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graham-does-yellow

Verfasser
Titel
  • Does Yellow Run Forever?
Verlag Jahr
Medium

Technische
Angaben
  • 96 S., 19x13,5 cm, ISBN/ISSN 978-1-910164068
    Hardcover. GeprÀgter Titel auf samtenen Bezug. Goldener Schnitt
ZusatzInfos
  • Paul Graham’s Does Yellow Run Forever? comprises a series of photographs touching upon the ephemeral question of what we seek and value in life – love, wealth, beauty, clear-eyed reality or an inner dream world?
    Text von der Webseite
Sprache
Stichwort / Schlagwort
TitelNummer

various-others-programm-2022
various-others-programm-2022
various-others-programm-2022

Ganzenberg Christian, Hrsg.: various others 2022, 2022

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Titel
  • various others 2022
Ort Land
Verlag Jahr
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  • 14,8x10,6 cm, keine weiteren Angaben vorhanden
    Drahtheftung, Programmheft
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  • Zur Veranstaltung 08.09.-09.10.2022 in MĂŒnchen
    VARIOUS OTHERS is the international format of the Munich art scene. Its most ambitious players—galleries, artist-run spaces, and institutions—invite you to get to know the city’s most important art venues in all their diversity. In collaboration with international partners, VARIOUS OTHERS offers artists, collectors, curators, gallery owners, and art enthusiasts from all over the world contemporary art of the highest quality and relevance.
    With its splendid kick-off during the second weekend of September, VARIOUS OTHERS heralds the start of the fall art season and is a fixed event in the international art calendar. With its up-to-date, varied, and high-quality program of exhibitions and events, VARIOUS OTHERS promotes the visibility of Munich as a vibrant art city.
    Through our partnership concept—galleries and artist-run spaces invite partners to jointly realize exhibitions—we strengthen international exchange and collaboration and share those values with our guests and partners. During four rich weeks, we invite our guests and friends to experience great sites of contemporary art in Munich and get to know the artists who work here—and thus discover new things. ...
    Text von der Webseite
Weitere
Personen
Sprache
WEB Link
Erworben bei Haus der Kunst
TitelNummer

tko-03

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Titel
  • TKO No. 03 Copyright Art Censorship
Ort Land
Verlag Jahr
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  • 32 S., 28x21,8 cm, keine weiteren Angaben vorhanden
    Drahtheftung, beigelegt ein Anschreiben an ein Artist Run Centre
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  • Mit Artikel ĂŒber Women on Pornography, Film Censorship, Media and Politics, Artlaw
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TitelNummer

tko-02

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Titel
  • TKO No. 02 Collaborative Art
Ort Land
Verlag Jahr
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  • 52 S., 28x21,8 cm, keine weiteren Angaben vorhanden
    Drahtheftung, beigelegt ein Anschreiben an ein Artist Run Centre
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  • Mit Artikel ĂŒber Guerrilla Art Action Group, GAAG
Stichwort / Schlagwort
TitelNummer

Titel
  • Random Walk
Medium

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  • 50 ca. S., 13x30 cm, ISBN/ISSN 9780953306107
ZusatzInfos
  • Produced for following exhibitions at the Archtectural Association PhotoLibrary, London, and the Urbanissue Gallery, Berlin.
    Over a period of twenty-eight minutes and thirty-eight seconds, the artists photographed pedestrians with a camera "adapted so that it had an open slot of one millimetre as its aperture. Behind this the film is run in a single exposure over a set time, that is at a set speed, usually about fifteen to forty seconds. the camera is still, only the film moves. How should one describe the results?" asks Mark Cousins in the essay included in this paperback book of unusual black and white photographs. 29 June 2009 (printedmatter.org)
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  • Spaces by Artists
Ort Land
Verlag Jahr
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  • keine weiteren Angaben vorhanden
Stichwort / Schlagwort
TitelNummer

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Titel
  • Run for your life, Placebos & Surrogates
Verlag Jahr
Medium

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Angaben
  • 276 S., 28,5x22,5 cm, ISBN/ISSN 3775709614
    Cover mit PrÀgedruck, in Schuber
Stichwort / Schlagwort
TitelNummer

Verfasser
Titel
  • Autum Winter 06/07 Walk don't run
Verlag Jahr

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  • 10,5x7,5 cm, keine weiteren Angaben vorhanden
    Lieferprogramm 2007
Stichwort / Schlagwort
WEB Link
TitelNummer

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Titel
  • Lektionen in Kultur XVII: Jump in Prosa, Text and Run - Film Screening “GET LAMP” von Jason Scott und Live Skype-Konferenz mit dem Filmemacher
Ort Land
Medium

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  • 2 S., keine weiteren Angaben vorhanden
    Werbekarte, kaum lesbar, mit roter Kunststofffolie, Kabelbinder
TitelNummer

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Titel
  • John Armleder and Ecart
Ort Land
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  • 1 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Presseinfo zur Ausstellung und Perormance ind der Emily Carr University of Art u. Design, Ausdruck
ZusatzInfos
  • The Ecart Group published artists’ books, presented exhibitions and performances, and opened a bookstore/gallery that is considered to be “one of the most important alternative spaces in Europe in the 1970s” (Ken Friedman). Ecart worked with many artists. The exhibition features artworks made by Armleder and Ecart and includes a complete set of Ecart publications, works on paper, mail art projects, films, and sound works created for Paul McCarthy’s Close Radio.
    Text von der Webseite
Sprache
TitelNummer

Verfasser
Titel
  • Graphzines 1977-2005 - Une Collection
Ort Land
Verlag Jahr

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  • 44 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Verkaufsprospekt zu einer Sammlung von Zeitschriften, Farbloserkopien nach PDF, BlÀtter lose ineinander gelegt
ZusatzInfos
  • This catalogue describes more than 450 graphzines that represents 30 years of «post-punk» graphic movement. The collection gathers major works of most of the artists that were involved in this movement. One or several titles as well as collective works represent them. Many periodicals are included, especially a very important run of Elles sont de Sortie. This emblematic publication directed by Pascal Doury and Bruno Richard also welcomed the most original publishers linked to this movement. Exhibition catalogues and numerous invitation cards completes the collection
Stichwort / Schlagwort
TitelNummer

ftd-letzte-ausgabe

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Titel
  • Financial Times Deutschland, Letzte Ausgabe 7.12.2012 - Endlich schwarz
Ort Land
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  • 51x35,3 cm, keine weiteren Angaben vorhanden
    beigelegt how to spend it - zu schön fĂŒr diese Welt
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  • An Kiosks in der ganzen Republik hieß es am letzten Erscheinungstag der FTD: Zeitung vergriffen! Der Hype um die Schlussausgabe trieb merkwĂŒrdige BlĂŒten. Der Verlag druckte 30.000 Exemplare nach. Wer keines abbekam - bestellen ist möglich.
    Was am 21.02.2000 mit der ersten Ausgabe begann, endet am 7.12.2012. Die Financial Times Deutschland (FTD) erschien Freitag zum letzten Mal. Was viele, viele Leserbriefe der vergangenen Tage schon vermuten ließen, bewahrheitete sich frĂŒhzeitig: Der Run auf die letzte Ausgabe war riesig, vielerorten war die FTD vergriffen. Vor allem an Bahnhofskiosks hieß es frĂŒhzeitig: ausverkauft!
    Doch der Verlag druckte 30.000 Exemplare nach. Die HĂ€lfte der nachgedruckten Zeitungen wurde an BahnhofsbuchlĂ€den der großen deutschen StĂ€dte geliefert, am Samstag lag die Zeitung wieder aus.
    Text von der Webseite
TitelNummer

perhaps

Titel
  • Alle Worte sind aus! All words have run out!
Ort Land
Verlag Jahr
Medium

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Angaben
  • 14,8x21 cm, keine weiteren Angaben vorhanden
    Postkarte, Einladung zur Ausstellungseröffnung
ZusatzInfos
  • Karaoke – spoken not sung!
    Speech Karaoke – as the name suggests – works in a similar way as a traditional karaoke. Instead of choosing between songs from a booklet, the user chooses between speeches. Within a relaxed atmosphere one can listen to speeches delivered by other karaoke bar guests – or try out how it feels to interpret someone®s speech.
    Speech Karaoke is a constantly expanding project by The Speech Karaoke Action Group. When the Speech Karaoke-project arrives to a new city, local speeches are added to the Karaoke archive.
    The project was created in Finland, the promised land of karaoke bars.
    Text von der Webseite
Stichwort / Schlagwort
WEB Link
TitelNummer

violet mary

Verfasser
Titel
  • Great Gran - Violet Mary (Aka Molly) Howard nee McCutcheon
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 12 S., 46,3x32 cm, Auflage: 100, numeriert, signiert, keine weiteren Angaben vorhanden
    #92 in the series '200 People I Used To Know. Zeitung, BlÀtter lose ineinander gelegt
ZusatzInfos
  • Great Gran is a 12 page tribute comic to an amazing woman. Three colours, printed in tabloid newspaper format. Limited run of 100 copies, numbered and signed by the artist
Erworben bei Gosh London
TitelNummer

marx lousy animals

Verfasser
Titel
  • The Lousy Animals & Friends - Coloring Book
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [80] S., 29,7x22 cm, ISBN/ISSN 978-3-905999136
    Rollo Nr. 22, 6. Auflage. Metallspiralbindung, Risographie
ZusatzInfos
  • Stefan Marx’ coloring book was the first publication ever to be released by Rollo Press in early 2008. Since then, due to popular demand, it has been extended and reprinted using the risograph for five times, adding up to a total print run of 1000 copies. In early 2012, we released this offset version, which features a whole bunch of new animals as well as it marks a step forward in terms of the object, employing a silkscreend hard cover and semi-concealed wire-o binding.
    Text von der Webseite
Erworben bei Motto Berlin
TitelNummer

ireland corners

Verfasser
Titel
  • corners - a zine about maths and art
Verlag Jahr
Medium

Technische
Angaben
  • 32 S., 23x11 cm, Auflage: 20, numeriert, signiert, keine weiteren Angaben vorhanden
    Heft aus rosa Papier, signierter Karton, (vermutlich Linolschnitt auf) Japanpapier, alles zusammen in transparenter KunststoffhĂŒlle
ZusatzInfos
  • Finally finished the first personal project of the year. It's a zine and print package about a pretend statistical analysis I did to kill some time in 2010. It's taken me a couple of years to get round to collecting all the raw material I collected into this 32 page zine. I limited the run to 20 and I tried to make it as nice as possible. I'm pleased with it. In some ways it's the most complex personal project I've made in the real world...
    Text von der Webseite
Geschenk von
TitelNummer

the-shadow-files-2010

Titel
  • The Shadow Files #1 - October 2010
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 124 S., 22,6x17 cm, Auflage: 750, ISBN/ISSN 9789073501744
ZusatzInfos
  • Issue I - The Take the Money and Run project autumn 2010. Katalog zur Ausstellung im Appel arts centre, Amsterdam, vom 3.-12.04.2009
Erworben bei mĂșltiplos
TitelNummer

ruiz-bearcode-by-anna-colin

Verfasser
Titel
  • bearcode by Anna Colin
Verlag Jahr
Medium

Technische
Angaben
  • [44] S., 25,3x17,8 cm, keine weiteren Angaben vorhanden
    Drahtheftung, in losem Pappumschlag, zwei verschiedene Papiere, in transparenter KunststoffhĂŒlle mit Aufklebern
ZusatzInfos
  • Begleitheft zur Ausstellung "Gasworks Yaoi" vom 26.11.2010 - 23.01.2011 im Gasworks in London.
    "Gasworks Yaoi" is the first solo exhibition by Spanish artist Francesc Ruiz in London. The show is the culmination of Ruiz's research in the local area, conducted during his residency at Gasworks. Inspired by the longstanding gay establishments in Vauxhall, the artist has created a semi-fictional narrative that overemphasises the clichés around sexuality and lifestyle in the area.
    For "Gasworks Yaoi", Ruiz will transform the front of the gallery into a bookshop specialising in yaoi comic books. Originating in Japan, this genre (translated as 'boys love') depicts male homoerotic narratives. However, unlike male-oriented gay erotica, yaoi comic books are both produced and consumed by women.
    The yaoi comics, featured in Ruiz's bookshop at Gasworks are allegedly produced by female amateur illustrators who portray the encounters of a group of men whose nightlives revolve around Vauxhall's sprawling gay club and bar scene. By adopting the yaoi comic format and resorting to female authorship, Ruiz distances himself from the stories and characters he depicts, allowing for the imagination to run wild, indulging in stereotypes and idealised situations. Through the comics' humour and distortion of reality Ruiz gives himself license to explore a specific subculture and the way it sits within the wider fabric of the neighbourhood.
    Turned into a specialised comic bookshop for women, Gasworks' space becomes an environment where sexuality, local context and its social dynamics are fictionalised and packaged into a product for consumption.
    Text von der Webseite
Sprache
Erworben bei mĂșltiplos
TitelNummer

plakat_kunst-musik-karree-2014
plakat_kunst-musik-karree-2014
plakat_kunst-musik-karree-2014

Kretschmer Hubert / Stadler Matthias / Pfeifer Anne, Hrsg.: Kunst/Musik im Karrée 12.-13. Juli 2014 - zines.blÀttern, 2014

Titel
  • Kunst/Musik im KarrĂ©e 12.-13. Juli 2014 - zines.blĂ€ttern
Ort Land
Medium

Technische
Angaben
  • 42x29,7 cm, Auflage: 6, 2 Stück. keine weiteren Angaben vorhanden
    Plakat und Flyer zur Veranstaltung. Farblaserkopien. 2 Variationen
ZusatzInfos
  • Design Anne Pfeiffer.
    Ausstellung mit Art­Zi­nes, sel­te­nen Zeit­schrif­ten, Hef­ten, KĂŒnst­ler­ma­ga­zi­nen u. a. aus Bar­ce­lona, Lon­don, Ber­lin und MĂŒnchen und Publikationen von vielen EinzelkĂŒnstlern.
    Mit Livemusik von Nor­bert R. Stamm­ber­ger: Sopran­sa­xo­phon, Karina Erhard: Flöte, Gre­gor Kar­ger: Kon­tra­bass mit Kompositionen von John Cage (*1912-?1992),
    Nor­bert Stamm­ber­ger (*1958), Michael Ema­nuel Bauer (*1974) und Chris­toph Rei­se­rer (*1966)
Sprache
TitelNummer

what-the-shop

Verfasser
Titel
  • What the Shop
Ort Land
Verlag Jahr

Technische
Angaben
  • Auflage: 100, 5 Teile. keine weiteren Angaben vorhanden
    transparenter bedruckter Kunststoffschuber mit 3 Heften und 2 gefalteten Plakaten
ZusatzInfos
  • WHAT THE SHOP is an art project that first took place in Vienna 2012. WHAT THE SHOP was foundet by Mirjam Schweiger in collaboration with Michael BĂ€ckström and Judith Rohrmoser. WHAT THE SHOP does not stay at one place for long. WHAT THE SHOP speaks several languages. WHAT THE SHOP is run by people who have worked with each other before and trust each other. WHAT THE SHOP always ends with a publication. WHAT THE SHOP is an investigation of artistic practice and the city. WHAT THE SHOP is not about selling things but about everything else. WHAT THE SHOP is open for change. WHAT THE SHOP is always up for tasty food. WHAT THE SHOP is a social sculpture and an artwork. WHAT THE SHOP what the fuck haters?!
    Text von der Webseite
Geschenk von
TitelNummer

the-time-i-spent

Titel
  • The Time I Spent Going Nowhere
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 28x9,8 cm, keine weiteren Angaben vorhanden
ZusatzInfos
  • Zur ausstellung 16.01.27.02.2016. Billytown is an artist-run-gallery located in the self-proclaimed art district De Binckhorst
Geschenk von
TitelNummer

naprushkina-the-convincing-victory

Verfasser
Titel
  • the convincing victory - two stories on what really happened
Medium

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Angaben
  • [12] S., 51x26 cm, keine weiteren Angaben vorhanden
    BlÀtter, lose ineinander gelegt,
ZusatzInfos
  • The Office for Anti-Propaganda was founded by Marina Naprushkina in 2007.
    Started as an archive on political propaganda with the focus on Belarus the „The Office for Anti-Propaganda“ drifted to a political platform. In cooperation with activists and cultural makers Office lounges and supports political campaigns, social projects, organizes protest actions, and publishes underground newspapers.
    The emphasis lies on projects which work outside the white cube and has social and political relevance. The 16-page newspaper-size novel illustrates the events which happened in Belarus during 2010 Presidential Elections. This is a story about the elections and, in particular, of the day and night of December 19, when the citizens’ peaceful demonstration against falsified elections was brutally suppressed by the police. The novel presents two views on the developments in parallel. The first one shows how the events are interpreted by the state regime and currently widely publicized by state-run newspapers and television. The other version was assembled from information presented by independent media, which for the most part can exist only in the Internet, i.e. blogs, oppositional websites, users’ comments, testimonies of victims and political activists.
    Text von der Website
    Mit UntzerstĂŒtzung der Konrad Adenauer Stiftung und der Zeit-Stiftung Ebelin und Gerd Bucerius
Sprache
Geschenk von
TitelNummer

mini-szilagyi

Verfasser
Titel
  • Mini Zine - Sophie TĂ€uber-Arp on the Run
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [16] S., 14,7x10,9 cm, Auflage: 125, numeriert, 2 Stück. keine weiteren Angaben vorhanden
    Drahtheftung, zweifarbiger Siebdruck
Stichwort / Schlagwort
Erworben bei Gfeller & Hellsgard / ReSurgo
TitelNummer

carrion-dear-reader
carrion-dear-reader
carrion-dear-reader

Schraenen Guy, Hrsg.: Ulises Carrion - Dear reader. Don't read., 2016

Verfasser
Titel
  • Ulises Carrion - Dear reader. Don't read.
Ort Land
Medium

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Angaben
  • 272 S., 26,9x19 cm, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Ausstellung vom 16.03.-10.10.2016 im Sabatini Building Floor 3.
    A key figure in Mexican conceptual art, Ulises CarriĂłn (1941, San AndrĂ©s Tuxtla, Mexico – 1989, Amsterdam) was an artist, editor, curator, and theorist of the post-1960s international artistic avant-garde.
    Texts by Guy Schraenen, Felipe Ehrenberg and João Fernandes, among others, illustrate all aspects of his artistic and intellectual work. From his early career as a young, successful writer in Mexico to his numerous activities in Amsterdam where he cofounded the independent artists' run space In-Out Center and founded the legendary bookshop-gallery Other Books and So (1975–79), the first of its kind dedicated to artists’ publications.
    Text von der Webseite
Sprache
Stichwort / Schlagwort
Geschenk von
TitelNummer

Chasm-2015

Titel
  • CHASM - A BRAND-NEW SEQUENTIAL COLLAGE!!!
Medium

Technische
Angaben
  • [12] S., 32x21 cm, 2 Teile. keine weiteren Angaben vorhanden
    Drahtheftung, Heft und Abfall-Fundobjekte zusammengesteckt und in verschließbarer PlastikhĂŒlle, beides in PlastikhĂŒlle,
ZusatzInfos
  • Die Publikation beinhaltet Collagen, zusammengestellt aus verschiedenem Material, wie Comics, Filme sowie fiktionale und theoretische Schriften. Die einzelnen Seiten können als eigenstĂ€ndige Collagen oder zusammenhĂ€ngend gelesen werden.
    Text aus der Publikation
    Erschienen zu einer Veranstaltung bei Circuits 30.10.-31.10.2015: Circuits and Currents is run by students of the Athens School of Fine Arts.
    It hosts exhibitions, talks and workshops, bringing together artists , theoreticians and people from other fields. Supported by DAAD Programme: Partnerships with Greek Institutions of Higher Education 2014 – 2016, A Cooperation between the Academy of Fine Art Munich (ADBK) and the Athens School of Fine Arts (ASFA)
Stichwort / Schlagwort
Geschenk von
TitelNummer

pinto-publishing-artistic-toolbox-zeitung

Verfasser
Titel
  • Publishing as an Artistic Toolbox: 1989-2017
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [32] S., 48x33,3 cm, 2 Stück. keine weiteren Angaben vorhanden
    Lose ineinander gelegte EinzelblÀtter, Druck auf Zeitungspapier
ZusatzInfos
  • Katalog in Form einer Zeitung zur gleichnamigen Ausstellung, Kunsthalle Wien, 08.11.2017-28.01.2018. Mit Informationen zu den einzelnen KĂŒnstlerinnen und KĂŒnstlern, Magazinen und wichtigen Schlagworten.
Weitere
Personen
Sprache
WEB Link
Erworben bei Kunsthalle Wien
TitelNummer

pinto-publishing-as-an-artistic-toolbox-heft

Verfasser
Titel
  • Publishing as an Artistic Toolbox: 1989-2017
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [28] S., 22x15 cm, keine weiteren Angaben vorhanden
    Drahtheftung, mit handschriftlicher Nummerierung von Marlene Obermayer
ZusatzInfos
  • Infoheft zur gleichnamigen Ausstellung, Kunsthalle Wien, 08.11.2017-28.01.2018. Mit Informationen zum Rahmenprogramm und den einzelnen Kapiteln der Ausstellung: Artists' Library, Artist-run Magazines (The Magazine as Medium), The Message as Medium, Autoretrospective, The Bookshop as Medium, In Between The Library as Medium, Expanded Publishing, Post Digital Publishing Archive, Design as Medium, The Artist & The Publishers, Magazines as Publishers
Weitere
Personen
Sprache
WEB Link
Geschenk von
TitelNummer

pinto-publishing-as-an-artistic-toolbox-flyer

Verfasser
Titel
  • Publishing as an Artistic Toolbox: 1989-2017
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 12 S., 21x9,7 cm, 2 Stück. keine weiteren Angaben vorhanden
    Mehrfach gefalteter Flyer
ZusatzInfos
  • Infoblatt zur gleichnamigen Ausstellung, Kunsthalle Wien, 08.11.2017-28.01.2018. Mit Informationen zum Rahmenprogramm und den einzelnen Kapiteln der Ausstellung: Artists' Library, Artist-run Magazines (The Magazine as Medium), The Message as Medium, Autoretrospective, The Bookshop as Medium, In Between The Library as Medium, Expanded Publishing, Post Digital Publishing Archive, Design as Medium, The Artist & The Publishers, Magazines as Publishers
Weitere
Personen
Sprache
WEB Link
TitelNummer

bom-dia-boa-current-programm-2019
bom-dia-boa-current-programm-2019
bom-dia-boa-current-programm-2019

Raeder Manuel, Hrsg.: Current Programm 2019, 2019

Verfasser
Titel
  • Current Programm 2019
Ort Land

Technische
Angaben
  • [24] S., 29,5x13,6 cm, 4 Teile. keine weiteren Angaben vorhanden
    Drahtheftung, ein Streifen aus Papier, ein Anschreiben, alles in Briefumschlag
ZusatzInfos
  • BOM DIA BOA TARDE BOA NOITE — ‘good day, good afternoon, good night’ in Portuguese — conveys the idea that books can become part of everyday life, regardless of the time of day. BOM DIA was founded in 2011 by Manuel Raeder and Manuel Goller in Berlin, solely run by Manuel Raeder since 2013. BOM DIA is specialized in high quality artist books that are conceived as an integral part of an art work or as the art work itself that, often, plays with the format of the book and reflects its medium. A focus of BOM DIA lies in publishing contemporary artists from Latin America. The books of BOM DIA are produced in close collaboration with a group of fellow artists, among others Henning Bohl, Daniel Steegmann MangranĂ©, Mariana Castillo Deball, Haegue Yang, Leonor Antunes, Abraham Cruzvillegas, Danh Vo, Nina Canell, and BLESS.
    Text von der Webseite
Sprache
Stichwort / Schlagwort
TitelNummer

monok35-abramovic

Verfasser
Titel
  • MONO.KULTUR #35 Marina Abramovic - Army of Me
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung
ZusatzInfos
  • Frequently using her own body as a starting point, she has subjected herself to ordeals testing physical and psychological boundaries, as she did most famously during the 736 hour-performance The Artist Is Present, where visitors were invited during the course of her large retrospective to sit opposite Abramović. and share a silent but intense contact that often caused a highly emotional response – an act that in its very simplicity can be seen as a radical culmination of a 40 year-process of reduction and concentration.In a satisfyingly confrontational and open conversation, Marina Abramović. talked with mono.kultur about the nature of invisible energy, the many criticisms she has been facing and what cosmetic surgery has to do with art. Graphically, the issue is an exercise in friction and restraint, by setting up the three elements of text, images and subtitles on different grids and letting chance run its course. All works were selected by Marina Abramović. as personal milestones in her career.
    Text von der Website.
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Sprache
WEB Link
TitelNummer

campanello_2019
campanello_2019
campanello_2019

Campanello Kimberly: MOTHERBABYHOME - zimZalla 056, 2019

Titel
  • MOTHERBABYHOME - zimZalla 056
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 796 S., 29,7x20,4 cm, signiert, ISBN/ISSN 978-1-907570179
    Broschur
ZusatzInfos
  • The St Mary’s Mother and Baby Home was run by the Bon Secours Sisters on behalf of the Irish State to house unmarried mothers and their children. The location of the graves of 796 infants and children who died in the Home between 1926 and 1961 is unknown, though local knowledge, the research of local historian Catherine Corless, and recent excavations point to a field near the old site of the Home, as well as the likelihood that some children were illegally adopted. International media attention in 2014 led to the Irish government’s Commission of Investigation into Mother and Baby Homes, which is still underway.
    MOTHERBABYHOME is a 796-page ‘report’ comprising conceptual and visual poetry. An excavation of voices, the poems are composed entirely of text taken from historical archives and contemporary sources related to the Home.
    Text von der Webseite
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Erworben bei Lyrik Kabinett
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chantal-rens-coomon-is-a-hungry-bitch-postkarten-aufkleber
chantal-rens-coomon-is-a-hungry-bitch-postkarten-aufkleber
chantal-rens-coomon-is-a-hungry-bitch-postkarten-aufkleber

Rens Chantal: YOU RUN AROUND TOWN LIKE A FOOL AND YOU THINK THAT IT'S GROOVY, 2016

Verfasser
Titel
  • YOU RUN AROUND TOWN LIKE A FOOL AND YOU THINK THAT IT'S GROOVY
Ort Land
Verlag Jahr

Technische
Angaben
  • 16x14,2 cm, signiert, 2 Teile. keine weiteren Angaben vorhanden
    Klarsichtumschlag DIN A6 mit 8 Postkarten, Klarsichtumschlag DIN A7 mit 5 Aufklebern und KĂ€rtchen
ZusatzInfos
  • handschriftlichen GrĂŒĂŸe, Datumsstempel und Insagram-Account auf dem KĂ€rtchen.
    Beides lag der Sendung des Buchs "Common sense is a hungry bitch" bei
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Evers Johannes / Ettlinger Ina, Hrsg.: UND GELD UND ARBEIT, 2020

kunstpavillon-und-geld-19-20
kunstpavillon-und-geld-19-20
kunstpavillon-und-geld-19-20

Evers Johannes / Ettlinger Ina, Hrsg.: UND GELD UND ARBEIT, 2020

Verfasser
Titel
  • UND GELD UND ARBEIT
Ort Land
Medium

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Angaben
  • 14,8x10,4 cm, Auflage: 1.500, 2 Stück. keine weiteren Angaben vorhanden
    Drahtheftung, Punkt aus rotem fluoreszierendem Papier aufgeklebt, auf dem Cover und einmal innen
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  • Jahresprogramm 2019/2020
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richas-digest-no-14-mackaay-david-run-2019
richas-digest-no-14-mackaay-david-run-2019
richas-digest-no-14-mackaay-david-run-2019

Mackaay David: Richas Digest Journal #14 - 4' 12'', 2019

Verfasser
Titel
  • Richas Digest Journal #14 - 4' 12''
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [8] S., 21x14,7 cm, keine weiteren Angaben vorhanden
    Leporello, dreimal gefaltet
ZusatzInfos
  • Auf jeder Seite (Vorder- und RĂŒckseite) das Wort 'run' in Bleistiftschraffur gezeichnet
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teufelsberg

Verfasser
Titel
  • Teufelsberg
Verlag Jahr
Medium

Technische
Angaben
  • [72] S., 30x22 cm, signiert, ISBN/ISSN 978-2-350461977
    Fadenheftung, Klappumschlag, mit Widmung
ZusatzInfos
  • Teufelsberg (mountain devil), is an artificial hill located southwest of Berlin, overlooking the city. Amusement park very popular with young Berliners, this hill was built after the Second World War with the remnants of the city after the Allied bombing. An estimated 30 million cubic meters of rubble piled mass there, the equivalent of 400,000 buildings. The hill rises on the site of the University of Nazi war which had been designed by the architect of the Third Reich, Albert Speer, and half done. As after the war, it was difficult to totally destroy the building riddled with underground bunkers, the German authorities decided to bury him and make him disappear under an artificial hill. The hill was then covered with trees, and used during the winter ski run in the 60s and 70s. During the Cold War, was built at the top center of U.S. espionage radar to listen to communications of the Soviet bloc in East Berlin.
    Text von der Webseite
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picture-berlin
picture-berlin
picture-berlin

Gertler April, Hrsg.: Reunion - Picture Berlin - Festival Catalog 2014, 2014

Verfasser
Titel
  • Reunion - Picture Berlin - Festival Catalog 2014
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 66 S., 21x14,7 cm, keine weiteren Angaben vorhanden
    Drahtheftung, Cover beidseitig beschnitten
ZusatzInfos
  • PICTURE BERLIN is an nonprofit artist run hybrid residency, art academy started in 2009. It encourages an active discourse in contemporary art and photography by creating connections between internationally invited artists and locally based Berlin artists and curators.
    Text aus dem Katalog.
Sprache
WEB Link
Erworben bei Joachim Schmid
TitelNummer

offspace-sentimaental-2021
offspace-sentimaental-2021
offspace-sentimaental-2021

Banholzer Hanna, Hrsg.: offspace SENTIMENTAL, 2021

Verfasser
Titel
  • offspace SENTIMENTAL
Ort Land
Verlag Jahr
Medium

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Angaben
  • 2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Flyer, zweifach gefaltet
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  • Teilnehmende Offspaces und Schaufenstergalerien: 18,2, apartment der kunst, EYES ONLY, fructa, Galerie FOE, GiG, KloHĂ€uschen, Nicht VerfĂŒgbar, NODEPRESSIONROOM, Pinokiothek der Moderne, rosastern, sandkasten, super+CENTERCOURT, VIER8L und WELTRAUM
    Als „Offspace“ werden RĂ€ume der Kunst bezeichnet in denen selbstorganisiert oft die ersten PrĂ€sentationen junger KĂŒnstler*innen stattfinden. Sie sind Hotspots fĂŒr noch nicht Etabliertes, an denen sich Kommendes sehen lĂ€sst, KĂŒnster*innen und Kurator*innen sich ausprobieren und erste Erfahrungen sammeln. Insgesamt sind 15 MĂŒnchner Offspaces exemplarisch ausgewĂ€hlt und erhalten hier eine BĂŒhne, die die DiversitĂ€t dieser RĂ€ume und ihrer unterschiedlichen Konzepte vermittelt. Eine Reihe von Veranstaltungen begleitet das Projekt. Zudem erscheint die Hotspots of Art-Map in aktualisierter Auflage, und im Rahmen der Kooperation MaximiliansForum + Ö bietet Die FĂ€rberei/Köşk verschiedene WerkstĂ€tten „how to create an artist-run space“ fĂŒr jungen KĂŒnstler*innen und solche, die es werden wollen, an.
    Text von der Webseite
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TitelNummer

camper-collection-2014

Verfasser
Titel
  • Walk Don't Run - New Temples New Pilgrims
Ort Land
Verlag Jahr
Medium

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Angaben
  • [104] S., 10,7x7,2 cm, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Kleiner Katalog der spanischen Schuhmarke Camper der Spring/Summer Collection fĂŒr Frauen und MĂ€nner von 2014. Das Konzept ist "New Pilgrim, New Temple": man hat neue Models (New Pilgrims) aus Berlin eingeladen, die den Aufnahmeort (New Temples) selbst bestimmen durften. Sie sollten ihren Lieblingsort in Berlin nennen und dort wurden die Fotos der verschiedenen Schuhmodelle aufgenommen.
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Stichwort / Schlagwort
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Erworben bei Camper Madrid
TitelNummer

exist_art
exist_art
exist_art

Colo Papo, Hrsg.: Unfinished Memories: 30 Years of Exit Art, 2016

Verfasser
Titel
  • Unfinished Memories: 30 Years of Exit Art
Verlag Jahr
Medium

Technische
Angaben
  • 442 S., 23,3x28,3 cm, ISBN/ISSN 9783958291973
    Hardcover mit PrÀgedruck
ZusatzInfos
  • Unfinished Memories: 30 Years of Exit Art is an intimate portrait of an institution that from 1982 to 2012 challenged social, political, aesthetic and curatorial norms. Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under-recognized artists, experimental theatre and performance works, as well as national and international film and video programs.

    Conceived by Exit Art’s founders, Jeanette Ingberman and Papo Colo, this volume is a resource on more than 200 exhibitions, events, festivals and programs featuring more than 2,500 artists, presented within the larger context of the art world. More than seventy eyewitness accounts and idiosyncratic recollections from artists, curators, critics and friends create a vivid sense of the exhibitions, performances, screenings, discussions, ideas and people that were part of Exit Art during its three-decade run.
    Text von der Webseite

    Die Exit Art Gallery bestand in New York.
Sprache
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Erworben bei art book cologne
TitelNummer

kunstpavillon-70-jahre-aufkleber
kunstpavillon-70-jahre-aufkleber
kunstpavillon-70-jahre-aufkleber

Evers Johannes, Hrsg.: JubilĂ€um – 70 Jahre Kunstpavillon Wandzeitung Phase II, 2020

Verfasser
Titel
  • JubilĂ€um – 70 Jahre Kunstpavillon Wandzeitung Phase II
Ort Land
Medium

Technische
Angaben
  • 29,7x21 cm, 5 Teile. keine weiteren Angaben vorhanden
    1 Fragebogen, 4 Bogen Schwarz-Weiß-Fotokopie auf rote fluoreszierende Abziehfolie, gestanzt, teilweise sind rote Punkte entnommen
ZusatzInfos
  • Zur Ausstellung: 07.08.-23.08.2020
    Der Kunstpavillon feiert dieses Jahr sein 70jĂ€hriges JubilĂ€um. Dies nehmen wir zum Anlass uns intensiv mit der Geschichte des im Nationalsozialismus geplanten GebĂ€udes und seiner Umgebung zu befassen. Dabei ist der gewerkschaftliche Hintergrund des Kunstpavillons, der auf Selbstverwaltung und Selbstorganisation von KĂŒnstler*innen aufbaut, Ausgangspunkt unserer Herangehensweise. Denn unser JubilĂ€um bezieht sich auf den von gewerkschaftlich-organisierten KĂŒnstler*innen bis 1950 abgeschlossenen Wiederaufbau des im Krieg beschĂ€digten GebĂ€udes.
    In der zweiten Ausgabe einer mit der Gestalterin Anna Lena von Helldorff konzipierten Wandzeitung möchten wir unsere kĂŒnstlerische Recherche der Öffentlichkeit sichtbar machen und im Kontext unserer aktuellen Fragestellung mit den Besucher*innen ins GesprĂ€ch kommen.
    Mit der ersten Plakatierung sollten die AußenwĂ€nde des Kunstpavillon zur graphischen und konzeptionell-gestalteten Wandzeitung werden. Da dieses Vorhaben von der Denkmalschutzbehörde nicht gestattet wurde, nimmt die zweite Ausgabe eine mobile Form an, die im und um den Kunstpavillon in Erscheinung treten wird. ...
    ... Was wĂ€re, wenn bestimmte Organisationsformen Stoffe enthielten, die Freiheit, Demokratie und friedliche Entwicklung erodieren? Könnten womöglich solche Organisationsformen die Zukunft von Gesellschaft unmöglich machen; zum Beispiel angesichts der Klimakrise ein rechtzeitiges Umsteuern blockieren? Hat die Kraft heutiger Start-Ups etwas gemeinsam mit dem Willen zum Aufbau nach dem Zweiten Weltkrieg? Gibt es einen Langen Marsch durch die Kreativwirtschaft? Welche Rolle hat das Haus der Kunst im 21. Jahrhundert fĂŒr sich gefunden? Seit wann ist MĂŒnchen keine Metropole der Gegenwartskunst mehr, jedoch ein Zentrum global agierender Unternehmen? ...
    Text von der Webseite
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scenes-from-zagreb

Verfasser
Titel
  • Scenes from Zagreb: Artists' Publications of the New Art Practice
Verlag Jahr
Medium

Technische
Angaben
  • 40 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Farbkopien nach PDF, lose ineinander gelegt
ZusatzInfos
  • The New Art Practice was a term created for a generation of artists in the former Yugoslavia active in the late 1960s and throughout the 1970s. These artists shifted their practice to spaces outside the traditional studio, onto city streets, into artist-run spaces, and in multimedia performances and experimental publications. Focusing on artists working in the city of Zagreb, this exhibition documents aspects of this shift and highlights the ability of artists' publications to record these often ephemeral gestures and ideas. While artists such as Goran Trbuljak, Braco Dimitrijević, Sanja Iveković, Mladen Stilinović, and Vlado Martek, among others, worked in a variety of mediums, they shared a common impulse to produce publications. These artists questioned and played with ideas about the place of an artist within this particular political and socioeconomic context. Their work often involved public participation and blurred traditional notions of authorship through collective activities, chance operations, and the appropriation of language and imagery from the state and commercial media. The materials in this installation resonate with other contemporaneous scenes in Eastern and Central Europe and with broader international trends, while also providing an insight into very local networks of experimental artists and writers in Zagreb. All materials are drawn from the collection of the Museum of Modern Art Library.
    Text von der Webseite
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Erworben bei MoMA Library
TitelNummer

boot-print 1 1 2007

Verfasser
Titel
  • Boot Print, Volume 1, Issue 1
Medium

Technische
Angaben
  • 32 S., 41x29 cm, keine weiteren Angaben vorhanden
    BlÀtter lose zusammengelegt, einmal gefaltet
ZusatzInfos
  • Boot Print Volume 1/Issue 1 covers the Boots exhibitions and happenings. The inaugural exhibition The Politics of Friendship and Georgia Kotretsos solo show 10 Fingers 88 Teeth looks at five different models of artist-run spaces La Panaderia, Mexico. Kling and Bang, Iceland. PiST, Turkey, and SubCity Projects, in the United States. discusses forms of arts publishing and distribution. features Adelheid Mers insightful diagrammatic chronicle alongside Vilem Flusser’s Crisis of Linearity (1988), the first translation into English. and last, speaks with influencial curatorial voices about their practice sush as Anne-Laure Oberson. Vasif Kortun. Xenia Kalpaktsoglou, Poka-Yio, Augustine Zenakos. Mary Jane Jacob and Shannon Fitzgerald about the local and international art scene, as well as the debutant Destroy Athens Biennial.
    Text von der Webseite
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bader-kennon-lipomi

Titel
  • She Has a Hot Ass
Medium

Technische
Angaben
  • [94] S., 21,3x15 cm, Auflage: 500, ISBN/ISSN 9780982055922
    Katalog zur Ausstellung
ZusatzInfos
  • A 3 person artists' book made on the occasion of Kennon and Lipomi's 2 person show at Mesler&Hug in New York. She Has a Hot Ass combines a collection of the magazine spreads that generated Kennon's photographs and prints for the exhibtion, digitally produced collages that run parallel to Lipomi's paintings and additional texts and images by Bader.
    Text von der Webseite
Stichwort / Schlagwort
Erworben bei Motto Berlin
TitelNummer

experi-mental-festival-7-2016

Titel
  • Experi-MENTAL Festival 7 - An Exploration In Sound and Video
Verlag Jahr
Medium

Technische
Angaben
  • 15,2x10,1 cm, keine weiteren Angaben vorhanden
    Karte
ZusatzInfos
  • Werbekarte zum Festival vom 01.-04.09.2016 in New York. The festival is run by the Brooklyn based experimental audio/video project Pas Musique and Alrealon Musique. The festival focuses on new and innovative techniques of sound technique and performance. We are focused in developing a network of experimental arts that are supportive of their peers. It is not about ego but about community.
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Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

marafioti-for-everard-1
marafioti-for-everard-1
marafioti-for-everard-1

Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

Titel
  • For Everard Vol. 1-11
Verlag Jahr

Technische
Angaben
  • [12-16] S., 20,6x13,5 cm, Auflage: 100, signiert, 12 Teile. keine weiteren Angaben vorhanden
    11 Hefte, Schwarz-Weiß-Laserkopien, Drahtheftung, Aufkleber
ZusatzInfos
  • About the series:
    The For Everard zine series chronicles the 1977 fire at New York's Everard Baths, combining archival research with imagined narratives to re-focus attention to obscured histories. The series explores the media coverage of the subsequent investigation of the fire, and the lives of the nine men who perished. The zines bring together photographic images with primary news sources, as well as personal anecdotes collected from eyewitness testimonials.
    About the individual zines:
    For Everard, Vol. 1, 2013, ed. 100 (nr. 65)
    This zine chronicles the May 25, 1977 fire at New York's Everard Baths and the media coverage of the subsequent investigation.
    For Everard, Vol. 2 (Bloodbrothers), 2013, ed. 100 (Nr. 81)
    In the second volume of his series chronicling the 1977 fire at New York’s Everard Baths, Anthony Malone focuses on Bellevue Hospital’s blood drive for the victims of the great bathhouse tragedy. Malone draws parallels between the 1977 restrictions placed on gay men for donating blood to their “brothers” and current FDA guidelines that indefinitely defer donations from men who have had sex with men since 1977. This black and white photocopied zine (ed 100) juxtaposes archival images, news clippings, and just a touch of fantasy.
    For Everard, Vol. 3 (Remembering Jimmy), 2015, ed. 100 (Nr. 94)
    Volume 3 of the series, For Everard is dedicated to the memory of Jimmy Stuard, who died in the tragic fire at the Everard Baths in 1977. Stuard was a rising star in the disco music scene. He spun records first at Boston’s 1270 Club, and later at New York’s 12 West, where he inspired an entire generation of musical artists and DJs. In this particular volume, Anthony Malone assembles images and archival texts that serve as a tribute to the great Jimmy Stuard.
    For Everard, Vol. 4 (A Lovely Show), 2016, ed. 100 (Nr. 62)
    For Everard, Vol. 4 (A Lovely Show) is a tribute to Kenneth Hill, one of the nine men who died in the devastating fire at the Everard Baths in 1977. Kenn played a vital role in the East Village/Lower East side countercultural movement in the late ‘60s and 1970s. He was a hippie, a bar tender at Phebe’s (a watering hole and salon for the experimental theater community in the 1970s), one of the founders of the Old Reliable Theatre Tavern, House Manager at La Mama Experimental Theatre Club, and a photographer. This zine celebrates Kenneth Hill by collaging archival documents with personal artifacts and pictures of Kenn from meaningful moments in his life.
    For Everard, Vol. 5 (A Dearly Loved Man), 2017, ed. 100 (Nr. 95)
    For Everard, Vol. 5 (A Dearly Loved Man) assembles images and stories from the life of Ira Landau, a gifted and dedicated teacher who died in the tragic fire at the Everard Baths in 1977. Ira left behind a devoted family (his mother, brother, niece, and lover) and is still greatly missed by his loved ones. This zine is a tribute to the life and accomplishments of a remarkable man who served in the Peace Corps and committed himself to educating young minds both abroad (in the Middle East) and at home in the US. It contains family photos and personal images generously contributed by Ira’s niece.
    For Everard, Vol. 6 (Yosef’s Song), 2017, ed. 100 (Nr. 94)
    Volume 6 of the series For Everard celebrates the life of a remarkable musical prodigy, Yosef Synovec. This zine tells the story of a young man with great aspirations who emigrated to the United States from Czechoslovakia to study classical violin. In 1976, Holly Woodlawn overheard Synovec vocalizing as he was painting the bathroom of his East Village apartment, and determined on the spot that she had discovered an emerging star. As a singer, Synovec used his extreme vocal range to imitate the voice and persona of Peruvian diva Yma Sumac. He performed Sumac’s exotic musical numbers at several New York City cabarets and show venues. Sadly, on May 25, 1977, Yosef perished in the tragic fire at the Everard Baths.
    For Everard, Vol. 7 (Tony from the Bronx), 2017, ed. 100 (Nr. 86)
    This zine brings together images and stories from the life of Tony Calarco, one of the nine men who died in the fire at the Everard Baths in 1977. Tony was only 26 when he died. He lived with his parents and siblings in a modest house in the Bronx. He had recently graduated from college and was working as a social worker in New York city at the time of his death. Tony had aspirations to become a lawyer and was scheduled to begin law school in September of 1977. This zine celebrates Tony Calarco’s memory through photos of Tony, artifacts from his high school and college years, and recent photographs of his home and final resting place.
    For Everard, Vol. 8 (Looking for Amado), 2017, ed. 100 (Nr.84)
    Amado Alamo, a young man only 17 years old, lost his life in the fire at the Everard Baths in 1977. In Volume 8 of For Everard, Anthony Malone documents his search for the identity of the youngest victim of the Everard fire. The zine is an abstracted portrait of Alamo that assembles the few extant fragments of his story culled from newspaper articles and documentary sources glued together with the artist’s imagination.
    For Everard, Vol. 9 (Last Call), 2017, ed. 100 (Nr.72)
    Life was difficult for Hillman Wesley Adams. He was born in Jacksonville FL in 1938. His mother died just a few months after his birth, and by the age of nine, he found himself in an orphanage with his older brother. Fast forward 30 years: Hillman moved to NYC, struggled to make ends meet while working on and off as a bartender, and he met his lover, Ralph, with whom he shared a modest apartment in New Jersey. On May 25, 1977, Hillman died in the fire at the Everard Baths. Vol. 9 of For Everard is an assemblage of newspaper articles and vintage photos chronicling the life and untimely death of Hillman Wesley Adams.
    For Everard, Vol. 10 (In Memoriam: Patrick Nott), 2018, ed. 100 (Nr. 64)
    Volume 10 of For Everard memorializes the life of Patrick Nott, one of the nine men who died in the fire at the Everard Baths. Nott, a native of Wales with a passion for theater, literature, and music, pursued a successful career in hairdressing. He fell in love with his pen pal (a young woman from Brooklyn) and after their marriage, they moved to New York City, where Nott worked at the Vidal Sassoon Salon. This zine weaves together elements from his story (shared with the artist by Patrick Nott’s wife), with photographs, newspaper clippings, and artifacts. It acts as a humble tribute, an “In Memoriam” for this greatly loved man.
    For Everard, Vol. 11 (Thunderbird), 2019, ed. 100 (Nr. 79)
    Brian Duffy was an aspiring artist. In 1966 he was accepted to Pratt Institute of Art and although he declined admission to the school, he seized the opportunity to move to NYC and start a new life for himself. In the city, he worked hard at various retail jobs and tried to break into the theater, but everything changed when he met the love of his life, Bradley. The couple moved to a “quieter life” in Boston. They worked in restaurants in the Back Bay area and created a community for themselves amongst their chosen family of friends. Volume 11 of For Everard celebrates the brief life of Brian Duffy, a young man who died in the fire at the Everard Baths in 1977. This zine compiles photographs and stories shared with Malone by Brian’s sister and dear friend.
    The pseudonym "Anthony Malone" comes from a novel by Andrew Holleran (Dancer from the Dance). In this novel, Malone is the protagonist and at the end he disappears. Some of his friends believe that he may have committed suicide, others feel that he may have run away from New York, while some say that they saw him at the Everard Baths on the night of the fire. I imagine that Malone survived the fire and he is now making books and zines telling the story of the tragedy.
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