, they influence each other, and a network of contacts with other collectors begins. With nearly all the books in his collection Grüner forms a symbiotic relationship: each of them describes, explains, and gets to the heart of some chapters of his life.
Download the pdf file with the essay on the collection of Reinhard Grüner (in English)
Namen Andy Warhol / Anselm Kiefer / Henri Matisse / Marc Chagall / Pablo Picasso / Reinhard Grüner
Sprache Englisch / Italienisch
Stichwort Künstlerbuch / Malerbücher / Sammlung
WEB www.fermomag.it/2012/02/01/libri-d%E2%80%99arte-passione-di-una-vita
TitelNummer
008503304 Einzeltitelanzeige (URI) Änderung

Bodman Sarah
X Exercises for Kurt Johannessen - 21.02.2012
Bristol (Großbritannien): Book Art Object, 2012
(Buch) 16 S., 21,7x21 cm, 2 Stück.
Techn. Angaben Farbkopien nach PDF, nach free download, in drei verschiedenen Größen ausgedruckt
ZusatzInformation Sarah Bodman made her first artist’s book tribute to Kurt Johannessen after Tanya Peixoto introduced her to his books at bookartbookshop.

She produced ‘An Exercise for Kurt Johannessen’ in 2010, in tribute to his book ‘Exercises’. The titles of the 100 short stories she wrote and buried for her exercise, have since been taken up by BookArtObject an international book arts group, founded in Australia by Sara Bowen, with 84 artists currently making a book using one of Sarah’s short story titles.

As it is now the 10th anniversary of bookartbookshop in February 2012, and the celebrations are based on theme of: x or what is to be done? Sarah asked Kurt Johannessen if she could select a further 10 (x) exercises from his artist’s book to carry out.

The result is ‘X Exercises for Kurt Johannessen’ an image only artist’s book, published as a free download, DIY self-assembly book on 21.02.2012. The exercises can be identified through reading the texts in Kurt Johannessen’s ‘Exercises’. Sarah has made her book as a free PDF download for you to print out and assemble yourself, you will need 4 sheets of A4 paper and a stapler
WEB www.bookartobject.blogspot.de/2012/03/x-exercises-for-kurt-johannessen-sarah.html
TitelNummer
008649261 Einzeltitelanzeige (URI) Änderung

weiner-nach-bildende-kunst
weiner-nach-bildende-kunst
weiner-nach-bildende-kunst

Weiner Lawrence: NACH BILDENDE KUNST / AFTER FINE ART Works presented in the German Language / Arbeiten vorgestellt im deutschsprachigen Raum, 2012

Weiner Lawrence
NACH BILDENDE KUNST / AFTER FINE ART Works presented in the German Language / Arbeiten vorgestellt im deutschsprachigen Raum
Ostfildern (Deutschland): Hatje Cantz Verlag, 2012
(Buch) 200 S., 24,1x16,7 cm, ISBN/ISSN 978-3-7757-2979-6
Techn. Angaben Broschur
ZusatzInformation Edited by Gabriele Wix, By Gabriele Wix, graphic design by Lawrence Weiner, Anja Lutz.
Most of his oeuvre, which comprises more than a thousand language-related works, has already been presented in the German-speaking world—some of it either translated by Weiner himself or conceived using German as a basis. Featuring over 350 works, this is the first list of the English/German works. The artist assumed responsibility for the typography and cover design, as if the publication were one of his own works. Accompanying text and visual documents shed light on the creative process, in-situ installations, and Weiner’s way to work with text.
Text von der Webseite
Sprache Deutsch / Englisch
TitelNummer
011486398 Einzeltitelanzeige (URI) Änderung

daled-collection-hdk-2010
daled-collection-hdk-2010
daled-collection-hdk-2010

Dander Patrizia / Wilmes Ulrich, Hrsg.: A Bit of Matter and a Little Bit More. The Collection and the Archives of Herman and Nicole Daled 1966–1978, 2010

Dander Patrizia / Wilmes Ulrich, Hrsg.
A Bit of Matter and a Little Bit More. The Collection and the Archives of Herman and Nicole Daled 1966–1978
München / Köln (Deutschland): Haus der Kunst / Verlag Buchhandlung Walther König, 2010
(Buch) 456 S., 27x20,3 cm, ISBN/ISSN 978-3-86560-763-8
Techn. Angaben Klappbroschur mit Banderole (gestanzte Formen und Texte)
ZusatzInformation erschienen zur Ausstellung 30.04.-25.07.2010
Mit Essays von Benjamin H.D. Buchloh und Birgit Pelzer sowie einem Text von Herman und Nicole Daled.
The Brussels-based collectors Herman Daled and Nicole Daled refuse to perceive art as decoration and to, thereby, exploit it. They approach art in a fundamentally different way: Basis for their activities are their relationships and conversations with artists.
In keeping with the aim of Conceptual Art that places the intellectual content of a work above its realisation, they consider themselves not collectors but communicators and producers: They provide artists with the opportunity to also realise works outside of established market mechanisms. Their intense engagement with Conceptual Art, one of the most important movements in recent art history, goes far beyond usual collecting practices. This is not only apparent in the actual works, but also in the meticulously archived documents containing actions and works.
One of the most important influences for Herman and Nicole Daled was Marcel Broodthaers, more than 80 of his works are in their collection. Moreover, the collection holds several works by Daniel Buren, Dan Graham, On Kawara, Sol Lewitt, Niele Toroni, Lawrence Weiner, Cy Twombly and many more.
Text von der Webseite
Namen Benjamin H.D. Buchloh / Birgit Pelzer / Carl Andre / Cy Twombly / Dan Graham / Daniel Buren / Ed Ruscha / Hanne Darboven / Hans Haacke / Herman Daled / James Lee Byars / Jan Dibbets / Jaques Charlier / Jörg Immendorf / Kathy Acker / Lawrence Weiner / Marcel Broodthaers / Nicole Daled / Niele Toroni / On Kawara / Peter Downsbrough / Richard Long / Robert Filliou / Sol LeWitt / Stanly Brouwn / Steve Reich / Vito Acconci / Walter Nikkels (Form und Typografie)
Sprache Englisch
Geschenk von Sabine Brantl
Stichwort Archiv / Dokumentation / Ephemera / Fluxus / Installation / Konzeptkunst / Malerei / Sammlung
WEB https://www.moma.org/research-and-learning/archives/finding-aids/Daledf
WEB www.hausderkunst.de
TitelNummer
026316739 Einzeltitelanzeige (URI) Änderung

tonnard-the-invisible-book
tonnard-the-invisible-book
tonnard-the-invisible-book

Tonnard Elisabeth: The Invisible Book, 2012

Tonnard Elisabeth
The Invisible Book
Leerdam (Niederlande): Selbstverlag, 2012
(Digitales SpeicherMedium / Text) 0 S., 21x29,7 cm, Auflage: 100, 3 Teile.
Techn. Angaben fiktives Buch, mit Zertifikat, Laserdruck auf Papier, Kaufbescheinigung von ebay und Mitteilung an den Käufer
ZusatzInformation 1. Auflage. Mit Certificate of Ownership
The Invisible Book is a book produced in a limited edition at the affordable price of €0. It will work as a digital book too, on any platform. The edition is limited to 100 copies (neither numbered nor signed). This is a product without a single fault, available at the lowest price possible. The book was made as a reaction to both the trend of decreasing booksales and the trend of increasing expectations from audiences. Published by Elisabeth Tonnard, Leerdam, April 2012. A second edition became available in June 2012. It too was limited to 100 copies, neither numbered nor signed, but all made to perfection and available at the price of €0.
Text von der Website der Künstlerin
Das Buch kann man leider bei mir nicht anschauen. Es existiert nur in dieser Art als Datensatz auf einem Monitor
Sprache Englisch
Stichwort Fiktion / Konzept / Kunstmarkt / Künstlerbuch / Leer / Protest / Unsichtbar
WEB http://elisabethtonnard.com/works/the-invisible-book/
TitelNummer
024764673 Einzeltitelanzeige (URI) Änderung

tonnard-the-invisible-book
tonnard-the-invisible-book
tonnard-the-invisible-book

Tonnard Elisabeth: The Invisible Book, 2012

Tonnard Elisabeth
The Invisible Book
Leerdam (Niederlande): Selbstverlag, 2012
(Digitales SpeicherMedium) 0 S., Auflage: 100,
Techn. Angaben fiktives Buch
ZusatzInformation 1. Auflage. Vermutlich unauthorisierte Kopie. Im Netz gefunden und aufgeklaubt.
The Invisible Book is a book produced in a limited edition at the affordable price of €0. It will work as a digital book too, on any platform. The edition is limited to 100 copies (neither numbered nor signed). This is a product without a single fault, available at the lowest price possible. The book was made as a reaction to both the trend of decreasing booksales and the trend of increasing expectations from audiences. Published by Elisabeth Tonnard, Leerdam, April 2012. A second edition became available in June 2012. It too was limited to 100 copies, neither numbered nor signed, but all made to perfection and available at the price of €0.
Text von der Website der Künstlerin
Das Buch kann man leider bei mir nicht anschauen. Es existiert nur in dieser Art als Datensatz auf einem Monitor
Sprache Englisch
Stichwort Fiktion / Konzept / Kunstmarkt / Künstlerbuch / Leer / Protest / Unsichtbar
WEB http://elisabethtonnard.com/works/the-invisible-book/
TitelNummer
002625999 Einzeltitelanzeige (URI) Änderung

hampton-unshelfmarked
hampton-unshelfmarked
hampton-unshelfmarked

Hampton Michael: Unshelfmarked - Reconceiving the artist's book, 2015

Hampton Michael
Unshelfmarked - Reconceiving the artist's book
Devon (Großbritannien): Uniformbooks, 2015
(Buch) 180 S., 23,3x14,1 cm, ISBN/ISSN 978-1-910010-06-8
Techn. Angaben Klappbroschur,
ZusatzInformation Post-Deweyed, these works form an entirely new corpus, showcasing the artists’ book not as a by-product of the book per se, but both its antecedent and post-digital flowering, many salient twentieth-century features proleptically flickering here and there through time, its epigenetic influence finally come to permeate mainstream book design everywhere, the manifold traits and studio processes inherent to the artists’ book bursting from their stitched sheath, cheerfully pollinating the whole gamut of reading impedimenta and spaces.
Text von der Webseite
Sprache Englisch
Stichwort Künstlerbuch / Künstlerpublikationen / Sekundärliteratur
WEB www.colinsackett.co.uk/uniformbooks.php
TitelNummer
016535599 Einzeltitelanzeige (URI) Änderung

lippard-six-years
lippard-six-years
lippard-six-years

Lippard Lucy R., Hrsg.: Six years: The dematerialization of the art object from 1966 to 1972 ..., 1997

Lippard Lucy R., Hrsg.
Six years: The dematerialization of the art object from 1966 to 1972 ...
Berkeley, CA / Los Angeles, CA (Vereinigte Staaten von Amerika): University of California Press, 1997
(Buch) 272 S., 21,5x17,5 cm, ISBN/ISSN 9780520210134
Techn. Angaben Hardcover, Exlibris der Pratt Institute Library, mit Ausmusterungsstempeln
ZusatzInformation Titelergänzung: The dematerialization of the art object from 1966 to 1972 : a cross-reference book of information on some esthetic boundaries : consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, antiform, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones), edited and annotated by Lucy R. Lippard.
In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists — a historical survey and essential reference book for the period.
Text von der Webseite
Ursprünglich publiziert 1973 bei Praeger, New York
Sprache Englisch
Stichwort 1970er / 1980er / concept art / Fluxus / Konzeptkunst / Künstlerbuch
WEB www.ucpress.edu/book.php?isbn=9780520210134
TitelNummer
023699657 Einzeltitelanzeige (URI) Änderung

Cerezo María / Llensa Emma, Hrsg.
Atem Books
La Bisbal d'Empordà (Spanien): Atem Books, 2010
(Plakat) 48x33 cm, 2 Stück.
Techn. Angaben Plakat, vermutlich beschnitten
ZusatzInformation Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
Why ‘Atem’?
‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
Who we are
Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
What we can do
We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
Atem Books is 100% independent!
We don’t receive any external money. This project survives with the earns we do selling our publications.
Von der Webseite
WEB www.atembooks.com
TitelNummer
009056303 Einzeltitelanzeige (URI) Änderung

Andreasen-copy-construct
Andreasen-copy-construct
Andreasen-copy-construct

Andreasen Kasper, Hrsg.: copy construct, 2017

Andreasen Kasper, Hrsg.
copy construct
Mechelen (Niederlande): Cultuurcentrum Mechelen, 2017
(Heft) 64 S., 29,7x21 cm,
Techn. Angaben Drahtheftung, unbeschnitten, beigelegt der Ausstellungsplan und handschriftliches Anschreiben
ZusatzInformation The exhibition Copy Construct departs from different artistic practices and specific works by artists that are based on reproduction or copy. The selected works are inherent to the production of printed matter or artist’s books. This implies that different artistic media such as painting, drawing, photography, video, sculpture, and graphic design can manifest themselves through graphical problematics and their meanings. Alongside the 25 works of the artists, a little less than 300 books from the KASK collection (School of Arts, Ghent) and private collections from Belgium and England are displayed in the exhibition. The exhibition architecture is designed by Kris Kimpe and Koenraad Dedobbeleer and is accompanied by a publication, designed by Joris Dockx, which includes a bibliography of the exhibited books, different contributions by the artists, an interview with a book collector, etc.
Pressetext
Namen Aglaia Konrad / Alon Levin / Anne-Mie Van Kerckhoven / Club Moral / Frans Oosterhof / Gregorio Magnani / Guy Rombouts / Henri Jacobs / Jan Kempenaers / Jan Op de Beeck / Kasper Andreasen / Koenraad Dedobbeleer / Kris Kimpe / Marc Nagtzaam / Mitja Tušek / Peter Downsbrough / Ria Pacquée / Sara MacKillop / Simon Popper / Stephanie Kiwitt / the KASK Collectionet / Vincent Geyskens / Willem Oorebeek
Sprache Englisch
Geschenk von Kasper Andreasen
Stichwort Drucksachen / Konstruktion / Kopie / Künstlerbuch / Medien
WEB www.cultuurcentrummechelen.be/tentoonstellingen/20162017/copy-construct
WEB www.kasperandreasen.com
TitelNummer
023548633 Einzeltitelanzeige (URI) Änderung

andreasen-copy-cat-blau
andreasen-copy-cat-blau
andreasen-copy-cat-blau

Andreasen Kasper, Hrsg.: copy construct, 2017

Andreasen Kasper, Hrsg.
copy construct
Mechelen (Niederlande): Roma Publications, 2017
(Heft) 66 S., 27,3x20 cm, Auflage: 500, ISBN/ISSN 9789491843945
Techn. Angaben Drahtheftung, beigelegt der Ausstellungsplan und handschriftliches Anschreiben
ZusatzInformation The exhibition Copy Construct departs from different artistic practices and specific works by artists that are based on reproduction or copy. The selected works are inherent to the production of printed matter or artist’s books. This implies that different artistic media such as painting, drawing, photography, video, sculpture, and graphic design can manifest themselves through graphical problematics and their meanings. Alongside the 25 works of the artists, a little less than 300 books from the KASK collection (School of Arts, Ghent) and private collections from Belgium and England are displayed in the exhibition. The exhibition architecture is designed by Kris Kimpe and Koenraad Dedobbeleer and is accompanied by a publication, designed by Joris Dockx, which includes a bibliography of the exhibited books, different contributions by the artists, an interview with a book collector, etc.
Pressetext
Namen Aglaia Konrad / Alon Levin / Anne-Mie Van Kerckhoven / Club Moral / Frans Oosterhof / Gregorio Magnani / Guy Rombouts / Henri Jacobs / Jan Kempenaers / Jan Op de Beeck / Joris Dockx (Design) / Kasper Andreasen / Koenraad Dedobbeleer / Kris Kimpe / Marc Nagtzaam / Mitja Tušek / Peter Downsbrough / Ria Pacquée / Sara MacKillop / Simon Popper / Stephanie Kiwitt / the KASK Collectionet / Vincent Geyskens / Willem Oorebeek
Sprache Englisch
Geschenk von Kasper Andreasen
Stichwort Drucksachen / Konstruktion / Kopie / Künstlerbuch / Medien
WEB www.cultuurcentrummechelen.be/tentoonstellingen/20162017/copy-construct
WEB www.kasperandreasen.com
TitelNummer
025306633 Einzeltitelanzeige (URI) Änderung

spoo_without_copyrights
spoo_without_copyrights
spoo_without_copyrights

Spoo Robert, Hrsg.: Without Copyrights - Piracy, Publishing, and the Public Domain, 2013

Spoo Robert, Hrsg.
Without Copyrights - Piracy, Publishing, and the Public Domain
New York, NY (Vereinigte Staaten von Amerika): Modernist Literature and Culture / Oxford University Press, 2013
(Buch) 384 S., 23,5x15,6 cm, ISBN/ISSN 978-0-19-992787-6
Techn. Angaben Hardcover mit Schutzumschlag
ZusatzInformation Provides a thorough historical survey of the impact of U.S. copyright law on transatlantic modernist authors. Documents the growth and development across time of the American public domain, as shaped by the historically protectionist and formalistic U.S. copyright law. Gives fresh insights drawn from unpublished materials-letters by Joyce, John Quinn, Ezra Pound, Sylvia Beach, John M. Price, and others -and makes extensive use of hitherto unknown legal archives.
This book tells the story of how the notoriously protectionist American copyright law impacted transatlantic modernism by encouraging the piracy of works published abroad. From its inception in 1790, U.S. copyright law withheld protection from foreign authors, creating an aggressive public domain that claimed works just as soon as they were published abroad. When Congress finally extended protection to foreign works, legal technicalities caused many authors to continue to lose their copyrights.
Text von der Webseite
Namen Ezra Pound / James Joyce / John M. Price / John Quinn / Oscar Wilde / Samuel Roth / Sylvia Beach
Sprache Englisch
Stichwort Archiv / Autorschaft / Buchhandel / copyright / Lizenz / Plagiat / Public Domain / Raubdruck / Recht / Schriftsteller / Urheberrecht / USA / Verlagswesen
WEB https://global.oup.com/academic/product/without-copyrights-9780199927876?cc=de&lang=en&#
TitelNummer
026168743 Einzeltitelanzeige (URI) Änderung

10_leo_leander_namislow
10_leo_leander_namislow
10_leo_leander_namislow

Namislow Leo : Moin, 2017

Namislow Leo
Moin
München (Deutschland): 100for10 / Melville Brand Design, 2017
(Buch) 106 S., Auflage: Print on Demand,
Techn. Angaben Broschur
ZusatzInformation Schwarz-Weiß-Drucke
Leo-Leander Namislow, born in 1983 in Essen, lives and works as a freelance artist in Essen. Growing up in a rural environment in Rhineland-Palatinate, he started to creatively engage with his surroundings early on. After his training
as a stonemason, Leo worked for an animation company in Frankfurt. When he moved back to Essen in 2007 he eventually started living off his creative output. Since then he has had several solo exhibitions and took part in
many group shows in a variety of institutions such as the Kunstverein Essen-Werden. His works fascinate by opening up new fantastic worlds to the viewer on the one hand and by proving of a large multiplicity of techniques on the other hand. This book gives an insight into a sample, mainly comprised of black and white works, of a much larger, colourful and ever increasing artistic universe.
Sprache Englisch
Geschenk von Melville Brand Design
Stichwort Collage / Illustration / Schwarz-Weiß / Spray
WEB www.100for10.com/product/leo-namislow-moin
WEB www.leo-namislow.com/
TitelNummer
026282741 Einzeltitelanzeige (URI) Änderung

vries-wit-white
vries-wit-white
vries-wit-white

De Vries Herman: wit white, 2012

De Vries Herman
wit white
Brest (Frankreich): Zédélé éditions, 2012
(Buch) 352 S., 21x15 cm, ISBN/ISSN 978-2-915859-41-6
Techn. Angaben Broschur mit Banderole, eingelegt ein Informationsblatt
ZusatzInformation Originalausgabe erschienen bei Artists Press, Bern, 1980.
This book is the third and final version of the first artist’s book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: “wit is overdaad”. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second “revised” edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjörg Mayer in Stuttgart. The only printed elements were the artist’s name, the title and the publisher’s name on the cover, the word “introduction” and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the “third revised edition”, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means “white” in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:

white is white
0 = 0
no name
no idea
not even emptiness,

Text von der Webseite
TitelNummer
012052000 Einzeltitelanzeige (URI) Änderung

dr-lakra-coloring-book
dr-lakra-coloring-book
dr-lakra-coloring-book

Dr. Lakra (Ramírez Jerónimo López ): Coloring Book, 2014

Dr. Lakra (Ramírez Jerónimo López )
Coloring Book
Berlin (Deutschland): Bom Dia Boa Tarde Boa Noite, 2014
(Heft) [32] S., 28x21 cm, ISBN/ISSN 978-3-943514-29-2
Techn. Angaben Drahtheftung, schwarz-weiß Illustrationen
ZusatzInformation The Coloring Book by Dr. Lakra is the first BOM DIA KINDER book, a new series of children books made by artists. Dr. Lakra is a Mexican artist living in Oaxaca, Mexico. The images compiled inside this coloring book come from various references, inspirations, as well as drafts for the tattoos that Dr. Lakra has made, or wishes he’d made over the years. This is an insight into the world of Dr. Lakra, where many of the interests present in his work collide. ancient mythologies, punk rock fanzines, classic tattoo designs, popular culture icons, Japanese monsters, animal illustrations etc.
Text von der Website.
Sprache Englisch
Stichwort Artist Book / Grotesk / Künstlerbuch / Malbuch / Mexiko / Tattoo
WEB https://bomdiabooks.de/product/dr-lakra-coloring-book/
TitelNummer
025288665 Einzeltitelanzeige (URI) Änderung

langdon book
langdon book
langdon book

Langdon James, Hrsg.: Book, 2010

Langdon James, Hrsg.
Book
Birmingham (Großbritannien): Eastside Projects, 2010
(Buch) 216 S., 24x16,5 cm, ISBN/ISSN 978-1-906753-22-1
Techn. Angaben Softcover, verschiedene Papiere
ZusatzInformation Book functions as a mobile extension to the exhibition Book Show. Including a facsimile reprint of Ulises Carrión’s ‘The New Art of Making Books’ as it originally appeared in the journal Kontexts, an illustrated text by James Langdon and additional works, both existing and newly commissioned.
Namen Aaron S. Davidson / Abäke / Bedford Press / Daniel Eatock / Fraser Muggeridge Studio / James Langdon / Jeremy Jansen / Kelly Large / Melissa Dubbin / OK/RM / Simon Starling / Tauba Auerbach / Ulises Carrión / Vito Acconci / Werkplaats Typografie / Will Holder
WEB www.eastsideprojects.org/publications/book
TitelNummer
007376236 Einzeltitelanzeige (URI) Änderung

offermann-26.878-n-93
offermann-26.878-n-93
offermann-26.878-n-93

Offermann Eva-Maria: 26.878 N 93.268 W -11945 m - Deep Water Horizon, 2011

Offermann Eva-Maria
26.878 N 93.268 W -11945 m - Deep Water Horizon
Kassel (Deutschland): Selbstverlag, 2011
(Buchobjekt) 20 unpag. S., 23x18x6,5 cm, Auflage: 8, signiert,
Techn. Angaben fadengeheftet, Umschlag Bitumen auf Styrodur, innen Anklebevorsatz aus schwarzem Tonpapier und Seiten aus Transparentpapier, beigelegt ein zweiseitiges Anschreiben
ZusatzInformation This book works by haptics. You can read it eyes closed. The hardcover is made by a thick bitumen surface on styropor. For this reason the book is not heavy. Inside the book are ten pages of transparent paper with abstract illustrations that assosciate to biological structures. The topic of the book is about the sensitive creatures that live in the sea and oil shipping disasters
Geschenk von Eva-Maria Offermann
Stichwort Haptik / Meer / Umwelt / Zerstörung / Ölunfälle
WEB www.emoffermann.de
TitelNummer
015948583 Einzeltitelanzeige (URI) Änderung

tonnard-oceanus
tonnard-oceanus
tonnard-oceanus

Tonnard Elisabeth: Oceanus - A Tale of Sea, 2007

Tonnard Elisabeth
Oceanus - A Tale of Sea
Leerdam (Niederlande): Selbstverlag, 2007
(Buch) [106] S., 17,8x11,1 cm,
Techn. Angaben Broschur
ZusatzInformation This is a pocket book, good for bringing along on a sea journey. This imagetext tries to evoke the feeling of a bewildered traveling. The words are awkwardly placed, and clearly out of their element. Still they continue on, going somewhere. The goddess whispers. The sea of the book is composed of two photographs I found in a family album lost in an archive. The text cuts through Samuel Butler’s translation of Homer’s Odyssey. The book received an honorable mention in the Photography Book Now competition of 2011.
Text von der Website
Namen Homer
Sprache Englisch
Stichwort Homer / Literatur / Meer / Odyssee / Reiseliteratur / Schiff / Travelbook / Wasser
WEB www.elisabethtonnard.com/works/oceanus/
TitelNummer
024724673 Einzeltitelanzeige (URI) Änderung

Jane Rolo, Hrsg.
Book Works Catalogue 2009
London (Großbritannien): Book Works, 2009
(Lieferverzeichnis)
Techn. Angaben gefaltetes Lieferprogramm der neuen Titel und der Special Editions
Stichwort Nullerjahre
WEB www.bookworks.org.uk
TitelNummer
006614302 Einzeltitelanzeige (URI) Änderung

Jane Rolo, Hrsg.
Book Works 1984-2009, 25th Anniversary Special Editions
London (Großbritannien): Book Works, 2009
(Lieferverzeichnis)
Techn. Angaben gefaltetes Lieferprogramm der Special Editions
Stichwort Nullerjahre
WEB www.bookworks.org.uk
TitelNummer
006615302 Einzeltitelanzeige (URI) Änderung

monk help
monk help
monk help

Saint-Loubert Bié Jérôme: books on books, 2011

Saint-Loubert Bié Jérôme
books on books
Paris (Frankreich): Christophe Daviet-Thery, 2011
(Buch) 260 S., 16x11,5 cm, Auflage: 750, ISBN/ISSN 978-2-9539347-0-0
Techn. Angaben Softcover Klappeinband, das Buch basiert auf einem Gespräch von Christoph Schifferli, Christophe Daviet-Thery and Jérôme Saint-Loubert Bié über 12 Künstlerbücher
ZusatzInformation The same year, in december 2009, Christophe Daviet-Thery asked to Jérôme Saint-Loubert Bié to take care of the catalog even if this book works independently from the exhibition. He invited Jonathan Monk and Yann Sérandour to have a conversation about 12 books: Bruce Nauman, Burning Small Fires, 1968 – Richard Prince, American English, London: Sadie Coles HQ and Cologne: Verlag der Buchhandlung Walther König, 2003 – Wade Guyton, Zeichnungen für ein grosse Bild, Cologne: Verlag der Buchhandlung Walther König, 2010 – Jonathan Monk, Cover Version, London: Book Works, 2004 – Mike Kelley, Reconstructed History, New York: Thea Weistreich and Cologne: Gisela Capitain, 1990 – Allen Ruppersberg, The New Five-Foot Shelf of Books, Brussels: Editions Micheline Szwajcer & Michèle Didier and Ljubljana: International Centre of Graphic Arts, 2003 – Claude Closky, Vacances à Arcachon, Paris: Editions Galerie Jennifer Flay, 2000 – Alejandro Cesarco, Dedications, New York: A.R.T Press, 2003 – Martin Kippenberger, The Happy End of Franz Kafka’s Amerika. Tisch Nr 3, Sankt Georgen: Sammlung Grässling, 1993 – Matt Mullican, Matt Mullican, Valenvia: IVAM Instituto Valenciano de Arte Moderno, 1995 – Batia Suter, Parallel Encyclopedia, Amsterdam: Roma Publications, 2009 – Yann Sérandour, Inside the White Cube: Overprinted Edition, Zurich : JRP Ringier, 2009.
Von der Webseite des Verlegers
Namen Alejandro Cesarco / Allen Ruppersberg / Batia Suter / Bruce Nauman / Claude Closky / Gisela Capitain / Jonathan Monk / Martin Kippenberger / Matt Mullican / Mike Kelley / Richard Prince / Wade Guyton / Yann Sérandour / Yann Sérandour
Stichwort Künstlerbuch / Theorie
TitelNummer
009035253 Einzeltitelanzeige (URI) Änderung

book works 2005
book works 2005
book works 2005

Jane Rolo, Hrsg.: Book Works Catalogue 2005-2006, 2005

Jane Rolo, Hrsg.
Book Works Catalogue 2005-2006
London (Großbritannien): Book Works, 2005
(Lieferverzeichnis) 32 S., 24x16 cm,
Techn. Angaben Lieferprogramm, geklammert mit Schutzumschlag.
ZusatzInformation Forthcoming, New and Selected Backlist Publications
Geschenk von Reinhard Grüner
Stichwort Nullerjahre
WEB www.bookworks.org.uk
TitelNummer
009981374 Einzeltitelanzeige (URI) Änderung

cecchetti-a-society
cecchetti-a-society
cecchetti-a-society

Cecchetti Alex: A Society that Breathes Once a Year, 2012

Cecchetti Alex
A Society that Breathes Once a Year
London (Großbritannien): Book Works, 2012
(Buch) 88 S., 22,4x14,6 cm, ISBN/ISSN 978-1906012-32-8
Techn. Angaben Klappbroschur
ZusatzInformation This publication is published as part of The time machine, commissioned by Book Works and Francesco Pedraglio from open submission
TitelNummer
011523380 Einzeltitelanzeige (URI) Änderung

aff_flip_poster
aff_flip_poster
aff_flip_poster

Andreasen Kasper, Hrsg.: FLIP - About Image Construction, 2018

Andreasen Kasper, Hrsg.
FLIP - About Image Construction
Gent (Belgien): School of Arts Gent, 2018
(Plakat) 1 S., 59,4x42 cm,
Techn. Angaben Ein Plakat, gefaltet, einseitig bedruckt, dazu persönliches Schreiben in Briefumschlag von Phyllis Dierick
ZusatzInformation Plakat zur Ausstellung vom 03.03-22.03.2018, KASK Gent.
FLIP is the sequel to the exhibition Copy Construct held at CC Mechelen in 2017. The exhibition focuses on displaying a temporary archive of artists’ books parallel to about a dozen filmic works. The term ‘FLIP’ associatively refers to the performative gesture of leafing through a book but also to notions of image sequences, reversal (printing), the flipbook, as well as the use of text and images in both books and video works. In short, the exhibition is an attempt to show these media together, emphasizing the use of narrative strategies and image construction as extensions of each other.
Text von der Website.
Namen Anouk De Clercq / Batia Suter / Bruce Checefsky / Dirk Zoete / Franciszka Themerson / Hanne Lippard / Henri Jacobs / Hilary Lloyd / Jan Op de Beeck / Jasper Rigole / Jelena Vanoverbeek / Jurgen Malfeyt / Kasper Andreasen / Koenraad Dedobbeleer / Kris Kimpe / Laetitia Gendre / Maud Vande Veire / More Publishers / Moritz Küng / Peter Downsbrough / Phyllis Dierick / Roger Willems / Stanley Brouwn / Stefan Themerson / Ulises Carrión / Vincent Geyskens
Sprache Englisch
Geschenk von Phyllis Dierick
Stichwort Archiv / Artist Book / Ausstellung / Flipbook / Künstlerbuch / Plakat / Video
WEB https://schoolofartsgent.be/en/calendar-news/calendar/flip-about-image-construction/
TitelNummer
025267698 Einzeltitelanzeige (URI) Änderung

Andreasen Kasper, Hrsg.: FLIP - About Image Construction, 2018

andreasen-flip-katalog
andreasen-flip-katalog
andreasen-flip-katalog

Andreasen Kasper, Hrsg.: FLIP - About Image Construction, 2018

Andreasen Kasper, Hrsg.
FLIP - About Image Construction
Gent (Belgien): School of Arts Gent, 2018
(Heft) 65 S., 27x20,9 cm,
Techn. Angaben Drahtheftung, Softcover, Lageplan eingelegt
ZusatzInformation Publikation zur Ausstellung vom 03.03-22.03.2018, KASK Gent.
FLIP is the sequel to the exhibition Copy Construct held at CC Mechelen in 2017. The exhibition focuses on displaying a temporary archive of artists’ books parallel to about a dozen filmic works. The term ‘FLIP’ associatively refers to the performative gesture of leafing through a book but also to notions of image sequences, reversal (printing), the flipbook, as well as the use of text and images in both books and video works. In short, the exhibition is an attempt to show these media together, emphasizing the use of narrative strategies and image construction as extensions of each other.
Text von der Website.
Namen Anouk De Clercq / Batia Suter / Bruce Checefsky / Dirk Zoete / Franciszka Themerson / Hanne Lippard / Henri Jacobs / Hilary Lloyd / Jan Op de Beeck / Jasper Rigole / Jelena Vanoverbeek / Jurgen Malfeyt / Kasper Andreasen / Koenraad Dedobbeleer / Kris Kimpe / Laetitia Gendre / Maud Vande Veire / More Publishers / Moritz Küng / Peter Downsbrough / Phyllis Dierick / Roger Willems / Stanley Brouwn / Stefan Themerson / Ulises Carrión / Vincent Geyskens
Sprache Englisch
Geschenk von Kasper Andreasen
Stichwort Archiv / Artist Book / Ausstellung / Flipbook / Künstlerbuch / Plakat / Video
WEB https://schoolofartsgent.be/en/calendar-news/calendar/flip-about-image-construction/
TitelNummer
025305633 Einzeltitelanzeige (URI) Änderung

moraza-republic
moraza-republic
moraza-republic

Moraza Juan Luis: Republic, 2014

Moraza Juan Luis
Republic
Madrid (Spanien): Museo Nacional Centro de Arte Reina Sofía, 2014
(Buch) 254 S., 23x16,6 cm, ISBN/ISSN 978-84-8026-509-6
Techn. Angaben Klappbroschur,
ZusatzInformation Publikation zur gleichnamigen Ausstellung vom 15.10.2014-02.03.2015.
The exhibition catalogue of republic brings together a broad selection of works by Juan Luis Moraza that explore the museum as a system of conventions and possibilities of citizenship. If one of the problems of contemporary democracy is the dilemma facing each citizen – between passivity and the possibilities of participation in social life – in the museum Moraza finds a space of convergence between the citizen-artist and citizen-spectator. Texts by the artist, in addition to a glossary and conversation, both developed by the show’s curator João Fernandes, are presented. The publication is arranged into two complementary parts: the odd-numbered pages comprise a catalogue of works, documents and literary works selected by the artist, while the even pages make an essay about republic.
Text von Website
Sprache Englisch
Geschenk von Museo Reina Sofia
Stichwort Besucher / Beteiligung / Plastik / Skulpturen / Teilnahme
WEB www.museoreinasofia.es
TitelNummer
016561603 Einzeltitelanzeige (URI) Änderung

Feldmann-272Pages
Feldmann-272Pages
Feldmann-272Pages

Feldmann Hans-Peter: 272 Pages, 2001

Feldmann Hans-Peter
272 Pages
Barcelona (Spanien): Edicions de L'Eixample / Fundació Antoni Tàpies, 2001
(Buch) 336 S., 28x20 cm, ISBN/ISSN 84-88786-58-1
Techn. Angaben Softcover mit Schutzumschlag
ZusatzInformation Katalog, publiziert anlässlich der Ausstellung "Hans-Peter Feldmann. Art Exhibition", einer Koproduktion der Fundació Antoni Tàpies, Barcelona, dem Centre national de la photographie, Paris, dem Fotomuseum Winterthur und dem Museum Ludwig, Köln. Hrsg. v. Helena Tatay, Design von Salvador Saura und Ramon Torrente, nach einer Idee von Hans-Peter Feldmann.
Der Gedanke, dass wir die Realität über die Vorstellung konstruieren, ist grundlegend in Hans-Peter Feldmanns (*1941) Werk. Er gliedert das Buch nach Stichworten wie etwa Time Series, Interviews/No Interviews, Books, Coloured Works, Picture Collections, Works, Magazines, Jokes, Unfinished Works. Text von der Website
Sprache Englisch / Katalanisch / Spanisch
Stichwort Dokumentation / Fotografie / Künstlerbuch / Zeitgeschichte
TitelNummer
016971597 Einzeltitelanzeige (URI) Änderung

annahme-erwuenscht-pc
annahme-erwuenscht-pc
annahme-erwuenscht-pc

Thurmann-Jajes Anne, Hrsg.: Annahme erwünscht! - Die Idee einer offenen Gesellschaft: Künstlerische Netzwerke im Kontext des Archivs Kees Francke. - Acceptance Welcome! - The Idea of an Open Society: Artistic Networks in the Context of the Kees Francke Archive, 2017

Thurmann-Jajes Anne, Hrsg.
Annahme erwünscht! - Die Idee einer offenen Gesellschaft: Künstlerische Netzwerke im Kontext des Archivs Kees Francke. - Acceptance Welcome! - The Idea of an Open Society: Artistic Networks in the Context of the Kees Francke Archive
Bremen (Deutschland): Weserburg / Zentrum für Künstlerpublikationen, 2017
(PostKarte) 2 S., 16x11,5 cm,
Techn. Angaben Einladungskarte zur Ausstellungseröffnung, beidseitig bedruckt
ZusatzInformation Einladung zur Eröffnung der Ausstellung am 14.09.2017.
Ausstellung 14.09.2017-06.01.2018
The philosopher Karl Popper called in 1945 for an open society “in which one can breathe and think freely, in which each person has a value, and in which the society exerts no unnecessary pressure on the individual”. In the 1960s and 1970s a new generation of artists began to replicate works of art in the form of artists’ books, magazines, newspapers, small multiple objects, postcards, graphic posters or audio cassettes. These were sold for a small fee or exchanged internationally with artist colleagues, disregarding all political frontiers, from Eastern Europe to Latin America. An international network was thus formed via the post, enabling artists to circumvent the censorship of their work. This was the genesis of so-called Mail Art. Everyone could participate, nobody was excluded. there were no juries and no censorship. A societal vision in accordance with that envisaged by Karl Popper was apparent in the dehierarchisation and the democratisation of art. The exhibition shows works from the archive of the Dutch artist Kees Francke, who would have celebrated his 65th birthday this year, supplemented by works from other archives that help to form a picture of the networks though which these artists were interconnected. A cabinet exhibition in the series "On the Gallery"
Text von der Webseite
Sprache Deutsch / Englisch
Stichwort Archiv / Netzwerk / Privatsammlung
WEB http://www.weserburg.de/index.php?id=948&L=1
TitelNummer
024262701 Einzeltitelanzeige (URI) Änderung

Ishigami Junya: Freeing Architecture, 2018

ishigami-freeing-architecture
ishigami-freeing-architecture
ishigami-freeing-architecture

Ishigami Junya: Freeing Architecture, 2018

Ishigami Junya
Freeing Architecture
Tokyo / Paris (Japan / Frankreich): La Fondation Cartier pour l'Art Contemporain / LIXIL Publishing, 2018
(Buch) 323 S., 36,4x26x3,5 cm,
Techn. Angaben Ota-Bindung mit aufklappbarem Schutzumschlag
ZusatzInformation Katalog zur gleichnamigen Ausstellung in der Fondadtion Cartier pour l'Art Contemporain, Paris, 30.03.-10.06.2018.
In Freeing Architecture, Ishigami elaborates upon his most recent research into function, form, scale and the environment in architecture, thereby revealing his vision for the future of the field. Through over 40 models, as well as numerous films and drawings, the exhibition presents twenty projects from their genesis to the complex process of their realization. Far from being tools prior to construction, the models assembled in the exhibition were made specifically for the occasion. As viewers contemplate these hand-crafted works, assembled in the architect’s studio over the course of one year, one can see the many steps and the painstaking work that led to the development of their final form. All different in terms of their material, size and level of detail, they offer a glimpse of the slow maturation process, necessary for the creation of Ishigami’s architectural works. Works infused by a poetics that is achieved as much through experimentation, as it is by theory, knowledge, and technology.
Text von der Webseite
Sprache Englisch
Stichwort 2010er / Architektur / Architekturfotografie / Architekturmodell / Biotop / Film / Fotografie / Garten / Gestaltung / Japan / Künstlerbuch / Landschaftsarchitektur / Natur / soziales Wohnen / Wohnen / Zeichnung / Zusammenleben
WEB http://www.bauwelt.de/themen/betrifft/Freeing-Architecture-mit-Ishigami-3158784.html
WEB https://www.fondationcartier.com/en/exhibitions/junya-ishigami
TitelNummer
025760K84 Einzeltitelanzeige (URI) Änderung

desjardin book
desjardin book
desjardin book

Desjardin Arnaud, Hrsg.: the book on books on artists books, 2011

Desjardin Arnaud, Hrsg.
the book on books on artists books
London (Großbritannien): The Everyday Press, 2011
(Buch) 230 S., 24x17 cm, ISBN/ISSN 978-0-9561738-4-3
Techn. Angaben erschienen zur Ausstellung at the Bloomberg Space London, eingelegt eine Karte mit handschriftlichem Text
ZusatzInformation The Bloomberg website says of the project:
For Comma 38, artist and publisher Arnaud Desjardin will exhibit new, old, rare, and popular books while running an active printing press in Bloomberg Space. His COMMA commission, part of an ongoing project titled The Book on Books on Artists' Books, is intended to create an active and participatory review of current and historical practice. This exhibition is about both the display of books on artists' books and the production of a book about the books displayed. He intends to print a first edition, a book of books, a critical anthology and source book, alongside which a large range of books on artists' books will be displayed in a series of vitrines.
Artists' books have normally been sold and distributed through small networks of bookshops and galleries that often produce lists of available titles in printed form. The advent of the Internet has meant that information online has changed the nature of this documentary evidence. Desjardin's unique and extraordinary combination of display and production makes an exhibition that actively engages in both the making and disseminating in real time. The books themselves become both vehicles for information and documents that testify for artistic activity in its own right
Sprache Englisch
WEB www.theeverydaypress.net
TitelNummer
007877259 Einzeltitelanzeige (URI) Änderung

in book out
in book out
in book out

de Donne Emanuele, Hrsg.: INbook OUTbook IFbook - An Artist Book Platform, 2011

de Donne Emanuele, Hrsg.
INbook OUTbook IFbook - An Artist Book Platform
Foligno (Italien): Viaindustriae Editions, 2011
(Buch) 208 S., 24x16,5 cm, Auflage: 1000, ISBN/ISSN 978-88-903459-5-1
Techn. Angaben Abbildungen schwarz-weiß und farbig. z.T. grünes Papier
ZusatzInformation this book is a book project published by Viaindustriae that involves contemporary artists in thematic exhibitions and side vents. There are studies and researches by operators, curators, publishers, and specific artist's interventions in the pages. The discussion panels opened within a series of workshops are included in the publication that treats the archiving criteria in the artist's book practice. The operation focuses on three sections: INbook (filing and actions), OUTbook (multiplication and digression), IFbook (artist's book and infinite hypothesis). There are texts by Emanuele de Donno, Giorgio Maffei, and specific pages projects by Celine Comporelli, Imvermomuto, Dubbin/Davidson, Amedeo Marteghni, M+M, Daniela Comani, Banu Cennetoglu, Markus Miessen, Daniel Eatcock, Helen Sommer, Edamimomda/Cramer, and Documentation Celine Duval.
from the publisher
Namen Amedeo Marteghni / Banu Cennetoglu / Celine Comporelli / Celine Duval / Daniela Comani / Daniel Eatcock / Dubbin Davidson / Edamimomda Cramer / Emanuele de Donno / Giorgio Maffei / Helen Sommer / Imvermomuto / M+M / Markus Miessen
Sprache Englisch / Italienisch
Stichwort Künstlerbuch
TitelNummer
009055249 Einzeltitelanzeige (URI) Änderung

pichler-some-more-sonnet
pichler-some-more-sonnet
pichler-some-more-sonnet

Pichler Michalis: Some more Sonnet(s), 2011

Pichler Michalis
Some more Sonnet(s)
Berlin (Deutschland): Greatest Hits, 2011
(Buch) 29,6x20,9 cm, Auflage: 400, ISBN/ISSN 978-3-86874-009-7
Techn. Angaben Broschur. Mit Sticker auf dem Cover
ZusatzInformation In 1972, Ulises Carrión produced his first artist's book "SONNET(S)" which consists of a 44 variations of a sonnet by Dante Gabriel Rosetti titled "Heart"s Compass".Using the langage like a material, Carrión writes Rossetti's poem over and over again on a typewriter, in slightly different versions. This book today is considered Carrión’s first “artists book”, where he still uses language, but quite differently.
In 2009 Michalis Pichler, in a similar approach but using a computer, probably word or open office, created 44 new variations and published a book titled "SOME MORE SONNET(S)". - On the last page of this book announced a multitude of OTHER SONNET(S), mostly imaginary.
Text von der Webseite
Namen Dante Gabriel Rosetti / Ulises Carrión
WEB www.buypichler.com
TitelNummer
012289448 Einzeltitelanzeige (URI) Änderung

miss-read-art-book-fair-2016
miss-read-art-book-fair-2016
miss-read-art-book-fair-2016

Camps Yaiza / Grünke Moritz / Pichler Michalis, Hrsg.: Miss Read - The Berlin Art Book Fair 2016, 2016

Camps Yaiza / Grünke Moritz / Pichler Michalis, Hrsg.
Miss Read - The Berlin Art Book Fair 2016
Berlin (Deutschland): Akademie der Künste, 2016
(Buch) 108 S., 21x14,7 cm, 2 Stück.
Techn. Angaben Broschur, Programm und Ausstellerverzeichnis,
ZusatzInformation zur Veranstaltung vom 10.-12.06.2016 in der Akademie der Künste Berlin.
Miss Read: The Berlin Art Book Fair brings together a wide selection of the most interesting artists/authors, artist periodicals and art publishers and is accompanied by a series of lectures, discussions, book launches and workshops exploring the boundaries of contemporary publishing and the possibilities of the book.
In conjunction, the Conceptual Poetics Day will explore the imaginary border between visual art and literature.
In 2016 Miss Read: The Berlin Art Book Fair will return to Akademie der Künste, Berlin, who will provide their main exhibition halls at Hanseatenweg.
Text von der Webseite
Sprache Englisch
Stichwort Künstlerbuchmesse
WEB www.missread.com
TitelNummer
015932563 Einzeltitelanzeige (URI) Änderung

Weiner Lawrence: Something To Put Something On, 2017

weiner-something-to-put
weiner-something-to-put
weiner-something-to-put

Weiner Lawrence: Something To Put Something On, 2017

Weiner Lawrence
Something To Put Something On
Göttingen (Deutschland): Little Steidl, 2017
(Buch) 48, unpag. S., 21x25 cm, Auflage: 1800, ISBN/ISSN 978 3 944630 02 1
Techn. Angaben Ungebundenes Exemplar, Druckbögen lose ineinander gelegt, mit Druckkontrollstreifen als Bauchbinde zusammengehalten
ZusatzInformation What is a table? Lawrence Weiner asks the question that has held his interest since his earliest days of art making. Neither story book, nor autobiography, nor reference book, SOMETHING TO PUT SOMETHING ON is a questioning book, endowed with its maker’s celebrated wordly wit and aimed at engaging young readers, among others, in an inquiry that has spanned a lifetime. Weiner wields his red, blue, and orange letterforms and graphic figures to take up the question of a human being’s relationship to objects and teases the reader into looking at a table in an entirely new light.
Text von der Website
Something to Put Something On by Lawrence Weiner (folded and gathered signatures of the book before binding). © 2017 Lawrence Weiner and Little Steidl Verlag, all rights reserved. Reproduced with permission of the publisher. Folded and gathered signatures of the edition courtesy of the publisher. The book was printed by Nina Holland on Zerkall Werkdruck Velin 170g with red, blue, orange and black inks.
Namen Nina Holland (Verlegerin)
Sprache Englisch
Geschenk von Nina Holland
Stichwort 2000er / Kinderbuch / Tisch
WEB www.littlesteidl.de/weiner-something-to-put
TitelNummer
024361661 Einzeltitelanzeige (URI) Änderung

Yoon J. Meejin: ABSENCE, 2003

yoon-absence-zu
yoon-absence-zu
yoon-absence-zu

Yoon J. Meejin: ABSENCE, 2003

Yoon J. Meejin
ABSENCE
New York, NY (Vereinigte Staaten von Amerika): Printed Matter, 2003
(Buch) 240 ca. S., 12,5x10 cm, Auflage: 2000, ISBN/ISSN 0-89439-013-9
Techn. Angaben Umschlag aus Karton mit Leinenstreifen, ca. 120 Seiten gestanzt
ZusatzInformation 2004 winner of I.D. Magazine's Design Distinction award, Absence is the third book to come out of Printed Matter’s Publishing Program for Emerging Artists, a program made possible through the generous support of New York City's Department of Cultural Affairs, The Andy Warhol Foundation for the Visual Arts, the Elizabeth Firestone Graham Foundation, and the Heyday Foundation. The generosity of Whitney trustees Melva Bucksbaum and Raymond J. Learsy was instrumental to the Museum’s participation in the publication of this exciting new work.
Both a book and a sculptural object, Absence is a memorial to the twin towers of the World Trade Center. Yoon, an architect and designer who is currently an Assistant Professor of Architecture at the Massachusetts Institute of Technology, chose not to produce a traditional design proposal for the World Trade Center Memorial Competition. Instead she created a non-architectural, non site-specific space of remembrance: a portable personal memorial in the form of book.
At almost two pounds, Absence has a considerable physical presence, but it is in every way the ghost of a presence, and it is this ghostliness that gives it its particular emotional weight. A solid white block of thick stock cardboard pages, the book’s only "text" consists of one pinhole and two identical squares die-cut into each of its one-hundred-and-twenty pages – one for each story of the towers including the antenna mast. These removed elements lead the reader floor by floor through the missing buildings towards the final page where the footprint of the entire site of the World Trade Center is die-cut into a delicate lattice of absent structures.
Of all of the proposed monuments and grand designs for the twin towers to emerge in the last two years, Absence is remarkable for its employment of an under-used strategy: restraint. The simplicity of Yoon’s materials and her use of repetition speak, without words, about unspeakable loss. Quiet, respectful, mournful, the book does not aim to represent the magnitude of the disaster. Instead it appeals to the vastness of the reader’s imagination and capacity to grieve. The human scale of her memorial operates on a personal level – it delivers the memory of lives lost into the reader’s hands. At the same time, as a scale model of a vanished architectural site, it operates on a larger cultural level by commemorating the site itself.
Text von der Webseite. Fotos Xenia Fumbarev
Sprache Englisch
Stichwort Amerika / Erinnerung / Künstlerbuch / Terror / Twin Towers
WEB https://www.printedmatter.org/catalog/16965/
TitelNummer
024451593 Einzeltitelanzeige (URI) Änderung

Andreasen Kasper: Turning the Page, 2017

andreasen-turn-the-page
andreasen-turn-the-page
andreasen-turn-the-page

Andreasen Kasper: Turning the Page, 2017

Andreasen Kasper
Turning the Page
Berlin (Deutschland): Motto Books, 2017
(Heft) 20 S., 19,5x13,5 cm,
Techn. Angaben Drahtheftung
ZusatzInformation This small publication is an edited reprint of the essay ‘The Book in Intermediary Form’ written by Kasper Andreasen. It was originally published by Wintertuin, Nijmegen as part of a compilation about the future of the book. Turning the Page also contains a script for the audiovisual book Tomorrow, which is a collaborative work between Hanne Lippard and Kasper Andreasen reflecting on the status of the (photography) book in audiovisual form.
Text von der Website
Namen Hanne Lippard / Toni Uroda (Design)
Sprache Englisch
Geschenk von Kasper Andreasen
Stichwort Artist Book / Essay / Film / Intermedia / Künstlerbuch
WEB http://www.mottodistribution.com/mottoberlin/turning-the-page-kasper-andreason-motto.html
TitelNummer
025311698 Einzeltitelanzeige (URI) Änderung

Fogwell Dianne, Hrsg.: How I entered there I cannot truly say - Collaborative works from the ANU Edition + Artist Book Studio, 2005

fogwell_how_i_entered_2005
fogwell_how_i_entered_2005
fogwell_how_i_entered_2005

Fogwell Dianne, Hrsg.: How I entered there I cannot truly say - Collaborative works from the ANU Edition + Artist Book Studio, 2005

Fogwell Dianne, Hrsg.
How I entered there I cannot truly say - Collaborative works from the ANU Edition + Artist Book Studio
Mackay / Melbourne (Australien): ANU - The Australian National University, 2005
(Flyer, Prospekt / Plakat / Lieferverzeichnis) 21x20 cm,
Techn. Angaben Flyer/Plakat(Rückseite), ausgefaltet A2 (42x59,4 cm) mit Werkliste zur Austellung.
ZusatzInformation Titel bezieht sich auf Dante, Göttliche Komödie, 1,10, aus Buch von Udo Sellbach. Vorwort von Williams David, Direktor
Austellung ‘How I entered there I cannot truly say’: Collaborative Works from the ANU E+ABS, State Library of Victoria, Melbourne, organisiert von Dianne Fogwell, 2005
Namen Bernadette R. Crockford / Bernard Hardy / John Reid / Noel Counihan / Reuben Lewis / Robin Wallace-Crabe / Udo Sellbach
Sprache Englisch
Geschenk von Jürgen Wegner
Stichwort Ausstellung / Bibliothek / Buchkunst / Drucken / Printing / Typografie
WEB http://www.diannefogwell.com.au/about/
TitelNummer
026395801 Einzeltitelanzeige (URI) Änderung

leti_2009
leti_2009
leti_2009

Leti Bruno: Bruno Leti - The Cross and the Matrix, 2009

Leti Bruno
Bruno Leti - The Cross and the Matrix
Melbourne (Australien): Cowen Gallery, State Library of Victoria, 2009
(Flyer, Prospekt) 4 S., 21x21 cm,
Techn. Angaben Faltblatt, mehrfach gefaltet, ausgefaltet 29,7x42 cm,
ZusatzInformation During nine months of research at the Library, Leti examined the works of a diverse range of artists who utilise the form of the cross, including Antoni Tàpies, Piet Mondrian, Arthur Boyd and Rover Thomas. Throughout the project, Leti kept a daily journal recording his observations and inspiration. His jottings and sketches in the journal served as a springboard to larger works made on paper, metal, glass, canvas and wood.
Bruno's book The matrix was published in 2010.
Text von der Website.
Namen Antoni Tàpies / Arthur Boyd / Eve Sainsbury (Kuatorische Assistenz) / Peter Steele (Text) / Piet Mondrian / Rover Thomas
Sprache Englisch
Geschenk von Jürgen Wegner
Stichwort Ausstellung / Australien / Bibliothek / Flyer / Kreuz / Symbol / Zeichen
WEB http://exhibitions.slv.vic.gov.au/dome100/multimedia/bruno-leti-cross-and-matrix
TitelNummer
026414742 Einzeltitelanzeige (URI) Änderung

Bodman Sarah / Sowden Tom
A Manifesto for the Book, Book - artist's book - artist's publication - book art ?
Bristol (Großbritannien): Centre for Fine Print Research, 2010
(PDF-Datei) 7 S., 29,7x21 cm,
Techn. Angaben PDF-Dokument
ZusatzInformation from CFPR
WEB www.bookarts.uwe.ac.uk/cases_canon/manifesto.pdf
TitelNummer
006591304 Einzeltitelanzeige (URI) Änderung

clemente-black-book
clemente-black-book
clemente-black-book

Clemente Francesco: The Black Book, 1991

Clemente Francesco
The Black Book
Basel (Schweiz): Kunsthalle Basel, 1991
(Buch) 54 S., 33x18 cm,
Techn. Angaben Schutzumschlag und Cover mit Blindprägung, Blockbuchbindung
ZusatzInformation Beinhaltet The Red Book, The White Book und The Black Book
Stichwort 1990er
TitelNummer
008999053 Einzeltitelanzeige (URI) Änderung

parr-playas
parr-playas
parr-playas

Parr Martin / Parr Susie: Playas, 2009

Parr Martin / Parr Susie
Playas
Cuauhtemoc / London (Mexiko / Großbritannien): Chris Boot / Editorial RM, 2009
(Buch) 64 unpag. S., 21x13,8 cm,
Techn. Angaben Hardcover
ZusatzInformation From Magnum: "Between 2006 and 2008 Martin Parr documented the differences in beach culture between Latin American countries whilst traveling with his wife Susie. Her text accompanies the photos in the book. The book is printed to look purposely cheap, with noticeable imperfections, somewhat like a book you'd find in a 99 cent store, complete with offset colors and gaudy clip-art style graphics.
This book was not distributed in the United States
Stichwort Nullerjahre
TitelNummer
009711331 Einzeltitelanzeige (URI) Änderung

downsborough-the-books
downsborough-the-books
downsborough-the-books

Downsbrough Peter: The Book(s), 2011

Downsbrough Peter
The Book(s)
Ostfildern (Deutschland): Hatje Cantz Verlag, 2011
(Buch) 332 S., 23,2x15,9 cm, ISBN/ISSN 978-3-7757-2833-1
Techn. Angaben Softcover, Klappbroschur mit Schutzumschlag, Text
ZusatzInformation erschienen zur Ausstellung The Book(s) 1968-2010 im deSingel Antwerpen und im el Canodrom Barcelona 2011/2012.
Since the early seventies, he has incorporated text and line drawings into his books, later integrating maps and photos of urban spaces. His consistent and sharply delineated oeuvre is devoted to examining the meaning of “space.” In 1993, the publisher, book collector, and curator Guy Schraenen commented the following on Downsbrough’s publications: “We could talk about the zero degree of the book, since it presents itself here in its simplest form.” This catalogue provides an overview of the eighty-five books that have been published to date.
Text von der Webseite
TitelNummer
011484414 Einzeltitelanzeige (URI) Änderung

between-the-lines-1
between-the-lines-1
between-the-lines-1

Brown Diane, Hrsg.: Between the Lines Vol. 1: A Coloring Book of Drawings by Contemporary Artists., 2006

Brown Diane, Hrsg.
Between the Lines Vol. 1: A Coloring Book of Drawings by Contemporary Artists.
New York, NY (Vereinigte Staaten von Amerika): RxArt, 2006
(Buch) 112 S., 27,1x20,5 cm,
Techn. Angaben Malbuch
ZusatzInformation A Coloring Book of Drawings by Contemporary Artists. The coloring book is an integral part of our mission to engage patients through contemporary art. Between the Lines is distributed free of charge to children in RxArt’s participating healthcare facilities and sold to benefit RxArt’s projects. Like the artwork we install, the coloring book is meant to give the children and their families something new and stimulating to think about. It is another tool to take children to an emotionally less stressful place and provides a creative outlet for children confined to the austerity of a hospital room.
Text von der Webseite
Namen Alexander Calder / Alexis Rockman / Andy Warhol / Ann Craven / assume vivid astro focus / Charles Hinman / Chris Astley / Christopher Wool / David Humphrey / David Row / Deborah Grant / Dennis HopperGary Hume / Donald Baechler / Duncan Hannah / Ed Baynard / Geraldine Lau / Grace Hartigan / Graham Parker / Jane Hammond / Jason Middlebrook / Jennifer Steinkamp / Jeremy Blake / Jim Medway / Joel Fisher / John Baldessari / John Lurie / John Newman / John Wesley / Julian Opie / Keith Haring / Kenny Scharf / Lamar Peterson / Lane Twitchell / Laura Owens / Leo Villareal / Libby Black / Mark Grotjahn / Maurizio Pellegrin / Michele Oka Doner / Neil Jenney / R. Crumb / Rita Ackermann / Robert Longo / Robert Mapplethorpe / Ryan McGinness / Sarah Trigg / Siah Armajani / Sol LeWitt / Tom Otterness / Virgil Marti / Vito Acconci / Will Cotton / William Wegman / Willie Cole
Stichwort Nullerjahre
WEB www.rxart.net
TitelNummer
011939427 Einzeltitelanzeige (URI) Änderung

Karasik Mikhail: The Soviet Photobook 1920-1941, 2015

karasik-soviet-photobook
karasik-soviet-photobook
karasik-soviet-photobook

Karasik Mikhail: The Soviet Photobook 1920-1941, 2015

Karasik Mikhail
The Soviet Photobook 1920-1941
Göttingen (Deutschland): Steidl, 2015
(Buch / Sammeltuete, Schachtel, Kassette) 644 S., 29,4x27,4x6 cm, ISBN/ISSN 9783958290310
Techn. Angaben Hardcover, in bedrucktem Karton.
ZusatzInformation The Soviet Union was unique in its formidable and dynamic use of the illustrated book as a means of propaganda. Through the book, the U.S.S.R. articulated its totalitarian ideologies and expressed its absolute power in an unprecedented way—through avant-garde writing and radical artistic design that was in full flower during the 1920s and ’30s. No other country, nation, government or political system promoted itself more by attracting and employing acclaimed members of the avant-garde. Among them were writers like Semion Kirsanov, Vladimir Mayakovsky, Ilya Selvinsky, Sergei Tretyakov and Kornely Zelinsky. artistic designers like Gustav Klutsis, Valentina Kulagina, El Lissitzky, Sergei Senkin, Varvara Stepanova, Solomon Telingater and Nikolai Troshin. and photographers including Dmitry Debabov, Vladimir Griuntal, Boris Ignatovich, Alexander Khlebnikov, Yeleazar Langman, Alexander Rodchenko, Georgy Petrusov—not to mention many of the best printers and book binders.
The Soviet Photobook 1920–1941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. The book also provides short biographies of the photobook contributors, some of whom are presented here for the first time.
Text von der Webseite.
Namen Manfred Heiting (Herausgeber) / Marina Orlova (Research) / Paul Williams (Translation)
Sprache Englisch
Stichwort 1920er / 1930er / 1940er / Dokumentation / Fotografie / Ideologie / Osteuropa / Propaganda / UDSSR
WEB http://www.artbookcologne.com/books/search/art-13756.html?q=soviet+photobook
TitelNummer
025714716 Einzeltitelanzeige (URI) Änderung

Weber Max: Layout Look Book 2, 2010

weber-layout-look-book-2
weber-layout-look-book-2
weber-layout-look-book-2

Weber Max: Layout Look Book 2, 2010

Weber Max
Layout Look Book 2
New York, NY (Vereinigte Staaten von Amerika): Collins Design, 2010
(Buch) 256 S., 29,8x24,6 cm, ISBN/ISSN 978-0-06-199511-8
Techn. Angaben Hardcover mit Schutzumschlag.
ZusatzInformation Organized so as to encourage creativity, serendipitous discovery, and inspiration, Layout Look Book 2 is an essential guide to layout design for both amateur and professional designers. The book includes techniques that can be used to enhance any layout, as well as insights into the factors that helped make each layout an effective piece. The styles covered in the volume range from traditional to cutting edge, and will enable any designer to become a more creative thinker and produce fantastic work. Layout Look Book 2 showcases outstanding work by more than fifty of the world's best design studios and professionals working in print design today.
Text von der Webseite.
Namen 2x Goldstein / 75B / Ariane Spanier / Bendita Gloria / Browns / Catalogtree / Chris Bolton / Come de Bouchony / Company London / Coöp / David Pearson / Dynamo / Emperor of Antarctica / Fageta / Folch Studio / Fraser Muggeridge Studio / Glamcult Studio / Géraldine Roussel / Hey Ho / Hi / Homework / Hvass/Hannibal / ICE CREAM FOR FREE / James Langdon / Jeffrey Docherty / Jeffrey Lai / Jiminie Ha / Joost Grootens / Julian Bittiner / Lesley Moore / Manuel Raeder / Milkxhake / Non-Format / onlab / Paulus M. Dreibholz / Pipi arade / Project Projects / Raffinerie / Salon de The / Sam Same / Schaffter Sahli / Snasen / Stiletto / StoutKramer / Studio Sport / Surface / The Map Office / Tomato / Triboro Design / Undesign / Why not smile / YES / à 2 c'est mieux
Sprache Englisch
Stichwort 2010er / Bücher / Cover / Design / Gestaltung / Grafik / Layout / Magazin / Mode / Plakate / Plattencover / Poster / Typografie / Zeitdokument
WEB https://www.artbooksonline.eu/art-09746
WEB https://www.wearecollins.com/work
TitelNummer
025719713 Einzeltitelanzeige (URI) Änderung

Carter David E.: The Big Book of Color in Design, 2005

cater-the-big-book-of-color
cater-the-big-book-of-color
cater-the-big-book-of-color

Carter David E.: The Big Book of Color in Design, 2005

Carter David E.
The Big Book of Color in Design
New York, NY (Vereinigte Staaten von Amerika): Collins Design, 2005
(Buch) 384 S., 28x21,6 cm, ISBN/ISSN 978-0-06-074800-5
Techn. Angaben Broschur
ZusatzInformation Erstauflage 2003.
"The Big Book of Color in Design" focuses on color as a tool to create moods and symbolic images.The book is categorized into 30 different sections, such as “classy,” “hot,” “regal,” or “corporate.” Each section features current graphic design projects that fit into these moods. For each of the featured projects, a “color chip” appears, with the CMYK formula for creating a similar tone. In all, hundreds of examples of use of color in brochures, ads, logos and other categories of graphic design appear in this breakthrough book.
Text von der Webseite.
Sprache Englisch
Stichwort 2000er / CMYK / Design / Farbe / Farbpalette / Farbraum / Gestaltung / Grafik / Produktdesign / Zeitdokument
WEB https://www.artbooksonline.eu/art-17067
TitelNummer
025720708 Einzeltitelanzeige (URI) Änderung



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