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Verfasser
Titel
  • Seven Books Grey
Ort Land Wien / Göttingen (Österreich / Deutschland)
Verlag Jahr mumok Museum Moderner Kunst Stiftung Ludwig Wien / Steidl, 2011
Medium Buch / Sammeltuete, Schachtel, Kassette
Techn. Angaben
  • 26,8x19,8x6,2 cm, 7 Teile. ISBN/ISSN 978-3-86930299-7
    Schuber mit sieben Büchern (Boschur).
ZusatzInfos
  • Englische Ausgabe. Erschienen anlässlich der Ausstellung "The Line of Fate" im mumok, Wien, 04.03.-29.05.2011.
    Seven Books Grey is an updated, expanded version of Tacita Dean’s Seven Books (2003), and is an exploration of Dean’s oeuvre as it straddles film, drawing, photography, writing and book-making. Each book has a different focus and together they are an accurate survey of Dean’s work to date.
    Book One: “Complete Works and Filmography 1991–2011”
    Book Two: “Selected Writings 1992–2011” (Dean’s writings)
    Book Three: “A Panegyric, Gaeta, Edwin Parker” (three projects made with and about Cy Twombly)
    Book Four: “Film Works with Merce Cunningham”
    Book Five: “Footage” (artist’s book with a text by Marina Warner taking a cultural-historical look at the foot and the significance of limping)
    Book Six: “Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean” (essay by Christa-Maria Lerm Hayes)
    Book Seven: “Essays on the Work of Tacita Dean” (texts by Wolfram Pichler, Peter Bürger, Douglas Crimp and Achim Hochdörfer)
    Text von der Webseite
Sprache
Stichwort
TitelNummer 025588686

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bodmann-artist-books-yearbook-2020-2021
bodmann-artist-books-yearbook-2020-2021
bodmann-artist-books-yearbook-2020-2021

Bodman Sarah, Hrsg.: Artist's Book Yearbook 2020-2021, 2019

Verfasser
Titel
  • Artist's Book Yearbook 2020-2021
Ort Land Bristol (Großbritannien)
Verlag Jahr Impact Press, 2019
Medium Buch
Techn. Angaben
  • 236 Seiten, 29,6x21 cm, ISBN/ISSN 978-1-906501-18-1
    Broschur, Softcover, design by Tom Sowden
ZusatzInfos
  • The ABYB is a biennial reference publication focusing on international activity in the field of book arts. It serves as a resource for artists, academics, students, collectors, librarians, dealers, publishers and researchers, in fact anyone interested in artists’ books!
    The 2020-2021 issue will have essays, articles, and lots of useful information on: Artist’s Book Publishers & Presses; Bookshops for artists’ books; Artist’s Book Dealers; Artist’s Book Galleries & Centres; Collections, Libraries & Archives; Artist’s Book Fairs and Events; Book Arts Courses and Workshops; Design, Print & Bind; Print Studios; Journals and Magazines; New Reference Publications; Organisations, People, Projects and Societies. Artists list up to 3 of their recent book works.
    Text von der Webseite
    S. 49, Text und Fotos von Jürgen Wegner, A visit to Archive Artist Publications and its exhibition in the Haus der Kunst, München, Germany
    S. 111, Collections, Libraries & Archives
Sprache
Geschenk von
TitelNummer 027464758

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Verfasser
Titel
  • Collected Works
Ort Land New York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr Copycat Publications, 2014
Medium Buch
Techn. Angaben
  • 66 Seiten, 27,9x21,6 cm, Auflage: Print on Demand,
    Broschur, Digitaldruck, Umschlag glänzend laminiert. Schwarz-Weiß
ZusatzInfos
  • Collected Works compiles eight of my books into one convenient volume. The books are combined together, so that page one of Collected Works is a "sandwich" of the first page of all eight books, page two contains the second page of each book, page three the third page, etc. Collected Works reproduces Squares With Sides And Corners Torn Off, Some Los Angeles Apartments, Real Estate Opportunities, The Location of Lines, and Records in their entirety, plus excerpts from 60 Years Later, Arcs Circles & Grids, and The Xeroxed Book. - Eric Doeringer
    Text von der Webseite
Sonst. Personen
Sprache
TitelNummer 026110665

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Verfasser
Titel
  • Libri d’arte, passione di una vita
Ort Land Parma (Italien)
Verlag Jahr FermoMAG, 2012
Medium Presse, Artikel
Techn. Angaben

  • Artikel über Reinhard Grüner,
ZusatzInfos
  • Reinhard Grüner is a collector from Monaco. His passion is art books, which he collects – and sometimes exhibits – since the 1960s.
    His website, www.buchkunst.info is a real “online museum”, where international artist books are catalogued and photographed. Amongst the artists there are Marc Chagall, Anselm Kiefer, Henri Matisse, Pablo Picasso and Andy Warhol. Books, but also works of art made of images and text, created by the artist often in collaboration with a writer and a publisher. For the high artistic quality – original graphics, unique designs, paintings and collages – these works are different from the usual picture books. Their manifestations are multiple: books with graphic effects, objects-book, artist’s books, sometimes printed in offset or illustrated by works of artists.
    At the centre of Grüner’s attention there are Eastern German and Eastern European books (mainly Russia, Hungary, Lithuania). many of these works were created in response to specific social, political and cultural issues, with unimaginable insights into the culture of modernity.
    Reinhard first came in contact with the art in book form with the English Edition, printed privately, of “A Dissertation Upon Roast Pig”, printed in 1975 by Shoestring Press on paper of the legendary Chiswick Press: from here begins a life of a book maniac among thousands of books. As Grüner states in an essay, the acquisition of artist books is more than a simple purchase: the artist, the life as a collector and thoughts are tied together, they influence each other, and a network of contacts with other collectors begins. With nearly all the books in his collection Grüner forms a symbiotic relationship: each of them describes, explains, and gets to the heart of some chapters of his life.
    Download the pdf file with the essay on the collection of Reinhard Grüner (in English)
Sprache
TitelNummer 008503304

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Verfasser
Titel
  • photo text text photo - The Synthesis of Photography and Text in Contemporary Art
Ort Land Bozen / Kilchberg / Frankfurt am Main (Italien / Deutschland / Schweiz)
Verlag Jahr Edition Stemmle / Frankfurter Kunstverein / Museion, Museum für Moderne Kunst Bozen, 1996
Medium Buch
Techn. Angaben
  • 144 Seiten, 23,5x22 cm, ISBN/ISSN 3-908162-48-3
    Grauer Leineneinband mit Schutzumschlag.
ZusatzInfos
  • Katalog zur Ausstellung im Museion, Museum für Moderne Kunst Bozen, 13.09.-17.11.1996, Frankfurter Kunstverein, 21.01.-03.03.1997."Purely visual perception and viewing of pictures is impossible. We always encounter pictorial images - as in this book description itself - in contexts. It is to this complex of interrelationships between text and photography and the aesthetic potential it holds that the book photo text text photo is dedicated. Based upon a representative selection of important examples of this work across media boundaries from recent photographic history since 1967, the theme of the fertile tension between words and images is explored in images (more than 100 works by 32 different artists) and words (texts by Andreas Hapkemeyer and Peter Weiermair). This revealing look at the art of combining text and photography begins with the milestone works of Conceptual Artists such Joseph Kosuth, Robert Barry, Douglas Huebler, On Kawara, John Baldessari and Hamish Fulton. Alongside other early examples from Italy - Maurizio Nannucci, Giulio Paolini, and Vincenzo Agnetti - the book also features representatives of utopian and critical approaches to social issues, including Josef Beuys and Klaus Staeck. The 1970s and 1980s are represented by the artists Ketty La Rocca, Jochen Gerz, Karen Knorr and Urs Luthi. More recent and current positions are evident in the works of Louise Lawler, Jenny Holzer, Barbara Kruger, Ken Lum, Heiner Blum, Laura Padgett and Marie-Jo Lafontaine. The publication photo text photo provides a long-awaited inventory of the most recent developments in the aesthetic exploration of the relationships between text and images in contemporary art."
    Text vom Schutzumschlag
Sprache
TitelNummer 027030759

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Verfasser
Titel
  • The Invisible Book
Ort Land Leerdam (Niederlande)
Verlag Jahr Selbstverlag, 2012
Medium Digitales SpeicherMedium
Techn. Angaben
  • 0 Seiten, Auflage: 100,
    fiktives Buch
ZusatzInfos
  • 1. Auflage. Vermutlich unauthorisierte Kopie. Im Netz gefunden und aufgeklaubt.
    The Invisible Book is a book produced in a limited edition at the affordable price of €0. It will work as a digital book too, on any platform. The edition is limited to 100 copies (neither numbered nor signed). This is a product without a single fault, available at the lowest price possible. The book was made as a reaction to both the trend of decreasing booksales and the trend of increasing expectations from audiences. Published by Elisabeth Tonnard, Leerdam, April 2012. A second edition became available in June 2012. It too was limited to 100 copies, neither numbered nor signed, but all made to perfection and available at the price of €0.
    Text von der Website der Künstlerin
    Das Buch kann man leider bei mir nicht anschauen. Es existiert nur in dieser Art als Datensatz auf einem Monitor
Sprache
TitelNummer 002625999

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Verfasser
Titel
  • The Invisible Book
Ort Land Leerdam (Niederlande)
Verlag Jahr Selbstverlag, 2012
Medium Digitales SpeicherMedium / Text
Techn. Angaben
  • 0 Seiten, 21x29,7 cm, Auflage: 100, 3 Teile.
    fiktives Buch, mit Zertifikat, Laserdruck auf Papier, Kaufbescheinigung von ebay und Mitteilung an den Käufer
ZusatzInfos
  • 1. Auflage. Mit Certificate of Ownership
    The Invisible Book is a book produced in a limited edition at the affordable price of €0. It will work as a digital book too, on any platform. The edition is limited to 100 copies (neither numbered nor signed). This is a product without a single fault, available at the lowest price possible. The book was made as a reaction to both the trend of decreasing booksales and the trend of increasing expectations from audiences. Published by Elisabeth Tonnard, Leerdam, April 2012. A second edition became available in June 2012. It too was limited to 100 copies, neither numbered nor signed, but all made to perfection and available at the price of €0.
    Text von der Website der Künstlerin
    Das Buch kann man leider bei mir nicht anschauen. Es existiert nur in dieser Art als Datensatz auf einem Monitor
Sprache
TitelNummer 024764673

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Verfasser
Titel
  • Unshelfmarked - Reconceiving the artist's book
Ort Land Devon (Großbritannien)
Verlag Jahr Uniformbooks, 2015
Medium Buch
Techn. Angaben
  • 180 Seiten, 23,3x14,1 cm, ISBN/ISSN 978-1-910010-06-8
    Klappbroschur,
ZusatzInfos
  • Post-Deweyed, these works form an entirely new corpus, showcasing the artists’ book not as a by-product of the book per se, but both its antecedent and post-digital flowering, many salient twentieth-century features proleptically flickering here and there through time, its epigenetic influence finally come to permeate mainstream book design everywhere, the manifold traits and studio processes inherent to the artists’ book bursting from their stitched sheath, cheerfully pollinating the whole gamut of reading impedimenta and spaces.
    Text von der Webseite
Sprache
TitelNummer 016535599

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Verfasser
Titel
  • Six years: The dematerialization of the art object from 1966 to 1972 ...
Ort Land Berkeley, CA / Los Angeles, CA (Vereinigte Staaten von Amerika)
Verlag Jahr University of California Press, 1997
Medium Buch
Techn. Angaben
  • 272 Seiten, 21,5x17,5 cm, ISBN/ISSN 9780520210134
    Hardcover, Exlibris der Pratt Institute Library, mit Ausmusterungsstempeln
ZusatzInfos
  • Titelergänzung: The dematerialization of the art object from 1966 to 1972 : a cross-reference book of information on some esthetic boundaries : consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, antiform, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones), edited and annotated by Lucy R. Lippard.
    In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists — a historical survey and essential reference book for the period.
    Text von der Webseite
    Ursprünglich publiziert 1973 bei Praeger, New York
Sprache
TitelNummer 023699657

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Verfasser
Titel
  • Atem Books
Ort Land La Bisbal d'Empordà (Spanien)
Verlag Jahr Atem Books, 2010
Medium Plakat
Techn. Angaben
  • 48x33 cm, 2 Stück.
    Plakat, vermutlich beschnitten
ZusatzInfos
  • Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
    Why ‘Atem’?
    ‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
    Who we are
    Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
    What we can do
    We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
    We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
    Atem Books is 100% independent!
    We don’t receive any external money. This project survives with the earns we do selling our publications.
    Von der Webseite
TitelNummer 009056303

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Verfasser
Titel
  • copy construct
Ort Land Mechelen (Niederlande)
Verlag Jahr Cultuurcentrum Mechelen, 2017
Medium Heft
Techn. Angaben
  • 64 Seiten, 29,7x21 cm,
    Drahtheftung, unbeschnitten, beigelegt der Ausstellungsplan und handschriftliches Anschreiben
ZusatzInfos
  • The exhibition Copy Construct departs from different artistic practices and specific works by artists that are based on reproduction or copy. The selected works are inherent to the production of printed matter or artist’s books. This implies that different artistic media such as painting, drawing, photography, video, sculpture, and graphic design can manifest themselves through graphical problematics and their meanings. Alongside the 25 works of the artists, a little less than 300 books from the KASK collection (School of Arts, Ghent) and private collections from Belgium and England are displayed in the exhibition. The exhibition architecture is designed by Kris Kimpe and Koenraad Dedobbeleer and is accompanied by a publication, designed by Joris Dockx, which includes a bibliography of the exhibited books, different contributions by the artists, an interview with a book collector, etc.
    Pressetext
Sprache
Geschenk von
TitelNummer 023548633

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Verfasser
Titel
  • copy construct
Ort Land Mechelen (Niederlande)
Verlag Jahr Roma Publications, 2017
Medium Heft
Techn. Angaben
  • 66 Seiten, 27,3x20 cm, Auflage: 500, ISBN/ISSN 9789491843945
    Drahtheftung, beigelegt der Ausstellungsplan und handschriftliches Anschreiben
ZusatzInfos
  • The exhibition Copy Construct departs from different artistic practices and specific works by artists that are based on reproduction or copy. The selected works are inherent to the production of printed matter or artist’s books. This implies that different artistic media such as painting, drawing, photography, video, sculpture, and graphic design can manifest themselves through graphical problematics and their meanings. Alongside the 25 works of the artists, a little less than 300 books from the KASK collection (School of Arts, Ghent) and private collections from Belgium and England are displayed in the exhibition. The exhibition architecture is designed by Kris Kimpe and Koenraad Dedobbeleer and is accompanied by a publication, designed by Joris Dockx, which includes a bibliography of the exhibited books, different contributions by the artists, an interview with a book collector, etc.
    Pressetext
Sprache
Geschenk von
TitelNummer 025306633

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10_leo_leander_namislow
10_leo_leander_namislow
10_leo_leander_namislow

Namislow Leo : Moin, 2017

Verfasser
Titel
  • Moin
Ort Land München (Deutschland)
Verlag Jahr 100for10 / Melville Brand Design, 2017
Medium Buch
Techn. Angaben
  • 106 Seiten, Auflage: Print on Demand, 2 Stück.
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke, Nr. 010 aus der Reihe 100for10.
    Leo-Leander Namislow, born in 1983 in Essen, lives and works as a freelance artist in Essen. Growing up in a rural environment in Rhineland-Palatinate, he started to creatively engage with his surroundings early on. After his training
    as a stonemason, Leo worked for an animation company in Frankfurt. When he moved back to Essen in 2007 he eventually started living off his creative output. Since then he has had several solo exhibitions and took part in
    many group shows in a variety of institutions such as the Kunstverein Essen-Werden. His works fascinate by opening up new fantastic worlds to the viewer on the one hand and by proving of a large multiplicity of techniques on the other hand. This book gives an insight into a sample, mainly comprised of black and white works, of a much larger, colourful and ever increasing artistic universe.
Sprache
Geschenk von
TitelNummer 026282741

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Verfasser
Titel
  • Without Copyrights - Piracy, Publishing, and the Public Domain
Ort Land New York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr Modernist Literature and Culture / Oxford University Press, 2013
Medium Buch
Techn. Angaben
  • 384 Seiten, 23,5x15,6 cm, ISBN/ISSN 978-0-19-992787-6
    Hardcover mit Schutzumschlag
ZusatzInfos
  • Provides a thorough historical survey of the impact of U.S. copyright law on transatlantic modernist authors. Documents the growth and development across time of the American public domain, as shaped by the historically protectionist and formalistic U.S. copyright law. Gives fresh insights drawn from unpublished materials-letters by Joyce, John Quinn, Ezra Pound, Sylvia Beach, John M. Price, and others -and makes extensive use of hitherto unknown legal archives.
    This book tells the story of how the notoriously protectionist American copyright law impacted transatlantic modernism by encouraging the piracy of works published abroad. From its inception in 1790, U.S. copyright law withheld protection from foreign authors, creating an aggressive public domain that claimed works just as soon as they were published abroad. When Congress finally extended protection to foreign works, legal technicalities caused many authors to continue to lose their copyrights.
    Text von der Webseite
Sprache
TitelNummer 026168743

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Verfasser
Titel
  • Book
Ort Land Birmingham (Großbritannien)
Verlag Jahr Eastside Projects, 2010
Medium Buch
Techn. Angaben
  • 216 Seiten, 24x16,5 cm, ISBN/ISSN 978-1-906753-22-1
    Softcover, verschiedene Papiere
ZusatzInfos
  • Book functions as a mobile extension to the exhibition Book Show. Including a facsimile reprint of Ulises Carrión’s ‘The New Art of Making Books’ as it originally appeared in the journal Kontexts, an illustrated text by James Langdon and additional works, both existing and newly commissioned.
TitelNummer 007376236

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Titel
  • 26.878 N 93.268 W -11945 m - Deep Water Horizon
Ort Land Kassel (Deutschland)
Verlag Jahr Selbstverlag, 2011
Medium Buchobjekt
Techn. Angaben
  • 20 unpag. Seiten, 23x18x6,5 cm, Auflage: 8, signiert,
    fadengeheftet, Umschlag Bitumen auf Styrodur, innen Anklebevorsatz aus schwarzem Tonpapier und Seiten aus Transparentpapier, beigelegt ein zweiseitiges Anschreiben
ZusatzInfos
  • This book works by haptics. You can read it eyes closed. The hardcover is made by a thick bitumen surface on styropor. For this reason the book is not heavy. Inside the book are ten pages of transparent paper with abstract illustrations that assosciate to biological structures. The topic of the book is about the sensitive creatures that live in the sea and oil shipping disasters
Geschenk von
TitelNummer 015948583

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Verfasser
Titel
  • Oceanus - A Tale of Sea
Ort Land Leerdam (Niederlande)
Verlag Jahr Selbstverlag, 2007
Medium Buch
Techn. Angaben
  • [106] Seiten, 17,8x11,1 cm,
    Broschur
ZusatzInfos
  • This is a pocket book, good for bringing along on a sea journey. This imagetext tries to evoke the feeling of a bewildered traveling. The words are awkwardly placed, and clearly out of their element. Still they continue on, going somewhere. The goddess whispers. The sea of the book is composed of two photographs I found in a family album lost in an archive. The text cuts through Samuel Butler’s translation of Homer’s Odyssey. The book received an honorable mention in the Photography Book Now competition of 2011.
    Text von der Website
Sonst. Personen
Sprache
TitelNummer 024724673

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Verfasser
Titel
  • Book Works Catalogue 2009
Ort Land London (Großbritannien)
Verlag Jahr Book Works, 2009
Medium Lieferverzeichnis
Techn. Angaben

  • gefaltetes Lieferprogramm der neuen Titel und der Special Editions
Stichwort
TitelNummer 006614302

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Verfasser
Titel
  • Book Works 1984-2009, 25th Anniversary Special Editions
Ort Land London (Großbritannien)
Verlag Jahr Book Works, 2009
Medium Lieferverzeichnis
Techn. Angaben

  • gefaltetes Lieferprogramm der Special Editions
Stichwort
TitelNummer 006615302

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book works 2005
book works 2005
book works 2005

Jane Rolo, Hrsg.: Book Works Catalogue 2005-2006, 2005

Verfasser
Titel
  • Book Works Catalogue 2005-2006
Ort Land London (Großbritannien)
Verlag Jahr Book Works, 2005
Medium Lieferverzeichnis
Techn. Angaben
  • 32 Seiten, 24x16 cm,
    Lieferprogramm, geklammert mit Schutzumschlag.
ZusatzInfos
  • Forthcoming, New and Selected Backlist Publications
Geschenk von
Stichwort
TitelNummer 009981374

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Verfasser
Titel
  • A Society that Breathes Once a Year
Ort Land London (Großbritannien)
Verlag Jahr Book Works, 2012
Medium Buch
Techn. Angaben
  • 88 Seiten, 22,4x14,6 cm, ISBN/ISSN 978-1906012-32-8
    Klappbroschur
ZusatzInfos
  • This publication is published as part of The time machine, commissioned by Book Works and Francesco Pedraglio from open submission
TitelNummer 011523380

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Verfasser
Titel
  • FLIP - About Image Construction
Ort Land Gent (Belgien)
Verlag Jahr School of Arts Gent, 2018
Medium Plakat
Techn. Angaben
  • 1 Seiten, 59,4x42 cm,
    Ein Plakat, gefaltet, einseitig bedruckt, dazu persönliches Schreiben in Briefumschlag von Phyllis Dierick
ZusatzInfos
  • Plakat zur Ausstellung vom 03.03-22.03.2018, KASK Gent.
    FLIP is the sequel to the exhibition Copy Construct held at CC Mechelen in 2017. The exhibition focuses on displaying a temporary archive of artists’ books parallel to about a dozen filmic works. The term ‘FLIP’ associatively refers to the performative gesture of leafing through a book but also to notions of image sequences, reversal (printing), the flipbook, as well as the use of text and images in both books and video works. In short, the exhibition is an attempt to show these media together, emphasizing the use of narrative strategies and image construction as extensions of each other.
    Text von der Website.
Sprache
Geschenk von
TitelNummer 025267698

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Verfasser
Titel
  • FLIP - About Image Construction
Ort Land Gent (Belgien)
Verlag Jahr School of Arts Gent, 2018
Medium Heft
Techn. Angaben
  • 65 Seiten, 27x20,9 cm,
    Drahtheftung, Softcover, Lageplan eingelegt
ZusatzInfos
  • Publikation zur Ausstellung vom 03.03-22.03.2018, KASK Gent.
    FLIP is the sequel to the exhibition Copy Construct held at CC Mechelen in 2017. The exhibition focuses on displaying a temporary archive of artists’ books parallel to about a dozen filmic works. The term ‘FLIP’ associatively refers to the performative gesture of leafing through a book but also to notions of image sequences, reversal (printing), the flipbook, as well as the use of text and images in both books and video works. In short, the exhibition is an attempt to show these media together, emphasizing the use of narrative strategies and image construction as extensions of each other.
    Text von der Website.
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Geschenk von
TitelNummer 025305633

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Titel
  • books on books
Ort Land Paris (Frankreich)
Verlag Jahr Christophe Daviet-Thery, 2011
Medium Buch
Techn. Angaben
  • 260 Seiten, 16x11,5 cm, Auflage: 750, ISBN/ISSN 978-2-9539347-0-0
    Softcover Klappeinband
ZusatzInfos
  • Das Buch basiert auf einem Gespräch von Christoph Schifferli, Christophe Daviet-Thery and Jérôme Saint-Loubert Bié über 12 Künstlerbücher.
    The same year, in december 2009, Christophe Daviet-Thery asked to Jérôme Saint-Loubert Bié to take care of the catalog even if this book works independently from the exhibition. He invited Jonathan Monk and Yann Sérandour to have a conversation about 12 books: Bruce Nauman, Burning Small Fires, 1968 – Richard Prince, American English, London: Sadie Coles HQ and Cologne: Verlag der Buchhandlung Walther König, 2003 – Wade Guyton, Zeichnungen für ein grosse Bild, Cologne: Verlag der Buchhandlung Walther König, 2010 – Jonathan Monk, Cover Version, London: Book Works, 2004 – Mike Kelley, Reconstructed History, New York: Thea Weistreich and Cologne: Gisela Capitain, 1990 – Allen Ruppersberg, The New Five-Foot Shelf of Books, Brussels: Editions Micheline Szwajcer & Michèle Didier and Ljubljana: International Centre of Graphic Arts, 2003 – Claude Closky, Vacances à Arcachon, Paris: Editions Galerie Jennifer Flay, 2000 – Alejandro Cesarco, Dedications, New York: A.R.T Press, 2003 – Martin Kippenberger, The Happy End of Franz Kafka’s Amerika. Tisch Nr 3, Sankt Georgen: Sammlung Grässling, 1993 – Matt Mullican, Matt Mullican, Valenvia: IVAM Instituto Valenciano de Arte Moderno, 1995 – Batia Suter, Parallel Encyclopedia, Amsterdam: Roma Publications, 2009 – Yann Sérandour, Inside the White Cube: Overprinted Edition, Zurich : JRP Ringier, 2009.
    Von der Webseite des Verlegers
TitelNummer 009035253

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Titel
  • How I entered there I cannot truly say - Collaborative works from the ANU Edition + Artist Book Studio
Ort Land Mackay / Melbourne (Australien)
Verlag Jahr ANU - The Australian National University, 2005
Medium Flyer, Prospekt / Plakat / Lieferverzeichnis
Techn. Angaben
  • 21x20 cm,
    Flyer/Plakat(Rückseite), ausgefaltet A2 (42x59,4 cm) mit Werkliste zur Austellung.
ZusatzInfos
  • Titel bezieht sich auf Dante, Göttliche Komödie, 1,10, aus Buch von Udo Sellbach. Vorwort von Williams David, Direktor
    Austellung ‘How I entered there I cannot truly say’: Collaborative Works from the ANU E+ABS, State Library of Victoria, Melbourne, organisiert von Dianne Fogwell, 2005
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Geschenk von
TitelNummer 026395801

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Titel
  • Bruno Leti - The Cross and the Matrix
Ort Land Melbourne (Australien)
Verlag Jahr Cowen Gallery, State Library of Victoria, 2009
Medium Flyer, Prospekt
Techn. Angaben
  • 4 Seiten, 21x21 cm,
    Faltblatt, mehrfach gefaltet, ausgefaltet 29,7x42 cm,
ZusatzInfos
  • During nine months of research at the Library, Leti examined the works of a diverse range of artists who utilise the form of the cross, including Antoni Tàpies, Piet Mondrian, Arthur Boyd and Rover Thomas. Throughout the project, Leti kept a daily journal recording his observations and inspiration. His jottings and sketches in the journal served as a springboard to larger works made on paper, metal, glass, canvas and wood.
    Bruno's book The matrix was published in 2010.
    Text von der Website.
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TitelNummer 026414742

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Coers Titoli
Coers Titoli
Coers Titoli

Coers Albert: I SOLITI TITOLI, 2011

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Titel
  • I SOLITI TITOLI
Ort Land Bielefeld (Deutschland)
Verlag Jahr Kerber Verlag, 2011
Medium Buch
Techn. Angaben
  • 80 Seiten, 24,5x17,5 cm, 2 Stück. ISBN/ISSN 978-3-86678-539-7
    Hardcover, Fadenheftung
ZusatzInfos
  • Albert Coers’ objects, room-sized installations and photographs are presented as multi-layered, often symbolic and always evocative thought-constructions. This publication provides a review of his works from 2008 to 2010, where certain themes re-occur, like interest in collections, archives and the book as medium, as well as the expansion of artistic media and the occasionally ironic reflection on these themes. The documentation of Coers’ art practice is accompanied specially written texts that focus specifically on the individual works and place them within a narrative or critical context.
    Text von der Verlags-Webseite.
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GND von
TitelNummer 007597239

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Titel
  • Rex Reason - solid gaseous liquid synthetic
Ort Land London (Großbritannien)
Verlag Jahr book works, 1994
Medium Buch
Techn. Angaben
  • 216 Seiten, 13,3x10,5 cm, Auflage: 2000, ISBN/ISSN 1-870699-13-0
    Klappumschlag
ZusatzInfos
  • Rex Reason presents the Periodic Table of the Elements in book form. A colour-coding system is set up (black for solids, blue for liquids and yellow synthetics) but where we might expect to find hydrogen, helium or lithium we find Yul Brynner, William Hogarth and Maria Callas. The selected names relate to the chemical symbol for each element: both letters must appear in the chosen name for example, Bertolt Brecht (Br, Bromine).
    A loose logic prevails in the choice of names, for example names in red, gases, are from Greek myth or history and the yellow synthetic elements are given their proper names. However, Patterson disrupts this system with red herrings, mysteries and riddles that test the reader’s knowledge and that expose the inherent human desire to establish order and meaning
Stichwort
TitelNummer 006410102

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Titel
  • The Happy Hypocrite Issue 3 - Volatile Dispersal: Speed and Reading
Ort Land London (Großbritannien)
Verlag Jahr Book Works, 2009
Medium Zeitschrift, Magazin
Techn. Angaben
  • 168 Seiten, 23x16,7 cm, Auflage: 2000, ISBN/ISSN 978-1-906012-11-3
ZusatzInfos
  • Presenting: A reprint in entirety of A Great Book Primer: Essays on Liberal Education, the Uses of Reading and the Rules of Reading, published by the Great Books Foundation, Chicago (1955)
Stichwort
TitelNummer 010165333

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Titel
  • Die Chronologie der Zelle
Ort Land München (Deutschland)
Verlag Jahr Hammann & von Mier, 2014
Medium Buch
Techn. Angaben
  • [106] Seiten, 31x22 cm, Auflage: 200, signiert, 2 Stück.
    Hartpappeeinband mit Siebdruck, Text von Leo Lencsés und Matthias Glas, eingelegt eine Originalzeichnung. Ein Exemplar mit beigelegtem Anschreibener Version des Textes, einmal ein
ZusatzInfos
  • Erschienen zur Debütantenausstellung in der Akademie der Bildenden Künste in München am 8.04.2014
    The artist‘s book “Die Chronologie der Zelle“ shows and analyzes the cyclic working process of sculptor Matthias Glas. 80 pages covering a photo spread of art works are completed by a text section which takes up the preceding flow of images based on a chain of the artist`s thoughts. Additional meta text passages structure the workflow into chapters and give further information on the artistic practice. Each book has an individual screen-printed cover and includes an original drawing by Matthias Glas
Sprache
TitelNummer 012060425

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Titel
  • Speaking of Which
Ort Land Lüttich (Belgien)
Verlag Jahr Le Comptoir, 2007
Medium Buch
Techn. Angaben
  • 48 Seiten, 22,9x15,4 cm, Auflage: 300,
    KlappBroschur
ZusatzInfos
  • Ausstellung vom 08.09.-04.11.2007. The pieces in the show explored what you could call the visualization of language: mapping notation, short­hand forms, the alphabet, graffiti, the vocabulary of painting, missing things, and so on. Speaking of Which contains works in book form related to the pieces that were on display. Exhibition and book compiled with Louis Lüthi.
    Text von der Webseite
TitelNummer 015736544

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Titel
  • CURRENT RESIDENT
Ort Land New York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr MARIA editions, 2016
Medium Buch
Techn. Angaben
  • 70 unpag. Seiten, 28x21,7 cm, ISBN/ISSN 978-0-9962822-1-5
    Klebebindung
ZusatzInfos
  • CURRENT RESIDENT, a collaborative book by Kenny Komer and Marysia Gacek, comprises solely of computer generated imagery inspired by interior design catalogues and magazines. Based on interiors seen in Architectural Digest and Ikea catalogues, the book depicts a fictional, contemporary residence mimicking current tendencies to replace photography with 3D modeling computer software producing photo realistic images. Views of the apartment are generated via computer algorithms with the same techniques used in the advertising industry. A reader is invited to take a tour of the space while a number of mysterious activities unravel before her/his eyes.
    Kenny Komer (b.1984) is an interdisciplinary multimedia artist who lives and works in Brooklyn, NY. He received a BFA from the School of Art, Cooper Union, New York, NY in 2006. He has exhibited at galleries in New York (Gavin Brown's enterprise, Rush Arts Gallery, Carriage House Center and White Box Gallery) and Tokyo, Japan (Motus Fort). Komer is a founding member of the guerrilla street-art collective, Concerned New Yorkers, whose work has been featured in the New York Times, New York Magazine, the Brooklyn Rail, the Village Voice, CNN, and the Daily Telegraph.
    Text von der Webseite
TitelNummer 016612595

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Titel
  • It's Michael
Ort Land Glasgow (Schottland)
Verlag Jahr MARIA editions, 2015
Medium Heft
Techn. Angaben
  • 64 unpag. Seiten, 30,5x22,5 cm, Auflage: 200, ISBN/ISSN 978-0-9962822-2-2
    Softcover, Drahtheftung,
ZusatzInfos
  • Kelli Sims' It's Michael is a collection of drawings and watercolors created by the artist over a span of one week in March 2015. The book offers a glimpse into the artist's unique process of digesting reality. A certain urgency and rawness is evident in depicting a disorienting range of Sims' subject matters. In her works on paper, a pen or a brush cast a net extracting brief moments of clarity from the sea of daily observations, free association, dreams, and the internet. It is the first time Kelli Sims' work is displayed in a form of a book, adding to her diverse practice ranging from video, performance to painting and sculpture.
    Kelli Sims (b. 1984, Monroe, Louisiana) received her MFA from the Glasgow School of Art in 2014 after studying at the University of Louisiana and the School of the Museum of Fine Arts in Boston. Recent exhibitions include Prehistoric Loom, Yada Shimin Gallery, Nagoya, Japan, Prehistoric Loom, No Toilet, Soeul, South Korea, Dear Green, ZK/U, Center for Art and Urbanistics, Berlin. How Many Shades Would an Artist Pack for Holidays?, Neoterismoi Toumazou and Aλ,áς,, Nicosia, Cyprus.
    Supported by the Glasgow School of Art as part of the Glasgow Master Series 2014.
    Text von der Webseite
Sprache
Stichwort
TitelNummer 016613606

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Titel
  • ENDURING FREEDOM - The Poetry of the President
Ort Land Leerdam (Niederlande)
Verlag Jahr The Conquerer Edition, 2011
Medium Buch
Techn. Angaben
  • 20 unpag. Seiten, 21,1x15 cm, Auflage: 124,
    Fadenheftung mit aufklappbarem Cover
ZusatzInfos
  • Speeches that George W. Bush made shortly after the 9/11 attacks, are turned into poetry in this book. The tone varies as we witness consolatory words and war speech. What does not change is the intensity of the rhetoric used. The poems first appeared in the Dutch literary magazine Armada, tijdschrift voor wereldliteratuur, No. 24, December 2001. The edition is printed on a paper that adds its own voice to the project in the form of a watermark. It reads “conqueror”, the brand name of the paper. Not only does that word seem to describe the voice in the book, it is also a description of itself. the watermark as a rhetoric, as a conquest.
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TitelNummer 024727673

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Titel
  • Signs Fiction
Ort Land Berlin (Deutschland)
Verlag Jahr Chert Galerie / Motto Books, 2016
Medium Buch
Techn. Angaben
  • [490] Seiten, 32x24 cm, Auflage: 700, ISBN/ISSN 978-2-940524-46-4
    Broschur
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  • This book aims to collect and present a comprehensive overview of the work of Ruth Wolf-Rehfeldt. It is the result of a long and intense immersion into her archive, and intends to establish the importance of this unique artist – who did not have much recognition in the past – not only to the present day, but also to the precise political context and time to which she and her work belong.
    The book presents her typewritings series, all produced between the early 1970s (some of the earliest works are dated 1972) and 1989.
    Mail Art was her way to be in contact with the world outside the GDR, otherwise impossible to reach. After the fall of the Berlin Wall and the Reunification, the artist stopped producing any art: She felt her involvement was no longer “needed”.
    At the beginning of 2015 we started to archive Ruth Wolf- Rehfeldt’s work, discovering little by little an enormous and fascinating body of work, composed by more classic poetry, simple typewriting texts, visual poetry, concrete poetry, and abstraction.
    Text von der Webseite
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TitelNummer 026489742

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Titel
  • Position(s)
Ort Land Paris / Berlin (Frankreich / Deutschland)
Verlag Jahr AVARIE, 2012
Medium Buch
Techn. Angaben
  • [124] Seiten, 18x13,5 cm, ISBN/ISSN 978-2-9541974-0-1
    Broschur, Buchrücken aufklappbar, gefaltetes Plakat in eingeklebter Papierhülle, Posterformat 85,4x64cm, in Schutzhülle mit Aufkleber
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  • A journal written at the third person that seeks to depict Antoine d’Agata’s quest – the inexorable course from void to void.A literary and photographic experiment where words, sometimes descriptive, sometimes poetic, intersect with images in a narrative continuity. An example of the photographer’s existential choice and form of resistance which leads toward the subject’s disappearance and the ego’s negation within the neutral spectrum of the image while insisting on an intimate involvement with its matter and a perfect superposition of art and life. The pictures have been treated and reduced to the simple black and white contrast, following the main axis of this editorial project: shaplessness and the sense of fading-out. This flattening to a drawing effect releases the image as a shadow, a border between a recognizable sign and a blurry, ambiguous one, so that the photograph is both “trace” and “other”. The book, whose main language is English, also foresees a separate and folded poster, including texts in French on one side and, for the first time, in Italian on the other printed on a background colour image. The two languages allow to include texts in their original version, but allude as well to the artist’s double origins. In line with the book, the poster also reflects d’Agata’s search direction towards the interlacing of word and image and it finally refers to the idea of a topographic description of passions. Member of the Magnum agency, Antoine d’Agata (1961) is one of the most influential photographers of his generation. He lives in both Paris and Marseilles and he works around the world. He is represented by the gallery Les Filles du Calvaire, Paris.
    Text von der Webseite.
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TitelNummer 026565729

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Titel
  • Reaper
Ort Land Zürich (Schweiz)
Verlag Jahr Graphische Sammlung der ETH Zürich / JRP Ringier, 2017
Medium Buch
Techn. Angaben
  • 292 Seiten, 23x17 cm, ISBN/ISSN 978-3-03764-504-8
    Broschur, Einband einfarbig rot bedruckt, Schutzumschlag vierfarbig, Vorsatz/Nachsatz blau, Abb. Schwar-Weiß, einzelne Farbseiten. Druck auf Munken Print White 1.5, DZA Druckerei zu Altenburg
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  • The starting point of this publication—and its eponymous exhibition held in Zurich in Spring 2017—is the conceptual encounter between English Pop art artist Richard Hamilton (1922–2011) and Swiss historian and critic of architecture Sigfried Giedion (1888–1968), famous for his landmark book "Space, Time, and Architecture," an influential history of modern architecture published in 1941.
    In 1949 Richard Hamilton—then a member of the London-based Independent Group— realized the “Reaper” print series as a reaction to Giedion’s 1948 book “Mechanization Takes Command” in which he describes the mechanization of everyday life. Reproducing Hamilton’s complete “Reaper” series juxtaposed with selected examples of illustrations created by Giedion alongside many related illustrations, this publication brings together seven essays by renowned international scholars, all of whom question the relationships between visual arts, technology, science, and architecture. Among the many topics discussed are Hamilton’s early works and exhibition installation practice, postwar British biotechnology and architecture, “Hippie Modernism,” and the visual strategy of Giedion’s books.
    Published on the occasion of the exhibition "Reaper. Richard Hamilton and Sigfried Giedion" at the Graphische Sammlung ETH Zürich (May 3–June 25 2017), a cooperation between Graphische Sammlung ETH Zürich, gta exhibitions, and gta archive.
    Text von der Webseite
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TitelNummer 026920000

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tonnard-books-vc
tonnard-books-vc
tonnard-books-vc

Tonnard Elisabeth: Books and editions - The world is very large., 2019

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Titel
  • Books and editions - The world is very large.
Ort Land Leerdam (Niederlande)
Verlag Jahr Selbstverlag, 2019
Medium Lieferverzeichnis / Visitenkarte
Techn. Angaben
  • 14,8x21 cm, 3 Teile.
    Drahtheftung, Preisliste und Visitenkarte
ZusatzInfos
  • Elisabeth Tonnard is a Dutch artist and poet working in artists’ books, photography and literature.
    She has published over forty books that are exhibited widely and held in numerous private and public collections including the Centre Pompidou, Columbia University, Getty Museum, Kunstbibliothek Berlin, MoMA Library, New York Public Library, Tate Library and the Walker Art Center. Much of her work involves responding to existing books, texts and images, reworking them into new (visual) literature. The works range in scale and method from a book that is completely invisible to a book that is a swimming pool. A catalogue of books is available here.
    Text von der Webseite
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TitelNummer 027765771

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rise-with-your-class
rise-with-your-class
rise-with-your-class

Waeckerle Emmanuelle, Hrsg.: RISE WITH YOUR CLASS NOT FROM IT, 2016

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Titel
  • RISE WITH YOUR CLASS NOT FROM IT
Ort Land Farnham (Großbritannien)
Verlag Jahr bookRoom / University for the Creative Arts, 2016
Medium Heft
Techn. Angaben
  • 82 Seiten, 20,2x12,3 cm, Auflage: 200, ISBN/ISSN 9780957682870
    Blätter lose mit Gummiband zusammen gehalten
ZusatzInfos
  • The fruit of a collaboration with artist/activist/creator of the Working Press archive Stefan Szczelkun and keeper archivist Rebekah Taylor.
    Rise with your class not from it represents a lasting trace of and a vehicle for the Working Press project whose archive is now housed in UCA library special collections in Farnham. It highlights some important works by working-class artists while providing a valuable resource for anybody interested in working with archive material.
    Working Press is a collective publishing imprint, which had the subtitle books by and about Working Class Artists, 1986-1996. Working Press includes the first computer generated comic (Harwood), the first book by Micheline Mason (disability and inclusion artist), and the first book about Greenham Common Yellowgate (Beth Junor).
    Text von der Webseite
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Stichwort
TitelNummer 027777785

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Titel
  • The Silent Scream: Political and Social Comment in Books by Artists
Ort Land Petersham (Australien)
Verlag Jahr Ant Press, 2011
Medium Buch
Techn. Angaben
  • 190 Seiten, 24,5x20,5 cm, ISBN/ISSN 9780987160607
    Klappeinband, beigelegt ein Brief und Visitenkarte von Monica Oppen
ZusatzInfos
  • Preface by Sarah Bodman, Essays by Walter Struve (librarian State Library of Victoria), Dr Scott McQuire (Associate Professor and Reader, School of Culture and Communication, University of Melbourne), Humphrey McQueen (freelance historian) and Des Cowley (Rare Printed Collections Manager, State Library of Victoria).
    The Silent Scream: political and social comment in books by artists presents, not only a companion catalogue to an exhibition held at Monash University Rare Books, but also a journey through some of humanity's most inhumane and hypocritical moments. Reaching back to William Blake with a facsimile of his illuminated book America: A Prophecy then travelling through the two world wars and on to the modern era the catalogue provides insights into 77 influential books and works presented in book form.
    Von der Webseite
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TitelNummer 009098253

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Titel
  • Book works
Ort Land Bracknell (Großbritannien)
Verlag Jahr South Hill Park Arts Centre, 1981
Medium Buch
Techn. Angaben
  • 2 Stück. ISBN/ISSN 0950720518
    mit Pop-Up-Text
Stichwort
TitelNummer 004208013

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Titel
  • More Than Meat Joy - Complete Performance works & selected writings
Ort Land New Paltz, NY (Vereinigte Staaten von Amerika)
Verlag Jahr Documentexts, 1979
Medium Buch
Techn. Angaben
  • 282 Seiten, 23x27 cm, Auflage: 2000, 2 Stück. ISBN/ISSN 0-91423216-9
    Hardcover, Leinen mit Schutzumchlag
ZusatzInfos
  • 1. Auflage. Performances 1958 to 1977. The book is particularly rich because it uses the artist's own documentation, photos, notes, sketches, commentary and script-like documents.
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TitelNummer 004427217

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Titel
  • What's my name ?
Ort Land London (Großbritannien)
Verlag Jahr Book Works, 2009
Medium Buch
Techn. Angaben
  • 128 Seiten, 24x17 cm, Auflage: 1000, ISBN/ISSN 978-1-906012-18-2
Stichwort
TitelNummer 007962245

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Titel
  • Im Lauf - Qu’est-ce que la poésie ?
Ort Land Rouen (Frankreich)
Verlag Jahr La Bibliothèque Fantastique Paris, 2012
Medium Heft
Techn. Angaben
  • 32 Seiten, 29,7x21 cm,
    Schwarz-Weiß-Laserdruck nach PDF, Seiten lose ineinander gelegt
ZusatzInfos
  • This book was published on the occasion of the exhibition IM LAUF at Artothek & Bildersaal Munchen, showing brand new works by Yves Chaudouët, Olaf Probst and Oliver Westerbarkey and was made like a cadavre exquis
    La Bibliotheque Fantastique: une idée de Catherine Schwartz
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TitelNummer 008877244

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Titel
  • Again, A time machine: from distribution to archive
Ort Land London (Großbritannien)
Verlag Jahr Book Works, 2012
Medium Text
Techn. Angaben
  • 3 Seiten, 29,7x21 cm,
    Informationen zum Buch und zur Wanderausstellung, Farblaserkopie nach PDF
TitelNummer 009703304

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Titel
  • Domain X Zine #2
Ort Land Arnheim (Niederlande)
Verlag Jahr ArtEZ, 2013
Medium Zeitschrift, Magazin
Techn. Angaben
  • 36 Seiten, 21x13,7 cm,
    Drahtheftung, Cover aus gestanzter und bedruckter Kunststoff-Folie
ZusatzInfos
  • With more selections of the book 'Going Public' of Boris Groys, and from the descriptive text of the master-program 'The Publicing Class III: How it Works'. Domain X Zine #2 is part of the DXZ#-series, in which the process of setting up the Domain X Gallery will be reflected, and transformed into printed publications
TitelNummer 010137327

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Titel
  • Artist Music Journals Vol. 1 No. 10 - Brian Roettinger & No Age
Ort Land Brooklyn, NY (Vereinigte Staaten von Amerika)
Verlag Jahr Soundscreen Design, 2010
Medium Zeitschrift, Magazin
Techn. Angaben
  • 24 unpag. Seiten, 26,5x26,5 cm, Auflage: 1000,
    Drahtheftung, in Heft eingelegt eine Schallplatte in Schutzumschlag, in Pappschuber mit Aufkleber. Einseitige 10" Schallplatte "Brian Roettinger w/ No Age", 45 UpM, Katalognr. SSD.10
ZusatzInfos
  • Edition 10 in the ongoing Artist Music Journals series features the work of the Los Angeles based designer, artist, musician and label owner Brian Roettinger, who operates the creative umbrella Hand Held Heart. Unlike any previous Artist Music Journal, this installment includes Brian's 24-page book as well as a one-sided 10" record, featuring a collaboration between Brian and No Age with three exclusive tracks!
    Brian lives and works in Los Angeles primarily as a graphic designer. He received a BFA in graphic design from CalArts in 2004. His work encompasses design, publishing, writing and curating as well as running his own vinyl-only record label Hand Held Heart. In 2009 he was nominated for a Grammy for his design of the No Age Nouns album packaging. In 1999 he was providing bass duties for This Machine Kills. He is a part-time professor in the design department at CalArts, as well as a current designer in residency in the Design | Media Arts program at UCLA
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Stichwort
TitelNummer 010679375

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Titel
  • List 4/13 Artists' Books, and some others, which are not artists books, artists' writings and some new titels from book works
Ort Land Beilstein (Deutschland)
Verlag Jahr Antiquariat Bisson-Millet, 2013
Medium Lieferverzeichnis
Techn. Angaben
  • 12 unpag. Seiten, 29,7x21 cm,
    Farblaserkopie, Drahtheftung. Buchliste des Antiquariats
TitelNummer 010999381

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Verfasser
Titel
  • GUIDELINES TO THE SYSTEM
Ort Land London (Großbritannien)
Verlag Jahr Book Works, 1990
Medium Buch
Techn. Angaben
  • 48 unpag. Seiten, 23,2x18,2 cm, Auflage: 500, ISBN/ISSN 1-870699-04-1
    23 bedruckte Einzelblätter, gestanzt, abgeheftet auf in Pappumschlag montierten Metallstäben mit Schließmechanik, Vorder- und Rückseite mit Prägedruck
ZusatzInfos
  • A collection of photographs, diagrams, text, and a short story by Craigie Horsfield.
    Text von der Webseite
Stichwort
TitelNummer 011537352

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Verfasser
Titel
  • Auto Roto Font
Ort Land London (Großbritannien)
Verlag Jahr Book Works, 2002
Medium Buch
Techn. Angaben
  • 50 Seiten, 20,6x22 cm, ISBN/ISSN 1-870699-68-8
    Hardcover
Stichwort
TitelNummer 012075437

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