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Ergebnis der AAP-Volltext-Katalogsuche nach concept art, Medienart: alle Medien, Sortierung: ID, absteigend.

Alle Suchbegriffe sind in jedem Ergebnis enthalten: 22 Treffer

Brokken-Zijp José / Brokken Hans
CONCEPT AND IDEA IN ART - A selection from the collection
Liempde (Niederlande): Brokken Zijp Foundation of Art, 2016
(Heft) 24 S., 30x22 cm, ISBN/ISSN 978-90-825909-0-6
Techn. Angaben Drahtheftung, mit handschriftlichem Brief von Hans Brokken
ZusatzInformation Begleitheft zur Ausstellung "Concept and Idea in Art - Werke aus der Sammlung Brokken Zijp Foundation of Art in Kunstraum Alexander Bürkle, Freiburg, 16.10.2016-15.01.2017, Künstlerbücher von Dieter Roth, Robert Barry, David Reed, Gerhard Richter, Richard Tuttle, Sol LeWitt und Christopher Wool
Namen Christopher Wool / David Reed / Dieter Roth / Gerhard Richter / Richard Tuttle / Robert Barry / Sol LeWitt
Geschenk von Hans Brokkens / José Brokken-Zijp
Stichwort 1970er / 1980er / 1990er / Buch / Buchobjekt / contemporary art
WEB www.brokken-zijp-foundation.org
TitelNummer
017174624 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Brokken-Zijp José / Brokken Hans
CONCEPT AND IDEA IN ART
Freiburg im Breisgau (Deutschland): Kunstraum Alexander Bürkle, 2016
(Ephemera, div. Papiere) 24 S., 293,7x21 cm, 12 Teile.
Techn. Angaben Flyer zur Einladung, Farblaserkopie eines Presseartikels aus der Badischen Zeitung vom 25.10.2016, Infopapiere zu den jeweiligen Räumen, in transparenter Kunststoffhülle
ZusatzInformation Zur Ausstellung "Concept and Idea in Art - Werke aus der Sammlung Brokken Zijp Foundation of Art in Kunstraum Alexander Bürkle, Freiburg, 16.10.2016-15.01.2017
Namen Christopher Wool / David Reed / Dieter Roth / Gerhard Richter / Richard Tuttle / Robert Barry / Sol LeWitt
Stichwort 1970er / 1980er / 1990er / Buch / Buchobjekt / contemporary art
TitelNummer
017352624 Einzeltitelanzeige = Permalink (URL) Änderung

Frenkel Cornelia
Concept and Idea in Art – Künstlerbuch-Ausstellung im Kunstraum Alexander Bürkle - 150 Bücher aus der Sammlung der niederländischen Brokken-Zijp Foundation of Art werden in Freiburg ausgestellt
Freiburg im Breisgau (Deutschland): Kulturjoker, 2016
(Presse, Artikel) 1 S., 29,7x21 cm,
Techn. Angaben Farbausdruck nach Webseite
ZusatzInformation Ausstellung im Kunstraum Alexander Bürkle, Freiburg. Bis 15.01.2017
WEB www.kulturjoker.de/tag/concept-and-idea-in-art/
TitelNummer
017009304 Einzeltitelanzeige = Permalink (URL) Änderung

Hori Tetsuya
self titled
Berlin (Deutschland): naivsuper, 2007
(CD, DVD) 13x13 cm,
Techn. Angaben naivsuper Nr 012, Musik-CD in gefalteter Papphülle und transparenter Kunststoffhülle
ZusatzInformation "My compositions have no concept. That's my concept. I just see them as a tool that stirs up the minds or consciousness of the people listening. I've never felt that a performer did injustice to my pieces, for a composition only comes to life in the particular context, the combination of the performer and the atmosphere of the public. I like to compose not only for instruments, but for "things" as well. Sound of things can be surprising, especially their artificial sound. For example, without looking, one would never guess that my tapping and dragging fingers across the surface of a cigar box that is connected to a laptop for what it is." (Tetsuya Hori)
Namen Christian Weber (cover art) / Sergio Falconi-Parker (Foto)
Stichwort Musik / Nullerjahre
WEB www.naivsuper.de
TitelNummer
008566267 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Lippard Lucy R., Hrsg.
Six years: The dematerialization of the art object from 1966 to 1972 ...
Berkeley, CA / Los Angeles, CA (Vereinigte Staaten von Amerika): University of California Press, 1997
(Buch) 272 S., 21,5x17,5 cm, ISBN/ISSN 9780520210134
Techn. Angaben Hardcover, Exlibris der Pratt Institute Library, mit Ausmusterungsstempeln
ZusatzInformation Titelergänzung: The dematerialization of the art object from 1966 to 1972 : a cross-reference book of information on some esthetic boundaries : consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, antiform, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones), edited and annotated by Lucy R. Lippard.
In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists — a historical survey and essential reference book for the period.
Text von der Webseite
Ursprünglich publiziert 1973 bei Praeger, New York
Sprache Englisch
Stichwort 1970er / 1980er / concept art / Fluxus / Konzeptkunst / Künstlerbuch
WEB www.ucpress.edu/book.php?isbn=9780520210134
TitelNummer
023699657 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Eröss Nikolett / Juhász Anna / Somogyi Hajnalka / Stepanovic Tijana / Szalai Borbála / Szoboszlai János / Székely Katalin, Hrsg.
OFF-Biennale Budapest - Call for contributions to map artistic/curatorial self-organizations worldwide
Budapest (Ungarn): OFF-BIENNALE, 2015
(Text) 2 S., 29,7x21 cm,
Techn. Angaben Ausdruck einer Email vom 28.2.2015
ZusatzInformation Independent. Contemporary. Art. 24 April – 31 May 2015.
OFF-Biennale Budapest is a series of exhibitions and art events in and beyond the city of Budapest. Its concept is different from traditional biennials as we know them. Not affiliated with any institution, it is a voluntary collaborative initiative of artists, groups of artists, curators, art managers, gallerists and collectors. OFF-Biennale Budapest is a civil initiative, whose aim is to bring a segment of culture, contemporary art, closer to the public at large. OFF proclaims the importance of independent thinking and action, breaking away from clichés and habitual routines. It is meant to demonstrate that contemporary art can foster and catalyse this kind of activity – in other words, that contemporary art is much more than mere luxury and a source of aesthetic pleasure.
Text von der Webseite
WEB www.offbiennale.hu
TitelNummer
012616304 Einzeltitelanzeige = Permalink (URL) Änderung

Grau Oliver, Hrsg.
The Archive of Digital Art ADA - The Archive of Digital Arts goes Web 2.0!
Krems (Österreich): The ARCHIVE OF DIGITAL ART, 2018
(PostKarte) 8,8x21 cm,
Techn. Angaben Infokarte
ZusatzInformation As a pioneer in the field of Media Arts research, the ARCHIVE OF DIGITAL ART (ADA) documents the rapidly evolving field of digital installation art for more than a decade now. This complex, research-oriented overview of works at the intersection of art, science, and technology has been developed in cooperation with international media artists, researchers and institutions, as a collective project.
Since todays digital artworks are processual, ephemeral, interactive, multimedia-based, and fundamentally context dependent, because of their different structure, they require a modified, we called it an ‚expanded concept of documentation‘. ADA represents the scientific selection of 500 international artists of approx. 5.000 evaluated artists. We ascribe high importance to artistic inventions like innovative interfaces, displays or software.
Text von der Webseite
Sprache Englisch
Stichwort Archiv / Digital / Display / Dokumentation / Forschung / Interface / Multimedia / Research / Software / Video
WEB http://digitalartarchive.at/nc/home.html
TitelNummer
026217801 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Yingchun Zhu
The Language of Bugs
Suffolk (Großbritannien): Acc Art Books, 2018
(Buch) [334] S., 18,5x13,5 cm, ISBN/ISSN 978-1-85149-885-7
Techn. Angaben Broschur mit aufklappbarem Cover und Bauchbinde, Fadenheftung, teils aufklappbare Seiten.
ZusatzInformation This award-winning contemporary art book is made completely from the perspective and language of bugs, from the front page to the final chapter, with no human writing and text, only the "writing" of bugs. Inspired by the marks left behind by a cicada walking across his sketchbook, contemporary artist Zhu Yingchun placed boards and "ink ponds" of dark-coloured vegetable juices in his garden for the bugs to crawl through. The resulting marks, were thousands of twisted characters, each with a charm of its own - the language of the bugs. The accompanying booklet explains the artist's concept and QR code links the reader to a video of the process.
"The bugs seem insignificant, but their strokes are beautiful," says Zhu Yingchun. "Art is not just those pieces hanging on walls and placed in exhibition halls. Everything in the world, including every life in nature, has the power to create beauty, and art is all around us.
Text von der Webseite.
Sprache Englisch / Kryptisch
Geschenk von Anne Stukenborg
Stichwort Insekt / Käfer / Morphologie / Schrift
WEB https://www.accartbooks.com/uk/store/pv/9781851498857/the-language-of-bugs/zhu-yingchun/
TitelNummer
025118680 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Moeglin-Delcroix Anne, Hrsg.
Livres d' Artistes, Collection Semaphore
Paris (Frankreich): Centre Georges Pompidou / Editions Herscher, 1985
(Buch) 160 S., 29x15 cm, 2 Stück. ISBN/ISSN 2-7335-0085-6
Techn. Angaben Softcover, Fadenheftung, Index
ZusatzInformation erschienen zur Ausstellung im Centre Georges Pompidou, Paris, 12.06.-17.10.1985. Ausstellung organisiert von der Bibliothèque publique d'information und der Bibliothèque Nationale.
Mit 10 Sichtweisen auf das Künstlerbuch verschiedener Autoren und Künstler.
Kretschmer & Großmann in Danksagung erwähnt.
Namen Aballéa Martine / Abramovic Marina / Abramovic Ulay / Abramson Sue / Acconci Vito / Alberola Jean-Michel / Alechinski Pierre / Almeida Helena / Anderson Laurie / Andre Carl / Anselmo Giovanni / Applebroog Ida / Armleder John / Art-Language / Asher Elise / Aubertin Denise / Balcells Eugenia / Baldessari John / Baldi Lanfranco / Balthaus Fritz / Balth Carel / Barry Robert / Bartolini Luciano / Baruchello Gianfranco / Bay Didier / Becher Bernd & Hilla / Below Peter / Ben (Ben Vautier) / Benes Barton Lidicé / Bertholin / Bertholo René / Beuys Joseph / Blaine Julien / Blank Irma / Boetti Alighiero / Boltanski Christian / Borsari Anna-Valeria / Bory Jean-François / Bouillon François / Boyle Mark / Braunstein Jacques / Braunstein Terry / Brecht George / Broodthaers Marcel / Brouwn Stanley / Brus Gunter / Burden Chris / Buren Daniel / Burgin Victor / Bury Pol / Buthe Michael / Byars James Lee / Cage John / Carrion Ulises / Caruso Luciano / Castro Lourdes / Chiari Giuseppe / Chia Sandro / Chopin Henri / Christo / Ciam Giorgio / Clareboudt Jean / Colby Sas / Cortassa Nanni / Cossette Louise / Crotti Suzanne / Cueco / Darboven Hanne / De Filippi Fernando / De La Villéglé Jacques / Del Pezzo Lucio / Denmark / De Vries Hermann / Dibbets Jan / Dietman Erik / Dine Jim / Douglas Helen / Downsbrough Peter / Dubuffet Jean / Duchamp Marcel / Duchene Gérard / Ernst Max / Fallen Anne-Catherine / Filliou Robert / Fischer Hervé / Forest Fred / Frydman Monique / Fulton Hamish / General Idea / Genske Christoph / Gerz Jochen / Gette Paul-Armand / Gilbert And George / Goday Michel / Gojowczyk Hubertus / Gomringer Eugen / Graham Dan / Greenbaum Marty / Greenwald Caroline / Grieger Susan / Groh Klaus / Hamilton Richard / Heibel Axel / Heidsieck Bernard / Hermann Hans / Heyme Hansgunther / Higgins Dick / Hiller Susan / Hollweg Alexander / Huebler Douglas / Huegli Regula / Hugnet Georges / Hunziger Claudie / Hunziger Francis / Iannone Dorothy / Immendorff Jörg / Iscan Ferit / Jacquet Alain / Janicot Françoise / Jones Joe / Kaltenbach Stephen James / Kaprow Allan / Kayser Alex / Kern Pascal / Kiefer Anselm / Klophaus Annalies / Knowles Alison / Knowles Christopher / Kolar Jiri / Kostelanetz Richard / Kosuth Joseph / Kretschmer Hubert / Kutscher Vollrad / Lagoutte Claude / Lai Maria / La Monte Young / Leblanc Anne / Lebras Alain / Lee Laurence / Le Gac Jean / Leisgen Barbara / Leisgen Michael / Levine Les / Lewitt Sol / Lijn Liliane / Lipke Kathryn / Lloyd Ginny / Long Richard / Luthi Urs / Maciunas George / Maglione Milvia / Magritte René / Maillard Claude / Masi Paolo / Matisse Henri / Mauri Fabio / Merz Mario / Messager Annette / Metail Michele / Metayer Nicole / Miccini Eugenio / Michals Duane / Minkoff Gérald / Molzer Milan / Monory Jacques / Morellet François / Morello Nicole / Moretti Robert / Morris Robert / Mugot Hélene / Nannucci Maurizio / Nauman Bruce / Nonas Richard / Nyst Jean-Louis / Ockerse Thomas / Olbrich Bernd / Oldenburg Claes / Olesen Muriel / Ontani Luigi / Opalka Roman / Oppenheim Dennis / Orensanz Marie / Osborn Kevin / Paolini Giulio / Parant Jean-Luc / Parant Titi / Parmiggiani Claudio / Penck A. R. / Phillips Tom / Poirier Anne / Poirier Patrick / Polansky Lois / Pulatti Sergio / Raetz Markus / Rainer Arnulf / Ramsa / Reinhardt Ad / Renouf Edda / Roth Dieter / Ruscha Edward / Rühm Gerhard / Sandback Fred / Sanguineti Federico / Sauze Max / Schleber Alexander / Schmidt-Heins Barbara / Segal Georges / Skuber Berty / Smith Keith / Snow Michael / Soto Jesus Rafael / Spatola Adriano / Spoerri Daniel / Staeck Klaus / Stokes Telfer / Stuart Michelle / Taillandier Yvon / Thabaraud Joelle / Thomkins Andre / Tilman Pierre / Topazzini Jean / Tot Endre / Tremlett David / Tuttle Richard / Télémaque Hervé / Ulrichs Timm / Ulrich T. / Van Egten Henriette / Von Maltzan Gudrun / Voss Jan / Vostell Wolf / Waitzkin Stella / Weiner Lawrence / Williams Emmett / Wolfe Judith / Yarmolinsky Sirpa / Ypsilon / Zaza Michele / Zush
Sprache Französisch
Stichwort 1970er / 1980er / Buchobjekt / concept art / Dokumentation / Konkrete Poesie / Konzeptkunst / Künstlerbuch / Minimal Art / Objektbuch / Performance / Sammlung / Visuelle Poesie
TitelNummer
002917163 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Groh Klaus, Hrsg.
if I had a mind... (ich stelle mir vor...) - concept-art, project-art
Köln (Deutschland): Verlag M. DuMont Schauberg, 1971
(Buch) 208 unpag. S., 23x24 cm, 2 Stück. ISBN/ISSN 3-7701-0571-0
Techn. Angaben Broschur, zahlreiche, meist ganzseitige Schwarz-Weiß-Abbildungen
ZusatzInformation Fotos, Reproduktionen von dokumentarischen Material, Karten, Skizzen etc.
Namen Antonio Dias / Axel Heibel / Christo / Dadamaino / Eric Andersen / Eva Hesse / Günter Saree / HA Schult / Jan Dibbets / Jannis Kounellis / Janos Urban / Jared Bark / Jochen Gerz / Joseph Kosuth / Jürgen Claus / Klaus Staeck / Konrad Balder Schäuffelen / Marina Apollonio / Maurizio Nannucci / Paul Berry / Peter Kuttner / Peter Vogel / Peter Zweifel / Stanley Brouwn / Stephen Willats / Timm Ulrichs / Tony Morgan / William Louis Soerensen / Wolfgang Ernst
Sprache Deutsch
Geschenk von Richard Burkart
Aus dem Nachlass von Berengar Laurer
Stichwort 1970er / Avantgarde / Konzeptkunst
TitelNummer
000103595 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Krauss Rolf H.
Photographie als Medium - 10 Thesen zur konventionellen und konzeptionellen Photographie
Berlin (Deutschland): Verlag A. Nagel, 1979
(Buch) 196 S., 20x13 cm, ISBN/ISSN 3-9800057-4-7
ZusatzInformation Die konventionelle Fotografie spielt sich nach Krauss innerhalb des Mediums ab und entwickelt eine medienimmanente Sprache, die lediglich Anregungen von der Kunst erhält. In der konzeptionellen Fotografie ist sie nicht Selbstzweck, sondern Medium zur Realisierung von künstlerischen Vorstellungen. Die »Kunst mit Fotografie« äußerte sich erstmalig in den Experimenten der 20er Jahre als Fotogramm, Fotomontage und Fotocollage und fand ihre Fortsetzung durch das Einbeziehen der Fotografie bei Pop Art, Happening und Concept Art
Stichwort 1970er
TitelNummer
009130272 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Bechtloff Dieter, Hrsg.
Kunstforum International, Band 012
Mainz (Deutschland): Kunstforum International, 1974
(Zeitschrift, Magazin) 236 S., 22,2x15 cm,
Techn. Angaben Broschur
ZusatzInformation Kritik der Concept Art
Stichwort 1970er / Konzeptkunst
WEB www.artcontent.de/kunstforum2
TitelNummer
006047030 Einzeltitelanzeige = Permalink (URL) Änderung

Gericke Anne / Weigand Alexandra, Hrsg.
Haeppi Piecis / temporary design store and exhibition space / Das unautonome Objekt
München (Deutschland): Haeppi Piecis, 2013
(PostKarte) 21x9,7 cm,
Techn. Angaben Einladungskarte zur Ausstellung im Rahmen der Open Art
ZusatzInformation Ab dem 24.07.2013 eröffnet in der Maximilianstraße 33 in München das Haeppi Piecis, ein Design Concept Store mit angeschlossener Galerie.
Dieses temporäre Projekt ist das Produkt einer Zusammenarbeit der Münchner Kreativszene: Mode-, Produkt- und Schmuckdesigner, Musiklabels und junge Buchverlage haben sich mit Grafikdesignern und Künstlern zusammengetan und ein gemeinsames Gesamtwerk erschaffen.
Hamann & van Mier betreiben hier einen Shop für Künstlerbücher und Magazine.
Text von der Webseite
WEB www.haeppi-piecis.de
TitelNummer
010733373 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Schneemann Carolee
Life Book
Breslau (Polen): WRO Art Center, 2014
(Flyer, Prospekt) 2 S., 29,7x21 cm,
Techn. Angaben Farblaserkopie nach Email-Einladung
ZusatzInformation Exhibition concept Marielle Nitoslawska
WEB www.wrocenter.pl
TitelNummer
011196304 Einzeltitelanzeige = Permalink (URL) Änderung

Strauss Joulia, Hrsg.
Krytyka Polityczna Athens
Athen (Griechenland): futura Publications, 2017
(Buch) 272 S., 23,5x16,5 cm, signiert, ISBN/ISSN 1644-0919
Techn. Angaben Broschur, mit Widmung, gefaltetes Blatt eingelegt, Cover manuel bearbeitet, mit Glitzer
ZusatzInformation Dear Reader,
In your hands is the Athenian issue of Krytyka Polityzcna. The Warsaw-based journal unites polymorphous freedom struggles in geographic Europe. This book is an anarchist, anti-capitalist, anti-fascist artwork. A hypothesis, and yet one that continues to be written actively on the ground. It clashes migration and education of the status quo, the effect and the cause of current violence.
The publication documents an initiative, Universitas*, and accompanies the forthcoming Symposion, The School of Everything.
This book contains the contributions of people who have recently moved to Athens from the Middle East, of Athenians who have lived here a long time, as well as of those who are based in Berlin but frequently visit Athens. brought together, they form a de-elitized and de-colonized remix of knowledge.
The chapters in this book are intertwined and in each part the reader will find contributions relevant to the whole. The authors are all united by their portrayal in anti-phrenological drawings.
In Athens, despite the invention of the State, streams of interlapping cultural influences never stopped pulsating. Such an experience of fluid identity de­monstrates that citizenship is an outdated concept of class separation and nationalism. The devastating contradiction: human rights are only valid in the economically privileged zones. The failure to collaborate with the revolution in Syria dispels the last illusions of an occidental civilization and unveils the truth: we all live in the absolute financial dictatorship.
This publication includes several essays and statements on education. These are written by thinkers, philosophers, “activists”, and artists who are affili­ated with the Avtonomi Akadimia, a disobedient grassroots university in Athens which claims education as a form of art. These texts, poems, mani­festos and sketches of educational models are published in lieu of the abs­tracts for an upcoming Symposion entitled: “The School of Everything”.
We build an educational system which consists of indignant initiatives for sharing knowledge, and of proposals by thinkers who see education as key. We shift from learning to sharing. We decriminalize sharing because we would like to enjoy the pleasure of giving. We liberate ourselves from the strictures of “Homo Sapiens”, a construct imposed upon life.
We will transform the educational system of Europe.
The clash of migration and education will release a Promethean fire.
Text von der Webseite
In collaboration with aneducation and the Public Programs of documenta 14
Namen Abed Nasralla / Agnès Rammant-Peeters / Ahmad Alkhatieb / Ariam Um al Wafa / Arnisa Zeqo / Brandon LaBelle / Click Ngwere / Elad Lapidot / Georgia Kotretsos / Ismail Alsafo / Jean-Pierre Rammant / Jenny Marketou / Joulia Strauss / Junaid Baloch / Katja Ehrhardt / Leopold Helbich / Lindsay Parkhowell / Liwaa Yazji / Luca Di Blasi / Manaf Halbouni / Mathilde ter Heijne / Mehul Sangham / Mohammad Abu Hajar / Mriganka Madhukaillya / Noah Fischer / Paul B. Preciado / Pirate Cinema / Rachel Clarke / Sameer Ahmed / Sotirios Bahtsetzis / Suhel Ahmad / Tanja Schomaker / Vasyl Cherepanyn
Sprache Englisch
Stichwort Anarchist / Antifaschismus / Antikapitalismus / Athen / Bildung / documenta 14 / Gedicht / Gesellschaft / Kritik / Manifest / Politik / Text
WEB www.futurabooks.wordpress.com/2017/06/15/874
WEB www.politicalcritique.org
TitelNummer
024389676 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Raeder Manuel
Makulatur 2010 - 2016
Berlin (Deutschland): Bom Dia Boa Tarde Boa Noite, 2016
(Buch) 25x19,2 cm, ISBN/ISSN 978-3-943514-60-5
Techn. Angaben Softcover, fadengeheftet, mit Schutzumschlag aus drei Papierbögen, verschiedene Papiere
ZusatzInformation Makulatur, a German word that derives from lat. maculatura ’something stained’, refers to misprinted paper that is discarded at the beginning of the printing process as use- and worthless. In 2010, the graphic designer Manuel Raeder started to collect and preserve misprinted sheets of all the publications he designed not only for his own publishing house BOM DIA BOA TARDE BOA NOITE but also for fellow artists and institutions.
Text von der Website.
Namen Abraham Cruzvillegas (Text) / Eran Schaerf (Text) / Mela Dávila Freire (Text)
Sprache Englisch
Stichwort Artist Book / Concept Art / Konzeptkunst / Künstlerbuch / Makulatur
WEB https://bomdiabooks.de/
TitelNummer
025272699 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

20_adam_hayes
20_adam_hayes
20_adam_hayes

Hayes Adam: What I do, 2017

Hayes Adam
What I do
München (Deutschland): 100for10 / Melville Brand Design, 2017
(Buch) 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück.
Techn. Angaben Broschur
ZusatzInformation Schwarz-Weiß-Drucke, Nr. 020 aus der Reihe 100for10.
Adam Hayes is a specialist in hand-rendered typography and intricate, intelligent illustration. His prolific work style has generated an impressive portfolio that reflects an interest in vernacular lettering and a fascination with urban and natural landscapes. Adam’s creative process see’s his simple pencil sketches transformed and refined into elaborate and optimistic illustration. Each project is concept-driven, allowing his work to grow and maintain a sense of energy and sophistication. A graduate of the Royal College of Art, Adam has since established a diverse client base which welcomes collaboration with global companies, charitable organisations and small, local start-ups.
Sprache Englisch
Geschenk von Melville Brand Design
Stichwort Calligraphy / Collage / Grafikdesign / Print on Demand / Schwarz-Weiß / Typografie
WEB www.100for10.com/product/adam-hayes-what-i-do
WEB www.mrahayes.com/
TitelNummer
026289741 Einzeltitelanzeige = Permalink (URL) Änderung

Doutreluingne Pauline / Gertler April, Hrsg.
DAS TREFFEN DREIER PUNKTE - Kapitel 1
Berlin (Deutschland): INTERIORS TO BEING, 2019
(Heft) [48] S., 19x12,3 cm,
Techn. Angaben Gefaltete Einzelblätter, mit Gummiband gebunden.
ZusatzInformation Katalog zur Ausstellung DAS TREFFEN DREIER PUNKTE, 01.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
Text von der Webseite.
INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
Text von der Webseite.
Namen Amanda Coimbra / Ana Catarina Pinho / Ayala Gazit / Charlie Jouvet / Courtney Asztalos / Fabiana Sala / Grant Yarolin / Henrik Strömberg / Lemia Monét Bodden / Nati Canto / Ng Hui Hsien / Piotr Pietrus / Susanne Kohler
Sprache Deutsch / Englisch
Geschenk von Joachim Schmid
Stichwort Happening / ortspezifisch / Performance / zeitgenössische Kunst
Sponsoren Hauptstadtkulturfonds / spex / taz die tageszeitung
WEB https://interiorstobeing.org
TitelNummer
027441747 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Doutreluingne Pauline / Gertler April, Hrsg.
HIDDEN TREASURES - Katipel 2
Berlin (Deutschland): INTERIORS TO BEING, 2019
(Heft) [40] S., 19x12,3 cm,
Techn. Angaben Gefaltete Einzelblätter, mit Gummiband gebunden, Wendeheft.
ZusatzInformation Katalog zur Ausstellung HIDDEN TREASURES, 03.,07.,13.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
Text von Der Webseite.
Namen Aleks Slota / Ilyn Wong / Jeremiah Day / Kerstin Honeit / Stevie Southard / Surya Gied
Sprache Deutsch / Englisch
Geschenk von Joachim Schmid
Stichwort Happening / ortspezifisch / Performance / zeitgenössische Kunst
Sponsoren Hauptstadtkulturfonds / spex / taz die tageszeitung
WEB https://interiorstobeing.org
TitelNummer
027442747 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Doutreluingne Pauline / Gertler April, Hrsg.
THE MIDDLE STUFF - Kapitel 4
Berlin (Deutschland): INTERIORS TO BEING, 2019
(Heft) [36] S., 19x12,3 cm,
Techn. Angaben Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInformation Katalog zur Ausstellung THE MIDDLE STUFF, 05.-12.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
Text von der Webseite.
Namen Aleks Slota / Ilyn Wong / Jeremiah Day / Kerstin Honeit / Stevie Southard / Surya Gied
Sprache Deutsch / Englisch
Geschenk von Joachim Schmid
Stichwort Happening / ortspezifisch / Performance / zeitgenössische Kunst
Sponsoren Hauptstadtkulturfonds / spex / taz die tageszeitung
WEB https://interiorstobeing.org
TitelNummer
027443747 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Doutreluingne Pauline / Gertler April, Hrsg.
HOSTING - Kapitel 5
Berlin (Deutschland): INTERIORS TO BEING, 2019
(Heft) [64] S., 19x12,3 cm,
Techn. Angaben Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInformation Katalog zur Ausstellung HOSTING, 02.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
Text von der Webseite.
Namen Ally Bisshop / Dr. Bonaventure Soh Bejeng Ndikung / Ella Ziegler / Emma Wolf-Haugh / Hannah Dougherty / Heiko Pfreundt / Jesi Khadivi / Lotte Møller / Lucile Bouvard / Lucy Powell / Rhys Himsworth / Solvej Helweg Ovesen / Stine Marie Jacobsen / Teena Lange / Övül Ö. Durmusoglu
Sprache Deutsch / Englisch
Geschenk von Joachim Schmid
Stichwort Happening / ortspezifisch / Performance / zeitgenössische Kunst
Sponsoren Hauptstadtkulturfonds / spex / taz die tageszeitung
WEB https://interiorstobeing.org
TitelNummer
027444747 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden

Doutreluingne Pauline / Gertler April, Hrsg.
RAUMANEIGNUNG - Kapitel 6
Berlin (Deutschland): INTERIORS TO BEING, 2019
(Heft) [64] S., 19x12,3 cm,
Techn. Angaben Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInformation Katalog zur Ausstellung RAUMANEIGNUNG, 19.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
Text von der Webseite.
Namen Bill Berger / Catherine Evans / Hester Oerlemans / Melanie Irwin / Uli Aigner
Sprache Deutsch / Englisch
Geschenk von Joachim Schmid
Stichwort Happening / ortspezifisch / Performance / zeitgenössische Kunst
Sponsoren Hauptstadtkulturfonds / spex / taz die tageszeitung
WEB https://interiorstobeing.org
TitelNummer
027445747 Einzeltitelanzeige = Permalink (URL) Änderung / Abbildung darf nicht angezeigt werden



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