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 Hinweis zum CopyrightAAP Archive Artist Publications - Munich - www.artistbooks.de
the-2015-baltimore-uprising
the-2015-baltimore-uprising
the-2015-baltimore-uprising

Anonym: The 2015 Baltimore uprising - a teen epistolary, 2015

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  • The 2015 Baltimore uprising - a teen epistolary
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  • [270] S., 15,2x10 cm, ISBN/ISSN 978-1-939202208
    Broschur
ZusatzInfos
  • First published as a zine in the wake of the Baltimore Uprising, this small book is packed with tweets from Baltimore teens sounding off on the death of Freddie Gray in police custody and the unrest in the days that followed. These tweets tell a story that the mainstream media chose to ignore; these voices deserve to be heard.
    An unfiltered, journalist-free quasi-oral history of the 2015 teenager-led uprising following the killing of Freddie Gray in the back of a Baltimore police van.
    Texte von Webseiten
    Ausgesondertes Exemplar aus der BaltimoreCountry Public Library 2016
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Erworben bei Better World Books
TitelNummer

schraenen-icc-umschlaege-1981-1982

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Titel
  • Krononauts - Antwerp Mail Art-ist Encounter 3 - 4 October 1981
Ort Land
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  • 11,5x22,8 cm, 2 Teile. keine weiteren Angaben vorhanden
    Zwei Briefumschläge, bestempelt, Briefmarken
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  • Luftpostumschlag zur Mail Art Veranstaltung Antwerp Mail Art-ist Encounter 03.-04.10.1981.
    9 march 1982, on this day in 1982: "Krononauts" hosted an event in Baltimore, Maryland asking time-travelers to meet and demonstrate future science methods of time travel.
    Von Small Press Communication Archive an Hubert Kretschmer
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innen-crawford

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Titel
  • Selected works from 1990's
Ort Land
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  • [32] S., 19x13 cm, Auflage: 500, keine weiteren Angaben vorhanden
    Drahtheftung, Schwarz-Weiss Offsetdruck
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  • The William Crawford Estate is owned and represented by Ampersand Gallery. William Crawford's drawings were discovered in an abandoned house in Oakland, California. His work brings to mind characteristics of prison drawings, an impression confirmed by the fact that several were made on the backs of prison roster sheets dated 1997. These printouts, however, were cut down the middle, so the exact prison from which they originate is unknown. But given their origin in the Bay Area and the fact that several drawings include San Francisco landmarks, it's possible that Crawford made the work in a California state prison. Other than this information drawn from the archive itself, nothing is known about Crawford's life. Indeed, we only know his name because he signed just a few of the drawings, either as Bill, William or WM Crawford. The archive appears to have consisted of several books, with individual drawings in sequences of 30 or more adding up to tell complex visual stories. Several include written captions or fragments of conversation between male and female characters. These sequences, however, have been broken up over the years and reach us now in a fragmentary and fascinating collection of hundreds of delicate pencil drawings. The work conveys the intense sense of sexual longing of a man with an urge to tell dynamic stories. The drawings, which resemble the eroticism of Eric Stanton, the exaggerated male anatomy of Tom of Finland or the ample breasts of a John Currin, show scantily dressed women, drug use, cuckolding and orgies. The details of his interiors, the hairdos and style of dress suggest that Crawford might have come of age in the late 70s or early 80s. A cast of recurring figures populate the drawings, notably one man with a short afro and a moustache who often figures at the center of events, presumably the artist William Crawford himself. Remarkably, given the number of drawings, there is little to no repetition in the work. Crawford’s inventive eye for sexual positions, facial expressions and gestures of hand and body was vast and masterful. Simple geometric details and architectural subtleties define the unusual settings where the action unfolds. We see rooms shown from unusual angles, features that are hinted at, erased or altogether omitted and articles of clothing that are drawn with obsessive precision. This singular and original drawing style compels us to immerse ourselves in the world William Crawford created, more dream than documentation, more fantasy than perversion. Crawford's drawings have been widely exhibited, notably at Galerie Susanne Zander (Cologne and Berlin), Zieher, Smith and Horton (New York), Freddy (Baltimore) and upcoming solo exhibitions at FARAGO (Los Angeles) and Richardson (New York). His work is also featured in the latest issue of Richardson Magazine and was included in "System and Vision" at David Zwirner, an exhibition organized in collaboration with Delmes & Zander. Reviewing it, The New Yorker wrote, "William Crawford's orgiastic illustrations on the backs of prison rosters haven an erotic intensity that rivals anything by Hans Bellmer or Pierre Klossowski."
    Text von der Webseite
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Erworben bei Aaron Fabian
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uwe poth

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  • Tools - Artes Liberalis
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  • 8 S., 21x15 cm, keine weiteren Angaben vorhanden
    Faltkarte zur Ausstellung
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Erworben bei Uwe Poth
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seet van hout

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  • Melancholy Girls
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  • 8 S., 21x15 cm, keine weiteren Angaben vorhanden
    Leporelloartig gefaltete Karte. Visitenkarte eingelegt
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Geschenk von
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artist music journals 1 3 daniel higgs 2009
artist music journals 1 3 daniel higgs 2009
artist music journals 1 3 daniel higgs 2009

Higgs Daniel: Artist Music Journals Vol. 1 No. 03, 2009

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Titel
  • Artist Music Journals Vol. 1 No. 03
Verlag Jahr
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  • [24] S., 26,5x26,5 cm, Auflage: 1.000, numeriert, keine weiteren Angaben vorhanden
    Drahtheftung, Heft in Pappschuber mit Aufkleber
ZusatzInfos
  • Artist Music Journal is an ongoing, limited edition small book series published by Sound Screen Design that focuses on the inseparable connection between music and art. Each release is limited to 1,000 copies, features a 24 page, saddle-stitched small book printed on thick stock and encased in a 10″., record jacket. The artists signature is replicated on a letterpressed sticker placed around the jacket opening, and hand numbered.
    Daniel Higgs is a musician and artist from Baltimore, Maryland, who has been a contributor to the independent art and music community for nearly 3 decades. His artistic work ranges from musical records to books of poetry to visual collections of his drawing, painting and collage work
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Verfasser
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  • The 2015 Baltimore Uprising - A Teen Epistolary
Verlag Jahr
Medium

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  • keine weiteren Angaben vorhanden
ZusatzInfos
  • Aus dem Booklyn-Archiv
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Erworben bei Booklyn
TitelNummer

tomaru-western-taste

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  • Western Taste
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  • [2] S., 42x29,7 cm, keine weiteren Angaben vorhanden
    Einzelblatt, gefaltet
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  • Infoblatt zu Büchern und Zines von Philip Tomaru, vor allem über das Highfield House von Mies van der Rohe in Baltimore von 1965, und andere Titel zu architektonischen Themen.
    Printed in Berlin
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