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esopus-nr-11
esopus-nr-11

Verfasser
Titel
  • Esopus 11 Boom!
Ort LandNew York, NY (Vereinigte Staaten von Amerika) Medium Zeitschrift, Magazin
Techn. Angaben
  • 168 S., 29,3x23 cm, ISBN/ISSN 9780981574509
    Broschur, mit eingelegten und angeklammerten Teilen auf diversen Papieren, zwei Postern, einlegter CD in Schutzhülle mit Musik und Film,
Sprache
WEB Link
TitelNummer
015725572
Einzeltitel =

irrland-talk-pop-2017
irrland-talk-pop-2017

Titel
  • Talk is cheap - Pop und die Sozialwissenschaften
Ort LandMünchen (Deutschland) Medium Flyer, Prospekt
Techn. Angaben
  • 2 S., 7x15 cm, 2 Stück. keine weiteren Angaben vorhanden
    Flyer, 2-farbiger Risographie, Schwarz und Gold
ZusatzInfos
  • Flyer für eine Vortragsreihe von Oktober bis Dezember 2017 im iRRland, München, mit Vortrag über konstruktivistischen Poastfeminismus, Filmabend mit Lang ist der Weg, DiaAbend zu Münchens Akademie in Schweinestall verwandelt, Besetzung der Kunstakadmie 1969, Lesung Einstürzende Neubauten, Lesung The Smiths zur Neudefinition des Männerbilds im Indierock
Weitere Personen
Sprache
Geschenk von Paula Pongratz
TitelNummer
024410701
Einzeltitel =

edwards-lost-public-notices
edwards-lost-public-notices
edwards-lost-public-notices

Edwards Phil / Dellafiora David, Hrsg.: The Museum of Lost Public Notices, 2017

Verfasser
Titel
  • The Museum of Lost Public Notices
Ort LandMelbourne (Australien)
Verlag Jahr
Medium Presse, Artikel / Text
Techn. Angaben
  • 16 S., 29,7x21 cm, 3 Teile. keine weiteren Angaben vorhanden
    Zwei lose Blätter, eine Telnehmerliste, geklammert
ZusatzInfos
  • The Museum of Lost Public Notices (24.05.-02.06.2017) is a community noticeboard installation consisting of posters which explore the role of art in relation to the individual and society. Contributions from local and international artists from all stages of their careers are invited. The Museum of Lost Public Notices is anopen exhibition that both celebrates and critiques the role of conventional gallery spaces and public noticeboards as sites which use a community space to promote, herald and advertise personal and group concerns.
    Text von der Website.
Sprache
Geschenk von Jürgen Wegner
TitelNummer
026402769
Einzeltitel =

artist_publisher_flier_letter
artist_publisher_flier_letter

Titel
  • What Discussions do Artist Publisher Want to Have?
Ort LandChicago, IL (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Text / Flyer, Prospekt
Techn. Angaben
  • 1 S., 29,7x21 cm, 2 Stück. keine weiteren Angaben vorhanden
    Laserausdruck nach PDF
ZusatzInfos
  • Where can artist publishers, zine makers, librarians, artist book archivists, print activists, and others in this self-organized community hang out when there isn’t a fair, a fest, an event, or gathering to bring us together? Temporary Services, 2019
    Temporary Services have created a new online discussion forum for artist book publishing called Artist Publisher. Please tear off a tab, visit the site, spread the word, and join them in multiple discussions around artist book making, zine publishing, printing, distribution, archiving and more.
    Text vom Flyer
Sprache
TitelNummer
026793709
Einzeltitel =

das-treffen-dreier-punkte-kapitel1
das-treffen-dreier-punkte-kapitel1

Titel
  • DAS TREFFEN DREIER PUNKTE - Kapitel 1
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [48] S., 19x12,3 cm, keine weiteren Angaben vorhanden
    Gefaltete Einzelblätter, mit Gummiband gebunden.
ZusatzInfos
  • Katalog zur Ausstellung DAS TREFFEN DREIER PUNKTE, 01.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    Text von der Webseite.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von Joachim Schmid
TitelNummer
027441747
Einzeltitel =

hidden-treasures-kapitel2
hidden-treasures-kapitel2

Titel
  • HIDDEN TREASURES - Katipel 2
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [40] S., 19x12,3 cm, keine weiteren Angaben vorhanden
    Gefaltete Einzelblätter, mit Gummiband gebunden, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung HIDDEN TREASURES, 03.,07.,13.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von Der Webseite.
Sprache
Geschenk von Joachim Schmid
TitelNummer
027442747
Einzeltitel =

the-middle-stuff-kapitel4
the-middle-stuff-kapitel4

Titel
  • THE MIDDLE STUFF - Kapitel 4
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [36] S., 19x12,3 cm, keine weiteren Angaben vorhanden
    Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung THE MIDDLE STUFF, 05.-12.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von Joachim Schmid
TitelNummer
027443747
Einzeltitel =

hosting-kapitel5
hosting-kapitel5

Titel
  • HOSTING - Kapitel 5
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [64] S., 19x12,3 cm, keine weiteren Angaben vorhanden
    Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung HOSTING, 02.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von Joachim Schmid
TitelNummer
027444747
Einzeltitel =

raumaneignung-kapitel6
raumaneignung-kapitel6

Titel
  • RAUMANEIGNUNG - Kapitel 6
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [64] S., 19x12,3 cm, keine weiteren Angaben vorhanden
    Gefaltete Einzelblätter, mit Gummiband zusammengehalten, Wendeheft.
ZusatzInfos
  • Katalog zur Ausstellung RAUMANEIGNUNG, 19.-31.07.2019, Berlin, im Rahmen von INTERIORS TO BEING.
    INTERIORS TO BEING takes visitors and invited artists into an intimate encounter within the homes, gardens and streets of Berlin as well as the lives of strangers.
    INTERIORS TO BEING spans time and space as a collective happening through the cityscape of Berlin. Six curators from Berlin have developed formats around the specifics of the work of a total of 51 artists and curators. The chosen formats range from traditional exhibitions, walks, salons and discussions to gatherings and performances.
    The project unfolds over the course of the month of July in six chapters that flow into one another, occasionally overlapping. INTERIORS TO BEING expands radically outwards, realizing half of its projects in Berlin’s public space.
    The city of Berlin is a partner of INTERIORS TO BEING as any curator or participating artists in the program would be. The cityscape functions anthropomorphically–with the city’s growth and continual change impacting the way artists move within it. INTERIORS TO BEING internalizes these changes through the framework of its community. All contributors to INTERIORS TO BEING are part of the extensive creative network of PICTURE BERLIN (founded in 2009, a not-for-profit artist initiated hybrid residency/art academy), which is a community made up of more than two hundred international artists and curators, two-thirds of whom are based in Berlin.
    The red thread running through all events is the dérive, a term devised by Situationist Guy Debord to describe an aimless wandering through different urban environments that leads to the development of a psycho-geographical awareness. This concept beautifully sums up the way INTERIORS TO BEING works as a project in the city of Berlin.
    Text von der Webseite.
Sprache
Geschenk von Joachim Schmid
TitelNummer
027445747
Einzeltitel =

Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

marafioti-for-everard-1
marafioti-for-everard-1
marafioti-for-everard-1

Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

Titel
  • For Everard Vol. 1-11
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Zine / Sticker, Button
Techn. Angaben
  • [12-16] S., 20,6x13,5 cm, Auflage: 100, signiert, 12 Teile. keine weiteren Angaben vorhanden
    11 Hefte, Schwarz-Weiß-Laserkopien, Drahtheftung, Aufkleber
ZusatzInfos
  • About the series:
    The For Everard zine series chronicles the 1977 fire at New York's Everard Baths, combining archival research with imagined narratives to re-focus attention to obscured histories. The series explores the media coverage of the subsequent investigation of the fire, and the lives of the nine men who perished. The zines bring together photographic images with primary news sources, as well as personal anecdotes collected from eyewitness testimonials.
    About the individual zines:
    For Everard, Vol. 1, 2013, ed. 100 (nr. 65)
    This zine chronicles the May 25, 1977 fire at New York's Everard Baths and the media coverage of the subsequent investigation.
    For Everard, Vol. 2 (Bloodbrothers), 2013, ed. 100 (Nr. 81)
    In the second volume of his series chronicling the 1977 fire at New York’s Everard Baths, Anthony Malone focuses on Bellevue Hospital’s blood drive for the victims of the great bathhouse tragedy. Malone draws parallels between the 1977 restrictions placed on gay men for donating blood to their “brothers” and current FDA guidelines that indefinitely defer donations from men who have had sex with men since 1977. This black and white photocopied zine (ed 100) juxtaposes archival images, news clippings, and just a touch of fantasy.
    For Everard, Vol. 3 (Remembering Jimmy), 2015, ed. 100 (Nr. 94)
    Volume 3 of the series, For Everard is dedicated to the memory of Jimmy Stuard, who died in the tragic fire at the Everard Baths in 1977. Stuard was a rising star in the disco music scene. He spun records first at Boston’s 1270 Club, and later at New York’s 12 West, where he inspired an entire generation of musical artists and DJs. In this particular volume, Anthony Malone assembles images and archival texts that serve as a tribute to the great Jimmy Stuard.
    For Everard, Vol. 4 (A Lovely Show), 2016, ed. 100 (Nr. 62)
    For Everard, Vol. 4 (A Lovely Show) is a tribute to Kenneth Hill, one of the nine men who died in the devastating fire at the Everard Baths in 1977. Kenn played a vital role in the East Village/Lower East side countercultural movement in the late ‘60s and 1970s. He was a hippie, a bar tender at Phebe’s (a watering hole and salon for the experimental theater community in the 1970s), one of the founders of the Old Reliable Theatre Tavern, House Manager at La Mama Experimental Theatre Club, and a photographer. This zine celebrates Kenneth Hill by collaging archival documents with personal artifacts and pictures of Kenn from meaningful moments in his life.
    For Everard, Vol. 5 (A Dearly Loved Man), 2017, ed. 100 (Nr. 95)
    For Everard, Vol. 5 (A Dearly Loved Man) assembles images and stories from the life of Ira Landau, a gifted and dedicated teacher who died in the tragic fire at the Everard Baths in 1977. Ira left behind a devoted family (his mother, brother, niece, and lover) and is still greatly missed by his loved ones. This zine is a tribute to the life and accomplishments of a remarkable man who served in the Peace Corps and committed himself to educating young minds both abroad (in the Middle East) and at home in the US. It contains family photos and personal images generously contributed by Ira’s niece.
    For Everard, Vol. 6 (Yosef’s Song), 2017, ed. 100 (Nr. 94)
    Volume 6 of the series For Everard celebrates the life of a remarkable musical prodigy, Yosef Synovec. This zine tells the story of a young man with great aspirations who emigrated to the United States from Czechoslovakia to study classical violin. In 1976, Holly Woodlawn overheard Synovec vocalizing as he was painting the bathroom of his East Village apartment, and determined on the spot that she had discovered an emerging star. As a singer, Synovec used his extreme vocal range to imitate the voice and persona of Peruvian diva Yma Sumac. He performed Sumac’s exotic musical numbers at several New York City cabarets and show venues. Sadly, on May 25, 1977, Yosef perished in the tragic fire at the Everard Baths.
    For Everard, Vol. 7 (Tony from the Bronx), 2017, ed. 100 (Nr. 86)
    This zine brings together images and stories from the life of Tony Calarco, one of the nine men who died in the fire at the Everard Baths in 1977. Tony was only 26 when he died. He lived with his parents and siblings in a modest house in the Bronx. He had recently graduated from college and was working as a social worker in New York city at the time of his death. Tony had aspirations to become a lawyer and was scheduled to begin law school in September of 1977. This zine celebrates Tony Calarco’s memory through photos of Tony, artifacts from his high school and college years, and recent photographs of his home and final resting place.
    For Everard, Vol. 8 (Looking for Amado), 2017, ed. 100 (Nr.84)
    Amado Alamo, a young man only 17 years old, lost his life in the fire at the Everard Baths in 1977. In Volume 8 of For Everard, Anthony Malone documents his search for the identity of the youngest victim of the Everard fire. The zine is an abstracted portrait of Alamo that assembles the few extant fragments of his story culled from newspaper articles and documentary sources glued together with the artist’s imagination.
    For Everard, Vol. 9 (Last Call), 2017, ed. 100 (Nr.72)
    Life was difficult for Hillman Wesley Adams. He was born in Jacksonville FL in 1938. His mother died just a few months after his birth, and by the age of nine, he found himself in an orphanage with his older brother. Fast forward 30 years: Hillman moved to NYC, struggled to make ends meet while working on and off as a bartender, and he met his lover, Ralph, with whom he shared a modest apartment in New Jersey. On May 25, 1977, Hillman died in the fire at the Everard Baths. Vol. 9 of For Everard is an assemblage of newspaper articles and vintage photos chronicling the life and untimely death of Hillman Wesley Adams.
    For Everard, Vol. 10 (In Memoriam: Patrick Nott), 2018, ed. 100 (Nr. 64)
    Volume 10 of For Everard memorializes the life of Patrick Nott, one of the nine men who died in the fire at the Everard Baths. Nott, a native of Wales with a passion for theater, literature, and music, pursued a successful career in hairdressing. He fell in love with his pen pal (a young woman from Brooklyn) and after their marriage, they moved to New York City, where Nott worked at the Vidal Sassoon Salon. This zine weaves together elements from his story (shared with the artist by Patrick Nott’s wife), with photographs, newspaper clippings, and artifacts. It acts as a humble tribute, an “In Memoriam” for this greatly loved man.
    For Everard, Vol. 11 (Thunderbird), 2019, ed. 100 (Nr. 79)
    Brian Duffy was an aspiring artist. In 1966 he was accepted to Pratt Institute of Art and although he declined admission to the school, he seized the opportunity to move to NYC and start a new life for himself. In the city, he worked hard at various retail jobs and tried to break into the theater, but everything changed when he met the love of his life, Bradley. The couple moved to a “quieter life” in Boston. They worked in restaurants in the Back Bay area and created a community for themselves amongst their chosen family of friends. Volume 11 of For Everard celebrates the brief life of Brian Duffy, a young man who died in the fire at the Everard Baths in 1977. This zine compiles photographs and stories shared with Malone by Brian’s sister and dear friend.
    The pseudonym "Anthony Malone" comes from a novel by Andrew Holleran (Dancer from the Dance). In this novel, Malone is the protagonist and at the end he disappears. Some of his friends believe that he may have committed suicide, others feel that he may have run away from New York, while some say that they saw him at the Everard Baths on the night of the fire. I imagine that Malone survived the fire and he is now making books and zines telling the story of the tragedy.
Sprache
Geschenk von Martin Marafioti
TitelNummer
027500763
Einzeltitel =

Francke Andrea / Weinmayr Eva: Workshop: Self-Publish and Disseminate!, 2014

workshop-selfpublishing-front
workshop-selfpublishing-front
workshop-selfpublishing-front

Francke Andrea / Weinmayr Eva: Workshop: Self-Publish and Disseminate!, 2014

Titel
  • Workshop: Self-Publish and Disseminate!
Ort LandMünchen (Deutschland) Medium Flyer, Prospekt
Techn. Angaben
  • 21x29,7 cm, keine weiteren Angaben vorhanden
    beidseitig bedrucktes Einzelblatt, Schwarz-Weiß-Ausdruck nach PDF
ZusatzInfos
  • Workshop im Piracy Reading Room, Kunstverein München, 04.-07. und 25.-28.11.2014, "Join us exploring Munich's independent publishing community." One publishes to find comrades. (A. Breton, 1920)
Sprache
TitelNummer
029214802
Einzeltitel =

arts-of-the-working-clas-02
arts-of-the-working-clas-02

Titel
  • Arts of the Working Class No. 02 - May the bridges I burn light the way
Ort LandBerlin (Deutschland) Medium Zeitschrift, Magazin
Techn. Angaben
  • 32 S., 35,2x25,8 cm, 2 Stück. keine weiteren Angaben vorhanden
    Zeitungsdruck, Blätter lose ineinander gelegt, handschriftliche Grüße beigelegt
ZusatzInfos
  • The second issue of this street newspaper attempts to glimpse what social cohesion can be; seen through contemporary art practices coming together in different texts and interventions by our contributors. Dialectical cohesion presents itself in the archives of arts in the 21st century as an accumulation of reactionary movements. The impressionists against academism, surrealists against social standards, post-modernism against modernism, content-based interpretation against formalist interpolation.
    “May the bridges I burn light the way” looks at both ends of the revolutionary act: the will to reach utopias and the urge to provoke dystopia. Artists always situate themselves in history by breaking with what they believed this profession to be before becoming artists. As a title, it implies a certain pessimism; anticipating the worst outcomes of a given situation. However, it also reveals the unfortunate desire to (always) be right.
    “May the bridges I burn light the way” was the title of the summer camp we organized with EXILE gallery for the collateral events of the European Biennial in Palermo, the Manifesta 12. Many of this issue’s contributors intervened in Palermo following the curatorial idea of working together with the community at the Ballarò market and the community kitchen Cre.Zi Plus. Utopia here is not a promise but a joint venture. The group of people was deliberately brought together by invitation, but the summer camp was left to the unpredictable nature of the market vendors’ routines.
    Text von der Webseite
TitelNummer
029229K94
Einzeltitel =

weinmayr-library-underground
weinmayr-library-underground
weinmayr-library-underground

Weinmayr Eva: Library Underground - a reading list for a coming community, 2016

Verfasser
Titel
  • Library Underground - a reading list for a coming community
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [32] S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Laserausdruck nach PDF
ZusatzInfos
  • Ein Kapitel aus Publishing as Artistic Practice von Gilbert Annette (Hrsg.).
Sprache
TitelNummer
029232788
Einzeltitel =

Verfasser
Titel
  • Miami Waves, November 22, 23 & 24
Ort LandMiami, FL (Vereinigte Staaten von Amerika) Medium Zeitschrift, Magazin
Techn. Angaben
  • 44x29 cm, keine weiteren Angaben vorhanden
    gefaltete Blätter lose ineinander gelegt, Zeitungspapier
Stichwort
TitelNummer
001458291
Einzeltitel =

whitewalls-13
whitewalls-13

Verfasser
Titel
  • WhiteWalls #13 - a magazine of writings by artists - Drawing in the 80s
Ort LandChicago, IL (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 96 S., 21,7x14 cm, ISBN/ISSN 01909835
    Broschur
ZusatzInfos
  • A Magazine of Writing by Artists.
    Founded in 1978 in Chicago by artist Buzz Spector and writers Reagan and Roberta Upshaw, Whitewalls began as a publication for artists working with language. For the most part Whitewalls is a straight-up sampler of artists' experimental projects for the page: each issue contains from half a dozen to several dozen artists employing text, image, and other notations in various combinations. While Whitewalls featured an international cast of emerging and established artists, it also provided a showcase for the Chicago area's experimental art community, including artists such as Jeane Dunning, Joseph Nechvatal, and Christopher Wool. Text von der Website
    Mit Texten u. a. von Richard Artschwager, Andrea Blum, Christo, Mike Kelly, Lawrence Weiner, Mark Staff Brandl, Rosemary Mayer, Paolo Colombo, Joel Hubaut
TitelNummer
003535531
Einzeltitel =

the-browse-fotofestival
the-browse-fotofestival

Verfasser
Titel
  • The Browse Fotofestival Berlin 2012
Ort LandBerlin (Deutschland) Medium Heft
Techn. Angaben
  • 14,5x20,7 cm, keine weiteren Angaben vorhanden
    Drahtheftung
Geschenk von Christoph Mauler
TitelNummer
009229281
Einzeltitel =

Verfasser
Titel
  • Millennium Magazines
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 78 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Farbkopien nach PDF, lose ineinander gelegt, Dokumentation der Ausstellung
ZusatzInfos
  • This survey of experimental art and design magazines published since 2000 explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Throughout the 20th century, international avant-garde activities in the visual arts and design were often codified first in the informal context of a magazine or journal. This exhibition, drawn from the holdings of the MoMA Library, follows the practice into the 21st century. The works on view represent a broad array of international titles within this genre, from community-building newspapers to image-only photography magazines to conceptual design projects. The contents illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are obvious connections to the past lineage of artists’ magazines and little architecture and design magazines of the 20th century, as well as a clear sense of the application of new techniques of image-editing and printing methods. Assembled together, these contemporary magazines provide a first-hand view into these practices and represents the MoMA Library’s sustained effort to document and collect this medium.
    Text von der Webseite
TitelNummer
009734335
Einzeltitel =

glumagazine plakat
glumagazine plakat

Verfasser
Titel
  • Girls like us
Ort LandAmsterdam (Niederlande)
Verlag Jahr
Medium Plakat
Techn. Angaben
  • 60x42 cm, 2 Stück. keine weiteren Angaben vorhanden
    Plakat zum Magazin, zweimal gefaltet
ZusatzInfos
  • gefunden in der Ausstellung Paper Weight im Haus der Kunst.
    GIRLS LIKE US is an independent journal turning the spotlight on an international expanding community of women from all genders within arts, culture and activism. Through personal stories, essays and vanguard visuals GIRLS LIKE US unfolds feminist legacies in arts and writing. Mixing politics with pleasure, the magazine is mapping new routes towards a feminist, post-gender future.
    Text von der Webseite
TitelNummer
010618356
Einzeltitel =

artist music journals 1 3 daniel higgs 2009
artist music journals 1 3 daniel higgs 2009

Verfasser
Titel
  • Artist Music Journals Vol. 1 No. 03
Ort LandBrooklyn, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 24 unpag. S., 26,5x26,5 cm, Auflage: 1.000, numeriert, keine weiteren Angaben vorhanden
    Drahtheftung, Heft in Pappschuber mit Aufkleber
ZusatzInfos
  • Artist Music Journal is an ongoing, limited edition small book series published by Sound Screen Design that focuses on the inseparable connection between music and art. Each release is limited to 1,000 copies, features a 24 page, saddle-stitched small book printed on thick stock and encased in a 10″., record jacket. The artists signature is replicated on a letterpressed sticker placed around the jacket opening, and hand numbered.
    Daniel Higgs is a musician and artist from Baltimore, Maryland, who has been a contributor to the independent art and music community for nearly 3 decades. His artistic work ranges from musical records to books of poetry to visual collections of his drawing, painting and collage work
TitelNummer
010677375
Einzeltitel =

counter-print-10-2013
counter-print-10-2013

Verfasser
Titel
  • Counter-Print Issue #10 Bookshop Ephemera / New Work
Ort LandLondon (Großbritannien)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 56 S., 40,2x29 cm, ISBN/ISSN 20442726
    eine Ausgabe bestehend aus 2 Zeitungen, Blätter lose zusammengelegt
ZusatzInfos
  • Paper #01 focuses on the art and design of bookshop ephemera, while Paper #02, entitled `New Work´, offers a snap shot of some of the best work we've had sent to us from the design community over the past quarter.
    Text von der Webseite
TitelNummer
011596K02
Einzeltitel =

drwenzki-kreuzberg-boheme2014
drwenzki-kreuzberg-boheme2014

Titel
  • Inside Out 2014/2015 - Kreuzberg Bohème 50er - frühe 70er Jahre
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 78 S., 29.6x21 cm, keine weiteren Angaben vorhanden
    Drahtheftung. Zwei Plakate, gefaltet inneliegend
ZusatzInfos
  • Printmagazin der Browse Gallery 2014/2015 begleitend zum Jahresprogramm des Ausstellungszyklus: Inside Out I - die Kreuzberger Bohème 50er bis frühe 70er Jahre.
    Text von Website
Geschenk von Richard Burkart
TitelNummer
013300461
Einzeltitel =

der-freitag-2014-12-23
der-freitag-2014-12-23

Verfasser
Titel
  • der Freitag 23. Dezember 2014 - Nur Mut - Wir können alles ändern. Eine Themenausgabe
Ort LandBerlin (Deutschland) Medium Zeitschrift, Magazin
Techn. Angaben
  • 32 S., 52,5x35 cm, 2 Stück. ISBN/ISSN 09452095
    Blätter lose ineinander gelegt
ZusatzInfos
  • Die Print-Ausgabe des »Freitag« vom 23. Dezember liefert karge Kost: Bildunterschriften und Fotonachweise: ja. Bilder: nein. Medien-Dada? Oder einfach Panne?
    Ein Blog-Beitrag von Freitag-Community-Mitglied Richard Zietz
    Textlastiger als sonst ist bei der neuen Freitag-Printausgabe bereits das Titellayout. »Nur Mut« – Untertitel: »Wir können alles ändern. Eine Themenausgabe«. Mal kein Foto. Sicher – kann man machen. Auf Seite 2 folgt zunächst eine Bilderstrecke – eine lediglich mit Seitennumerierungen betextete Inhaltsangabe der neuen Nummer. Die normalen Beiträge folgen im Freitag-gewohnten Layout. Bis auf – nunja: die schwarzen, leerstehenden Rahmen dort, wo normalerweise Bebilderung platziert ist. Macht der linksliberale Freitag zu Weihnachten einen auf Dada? Auf demonstrative Publikumsverachtung, um uns verwöhnten, faulen Leserinnen und Lesern die Augen zu öffnen für die wesentlichen (im Textteil behandelten) Fragen? ...
    Text von der Webseite
WEB Link
TitelNummer
014434K29
Einzeltitel =

ccmc-we-you-postcard
ccmc-we-you-postcard

Verfasser
Titel
  • we you - We Get The Word Out
Ort LandNikosia (Republik Zypern) Medium PostKarte
Techn. Angaben
  • 2 S., 15x10 cm, keine weiteren Angaben vorhanden
    Postkarte
ZusatzInfos
  • Postkarte des CCMC, Nikosia
TitelNummer
015077601
Einzeltitel =

ccmc-postcard
ccmc-postcard

Verfasser
Titel
  • We Get The Word Out
Ort LandNikosia (Republik Zypern) Medium PostKarte
Techn. Angaben
  • 2 S., 15x10 cm, keine weiteren Angaben vorhanden
    Postkarte
ZusatzInfos
  • Werbepostkarte des CCMC, Nikosia
TitelNummer
015078601
Einzeltitel =

ccmc-fly
ccmc-fly

Verfasser
Titel
  • We Get The Word Out
Ort LandNikosia (Republik Zypern) Medium Flyer, Prospekt
Techn. Angaben
  • 2 S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Flyer,
ZusatzInfos
  • Flyer des CCMC, Nikosia: We help civil society communicate its messages to the public
Sprache
TitelNummer
015079601
Einzeltitel =

ccmc-folder
ccmc-folder

Verfasser
Titel
  • We Get The Word Out
Ort LandNikosia (Republik Zypern) Medium Flyer, Prospekt
Techn. Angaben
  • 8 unpag. S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Ein Blatt, mehrfach gefaltet,
ZusatzInfos
  • Prospekt des CCMC, Nikosia, über die Arbeit des Projektes
Sprache
TitelNummer
015080601
Einzeltitel =

iakb-glueck-2015
iakb-glueck-2015

Verfasser
Titel
  • Glück - Arts Education Community Arts
Ort LandMünchen (Deutschland) Medium Heft
Techn. Angaben
  • 9,3x16,1 cm, keine weiteren Angaben vorhanden
    Drahtheftung, Wendeheft
ZusatzInfos
  • Programmheft zum kulturellen Bildungsprojekt mit Münchner Jugendlichen Arts Education
WEB Link
TitelNummer
015467546
Einzeltitel =

pixxers
pixxers

Titel
  • Join the Movement!
Ort LandLinz (Österreich)
Verlag Jahr
Medium Sticker, Button
Techn. Angaben
  • 21x18 cm, keine weiteren Angaben vorhanden
    3 Buttons und Flyer in transparenter Plastikhülle
ZusatzInfos
  • Need a photo? Don't browse through thousands of stock photos any longer. Simply ask the global community to upload exactly the photo you want!
WEB Link
Geschenk von Reinhard Grüner
TitelNummer
016056577
Einzeltitel =

urban-2016-sommerfest
urban-2016-sommerfest

Verfasser
Titel
  • Urban 2016 - Das Sommerfest der Kunst und Kultur im Münchner Kreativquartier
Ort LandMünchen (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 16 unpag. S., 29,7x10,5 cm, keine weiteren Angaben vorhanden
    Drahtheftung, Risographie
ZusatzInfos
  • Programmheft für das Urban 2016 Sommerfest vom 14.07.-24.07.2016 in München. Gestaltung des Programms Philipp Polder, RisoGraphie Herr & Frau Rio, München
Weitere Personen
TitelNummer
016356586
Einzeltitel =

sheikh-moksha
sheikh-moksha

Verfasser
Titel
  • Moksha
Ort LandGöttingen (Deutschland)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 282 S., 27x22,5 cm, ISBN/ISSN 3865211259
    Hardcover, fadengeheftet, mit Schutzumschlag
ZusatzInfos
  • Fazal Sheikh made his first trip to the holy Indian city of Vrindavan in 2003. Each year thousands of women make their way there to join the community of widows who spend their days in the temples, worshipping their god Krishna, and preparing for death. Over the next three years, Fazal Sheikh became accepted by the widows, who agreed to sit for their portraits and talked to him about their lives. Their stories revealed how powerless some of the women had been under the strictures of traditional Hindu law. They were victims of enforced marriage, physical violence, sexual abuse and neglect. Some had been evicted from the family home once their children were married. Others had left of their own accord. As Fazal Sheikh discovered, what the women find in Vrindavan is not just religious solace, but in the sisterhood of other widows they find companionship and support. In his portraits their faces are suffused with calm – in some cases they already seem to have reached a half-life, somewhere between this world and the next – and their religious faith, in many ways the source of their past troubles, finally brings them peace. This project was published as Moksha
    Text von Website
Sprache
TitelNummer
016580604
Einzeltitel =

dogfood-issue04_2015
dogfood-issue04_2015

Verfasser
Titel
  • DOGFOOD issue 04
Ort LandBrooklyn, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 70 S., 29,5x21,5 cm, keine weiteren Angaben vorhanden
    Blätter lose zusammengelegt, einmal gefaltet
ZusatzInfos
  • DOG FOOD is a photography newspaper born out of the Istanbul photo community that combines mostly archival material mixed with a dash of cynicism. The dog was the symbol of the cynics so we question our practices and have some creative fun doing it.
    Text von der Webseite
Stichwort
TitelNummer
016633607
Einzeltitel =

Titel
  • Odos Eleftherias - Freedom Street
Ort LandNikosia (Republik Zypern)
Verlag Jahr
Medium Plakat
Techn. Angaben
  • 59x42 cm, keine weiteren Angaben vorhanden
    Plakat
ZusatzInfos
  • In the context of a continuous and persistent spiritual quest in the field of Greek art and its history, the artist Christos Bokoros appears —through simple themes and earthy, warm materials— to win an important battle. He has silently found a subtle and significant way of stripping bare certain symbols—his own ‘signs’: a way of isolating those symbols from anything unnecessary and superfluous, and of drawing the community’s attention to them by revealing them to be purified, resurrectional and full of fire.
    Through the presentation of a series of paintings entitled ‘ODOS ELEFTHERIAS’, Bokoros ventures a direct discourse of these ‘signs’ with buildings and streets that are adjacent to, or end up at, Lefkosia’s Green Line. Many of these buildings have suffered damages and decay. One could say that in their own way they constitute a second crevice near the Green Line that divides the state. It is in these fissures that the artist sets up - plants - his ‘ODOS ELEFTHERIAS’, in the hope of giving the city’s centre new fruits and joyous vibrations—in a silent and honest alliance with all the indigenous revitalizing forces
Stichwort
WEB Link
Geschenk von the Office Gallery
TitelNummer
016887079
Einzeltitel =

fax-heart-1994
fax-heart-1994

Titel
  • FAX HeART - International Fax Art Project
Ort LandNovi Sad (Serbien)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 12 unpag. S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Blätter gefaltet, lose ineinander gelegt,
ZusatzInfos
  • Begleitheft zum Projekt. The idea to initiate the FAX HeART project had been conceived during the total blockade of Serbia by the whole world community, when even cultural relations with us, i.e. exchange of art works, exhibitions and publications, were bannend. Our desire had been to break through the blockade by telefax and make contact with as many artists from all over the world as possible. The effects and results of this campaign were splendid. As scheduled, on October 20, 1994, between 5 and 9 o'clock p.m. more than a hundred faxes arrived from various parts of the world.
    Text aus dem Heft.
Geschenk von Klaus Groh
TitelNummer
017362634
Einzeltitel =

Mail-Art-Dokumentation-1992
Mail-Art-Dokumentation-1992

Titel
  • Mail Art Documentation 1992
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Heft
Techn. Angaben
  • 23 unpag. S., 28x21,7 cm, keine weiteren Angaben vorhanden
    EinzelBlätter geklammert, mit zahlreichen schwarz-weiß Abbildungen,
ZusatzInfos
  • Dokumentation von The Mercer Gallery of Monroe Community College of the State University of New York, 5th Mail Art Exhibition in the Montage 93 International Festival of the Image, 11.07.-07.08.1993, u. a. mit Einladungen zu anderen Mail-Art-Projekten
Sprache
Stichwort
Geschenk von Klaus Groh
TitelNummer
017544637
Einzeltitel =

the-voice-no-38
the-voice-no-38

Verfasser
Titel
  • the voice. No 38 Dialog mit der Swatch Community
Ort LandBiel (Schweiz)
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 100 S., 28x21 cm, keine weiteren Angaben vorhanden
    Broschur, verschiedene Papiere
ZusatzInfos
  • Mit einem Sonderteil zur Biennale di Venezia 2011
Stichwort
WEB Link
TitelNummer
017684626
Einzeltitel =

allen-artists-magazines
allen-artists-magazines

Verfasser
Titel
  • Artists' Magazines - An Alternative Space for Art
Ort LandCambridge, MA / London (Vereinigte Staaten von Amerika / Großbritannien)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 368 S., 24,8x19 cm, ISBN/ISSN 9780262528412
    Broschur
ZusatzInfos
  • Originalausgabe von 2011.
    During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists’ Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
    Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists’ postage stamps, and collectible chapbooks, Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions, and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists’ Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
    Text von der Webseite
    Erwähnt werden neben vorwiegend amerikanischen Magazinen auch europäische Magazine
Sprache
TitelNummer
023614657
Einzeltitel =

erbacher-promises
erbacher-promises

Titel
  • PROMISES
Ort LandBangalore (Indien) Medium Buch
Techn. Angaben
  • 40 S., 14,8x21 cm, keine weiteren Angaben vorhanden
    Broschur, Digitaldruck
ZusatzInfos
  • The Pepsi Challenge
    Oversized ‘promises’ in the form of real estate advertisements are promoting the new city along the lines of global real estate and living standards. ‘The perfect union to all you desire’ and ‘We believe luxury is best served in small quantities’ first seen along Varthur Road in Whitefield, Bangalore, caught my attention. The second one leaves a particularly ironic, tangy, protestant-flavoured impression, seen from the German point of view.
    Questions emerged about the Indian caste system, the sense of community, modesty and personal goals.
    The design of this urbanity also reminds me of earlier journeys to the United Arab Emirates and Shanghai. The new urbanity becomes exchangeable, custom-tailored and its ‘ultra-luxurious villas’ accessible ‘for the chosen few’ of the Pepsi Generation.
    But what happens to the majority of a city’s population and its needs, uncertain ownership and neglect of basic amenities? Can it withstand the pressure flashed on every corner of the city? Do these promises affect social cohesion? ...
    Text von der Webseite
Weitere Personen
Sprache
Stichwort
Geschenk von Maximilian Erbacher
TitelNummer
024222645
Einzeltitel =

experi-mental-festival-7-2016
experi-mental-festival-7-2016

Titel
  • Experi-MENTAL Festival 7 - An Exploration In Sound and Video
Ort LandBrooklyn, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium PostKarte
Techn. Angaben
  • 15,2x10,1 cm, keine weiteren Angaben vorhanden
    Karte
ZusatzInfos
  • Werbekarte zum Festival vom 01.-04.09.2016 in New York. The festival is run by the Brooklyn based experimental audio/video project Pas Musique and Alrealon Musique. The festival focuses on new and innovative techniques of sound technique and performance. We are focused in developing a network of experimental arts that are supportive of their peers. It is not about ego but about community.
    Text von der Webseite
Geschenk von Stefan Brand
TitelNummer
024712677
Einzeltitel =

leonard-i-want-a-president
leonard-i-want-a-president

Verfasser
Titel
  • I want a president
Ort LandRoma Norte , Mexiko City (Mexiko)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [36] S., 10,5x8 cm, ISBN/ISSN 9876079745080
    Broschur, Risographie
ZusatzInfos
  • Das Gedicht-Manifest "I want a president" wurde inspiriert von der Ankündigung Eileen Myles, einer Freundin Zoe Leonards, sich 1992 als Präsidentschaftskandidatin aufstellen zu lassen. Sie trat gegen George H. W. Bush, Bill Clinton und Ross Perot an. Myles Identität stand im harten Kontrast zu der ihrer wohlhabenden männlichen Kontrahenten: Myles ist eine lesbische Frau und Teil einer Community, die sowohl von Armut als auch AIDS betroffen ist.
    Ursprünglich sollte das Gedicht in einem LGBT-Magazin abgedruckt werden, stattdessen geriet es fotokopiert in Umlauf und wurde weiterverbreitet. Die "Vice" bezeichnete es als das erste "Pre-Internet-Meme".
Weitere Personen
Sprache
Geschenk von Marlene Obermayer
TitelNummer
024841661
Einzeltitel =

aegerter-healing-plants-for-hurt-landscapes-mappe-aussen
aegerter-healing-plants-for-hurt-landscapes-mappe-aussen

Verfasser
Titel
  • Healing Plants For Hurt Landscapes
Ort LandAmsterdam (Niederlande)
Verlag Jahr
Medium Heft / Mappe
Techn. Angaben
  • [56] S., 36,6x30 cm, Auflage: 1.050, signiert, ISBN/ISSN 9789081460606
    Mappe mit einem Heft (Drahtheftung, signiert)
ZusatzInfos
  • This artist’s book is the result of Herbarium Cataplasma, a twofold community art project that Laurence Aëgerter developed at the invitation of the city of Leeuwarden in Friesland, the Netherlands. Aëgerter led a careful reconstruction of the plan of the medicinal garden of the medieval Abbey of Saint Gall on an unused plot of land in Leeuwarden, which was once part of a convent. This project was realized in collaboration with the local residents. Aëgerter also invited the residents for a symbolical healing ritual of destroyed landscapes. She selected 100 images by searching the web for photographs of disasters created by nature and man throughout the world.
    Participants were invited to treat the photographs of destroyed landscapes with the medicinal plants from their newly built garden, with appropriate herbal therapies (e.g. cannabis for anxiety relief or ginger against pain from burns). As the source images were mainly used as news photographs, Aëgerter’s book relates to a newspaper design.
    The research, proces and results of Herbarium Cataplasma are gathered on the blog Herbarium Cataplasma
    Text von der Webseite.
Sprache
Geschenk von Beatrice Hernad
TitelNummer
025114K48
Einzeltitel =

50_ghalamdar
50_ghalamdar
50_ghalamdar

Ghalamdar: Diaries of a vandal, 2017

Verfasser
Titel
  • Diaries of a vandal
Ort LandMünchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke, Nr.050 aus der Reihe 100for10
    GhalamDAR (“the writer” in Farsi) born in 1994, is an UK based Emerging artist working primarily as a graffiti artist and illustrator since 2006. He is an active member of Calligraffiti ambassadors’ community and one of the artists who’s playing a key role in the graffiti scene of his country, Iran. He is counted between the four major and most recognized Iranian street artists by “Art Radar Journal” in 2015.
    Text von der Webseite.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026341741
Einzeltitel =

41_thomas_lail02
41_thomas_lail02
41_thomas_lail02

Lail Thomas: all our pretty yesterdays, 2017

Verfasser
Titel
  • all our pretty yesterdays
Ort LandMünchen (Deutschland) Medium Buch
Techn. Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke, Nr. 041 aus der Reihe 100for10.
    Thomas Lail is an artist and musician who exhibits in the United States and internationally. He is represented in New York by Masters Projects. Lail performs and records with soundBarn and Location Ensemble. He has published numerous reviews and essays including two catalogue essays on the work of Robert Longo and publishes poetry and experimental writing through soundBarn Press. Thomas Lail is Associate Professor of Fine Arts at Hudson Valley Community College, SUNY in Troy, NY. He lives and works in Kinderhook and Brooklyn, NY with artist Tara Fracalossi and their son, Coltrane.
Sprache
Geschenk von Melville Brand Design
TitelNummer
026390741
Einzeltitel =

Welch Chuck, Hrsg.: Eternal Network - A Mail Art Anthology, 1995

welch-eternal-anthology
welch-eternal-anthology
welch-eternal-anthology

Welch Chuck, Hrsg.: Eternal Network - A Mail Art Anthology, 1995

Verfasser
Titel
  • Eternal Network - A Mail Art Anthology
Ort LandCalgary, AB (Kanada) Medium Buch
Techn. Angaben
  • 304 S., 28x22,8 cm, ISBN/ISSN 1895176271
    Broschur, Softcover, umschlagen mit Klebefolie, mit Bibliotheks-Strichcode am Buchrücken und auf der Rückseite, Schnitt mehrmals gestempelt
ZusatzInfos
  • Eternal Network is the first university press publication to explore the historical roots, aesthetics and new directions of contemporary art in essays by prominent, international mail art networkers from five continents. This forty-chapter illustrated book examines the free exchanges and collaborations of an international community[...].
    Text aus dem Buch.
Sprache
TitelNummer
026396743
Einzeltitel =

tgm2018
tgm2018

Verfasser
Titel
  • You're my type - Programmbuch 2018
Ort LandMünchen (Deutschland) Medium Buch
Techn. Angaben
  • 20,5x13,5 cm, keine weiteren Angaben vorhanden
    4 Bände in Schuber. Schuber geprägt in Gold und Schwarz, Rückseite mit Umkehr der Farben. einzelne Cover mit Reliefprägung, geometrische Formen, Farbschnitt schwarz. Einzelne Bände in Schweizer Broschur (Umschlag nur auf Rückseite angeklebt, Rücken mit Gewebestreifen eingefasst). Bd. 1 130 S., letzte Seite mit Kalender als Fold-Out. Bd. 2 160 S., Bd. 3 96 S., Bd. 4 Blindband, (Notizbuch), 72 S.
ZusatzInfos
  • The Typographic Society Munich is the largest organisation in Europe for typographers and people who are interested in typography and design. Since being founded in 1874 the designers’ club establishes a foundation for sophisticated and interdisciplinary thinking and dialogues among content and form, text and photo, tradition and innovation, design and technology. The tgm represents quality and education for the branch of communication and offers a huge accompanying training program. As Chairwoman of the club I curated several lectures in the last years, inviting design and typography celebrities.Throughout the years designers like Stefan Sagmeister, Mirko Borsche, Eike König, Mario Lombardo, Sascha Lobe, Fons Hickmann, Amir Kassaei or Kurt Weidemann to name a view, followed these invitations and appreciated the warm welcome of our community.
    To show the wide range of offerings we traditionally create a yearbook. More over I tried to give the content based complexity of our proposal a clear and neat arrangement. Therefore the new release is a compilation of four different books, which should invite the reader to inform themselves, to browse, to experience and to participate. The first one exposes all the topics, facts and dates for the further education programs. Part two presents all the people and their stories who are involved in the club, who are on stage and behind the scenes. The third book is a journey into the past and also the future of tgm’s conferences, excursions and other specials. And finally there is room for the reader’s own ideas, experiences and criticism as a foundation for a future dialogue with tgm.
    Every offer under the roof of tgm is a result of solidarity. It is a result of people and companies who are united by the common interest in typographic quality. This project has only been possible with the support of Kösel Druck GmbH & Co Kg, Geese Paper, mycolorserver and the collaboration with Boah Kim.
    Text von der Webseite
Weitere Personen
Sprache
TitelNummer
026526709
Einzeltitel =

monok-46-kere
monok-46-kere

Verfasser
Titel
  • MONO.KULTUR #46 Francis Kéré - Of Clay and Community
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zeitschrift, Magazin / Heft
Techn. Angaben
  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, gedruckt auf verschiedenem Papier, teilweise farbig
ZusatzInfos
  • In our most colourful issue yet, we step into the life and work of architect Francis Kéré, known in equal measure for his lighthearted and innovative architecture, his remarkable background, and his infectious sense of optimism. Kéré has completed numerous projects both in Africa and beyond, including schools, medical centres, cultural institutions, and temporary installations, such as the renowned annual Serpentine Pavilion in 2017. Frequently relying on local materials and infrastructure, his work is marked by a profound simplicity and refreshing lightness, meeting technical problems with surprising and seemingly effortless solutions. It reflects his attitude that architecture should, in its most primary function, seek to improve the lives of the people who inhabit it. With mono.kultur, Francis Kéré talked about his long trajectory from a remote village in Africa to Berlin, his steadfast belief in optimism, and what makes a tree a perfect piece of architecture. Designwise, we followed Kéré’s principle to work with what is at hand, sourcing papers from dead stock at our printers’, essentially using an assortment of leftovers. And colour, of course, with the issue based on the national colours of Burkina Faso, paying tribute to the idea of culture as a shared ground to build upon.
    Text von der Website.
Weitere Personen
Sprache
TitelNummer
026632737
Einzeltitel =

paper-politics-mcphee
paper-politics-mcphee

Verfasser
Titel
  • Paper Politics - Socially Engaged Printmaking Today
Ort LandOakland, CA (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Buch
Techn. Angaben
  • 164 S., 22,8x15,3 cm, ISBN/ISSN 9781604860900
    Broschur
ZusatzInfos
  • Paper Politics: Socially Engaged Printmaking Today is a major collection of contemporary politically and socially engaged printmaking. This full-color book showcases print art that uses themes of social justice and global equity to engage community members in political conversation. Based on an art exhibition that has traveled to a dozen cities in North America, Paper Politics features artwork by over 200 international artists. an eclectic collection of work by both activist and non-activist printmakers who have felt the need to respond to the monumental trends and events of our times.
    Text von der Website.
Weitere Personen
Sprache
TitelNummer
026904757
Einzeltitel =

carted-konvolut19
carted-konvolut19

Verfasser
Titel
  • cARTed - Konvolut
Ort LandSiouville (Frankreich)
Verlag Jahr
Medium PostKarte / Text
Techn. Angaben
  • 29,7x21 cm, 3 Teile. keine weiteren Angaben vorhanden
    Postkarte, zwei Blätter, lose, gefaltet
ZusatzInfos
  • Information und Anmeldebogen zum Projekt von cARTed. Postkarte mich persönlichem Anschreiben. Simple yet centrifugal yet extraverted, designed to cause accidental encounters between scattered artist's networks. cARTed is developing around cooperative publication of postcards.
    Text vom Blatt.
WEB Link
Geschenk von Horst Tress
TitelNummer
026989642
Einzeltitel =

miss-read-2019
miss-read-2019

Titel
  • SMIS DEAR - Miss Read - The Berlin Art Book Fair 2019 - Conceptual Poetics Day
Ort LandBerlin (Deutschland) Medium Buch
Techn. Angaben
  • 82 S., 24x17 cm, Auflage: 2.000, 2 Stück. 4 Teile. ISBN/ISSN 9783868741056
    Broschur. Mit eingelegtem Programm des Conceptual Poetics Day, von Natalie Czech, Ausstellerverzeichnis und -plan, Postkarte.
ZusatzInfos
  • zur Veranstaltung vom 03.-05.05.2019 im Haus der Kulturen der Welt. Gestaltung des Kataloges Moritz Grünke. MISS READ: The Berlin Art Book Fair 2019 will take place on May 3th to 5th at Haus der Kulturen der Welt and will bring together a wide selection of publishers, art periodicals and artists/authors (267+ exhibitors for 2018). In conjunction, the seventh Conceptual Poetics Day will explore the imaginary border between visual art and literature. Founded in 2009, MISS READ is Europe’s major Art Book Festival, dedicated to community-building and creating a public meeting place for discourse around artists’ books, conceptual publications and publishing as practice.
    Text von der Webseite
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Sprache
WEB Link
Geschenk von Albert Coers
TitelNummer
027012763
Einzeltitel =

leonhard-i-want-a-president
leonhard-i-want-a-president

Verfasser
Titel
  • I want a president
Ort LandStockholm (Schweden)
Verlag Jahr
Medium Text
Techn. Angaben
  • 29,7x21 cm, keine weiteren Angaben vorhanden
    Inkjetdruck nach PDF-Ausdruck, mit handschriftlicher Notiz von Maria von Mier
ZusatzInfos
  • Das Gedicht-Manifest von Zoe leonhard von 1992 "I want a president" wurde inspiriert von der Ankündigung Eileen Myles, einer Freundin Zoe Leonards, sich 1992 als Präsidentschaftskandidatin aufstellen zu lassen. Sie trat gegen George H. W. Bush, Bill Clinton und Ross Perot an. Myles Identität stand im harten Kontrast zu der ihrer wohlhabenden männlichen Kontrahenten: Myles ist eine lesbische Frau und Teil einer Community, die sowohl von Armut als auch AIDS betroffen ist.
    Ursprünglich sollte das Gedicht in einem LGBT-Magazin abgedruckt werden, stattdessen geriet es fotokopiert in Umlauf und wurde weiterverbreitet. Die "Vice" bezeichnete es als das erste "Pre-Internet-Meme".
Sprache
Geschenk von Maria von Mier
TitelNummer
027038661
Einzeltitel =

begleitmaterialien-ruine-1
begleitmaterialien-ruine-1
begleitmaterialien-ruine-1

Stein Sebastian, Hrsg.: Begleitmaterialien zur RUINE #01, 2017

Verfasser
Titel
  • Begleitmaterialien zur RUINE #01
Ort LandHannover (Deutschland)
Verlag Jahr
Medium Heft
Techn. Angaben
  • [36] S., 23,2x17 cm, Auflage: 250, keine weiteren Angaben vorhanden
    Drahtheftung, 6 mit Tesafilm eingeklebte rechteckige Papiere, stehen teilweise über den Rand hinaus
ZusatzInfos
  • Die Begleitmaterialien entstehen parall zur RUINE, einer fortlaufenden Serie von Veranstaltungen, Workshops, Ausstellungen, Publikationen und anderen Formaten. Text aus dem Heft.
    Das ruine hq ist wohl vor allem Träger der Serie RUINE. In dieser geht es eher darum, exzessiv und sich selber verunsichernd in der ruinierten Gegenwart herumzuflanieren und zu trippen, als sich in erschöpfenden Beschreibungen und Analysen der aktuellen Verhältnisse
    zu verlieren. Das Ganze in der Absicht, verschiedene Handlungsmodi für diese Situation, wie auch einen freundschaftlichen Zusammenhang von Involvierten, eine Desaster-Community herzustellen. Zurzeit bespielt das ruine hq einen Raum in der Zukunftswerkstatt, Ihmeplatz 7E im Ihme-Zentrum, Hannover
    Text von der Webseite
WEB Link
WEB Link
Geschenk von Sebastian Stein
TitelNummer
027226762
Einzeltitel =

saveri-18
saveri-18

Verfasser
Titel
  • 18
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Zine
Techn. Angaben
  • [24] S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Drahtheftung, Schwarz-Weiß-Fotokopien
ZusatzInfos
  • wahrscheinlich entstanden am 24.02.2016 in Istanbul. Türkische Motive.
Weitere Personen
Sprache
Geschenk von Matthias Stadler
TitelNummer
027362774
Einzeltitel =

mauler-duka
mauler-duka
mauler-duka

Ida Nowhere: duka, 2018 ab

Verfasser
Titel
  • duka
Ort LandBerlin (Deutschland) Medium PostKarte
Techn. Angaben
  • 14,8x10,4 cm, keine weiteren Angaben vorhanden
    Postkarte
ZusatzInfos
  • Information über die gemeinnützige Foto-Dunkelkammer im Kulturverein und Projektraum Ida Nowhere Berlin
Sprache
Geschenk von Christoph Mauler
TitelNummer
028341901
Einzeltitel =

booklyn-no-sew-mask
booklyn-no-sew-mask
booklyn-no-sew-mask

Descartes Jan: No Sew Mask - Hand Stitched Mask, 2020

Verfasser
Titel
  • No Sew Mask - Hand Stitched Mask
Ort LandNew York, NY (Vereinigte Staaten von Amerika)
Verlag Jahr
Medium Zine
Techn. Angaben
  • 11x7,2 cm, keine weiteren Angaben vorhanden
    doppelseitige Schwarz-Weiss-Kopie auf mehrfach gefaltetem und eingeschnittenem rosafarbenem Einzelblatt
ZusatzInfos
  • Aus dem Booklyn-Archiv. Beidseitig je eine Bastel Anleitung für eine Community-Maske - mit und ohne Nähen.
Sprache
TitelNummer
029172090
Einzeltitel =

032c_quarantine-2020
032c_quarantine-2020
032c_quarantine-2020

Koch Joerg, Hrsg.: 032c Fanzine - Quarantäne!, 2020

Verfasser
Titel
  • 032c Fanzine - Quarantäne!
Ort LandBerlin (Deutschland)
Verlag Jahr
Medium Zine
Techn. Angaben
  • [40] S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Farblaserdruck, gefaltete Einzelblätter, mit Gummiband zusammengehalten. PDF-Download von der Webseite
ZusatzInfos
  • “We want you to GO INSIDE — your house, and your self. Everything is about interiors now: the interior of your home, your mind, your archive, your hard drive. Mine it all for insight and purpose.
    Once that’s done, show off what you find – just because you’re alone doesn’t mean you can’t share from within. There is no such thing as “too much information” now; COVID-19 took out “TMI.” In fact, there is no more “enough” — enough data, enough circulation, enough fodder. Binge on it. Burn out on it. Document it. Post it. Build a website for it. Get turned on by it. Get freaked out by it. Open up your screens, talk about your dreams, slide into those DMs. Get dressed up to go absolutely nowhere. Never go out, but leave nothing “behind the scenes” – there is no “behind,” and no “in front of” either. There is only “now,” and it is Big and Flat. Closeness happens at a distance here, but dialogue has never been this intimate. Your private hygiene is a matter of public health, your personal cloister backdrops community debate. Dualities — east and west, north and south, us and them, out and in — melt into each other and coat the old world like lava, like an act of god. In the New Interior isolation is a commons, the self that inhabits it is a collective. Historical moments stack vertically and occur simultaneously, around the globe. Welcome to the novel sanctum sanctorum, the single-occupant House of We.
    Text von der Webseite
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Sprache
TitelNummer
029230802
Einzeltitel =


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