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Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

marafioti-for-everard-1
marafioti-for-everard-1
marafioti-for-everard-1

Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

Titel
  • For Everard Vol. 1-11
Verlag Jahr

Technische
Angaben
  • [12-16] S., 20,6x13,5 cm, Auflage: 100, signiert, 12 Teile. keine weiteren Angaben vorhanden
    11 Hefte, Schwarz-Weiß-Laserkopien, Drahtheftung, Aufkleber
ZusatzInfos
  • About the series:
    The For Everard zine series chronicles the 1977 fire at New York's Everard Baths, combining archival research with imagined narratives to re-focus attention to obscured histories. The series explores the media coverage of the subsequent investigation of the fire, and the lives of the nine men who perished. The zines bring together photographic images with primary news sources, as well as personal anecdotes collected from eyewitness testimonials.
    About the individual zines:
    For Everard, Vol. 1, 2013, ed. 100 (nr. 65)
    This zine chronicles the May 25, 1977 fire at New York's Everard Baths and the media coverage of the subsequent investigation.
    For Everard, Vol. 2 (Bloodbrothers), 2013, ed. 100 (Nr. 81)
    In the second volume of his series chronicling the 1977 fire at New York’s Everard Baths, Anthony Malone focuses on Bellevue Hospital’s blood drive for the victims of the great bathhouse tragedy. Malone draws parallels between the 1977 restrictions placed on gay men for donating blood to their “brothers” and current FDA guidelines that indefinitely defer donations from men who have had sex with men since 1977. This black and white photocopied zine (ed 100) juxtaposes archival images, news clippings, and just a touch of fantasy.
    For Everard, Vol. 3 (Remembering Jimmy), 2015, ed. 100 (Nr. 94)
    Volume 3 of the series, For Everard is dedicated to the memory of Jimmy Stuard, who died in the tragic fire at the Everard Baths in 1977. Stuard was a rising star in the disco music scene. He spun records first at Boston’s 1270 Club, and later at New York’s 12 West, where he inspired an entire generation of musical artists and DJs. In this particular volume, Anthony Malone assembles images and archival texts that serve as a tribute to the great Jimmy Stuard.
    For Everard, Vol. 4 (A Lovely Show), 2016, ed. 100 (Nr. 62)
    For Everard, Vol. 4 (A Lovely Show) is a tribute to Kenneth Hill, one of the nine men who died in the devastating fire at the Everard Baths in 1977. Kenn played a vital role in the East Village/Lower East side countercultural movement in the late ‘60s and 1970s. He was a hippie, a bar tender at Phebe’s (a watering hole and salon for the experimental theater community in the 1970s), one of the founders of the Old Reliable Theatre Tavern, House Manager at La Mama Experimental Theatre Club, and a photographer. This zine celebrates Kenneth Hill by collaging archival documents with personal artifacts and pictures of Kenn from meaningful moments in his life.
    For Everard, Vol. 5 (A Dearly Loved Man), 2017, ed. 100 (Nr. 95)
    For Everard, Vol. 5 (A Dearly Loved Man) assembles images and stories from the life of Ira Landau, a gifted and dedicated teacher who died in the tragic fire at the Everard Baths in 1977. Ira left behind a devoted family (his mother, brother, niece, and lover) and is still greatly missed by his loved ones. This zine is a tribute to the life and accomplishments of a remarkable man who served in the Peace Corps and committed himself to educating young minds both abroad (in the Middle East) and at home in the US. It contains family photos and personal images generously contributed by Ira’s niece.
    For Everard, Vol. 6 (Yosef’s Song), 2017, ed. 100 (Nr. 94)
    Volume 6 of the series For Everard celebrates the life of a remarkable musical prodigy, Yosef Synovec. This zine tells the story of a young man with great aspirations who emigrated to the United States from Czechoslovakia to study classical violin. In 1976, Holly Woodlawn overheard Synovec vocalizing as he was painting the bathroom of his East Village apartment, and determined on the spot that she had discovered an emerging star. As a singer, Synovec used his extreme vocal range to imitate the voice and persona of Peruvian diva Yma Sumac. He performed Sumac’s exotic musical numbers at several New York City cabarets and show venues. Sadly, on May 25, 1977, Yosef perished in the tragic fire at the Everard Baths.
    For Everard, Vol. 7 (Tony from the Bronx), 2017, ed. 100 (Nr. 86)
    This zine brings together images and stories from the life of Tony Calarco, one of the nine men who died in the fire at the Everard Baths in 1977. Tony was only 26 when he died. He lived with his parents and siblings in a modest house in the Bronx. He had recently graduated from college and was working as a social worker in New York city at the time of his death. Tony had aspirations to become a lawyer and was scheduled to begin law school in September of 1977. This zine celebrates Tony Calarco’s memory through photos of Tony, artifacts from his high school and college years, and recent photographs of his home and final resting place.
    For Everard, Vol. 8 (Looking for Amado), 2017, ed. 100 (Nr.84)
    Amado Alamo, a young man only 17 years old, lost his life in the fire at the Everard Baths in 1977. In Volume 8 of For Everard, Anthony Malone documents his search for the identity of the youngest victim of the Everard fire. The zine is an abstracted portrait of Alamo that assembles the few extant fragments of his story culled from newspaper articles and documentary sources glued together with the artist’s imagination.
    For Everard, Vol. 9 (Last Call), 2017, ed. 100 (Nr.72)
    Life was difficult for Hillman Wesley Adams. He was born in Jacksonville FL in 1938. His mother died just a few months after his birth, and by the age of nine, he found himself in an orphanage with his older brother. Fast forward 30 years: Hillman moved to NYC, struggled to make ends meet while working on and off as a bartender, and he met his lover, Ralph, with whom he shared a modest apartment in New Jersey. On May 25, 1977, Hillman died in the fire at the Everard Baths. Vol. 9 of For Everard is an assemblage of newspaper articles and vintage photos chronicling the life and untimely death of Hillman Wesley Adams.
    For Everard, Vol. 10 (In Memoriam: Patrick Nott), 2018, ed. 100 (Nr. 64)
    Volume 10 of For Everard memorializes the life of Patrick Nott, one of the nine men who died in the fire at the Everard Baths. Nott, a native of Wales with a passion for theater, literature, and music, pursued a successful career in hairdressing. He fell in love with his pen pal (a young woman from Brooklyn) and after their marriage, they moved to New York City, where Nott worked at the Vidal Sassoon Salon. This zine weaves together elements from his story (shared with the artist by Patrick Nott’s wife), with photographs, newspaper clippings, and artifacts. It acts as a humble tribute, an “In Memoriam” for this greatly loved man.
    For Everard, Vol. 11 (Thunderbird), 2019, ed. 100 (Nr. 79)
    Brian Duffy was an aspiring artist. In 1966 he was accepted to Pratt Institute of Art and although he declined admission to the school, he seized the opportunity to move to NYC and start a new life for himself. In the city, he worked hard at various retail jobs and tried to break into the theater, but everything changed when he met the love of his life, Bradley. The couple moved to a “quieter life” in Boston. They worked in restaurants in the Back Bay area and created a community for themselves amongst their chosen family of friends. Volume 11 of For Everard celebrates the brief life of Brian Duffy, a young man who died in the fire at the Everard Baths in 1977. This zine compiles photographs and stories shared with Malone by Brian’s sister and dear friend.
    The pseudonym "Anthony Malone" comes from a novel by Andrew Holleran (Dancer from the Dance). In this novel, Malone is the protagonist and at the end he disappears. Some of his friends believe that he may have committed suicide, others feel that he may have run away from New York, while some say that they saw him at the Everard Baths on the night of the fire. I imagine that Malone survived the fire and he is now making books and zines telling the story of the tragedy.
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innen-crawford

Verfasser
Titel
  • Selected works from 1990's
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [32] S., 19x13 cm, Auflage: 500, keine weiteren Angaben vorhanden
    Drahtheftung, Schwarz-Weiss Offsetdruck
ZusatzInfos
  • The William Crawford Estate is owned and represented by Ampersand Gallery. William Crawford's drawings were discovered in an abandoned house in Oakland, California. His work brings to mind characteristics of prison drawings, an impression confirmed by the fact that several were made on the backs of prison roster sheets dated 1997. These printouts, however, were cut down the middle, so the exact prison from which they originate is unknown. But given their origin in the Bay Area and the fact that several drawings include San Francisco landmarks, it's possible that Crawford made the work in a California state prison. Other than this information drawn from the archive itself, nothing is known about Crawford's life. Indeed, we only know his name because he signed just a few of the drawings, either as Bill, William or WM Crawford. The archive appears to have consisted of several books, with individual drawings in sequences of 30 or more adding up to tell complex visual stories. Several include written captions or fragments of conversation between male and female characters. These sequences, however, have been broken up over the years and reach us now in a fragmentary and fascinating collection of hundreds of delicate pencil drawings. The work conveys the intense sense of sexual longing of a man with an urge to tell dynamic stories. The drawings, which resemble the eroticism of Eric Stanton, the exaggerated male anatomy of Tom of Finland or the ample breasts of a John Currin, show scantily dressed women, drug use, cuckolding and orgies. The details of his interiors, the hairdos and style of dress suggest that Crawford might have come of age in the late 70s or early 80s. A cast of recurring figures populate the drawings, notably one man with a short afro and a moustache who often figures at the center of events, presumably the artist William Crawford himself. Remarkably, given the number of drawings, there is little to no repetition in the work. Crawford’s inventive eye for sexual positions, facial expressions and gestures of hand and body was vast and masterful. Simple geometric details and architectural subtleties define the unusual settings where the action unfolds. We see rooms shown from unusual angles, features that are hinted at, erased or altogether omitted and articles of clothing that are drawn with obsessive precision. This singular and original drawing style compels us to immerse ourselves in the world William Crawford created, more dream than documentation, more fantasy than perversion. Crawford's drawings have been widely exhibited, notably at Galerie Susanne Zander (Cologne and Berlin), Zieher, Smith and Horton (New York), Freddy (Baltimore) and upcoming solo exhibitions at FARAGO (Los Angeles) and Richardson (New York). His work is also featured in the latest issue of Richardson Magazine and was included in "System and Vision" at David Zwirner, an exhibition organized in collaboration with Delmes & Zander. Reviewing it, The New Yorker wrote, "William Crawford's orgiastic illustrations on the backs of prison rosters haven an erotic intensity that rivals anything by Hans Bellmer or Pierre Klossowski."
    Text von der Webseite
Stichwort / Schlagwort
Erworben bei Aaron Fabian
TitelNummer

davila-legible-visible-katalog

Verfasser
Titel
  • Legible – Visible - Between the Film Frame and the Page
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 92 S., 24x18 cm, ISBN/ISSN 9788494423437
    Broschur
ZusatzInfos
  • Katalog erschienen zur Ausstellung in Arts Santa Mònica, Barcelona, 06.04.-28.05.2017
    Legible-Visible. Between the Film Frame and the Page explores the relationship between print publications and audio-visual documents, two of the most important media underpinning the social and cultural landscape of our time which also define the evolution of contemporary art in the 20th and 21st centuries.
    The emergence of relatively inexpensive home video technologies in the 1970s brought with it an alternative model for the creation and diffusion of artist publications, and a prolific period of exploration, reflected in the work of Baldessari, Gilbert & George, Boltanski, Carrión, Rucha and Rosler, among others. The popularization of digital media at the beginning of the 21st century sparked a revolution in the systems of production of both audio-visuals and books, exemplified by a new generation of artists, such as McGeorge, Kentridge, Cine Quieto or Van Leijsen.
    Mela Dávila proposes a theoretical and historical framework for works that the market long dismissed as secondary on account of their serial nature. This characteristic, together with the particular space of experience they generate, and the linearity and temporality common to both media, have opened up a range of new narrative (or anti-narrative) possibilities which have enabled artists to redefine contemporary art.
    Starting from a detailed study of 24 double works, Maite Muñoz looks at how different artists have taken advantage of the permeability between publications and audio-visuals, in which ideas and strategies of narration and editing intrinsic to both mutually infect and enrich one another through the play of opposition, complementarity and dialectics.
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weinmayr-the-piracy-project
weinmayr-the-piracy-project
weinmayr-the-piracy-project

Weinmayr Eva / Francke Andrea, Hrsg.: The Piracy Project, 2014

Verfasser
Titel
  • The Piracy Project
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 140 S., 25x21,4 cm, ISBN/ISSN 978-1-907840104
    Gelochte Seiten mit Musterbeutelklammern zusammen gehalten, in Klappumschlag, mit 18 roten Punkten beklebt. Innen teils andere Papiere
ZusatzInfos
  • The Piracy Project is an international publishing and exhibition project exploring the philosophical, legal and practical implications of book piracy and creative modes of reproduction. Through research and an international call for submissions, the Project has gathered a collection of more than 150 modified, appropriated and copied books from all over the world. The collection, which is catalogued online, is the starting point for talks and work groups around the concept of originality, the notion of authorship and politics of copyright. The Piracy Project is not about stealing or forgery. It is about creating a platform to innovatively explore the spectrum of copying, re-editing, translating, paraphrasing, imitating, re-organising, manipulating of already existing works. Here creativity and originality sit not in the borrowed material itself, but in the way it is handled. The Piracy Project is an collaboration between AND Publishing and Andrea Francke. The Piracy Project The Piracy Project is an international publishing and exhibition project exploring the philosophical, legal and practical implications of book piracy and creative modes of reproduction. Through research and an international call for submissions, the Project has gathered a collection of more than 150 modified, appropriated and copied books from all over the world. The collection, which is catalogued online, is the starting point for talks and work groups around the concept of originality, the notion of authorship and politics of copyright. The Piracy Project is not about stealing or forgery. It is about creating a platform to innovatively explore the spectrum of copying, re-editing, translating, paraphrasing, imitating, re-organising, manipulating of already existing works. Here creativity and originality sit not in the borrowed material itself, but in the way it is handled. The Piracy Project is an collaboration between AND Publishing and Andrea Francke.
    Text von der Webseite
Sprache
Erworben bei Eva Weinmayr
TitelNummer

photo_text_1996

Verfasser
Titel
  • photo text text photo - The Synthesis of Photography and Text in Contemporary Art
Medium

Technische
Angaben
  • 144 S., 23,5x22 cm, ISBN/ISSN 3908162483
    Grauer Leineneinband mit Schutzumschlag.
ZusatzInfos
  • Katalog zur Ausstellung im Museion, Museum für Moderne Kunst Bozen, 13.09.-17.11.1996, Frankfurter Kunstverein, 21.01.-03.03.1997."Purely visual perception and viewing of pictures is impossible. We always encounter pictorial images - as in this book description itself - in contexts. It is to this complex of interrelationships between text and photography and the aesthetic potential it holds that the book photo text text photo is dedicated. Based upon a representative selection of important examples of this work across media boundaries from recent photographic history since 1967, the theme of the fertile tension between words and images is explored in images (more than 100 works by 32 different artists) and words (texts by Andreas Hapkemeyer and Peter Weiermair). This revealing look at the art of combining text and photography begins with the milestone works of Conceptual Artists such Joseph Kosuth, Robert Barry, Douglas Huebler, On Kawara, John Baldessari and Hamish Fulton. Alongside other early examples from Italy - Maurizio Nannucci, Giulio Paolini, and Vincenzo Agnetti - the book also features representatives of utopian and critical approaches to social issues, including Josef Beuys and Klaus Staeck. The 1970s and 1980s are represented by the artists Ketty La Rocca, Jochen Gerz, Karen Knorr and Urs Luthi. More recent and current positions are evident in the works of Louise Lawler, Jenny Holzer, Barbara Kruger, Ken Lum, Heiner Blum, Laura Padgett and Marie-Jo Lafontaine. The publication photo text photo provides a long-awaited inventory of the most recent developments in the aesthetic exploration of the relationships between text and images in contemporary art."
    Text vom Schutzumschlag
Sprache
Stichwort / Schlagwort
Erworben bei booklooker.de
TitelNummer

tgm2018

Verfasser
Titel
  • You're my type - Programmbuch 2018
Ort Land
Medium

Technische
Angaben
  • 20,5x13,5 cm, keine weiteren Angaben vorhanden
    4 Bände in Schuber. Schuber geprägt in Gold und Schwarz, Rückseite mit Umkehr der Farben. einzelne Cover mit Reliefprägung, geometrische Formen, Farbschnitt schwarz. Einzelne Bände in Schweizer Broschur (Umschlag nur auf Rückseite angeklebt, Rücken mit Gewebestreifen eingefasst). Bd. 1 130 S., letzte Seite mit Kalender als Fold-Out. Bd. 2 160 S., Bd. 3 96 S., Bd. 4 Blindband, (Notizbuch), 72 S.
ZusatzInfos
  • The Typographic Society Munich is the largest organisation in Europe for typographers and people who are interested in typography and design. Since being founded in 1874 the designers’ club establishes a foundation for sophisticated and interdisciplinary thinking and dialogues among content and form, text and photo, tradition and innovation, design and technology. The tgm represents quality and education for the branch of communication and offers a huge accompanying training program. As Chairwoman of the club I curated several lectures in the last years, inviting design and typography celebrities.Throughout the years designers like Stefan Sagmeister, Mirko Borsche, Eike König, Mario Lombardo, Sascha Lobe, Fons Hickmann, Amir Kassaei or Kurt Weidemann to name a view, followed these invitations and appreciated the warm welcome of our community.
    To show the wide range of offerings we traditionally create a yearbook. More over I tried to give the content based complexity of our proposal a clear and neat arrangement. Therefore the new release is a compilation of four different books, which should invite the reader to inform themselves, to browse, to experience and to participate. The first one exposes all the topics, facts and dates for the further education programs. Part two presents all the people and their stories who are involved in the club, who are on stage and behind the scenes. The third book is a journey into the past and also the future of tgm’s conferences, excursions and other specials. And finally there is room for the reader’s own ideas, experiences and criticism as a foundation for a future dialogue with tgm.
    Every offer under the roof of tgm is a result of solidarity. It is a result of people and companies who are united by the common interest in typographic quality. This project has only been possible with the support of Kösel Druck GmbH & Co Kg, Geese Paper, mycolorserver and the collaboration with Boah Kim.
    Text von der Webseite
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Ciani Piermario, Hrsg.: When the Saints - il lato spirituale di FUN, 2005

fun2
fun2
fun2

Ciani Piermario, Hrsg.: When the Saints - il lato spirituale di FUN, 2005

Verfasser
Titel
  • When the Saints - il lato spirituale di FUN
Ort Land
Verlag Jahr

Technische
Angaben
  • 10,8x7,3 cm, keine weiteren Angaben vorhanden
    weisse Faltschachtel, golden bedruckt, darin ein einfarbig violett gedrucktes 16 seitiges Booklet (drahtgeheftet) und 36 beidseitig farbig bedruckte Karten 10,5x7
ZusatzInfos
  • a colour box set with 36 alternative saints of the FUNtastic Nations by international authors (Giacon, Ruijters, Zattera, Chiarotto, Staffa, King, Echaurren, Biancuzzi, etc.) plus 16 pp booklet.
    F.U.N. (Funtastic United Nations) is an independent and supranational organization that intends to stimulate a cooperation amongst all kinds of imaginary countries and worlds, coordinating meetings, publications, exhibitions and events. We offer our skills and resources to create a bridge between creative and funtastic geographical entities, representing numberless and mutable virtual countries, multiethnical and transgender, where the passports, postage stamps and banknotes are real but not the wars.
    F.U.N.’s vocation to interact in an horizontal “networking” attitude with local and distant, real and imaginary situations, to create unexpected interferences between art and daily life, is a strategy aimed at preserving the biodiversity of cultures and encouraging an eco-friendly, free and open participation to the creative experience. F.U.N. is the logic evolution of over twenty years of networking activities in the fields of mail art, of independent music (The Great Complotto, Le Forbici di Manitù), of collective multimedia projects (Trax), of multiple names (Lieutenant Murnau, Mind Invaders, Luther Blissett), of imaginary worlds and characters (Stickerman-Stickerland) and of counter-cultural documentation (various fanzines, AAA Editions).
    Text von der Webseite
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TitelNummer

km-ausstellungen

Verfasser
Titel
  • Exhibitions / Ausstellungen 2010-2015
Ort Land
Medium

Technische
Angaben
  • 439 S., 30,5x24 cm, Auflage: 800, ISBN/ISSN 978-3-943514469
    Broschur, Umschlag gefaltetes Plakat
ZusatzInfos
  • aufwändig gestalteter und reich illustrierter Überblick über die Ausstellungen des Kunstverein München unter der Direktion von Bart van der Heide 2010-2015, Gestaltung Studio Manuel Raeder
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Geschenk von
TitelNummer

hamilton_giedion_reaper

Titel
  • Reaper
Ort Land
Medium

Technische
Angaben
  • 292 S., 23x17 cm, ISBN/ISSN 978-3-037645048
    Broschur, Einband einfarbig rot bedruckt, Schutzumschlag vierfarbig, Vorsatz/Nachsatz blau, Abb. Schwar-Weiß, einzelne Farbseiten. Druck auf Munken Print White 1.5, DZA Druckerei zu Altenburg
ZusatzInfos
  • The starting point of this publication—and its eponymous exhibition held in Zurich in Spring 2017—is the conceptual encounter between English Pop art artist Richard Hamilton (1922–2011) and Swiss historian and critic of architecture Sigfried Giedion (1888–1968), famous for his landmark book "Space, Time, and Architecture," an influential history of modern architecture published in 1941.
    In 1949 Richard Hamilton—then a member of the London-based Independent Group— realized the “Reaper” print series as a reaction to Giedion’s 1948 book “Mechanization Takes Command” in which he describes the mechanization of everyday life. Reproducing Hamilton’s complete “Reaper” series juxtaposed with selected examples of illustrations created by Giedion alongside many related illustrations, this publication brings together seven essays by renowned international scholars, all of whom question the relationships between visual arts, technology, science, and architecture. Among the many topics discussed are Hamilton’s early works and exhibition installation practice, postwar British biotechnology and architecture, “Hippie Modernism,” and the visual strategy of Giedion’s books.
    Published on the occasion of the exhibition "Reaper. Richard Hamilton and Sigfried Giedion" at the Graphische Sammlung ETH Zürich (May 3–June 25 2017), a cooperation between Graphische Sammlung ETH Zürich, gta exhibitions, and gta archive.
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bau-2
bau-2
bau-2

Baroni Vittore / Bove Antonio / Maffei Marco / Serafini Antonella, Hrsg.: BAU 2 - Contenitore di Cultura Contemporanea, 2006

Titel
  • BAU 2 - Contenitore di Cultura Contemporanea
Ort Land
Medium

Technische
Angaben
  • 31,5x22,5 cm, Auflage: 150, numeriert, signiert, keine weiteren Angaben vorhanden
    Box aus braunem Stülpdeckel Karton, Siebdruck, eingelegt 16-seitiges redaktionelles Schwarz-Weiss Heft, 55 Arbeiten von 65 Künstlern. Diverse Techniken auf Papier, dünnem Karton, Folie, Metall, plus 6 Multimedia Discs. Cover und Layout: Carlo Battisti. Zollinhaltserklärung beigelegt
ZusatzInfos
  • BAU was founded in 2004 in Viareggio, on the coast of Tuscany, by a group of artists and individuals interested in the many-sided aspects of the culture of our times. Thanks to a widespread and constantly expanding network of contacts, every year the project takes the shape of an expressly designed UniA4 sized box: BAU container of contemporary culture. This non-profit box is produced in a limited edition of 150 copies (120 for issue 1 and 200 for issues 9-10) and contains original works, signed and numbered, from a large number of international contributors.
    The BAU container fits in the vast tradition of assembling publications and artists‘ magazines that developed since the early sixties. It intends to experiment with new languages, technologies and materials, operating in a peculiar dimension of group work that is open also to contributions from non-artists: outsiders, travellers, collectors of curiosities, creative gastronomers, anomalous scientists.
    In a relational and non competitive perspective that is responsive to the relationships between art and science, politics and environment, BAU acts as a meeting point in order to stimulate dialogues, interactions and exchanges among the most diverse disciplines: graphics, collage, photography and the visual arts in general, but also poetical and narrative researches, acoustic and performative experiences, documents pertaining the fields of fashion and design, etc. The operative network expresses itself also through the planning of exhibitions, meetings, festivals and events, organized in institutional spaces (libraries, galleries, museums) and in atypic locations.
    Text von der Webseite
Sprache
Erworben bei Vittore Baroni
TitelNummer

032c_quarantine-2020
032c_quarantine-2020
032c_quarantine-2020

Koch Joerg, Hrsg.: 032c Fanzine - Quarantäne!, 2020

Verfasser
Titel
  • 032c Fanzine - Quarantäne!
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [40] S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Farblaserdruck, gefaltete Einzelblätter, mit Gummiband zusammengehalten. PDF-Download von der Webseite
ZusatzInfos
  • “We want you to GO INSIDE — your house, and your self. Everything is about interiors now: the interior of your home, your mind, your archive, your hard drive. Mine it all for insight and purpose.
    Once that’s done, show off what you find – just because you’re alone doesn’t mean you can’t share from within. There is no such thing as “too much information” now; COVID-19 took out “TMI.” In fact, there is no more “enough” — enough data, enough circulation, enough fodder. Binge on it. Burn out on it. Document it. Post it. Build a website for it. Get turned on by it. Get freaked out by it. Open up your screens, talk about your dreams, slide into those DMs. Get dressed up to go absolutely nowhere. Never go out, but leave nothing “behind the scenes” – there is no “behind,” and no “in front of” either. There is only “now,” and it is Big and Flat. Closeness happens at a distance here, but dialogue has never been this intimate. Your private hygiene is a matter of public health, your personal cloister backdrops community debate. Dualities — east and west, north and south, us and them, out and in — melt into each other and coat the old world like lava, like an act of god. In the New Interior isolation is a commons, the self that inhabits it is a collective. Historical moments stack vertically and occur simultaneously, around the globe. Welcome to the novel sanctum sanctorum, the single-occupant House of We.
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Erworben bei 032c
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hill-letters-to-jill

Verfasser
Titel
  • LETTERS TO JILL - a catalogue and some notes on copying
Medium

Technische
Angaben
  • 128 S., 21x14,8 cm, Auflage: 1.000, ISBN/ISSN 9788867494095
    Broschur mit Banderole
ZusatzInfos
  • Reprint nach einer Publikation des Visual Studies Workshop in Rochester, 1979, erschienen zur posthumen Ausstellung im Kunstverein München Something other than either, von März bis August 2020.
    The book is composed of images and texts by Hill through which she intended to contextualize and explain her working methodology to Jill Kornblee, her New York gallerist. Untrained as an artist, Pati Hill began to use the photocopier as an artistic tool in the early 1970s, leaving behind an extensive oeuvre that oscillates between image and text. Besides this comprehensive body of xerographic work, she published four novels, a memoir, several short stories, wrote poetry, and made drawings. Instead of an exhibition catalog that would offer an interpretation of her work, this publication provides space for Hill’s own writing that interrogates and accompanies her visual work.
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papernews-11-vorne

Titel
  • Paper News #11 - August, September, Oktober 2018
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 4 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Ein Blatt, gefaltet
ZusatzInfos
  • The independent publisher's quarterly by Drucken Heften Laden. Drucken Heften Laden discusses and analyses the conditions and possi­bili­ties for independent publishing in the context of art and city (politics). Drucken Heften Laden derives from an eponymous exhibition, workshop and series of events at neue Gesellschaft für bildende Kunst (nGbK) in Berlin which took place in January 2015. Since then a small group of Berlin-based producers and publishers gathers regularly: “We share experiences and resources, and build a discourse around production methods and values as well as the distribution of books and booklets.Publishing is always set in distinct time and space. Today’s diversity of media fosters hybrid formats between the analogue and the digital. We are interested to negotiate and sharpen our idea of what „independent“ and „self“ publishing means today.Drucken Heften Laden filters and disseminates information, and creates a public platform for exchange and discussion, accessible to everyone interested in such practice.”
    Text von der Website.
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positions-dagata

Verfasser
Titel
  • Position(s)
Verlag Jahr
Medium

Technische
Angaben
  • [124] S., 18x13,5 cm, ISBN/ISSN 9782954197401
    Broschur, Buchrücken aufklappbar, gefaltetes Plakat in eingeklebter Papierhülle, Posterformat 85,4x64cm, in Schutzhülle mit Aufkleber
ZusatzInfos
  • A journal written at the third person that seeks to depict Antoine d’Agata’s quest – the inexorable course from void to void.A literary and photographic experiment where words, sometimes descriptive, sometimes poetic, intersect with images in a narrative continuity. An example of the photographer’s existential choice and form of resistance which leads toward the subject’s disappearance and the ego’s negation within the neutral spectrum of the image while insisting on an intimate involvement with its matter and a perfect superposition of art and life. The pictures have been treated and reduced to the simple black and white contrast, following the main axis of this editorial project: shaplessness and the sense of fading-out. This flattening to a drawing effect releases the image as a shadow, a border between a recognizable sign and a blurry, ambiguous one, so that the photograph is both “trace” and “other”. The book, whose main language is English, also foresees a separate and folded poster, including texts in French on one side and, for the first time, in Italian on the other printed on a background colour image. The two languages allow to include texts in their original version, but allude as well to the artist’s double origins. In line with the book, the poster also reflects d’Agata’s search direction towards the interlacing of word and image and it finally refers to the idea of a topographic description of passions. Member of the Magnum agency, Antoine d’Agata (1961) is one of the most influential photographers of his generation. He lives in both Paris and Marseilles and he works around the world. He is represented by the gallery Les Filles du Calvaire, Paris.
    Text von der Webseite.
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paper-prestel_2018
paper-prestel_2018
paper-prestel_2018

Holt Neil / von Velsen Nicola / Jacobs Stephanie, Hrsg.: Paper. Material, Medium and Magic, 2018

Titel
  • Paper. Material, Medium and Magic
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 240 S., 27x21 cm, ISBN/ISSN 9783791383064
    Hardcover mit Fadenheftung, offener Rücken, Druck: TBB a.s. Banska Bystrica
ZusatzInfos
  • Wide-ranging and multi-faceted this intriguing and beautifully produced book will change the way you relate to paper in an increasingly “paperless” society.

    While sheets of paper are disappearing from our homes and offices, the medium is experiencing a renaissance in the worlds of art, design, and architecture. Suddenly, paper is everywhere— but not only in the old familiar places or forms. This fascinating book looks at every aspect of paper: its history, composition, production, application, and trade. Beginning with the anatomy of paper and its earliest forms, this book looks at paper as a symbol of political and economic importance and as a carrier of ideas, from literature to art, design, and music. It looks at the different surfaces, opacities, weights and volumes of paper and how it is used for printing, typography, graphics, and maps as well as a vehicle for origami, architecture, and fashion. Sumptuously illustrated with photographs and drawings, this book includes a variety of papers for readers to examine and feel, highlighting the sensual aspects of this seemingly ordinary product. Engaging, entertaining, and informative, this book contains a wealth of useful and surprising information on every printed, colored, and textured page.
    Text von der Webseite
    Mit Literaturverzeichnis, mit Liste der Museum, die sich mit Papier/Buch befassen
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Erworben bei art book cologne
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suture-soven

Verfasser
Titel
  • Sutere Soven Musicfestival
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [2] S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Postkarte
ZusatzInfos
  • 17.-19.08.2018.
    Suture means sewing. This is the idea we will be following on each and every level of our festival. Suture Soven Music Festival emerged out of the wish and the need to bring musicians and their audience together in a way that enhances deep listening and watching musical appearances that provide the potential for creating something new in a cheerful and caring atmosphere. We will watch and hear the beautifully radical positions and ideas of international musicians. In terms of musical style, we are situated at the intersection of jazz, free improvised music, classical modernism and new music.
    The first Suture Soven Music Festival will take place in an old farm house in the countryside. the concerts will be held in the barn and in the attic of an old stable. By locating the genre defying music in the beautiful countryside of Lower Saxony (Wendland) we invite local people from the area as well as from the cities to make the connection between different worlds and points of views for three days in Suture Soven. We are striving to shape the surrounding area of the festival and make it as sustainable as possible, while working with local farmers and craftsmen. We offer a space and time that taps on an urge to create a sensual narrative. The music we listen to, the words we hear and speak, the food and drink we are provided with, in a setting that will be home to us for three summer days offer us the possibility of making sense.
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monok-edmund-waal

Verfasser
Titel
  • MONO.KULTUR #40 Edmund de Waal - W is for White
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 44 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, auf verschiedenem Papier gedruckt
ZusatzInfos
  • Edmund de Waal is a potter. His pots, plates, and vessels are the result of craft and mastership, but they are also so much more than that: they are experiments in form and function, abstractions of thoughts on silence and space, on repetition and failure, on substance and fragility, on memory contained. Edmund de Waal is an artist. He arranges his objects in complex choreographies that are as mysterious as they are mesmerizing. Displayed in galleries and institutions worldwide, his considered installations play with architectural concerns, integrating ideas of space, light and obscurity. Edmund de Waal is a writer. Whether he sculpts with words or with clay, what Edmund de Waal works with are concepts, ideas, and desires. In a body of work that is at odds with our times and yet oddly successful, his writings and objects overlap and integrate each other in an attempt to understand and transcend our complex relationship with objects and our surroundings. In an interview with mono.kultur structured like an A-Z of notes and ideas, Edmund de Waal talked about his rules of attachment, the impossibility of repetition, and why ‘doubt’ is the most beautiful word. Visually, the issue takes inspiration from that most perfect of materials: porcelain. Printed entirely in double-sided splendour, the two finishings of the paper – shiny gloss and smooth matt – evoke the texture of ceramics before and after glazing.
    Text von der Website.
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monok-39-thaemlitz

Verfasser
Titel
  • MONO.KULTUR #39 Terre Thaemlitz - The Arrogance of Optimism
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, auf verschiedenem Papier gedruckt, von rechts nach links zu lesen
ZusatzInfos
  • Politics and the dance floor make for uneasy bedfellows, and it is this uneasiness that drives most of the work of Terre Thaemlitz, confronting head-on issues that are usually off limits in electronic music. Thaemlitz is a producer and DJ, also known under their monikers of DJ Sprinkles, Social Material, and K-S.H.E, among others. But they are also a writer, educator and activist of sorts, with very fluid notions of gender, switching continuously between male and female drag. Born in 1968, Terre Thaemlitz left the rigidly conservative and violently homophobic environment of their home state, Missouri, in the mid-1980s for New York. They became involved in the queer and transgender scenes both socially and musically at a time when house music was not a genre but simply the wide open sound of a specific social and political space. As New York’s underground queer music scenes dissolved under gentrification, Thaemlitz eventually relocated to Tokyo at the beginning of the ’00s. In a challenging interview with mono.kultur, Terre Thaemlitz talked about the politics of sexuality, his disillusion with the music industry, and why roller disco was so amazing. Visually, the issue is a dark affair, steeped in a dirty, gritty black. Printed on no less than six different paper stocks and juxtaposing several grids and graphic systems, it creates its own visual logic – only to disturb our most fundamental habits of reading and navigating a magazine by opening backwards, from right to left.
    Text von der Website.
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TitelNummer

naivsuper-cd 011

Verfasser
Titel
  • Lightears
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 13x13 cm, keine weiteren Angaben vorhanden
    naivsuper Nr 011, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInfos
  • recorded in 2007 at the Leo Mars studio.
    ´Lightears´ is the long awaited debut album by Berlin duo Leo Mars. After a year of trial and error, a lot of sessions, sound collecting and analysation of possibilities a precisely crafted, yet astonishingly free floating album came to life. In times of almost infinite sounds, instruments and styles it took the duo some time to come up with the basic material, form a language and then of course learn to speak it. Hours were spent in the studio and their favourite lebanese restaurant discussing the world of sound.
    ´Lightears´ intelligently smudges the borders between a classic drone, an underground noise, a playful improvisation and an old fashion musique concrete record. All the genres fall into place rather unpretentious with pure sound excitingly assembled to challenge ones listening habits.
    It is a rather harsh production always bouncing back and forth between digital, crisp electronics and field recordings pushed way over the edge.
    With minimal gear and set up Leo Mars managed to manoveur themselves somewhere inbetween a bedroom thrashing noise keyboard project and a theoratical paper score composer duo. Performing in a trance - allowing things to happen - awaken - making a conscious decision - slipping back into space
Stichwort / Schlagwort
WEB Link
TitelNummer

european-art-net-flyer

Verfasser
Titel
  • European-art.net - your link to the art world
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [4] S., 21x14,8 cm, 2 Stück. keine weiteren Angaben vorhanden
    einmal gefaltet
ZusatzInfos
  • European-art.net connects different art archives and their digital databases. Widely ramified information (basic data, texts, images) on individuals, groups and institutions as well as details about exhibitions and literature can be obtained free of charge by means of a central search engine.
    As a meta-database, european-art.net does not itself provide any data on artists and other related subjects but refers to the intrinsic data of its institutional partners. The highly professional profile of the partner institutions stands for the reliability of its contents.
    Names, groups and institutions are listed alphabetically. You can either search per letter and get all the listed references to artists, groups and institutions, or you can type in a name (minimum 3 letters) and will get the references to the databases, where you can find more material. If you misspell the name or if the artist is listed with more than one name, you will find different entries.
    Text von der Webseite
Sprache
Erworben bei documenta archiv
TitelNummer

Techno-somatics

Verfasser
Titel
  • Techno-somatics and physical experience - Memory on the Internet - Our ears open a whole world to us: about the experiment to program an exhibition on a vinyl record
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [12] S., 29,5x21 cm, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • ‘Curated by Weekly’ is a digital art project. It aims to raise questions regarding online formats, web-based distribution and the acceleration of digital platforms in contemporary art. The project is made up of a website and a magazine, which will be released in irregular intervals. The latter will include essays and interventions about digital exhibition formats, the experiences of digital curation and the questions about media and matter in the post-analogue space. Every week, an artwork will be “curated” and published on the website. In cooperation with different individuals, institutions and independent projects from the art field, artistic positions and works will be displayed. They can function as pieces of art in the digital sphere as well as be critical about it, or to contrast itself with the functions of the web. The project’s pace and composition orientates itself around the relevant visual environment of the present day.
    The format of the website is consciously purely visual, while complementary content will be published in the magazine. This content will consist of essays and contributions around certain questions. For example: How new formats will be established in contemporary art, which technological tools are required or how curation is practiced in a digital space. What should particularly be highlighted is determining which artistic media, surfaces and materialities provide an adequate digital environment.
    'Curated by Weekly' aims for an experimental format, which uses the speed and the possibilities of the digital space, but instead of reproductions and documentations we want to show artistic work itself, to address availability in the digital space and to use catchy visual surfaces. At the same time, the discourse and the self-reflection of the format is discussed in the appearing magazines/readers online and offline.
    Text von der Webseite
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offenhuber-waste-is-information-2017

Verfasser
Titel
  • Waste Is Information - Infrastructure Legibility and Governance
Verlag Jahr
Medium

Technische
Angaben
  • 270 S., 23,5x15,8 cm, ISBN/ISSN 9780262036733
    Hardcover mit Schutzumschlag
ZusatzInfos
  • The relationship between infrastructure governance and the ways we read and represent waste systems, examined through three waste tracking and participatory sensing projects.
    Waste is material information. Landfills are detailed records of everyday consumption and behavior. much of what we know about the distant past we know from discarded objects unearthed by archaeologists and interpreted by historians. And yet the systems and infrastructures that process our waste often remain opaque. In this book, Dietmar Offenhuber examines waste from the perspective of information, considering emerging practices and technologies for making waste systems legible and how the resulting datasets and visualizations shape infrastructure governance. He does so by looking at three waste tracking and participatory sensing projects in Seattle, São Paulo, and Boston.
    Text von der Webseite
    Mit einem Beitrag über Paper Police von Jürgen O. Olbrich, Kassel.
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Erworben bei B.H. Blackwell London
TitelNummer

TAM-TAM-Tanz-Scheiben
TAM-TAM-Tanz-Scheiben
TAM-TAM-Tanz-Scheiben

Stadler Matthias / Funk Hardy, Hrsg.: TAM TAM Tanz Scheiben, 2017

Verfasser
Titel
  • TAM TAM Tanz Scheiben
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 31,5x31 cm, Auflage: 200, 2 Teile. keine weiteren Angaben vorhanden
    2 Langspielplatten in Klapphülle
ZusatzInfos
  • Mit einem Text von Daniel Door.
    Die ursympathische, trinkfeste und gern auch mal alberne Doppel-LP des TAM TAM Tanzlokals (aka Kammerspiele Bar) in München. Eine Platte, die gut zuhören kann und dich versteht. Eine Platte, die für jeden Spaß zu haben ist. Die mit dir bis zum nächsten Morgen in den dreckigsten Clubs der Stadt tanzt. Und die mit dir genauso gern raus an den See fährt und Kirschen isst.
    Zwei Platten mit Tracks und Songs von den DJs und Bands, die das TAM TAM Tanzlokal in seinem ersten Jahr zu einem unverwechselbar offenen, verrückten, partyhungrigen, allesistmöglichen, duweißtniewaspassierten Ort gemacht haben.
    released July 21, 2017
    Text von der Webseite
Sprache
Stichwort / Schlagwort
Erworben bei Matthias Stadler
TitelNummer

Verfasser
Titel
  • Hyperkinesia
Verlag Jahr
Medium

Technische
Angaben
  • 59x42 cm, keine weiteren Angaben vorhanden
    Plakat,
ZusatzInfos
  • The Office gallery presents new works by the Austrian artist Bernhard Hosa in his exhibition Hyperkinesia, starting on June 30, 2016.
    Hosa's photo collages, objects and installations are reduced, almost minimalist in appearance and usually based on concrete themes. His starting point is the tension between the individual and a normative society. Based on an engagement with the biological view of the inside and of the outside, on man as an object of scientific study and on the measurement of the human body, he develops his own formal language on the interface between conceptual art and an aesthetic approach. Hosa deconstructs his reflections with artistic strategies such as reproduction, variation or sequence, and practices such as dissection and the creation of new compositions. The resulting series of collages or objects and stringent arrangements of the space adopt the character of the contents of his research.
    Text aus der Presseerklärung
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Geschenk von
TitelNummer

Verfasser
Titel
  • Everything is About to Happen
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 1 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Farblaserkopie nach Webseite re-title.com
ZusatzInfos
  • Zur Ausstellung vom 14.04.-26.04.2014
    The exhibition presents circa 300 books in an attempt to offer an overview, and initiate an archive, of recent artists’ books. It focuses on publication as a medium and context for art practices. It looks at the ways in which artists use the format of the book as an artistic strategy exploiting, and often expanding upon, its nature as a fixed but randomly accessible sequence of words and images. All the books selected are either self-published or participate in a minor economy of small publishers. Their modes of production and circulation, as well as the conditions under which they are experienced and stored, strengthen their content.
    Text von der Webseite
Stichwort / Schlagwort
TitelNummer

monok-nachtwey1

Verfasser
Titel
  • MONO.KULTUR #37 James Nachtwey - Shades of Time
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 52 S., 20x15 cm, ISBN/ISSN 18617085
    Zwei Hefte, Drahtheftung, ineinander gelegt
ZusatzInfos
  • Inspired by the press images from the Vietnam War that told a very different story to the official government statements, James Nachtwey found his calling that he would pursue with determination and compassion that are admirable: to document the effects of war, terror and disease. In the hope of raising awareness and inspiring intervention and change, his photographs are neither easy to look at nor easy to forget. Having witnessed and reported on the defining conflicts and tragedies of the past three decades – from the revolutions of South America and Eastern Europe to the famines in Africa, from 9/11 to the wars in Iraq and Afghanistan – Nachtwey’s photographs focus on the costs of war: the suffering of civilians, the damage and the scars. There is no doubt that Nachtwey’s images are a challenge – to the powers that be by proposing an unflinching look at the reality on the ground, at the effects of politics on human lives, but also to us as their audience, by questioning our implication and, quite simply, by opening our eyes to the world. In a rare and frank interview with mono.kultur, James Nachtwey talked about his struggles with photography, the different realities of war, and why images have the power to create change. Graphically, the issue is at its most reduced, giving ample space to let the words and images unfold: coming in two separate booklets, it presents a personal and uncommented selection of James Nachtwey’s work in one, and a highly intriguing and challenging conversation in the other.
    Text von der Website.
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the-boys-and-girls

Verfasser
Titel
  • The Boy's and Girls Inside Mount Fiji
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [84] S., 24,8x19,8 cm, keine weiteren Angaben vorhanden
    Broschur, Farblaserdruck
ZusatzInfos
  • Andrea Stultiens (1974, NL) received a Bfa and Mfa in photography at HKU University of the Arts and AKV St Joost in Breda respectively, and a Ma in photographic studies from Leiden University. Currently she divides her time between the Netherlands and Uganda.
    Stultiens' artistic practice deal with photography in relation to understandings of the presentations of histories. Since 2007 her work originates mostly on the African continent and always develops in collaborations with others.
    Since 2002 Stultiens has been teaching at Academy Minerva in Groningen (NL), where she was involved in setting up, and and recently started leading, a research group that looks at the use of photography in cross-disciplinary and cross-cultural artistic practices (PRICCAPractice). Stultiens won several awards, among others the Steenbergen Stipendium 1998, Bouw in Beeld Prijs 2009, GiDi Photo Art Award 2012. She exhibits and publishes internationally, with a focus on Uganda and the Netherlands.
    Text von der Webseite.
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TitelNummer

waschmaschinenfest-2k16

Titel
  • Waschmaschinenfest 2K16
Verlag Jahr

Technische
Angaben
  • 10,8x7 cm, keine weiteren Angaben vorhanden
    Musikkassette, eingelegtes zweifach gefaltetes Infoblatt, Kärtchen mit Download-Code für bandcamp.com/yum. Kassettte von Hand beschriftet
ZusatzInfos
  • Fotos von Daniel Door, Patrick Doublefrontflick und DJ Eber von Livesets in der Favorit Bar Munich
Stichwort / Schlagwort
Erworben bei Jandejsek Michael
TitelNummer

sz-284-r6-chantall-2017

Verfasser
Titel
  • Junge Kultur auf 22,491 Quadratmetern - Laura Kansy, Mira Sacher, Pia Richter und Daniel Door haben in der Au eine kleine Galerie übernommen – ohne jede Vorkenntnis. Sie wollen Kunst nahbarer gestalten. Und sie wollen zeigen, dass es dafür auch in einer teuren Stadt mit wenig Platz für junge Menschen Räume geben muss
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 1 S., 57x40 cm, keine weiteren Angaben vorhanden
    Beitrag in der SZ Nr. 284 vom 11. Dezember 2017, Junge Leute, R6
ZusatzInfos
  • ... Kenner der Münchner Kunstszene wissen, dass sich in der Au schon seit 2011 eine „Waschküche für Kunst, Ästhetik und Poesie“ verbirgt, das „Prince of Wales“, eine winzige Galerie auf zwei Etagen. An diesem Abend jedoch ist das zugehörige Klingelschild provisorisch überklebt. „Chantall“ steht jetzt dort. ... „Der geilste Ausstellungsraum in der Stadt“, sagt einer der Besucher. Xenia Fubarev, die Künstlerin, deren Bilder die erste Ausstellung des „Chantalls“ bilden, sagt etwas Ähnliches. Sie habe viel Zeit im Hof verbracht, sich den Putz und die Beschaffenheit des Mauerwerks angeschaut. Entstanden sind elf Leinwände, die nun im Haus ausgehängt sind und die verschiedenen voneinander isolierten Eigenschaften der Mauern einfangen wollen. Immer in Grau- und Weißtönen, ...
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Stichwort / Schlagwort
TitelNummer

umschlag-gimpel

Verfasser
Titel
  • Umschlag adressiert an Daniel Door
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 32x22,5 cm, keine weiteren Angaben vorhanden
    Briefumschlag, gestempelter Text, Anschrift mit Schablone beschriftet
ZusatzInfos
  • Auszug aus Songtext von Patti Smith gestempelt
Geschenk von
TitelNummer

juul-hondius-newspaper

Verfasser
Titel
  • A complex newspaper
Ort Land
Medium

Technische
Angaben
  • [8] S., 30x43,7 cm, ISBN/ISSN 9075380429
    2 Bögen lose ineinander gelegt, mehrfach gefaltet
ZusatzInfos
  • Zeitung mit Fotografien von Juul Hondius. 01.06.2002
    Wo es möglich ist, verbreitet Hondius seine Bilder im öffentlichen Raum, durch Plakate, Poster, Reproduktionen in Door-to-door Magazinen. Hondius ist sich darüber im Klaren, dass man als Künstler die Sprache, die Art und Weise, wie die Botschaft einem Publikum präsentiert wird, sowie den Kontext, in dem sie erlebt wird, genau kennen muss, um die alltägliche Realität zu unterwandern.
    Text aus der Zeitung, Übersetzung DeepL
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scenes-from-zagreb

Verfasser
Titel
  • Scenes from Zagreb: Artists' Publications of the New Art Practice
Verlag Jahr
Medium

Technische
Angaben
  • 40 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Farbkopien nach PDF, lose ineinander gelegt
ZusatzInfos
  • The New Art Practice was a term created for a generation of artists in the former Yugoslavia active in the late 1960s and throughout the 1970s. These artists shifted their practice to spaces outside the traditional studio, onto city streets, into artist-run spaces, and in multimedia performances and experimental publications. Focusing on artists working in the city of Zagreb, this exhibition documents aspects of this shift and highlights the ability of artists' publications to record these often ephemeral gestures and ideas. While artists such as Goran Trbuljak, Braco Dimitrijević, Sanja Iveković, Mladen Stilinović, and Vlado Martek, among others, worked in a variety of mediums, they shared a common impulse to produce publications. These artists questioned and played with ideas about the place of an artist within this particular political and socioeconomic context. Their work often involved public participation and blurred traditional notions of authorship through collective activities, chance operations, and the appropriation of language and imagery from the state and commercial media. The materials in this installation resonate with other contemporaneous scenes in Eastern and Central Europe and with broader international trends, while also providing an insight into very local networks of experimental artists and writers in Zagreb. All materials are drawn from the collection of the Museum of Modern Art Library.
    Text von der Webseite
Sprache
Stichwort / Schlagwort
Erworben bei MoMA Library
TitelNummer

future fantasteek 13

Verfasser
Titel
  • Future Fantasteek, Issue 13
Verlag Jahr
Medium

Technische
Angaben
  • 20 S., 21x15 cm, Auflage: 40, numeriert, signiert, keine weiteren Angaben vorhanden
    Drahtheftung, Farbkopien auf verschiedene Papiere, 2 aufgeklebte Spielzeug-Augen auf Vorderseite, Rückseite mit Prägedruck
ZusatzInfos
  • Future Fantasteek! brings together a trichotomy of investigation. art-zines and independent publishing. artist as social commentator and drawing as a means of immediate visual communication. The series explores obdurate boundaries between journalism and authorial illustration using satire to reflect notions of ‘Britishness’. The series can be read as a sequence, from just prior to the ‘credit crunch’ through to the ‘age of austerity’. The series is independently published as a limited edition art-zine, with two issues per year. The approach is experimental, incremental and reflective focussing on both the microcosm and macrocosm of living in the UK. Visual humour is developed throughout as a vehicle for change, combining techniques such as pastiché, parody and socratic irony. Typography and images are juxtaposed to create new narrative possibilities. Language is explored using different ‘voices’ such as anecdotal, colloquial or profane. This text is then translated into drawn commentaries on etiquette, politics and advertising. The ‘anxiety of the individual’ is a running theme throughout the series with many reoccurring protagonists and antagonists soliloquizing their notions of ‘Das Unheimliche’. The series also explores changing technologies with regard to notions of ‘the book’ with online versions of Future Fantasteek! available via a blog and online PDF reader (issuu and .swf).
    Text von der Webseite
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spheres 1

Verfasser
Titel
  • Spheres Issue 1
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [40] S., 32x22 cm, 2 Stück. ISBN/ISSN 7629999015104
    Drahtheftung. Verschiedene farbige Papiere. Eingelegt ein gefaltetes Poster
ZusatzInfos
  • The publication Spheres is the creative documentation of a close collaboration between an artist and the editor, graphic designer Philippe Karrer. Every issue is dedicated to a young artist and their work, in each case exploring character, surroundings, every-day life, inspirations and ideas using unconventional innovative formats so as to create a different, more visual approach and understanding of the artist and his or her work. The focus lies on what is important to the artist during the time period of working together for the publication, hereby capturing a certain essence of the artists work at the moment. Not only can the reader dive in to the artist‘s world, receiving little personal snippets of the life in and around his or her art, but also (and perhaps even more importantly) — how the artist chooses to present things in the publication gives the reader an idea of his or her whole artistic sphere.
    Melanie Bonajo explores the relationship of the individual to its surroundings in a commodified, globalised culture. In her work, she uncovers how our ideas of identity, genre, value and such structures formed by conventions are ever shifting to feelings of uncertainty and instability. She approaches these issues by trying to newly create, to turn around overpowering views and conditions that are today so influenced by our consumer society and tries to get nearer to traits that are rooted in human nature.
    Text von der Webseite
Erworben bei Motto Berlin
TitelNummer

fuhr-we-are-cypriots-cover
fuhr-we-are-cypriots-cover
fuhr-we-are-cypriots-cover

Fuhr Lisa: We are Cypriots - Wir sind Zyprer - 28 Cypriots Tell Their Stories: Reports and Photographs from a Devided Island, 2019

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Titel
  • We are Cypriots - Wir sind Zyprer - 28 Cypriots Tell Their Stories: Reports and Photographs from a Devided Island
Ort Land
Medium

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Angaben
  • 416 S., 23x15,5 cm, Auflage: 300, 2 Stück. ISBN/ISSN 9783928804950
    Klappbroschur, Fadenheftung, HP-Indigodruck auf Munken White 115 g. 1,5. 114 Farbabbildungen
ZusatzInfos
  • “We Are Cypriots” is a chronicle that takes us behind the scenes sharing personal histories that official histories often ignore.
    Between 2015 and 2018, during the reunification talks and after they failed, the author Lisa Fuhr visited Cypriots from both communities and photographed them in their surroundings. These intimate photographs and accompanying in-depth conversations shed light on life in Cyprus today.
    Travellers, Cypriots living abroad, foreigners who have chosen to settle there, and last but not least, the people of Cyprus itself just might discover in these pages something they did not expect.
    This book, furthermore, is intended as a contribution to the current European-wide discussion on national identity, separatism, nationalism or unification, and reconciliation.
    In his comprehensive preface, the Berlin journalist, Klaus Hillenbrand, traces the historical and contemporary, as well as the social and political developments that have so profoundly shaped this island and Cypriots today.
    Photo Exhibition and Book Launch at Goethe-Institut Nicosia, Cyprus, in the buffer zone next to Ledra Palace. Opening Wednesday 15 May 2019. Duration of the exhibition until 11 June 2019
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Baroni Vittore, Hrsg.: KLANG! SUONI CONTEMPORANEI, 2009

bau-klang-box
bau-klang-box
bau-klang-box

Baroni Vittore, Hrsg.: KLANG! SUONI CONTEMPORANEI, 2009

Verfasser
Titel
  • KLANG! SUONI CONTEMPORANEI
Ort Land
Verlag Jahr

Technische
Angaben
  • 13,5x13,5 cm, Auflage: 1.000, 7 Teile. keine weiteren Angaben vorhanden
    CD Box ohne CD, 3 Booklets, 1 gefaltetes Plakat, 1 Aufkleber in Kartonbox, 3 Seiten Pressematerial
ZusatzInfos
  • The catalogue from Pezzini Editore consisting of three illustrated booklets, a poster, a sticker, [a cd and a dvd] in original die-cut box designed by Gumdesign, documents the sound based Multimedia Festival curated by Vittore Baroni and BAU at the historical Villa Paolina in Viareggio on 7-8-9 August 2009. The exhibition included installations and audio art works from 20 international artists, plus the collective project Bzzzoing! with musical instruments created by over 60 authors. In the course of the three days, audiovisual works of over 40 authors have been projected and over 20 poets, artists and musicians performed at the villa. In the centenary of futurism, a singular and rich overview of the many interferences between sound and image, paying tribute in the logo to Luigi Russolo’s Noise Machines.
    Text von der Webseite
    Catalogue of Klang! exhibition/sound art festival held at Villa Paolina, Viareggio, Italy, august 7-9 2009, comprising sound installations, exhibition and performances of invented musical instruments, and performances by visual artists, sound poets and electronic musicians.
    Cardboard box published in 500 copies freely distributed during the festival days, including 3 booklets, a sticker and a poster; 300 copies were later produced with additional cd + dvd documentation of the festival.
    Text von discogs Webseite
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Geschenk von
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Verfasser
Titel
  • Record: The Space Between
Ort Land
Verlag Jahr
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  • 37x32,5 cm, Auflage: 180, numeriert, signiert, 2 Stück. keine weiteren Angaben vorhanden
    Venyl-Schallplatte, mono, 24 min, aufgenommen in den Fontana SAS Studios, in brauner Versandtasche, 2 blaue Musterbeutelklammern, Stempeldruck, Postkarte mit Fotoecken befestigt, Nummerierung
ZusatzInfos
  • 1971 veröffentlichte der brasilianische Künstler Antonio Dias (1944-2018) im Selbstverlag Record: The Space Between, ein Vinyl-LP-Audio-Projekt. Auf Seite A mit dem Titel "The Theory of Counting" (Theorie des Zählens) ist ein tickender Wecker zu hören; auf Seite B mit dem Titel "The Theory of Density" (Theorie der Dichte) ist eine Aufnahme des Künstlers zu hören, wie er zwischen den Intervallen der Stille Luft ein- und ausatmet, wodurch ein transfixierendes Kontinuum entsteht. Die LP - Dias' einziges klangbasiertes Werk - ist eine Meditation über die Idee eines durch Zeit und Klang konstruierten Raums. Das Album erlangte internationalen Einfluss und wurde in wichtige Studien über die Schallplatte als Medium aufgenommen, dennoch wird es aufgrund seiner begrenzten Verfügbarkeit häufiger erwähnt als tatsächlich gehört.
    ... Sowohl das Cover als auch die LP selbst waren unkonventionell: Anstelle der traditionellen Papphülle wurde die Platte in einen gepolsterten Versandumschlag aus braunem Papier gesteckt, auf den Dias ein Foto und einen gummierten Titel aufklebte - eine Geste in Richtung Mail Art, die zu dieser Zeit als eigenständiges Medium aufblühte. ...
    Die ursprüngliche LP entstand während Dias' kurzem Aufenthalt in London, bevor der Künstler - der in Mailand lebte, wo die Aufnahmen stattfanden - für ein Guggenheim-Stipendium nach New York zog. Dies war die Zeit seiner intensivsten künstlerischen Experimente, in der er seine Praxis - die zuvor auf Malerei und Skulptur beschränkt war, für die er bekannt war - auf audiovisuelle Medien und Technologien wie Super-8-Filme, Video, In-situ-Installationen und Künstlerbücher ausweitete. ...
    Die Idee zu Record: The Space Between", so der Künstler, "entstand während des Wartens auf die Geburt meiner Tochter. Aus dem Zimmer neben dem Zimmer, in dem meine Frau in den Wehen lag, konnte ich zwei sich abwechselnde Geräusche hören: ihr Atmen und das Ticken einer Uhr. Ich stellte mir vor, wie ich diese Situation darstellen könnte, und das konnte nur durch die Aufnahme einer LP geschehen". Dias strukturierte die Platte so, dass auf jeder Seite einer dieser beiden Klänge zu hören ist: Auf Seite A, die den Titel The Theory of Counting trägt, ist ein tickender Wecker zu hören; auf Seite B, die den Titel The Theory of Density trägt, ist eine Aufnahme des Künstlers zu hören, wie er zwischen Intervallen der Stille ein- und ausatmet, wodurch ein fesselndes Kontinuum entsteht. ...
    Text von der Webseite
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schmitz-in-between

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Titel
  • Claudia Schmitz: In Between
Ort Land
Verlag Jahr
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  • 14,8x5,3 cm, keine weiteren Angaben vorhanden
    beidseitig bedrucktes Lesezeichen
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  • Einladung zur Ausstellung und Buchpräsentation im einBuch.haus Berlin, 04.06.-01.08.2020
    Schmitz reaktiviert Abfall, indem sie gefundene Plastiktüten zu windgefüllten Skulpturen recycelt. Gesammelte weggeworfene Plastiktüten formt sie um zu Windhosen und pneumatischen Skulpturen. Installiert in Stadtlandschaften von Berlin, New York, Budapest, Hongkong u.a., dienen sie als dreidimensionale, bewegte Leinwände für ihre Video-Projektionen. Auf die halbtransparenten, sich bewegenden Oberflächen projiziert, erzeugen die Videos eine eigene Realität und schaffen eine völlig neue Raumvielfalt – eine neue Schichtung der Realität an der Schnittstelle von sich verändernder lokaler urbaner Alltagsrealität, Dokumentation, Videorealität und Skulptur.

    In Between zeigt Bilder aus dem Mittelmeerraum, die tiefe zweischneidige Assoziationen von Alltag/Freizeit und Ertrinken hervorrufen. Die Kombination von Abfall, Reichtum und Tod kann in Zusammenhang mit der Flüchtlingskrise gelesen werden, richtet sie aber in Wirklichkeit an die größeren Fragen von Privilegien, Abfall, der gemeinsamen Nutzung von Reichtum und dem Wert von menschlichem Leben – das Gefühl eines Lebens mit Zugang zu Privilegien gegenüber einer Existenz ohne Privilegien: Es geht um Bewegungsfreiheit und Freiheit zu Atmen, im Gegensatz zur Abgeschlossenheit in einem luftleeren Raum, um Entscheidungsfreiheit und Handlungsraum im Gegensatz zur Reduzierung auf den Kampf um die elementarsten Notwendigkeiten des Überlebens. Es geht um Privilegien und Abfall, um Fülle und Elend, um geographische und soziale Grenzen. In Between gibt der Stadt den urbanen Abfall in Form von freier, öffentlicher Kunst an die Bürger zurück.
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kaprow-posters

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  • Posters
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Medium

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Angaben
  • 90 S., 43x28,5 cm, ISBN/ISSN 978-3-863356798
    90 lose ineinandergelegte Seiten mit 45 farbigen Abbildungen
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  • Herausgegeben von Alice Dusapin & Christophe Daviet-Thery. Beiträge von Steve Roden & Oscar Tuazon.
    Allan Kaprow is considered to be the founding father of the Happening, of Environments and Activities: terms that he continued to redefine throughout his career. With a wide selection of images, this publication documents Kaprow's posters, a lesser-known side of his work, produced between 1953 fand 1996. Most of these posters were designed by Allan Kaprow and are characterized by their aesthetic quality, the earliest ones in particular a combination of hand-lettered text and drawings and the later ones of photographs and typographic text in a minimalist style. More than merely advertising Happenings or Activities, these posters act as scores/tools for the participants to the Happenings and as everyday objects that blur the boundaries between art and life.
    Text von der Webseite
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TitelNummer

Kryptyka-Julia-Strauss

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Titel
  • Krytyka Polityczna Athens
Ort Land
Verlag Jahr
Medium

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Angaben
  • 272 S., 23,5x16,5 cm, signiert, ISBN/ISSN 16440919
    Broschur, mit Widmung, gefaltetes Blatt eingelegt, Cover manuel bearbeitet, mit Glitzer
ZusatzInfos
  • Dear Reader,
    In your hands is the Athenian issue of Krytyka Polityzcna. The Warsaw-based journal unites polymorphous freedom struggles in geographic Europe. This book is an anarchist, anti-capitalist, anti-fascist artwork. A hypothesis, and yet one that continues to be written actively on the ground. It clashes migration and education of the status quo, the effect and the cause of current violence.
    The publication documents an initiative, Universitas*, and accompanies the forthcoming Symposion, The School of Everything.
    This book contains the contributions of people who have recently moved to Athens from the Middle East, of Athenians who have lived here a long time, as well as of those who are based in Berlin but frequently visit Athens. brought together, they form a de-elitized and de-colonized remix of knowledge.
    The chapters in this book are intertwined and in each part the reader will find contributions relevant to the whole. The authors are all united by their portrayal in anti-phrenological drawings.
    In Athens, despite the invention of the State, streams of interlapping cultural influences never stopped pulsating. Such an experience of fluid identity de­monstrates that citizenship is an outdated concept of class separation and nationalism. The devastating contradiction: human rights are only valid in the economically privileged zones. The failure to collaborate with the revolution in Syria dispels the last illusions of an occidental civilization and unveils the truth: we all live in the absolute financial dictatorship.
    This publication includes several essays and statements on education. These are written by thinkers, philosophers, “activists”, and artists who are affili­ated with the Avtonomi Akadimia, a disobedient grassroots university in Athens which claims education as a form of art. These texts, poems, mani­festos and sketches of educational models are published in lieu of the abs­tracts for an upcoming Symposion entitled: “The School of Everything”.
    We build an educational system which consists of indignant initiatives for sharing knowledge, and of proposals by thinkers who see education as key. We shift from learning to sharing. We decriminalize sharing because we would like to enjoy the pleasure of giving. We liberate ourselves from the strictures of “Homo Sapiens”, a construct imposed upon life.
    We will transform the educational system of Europe.
    The clash of migration and education will release a Promethean fire.
    Text von der Webseite
    In collaboration with aneducation and the Public Programs of documenta 14
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Baroni Vittore / Rossi Manitù, Hrsg.: Tinnitus Tales - le Forbici di Manitù and Friends (SD010), 2016

tinitus-tales
tinitus-tales
tinitus-tales

Baroni Vittore / Rossi Manitù, Hrsg.: Tinnitus Tales - le Forbici di Manitù and Friends (SD010), 2016

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Titel
  • Tinnitus Tales - le Forbici di Manitù and Friends (SD010)
Ort Land
Verlag Jahr
Medium

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Angaben
  • 27x28,5 cm, keine weiteren Angaben vorhanden
    Plattenhülle, gestanzt mit 3 einklappbaren Teilen, beiliegend gestanzte Pappschlaufe mit handbeschrifteter DVD, Infoblatt zur Edition
ZusatzInfos
  • What do Martin Luther and Pete Townshend, Ozzie Osbourne and Oscar Wilde, Ludwig Van Beethoven and Star Trek’s Dr. Spock have in common? They all painfully suffered from tinnitus, a permanent hiss heard in one or both ears. The condition affects a large percentage of the world population (5-10%) and represents a real “occupational illness” for musicians and rock fans. On the subject, surprisingly, an inexplicable silence is observed by the music press and industry. At the current state of medical research, there is no effective cure for chronic tinnitus and the unpleasant humming can only get worse if you do not protect the ears properly.
    In the works for nearly five years, the triple concept album Tinnitus Tales (a 10" vinyl record and two CDs) conceived by Le Forbici di Manitù (i.e. Manitù Rossi and Vittore Baroni, the second long suffering from tinnitus) with the collaboration of over fifty guest musicians, bands and international visual artists, breaks the veil of silence with a series of songs that address the topic blending humor and empathy. The songs are inspired by well-known cases of people suffering from tinnitus, such as Andy Partridge of XTC or Bono and The Edge of U2. To make this "educational audio project" a more collective effort, several old and new friends - many of them with tinnitus problems - were invited to record their own versions of the songs by Le Forbici di Manitù or to contribute original compositions on the subject (included in the CD 1 Songs).
    Text von der Webseite
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was-ist-backworks
was-ist-backworks
was-ist-backworks

Moore Barbara / Hendricks Jon, Hrsg.: was ist Backworks?, 1976

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Titel
  • was ist Backworks?
Verlag Jahr

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  • [32] S., 27x21,2 cm, keine weiteren Angaben vorhanden
    Drahtheftung
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  • Lieferverzeichnis des Backworks Buchladen 1976. Documents and Relics of Experimental Art 1952-1970. Table of contents: Fluxus and related objects and documents, Reuben Gallery, other performances and events (Musik, Dance, Happenings).
    Co-owners Moore and Hendricks established Backworks in SoHo in 1976, based on their mutual curatorial interest in the objects and events of the downtown art and performance scenes, particularly by artists associated with the Rueben Gallery, Judson Memorial Church, Happenings and Fluxus, with which they were both connected as collaborators and curators. Moore and Hendricks, each of who has written extensively about figures such as George Maciunas, Yoko Ono, Allan Kaprow and Ben Vautier, among others, have been instrumental in the development of major collections, including the Gilbert and Lila Silverman Fluxus Collection at MoMA, and the Barbara and Peter Moore Fluxus Collection at Harvard. Backworks closed in 1983.
    Text von der Website.
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Landspersky Christian / Landspersky René, Hrsg.: what remains gallery - Edition 2 - Limits of Control - Two Underdogs in Disguise, 2021

landspersky-limits-of-control
landspersky-limits-of-control
landspersky-limits-of-control

Landspersky Christian / Landspersky René, Hrsg.: what remains gallery - Edition 2 - Limits of Control - Two Underdogs in Disguise, 2021

Titel
  • what remains gallery - Edition 2 - Limits of Control - Two Underdogs in Disguise
Ort Land
Medium

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  • [44] S., 27,3x21,5 cm, Auflage: 75, 2 Stück. ISBN/ISSN 9783946803652
    Drahtheftung, Zettel mit handschriftlicher Notiz beigelegt
ZusatzInfos
  • A perfomative art-piece to raise questions about the very concepts of preservation, ‘heritage’, immateriality and meaning.
    Symbolic values build the conceptual frame for the research on the relationship between words and images in the digitized world, transhistorical authorship, coded connectivness, digital diversification and the residues of the significant other. What remains gallery will focus the limits of perception through the digitized perspective of non-linear history.
    DIRECTORS´S NOTE
    Dear Viewer, dear Reader,
    the following issue of what remains gallery magazine focuses the artist´s role and his work through the lense of a public imagery and the needs of a visual culture. The series wants to sharpen the focus on different aspects of an exposure to art and its objects. The changing scenes and actions are taking place impromptu and exemplify the limits of control from an artists perspective, when a piece of art gets abandoned and the idea of originality gets fostered. The perspectives on the scenarios are fully invented and have nothing to do with any form of reality. 
    Der Inhalt bezieht sich auf diverse Kunstwerke aus den Jahren 2004 bis 2015.
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goldsmith_wasting_time

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Titel
  • Wasting Time on the Internet
Verlag Jahr
Medium

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  • 256 S., 18,1x12,4 cm, ISBN/ISSN 9780062416476
    Broschur
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  • Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that “wasted” time differently. Unlike old media, the internet demands active engagement—and it’s actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called “Wasting Time on the Internet”, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith’s ideas struck a nerve, because they are brilliantly subversive—and endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we’re “wasting time,” we’re actually creating a culture of collaboration. We’re reading and writing more—and quite differently. And we’re turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictable—like the internet itself—Wasting Time on the Internet is the manifesto you didn’t know you needed.
    Text von der Webseite
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rosa-stern-after-all-ends
rosa-stern-after-all-ends
rosa-stern-after-all-ends

Abraham Zarah / Liebfried Kalas (Lynbomirov Kaloyan) / Metzel Constanze / Pondorf Rosanna Marie / Rappl Josua / Scharf Alexander, Hrsg.: After All Ends: No New Beginnings - Between Vision and Resignation, 2023

Titel
  • After All Ends: No New Beginnings - Between Vision and Resignation
Ort Land
Verlag Jahr
Medium

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  • [8] S., 29,7x21 cm, 2 Stück. keine weiteren Angaben vorhanden
    Faltblatt mit Dreibruchfalz
ZusatzInfos
  • Der Rosa Stern Space ist ein Raum sowie ein Netzwerk und eine Plattform für die Auseinandersetzung, sowohl analog als auch digital, mit verschiedenen Diskursen. In den eigenen Räumlichkeiten und auch an verschiedenen Orten in München organisiert Rosa Stern Space verschiedene Veranstaltungen. Hierbei handelt es sich um Programmheft mit Auflistung der verschiedenen Veranstaltungen, die ab dem 26.01.2023 in verschiedenen Lokalitäten in München stattfinden, unter dem Namen "After All Ends: No New Beginnings - Between Vision and Resignation". Das erste Event fand in der Roten Sonne in München statt. Die Inhalte sind vielseitig und bewegen sich von Klang, Tanz und Performances bis hinzu Gesprächen und Vorführungen.
    Rosa Stern Space explores social and cultural developments of a present defined by (post-)apocalyptic scenarios, critically questioned and transferred into an aesthetic discussion space. What comes after all ends? Are there new beginnings? Do we persist in the recurrence of the same old? No return to the supposed normality? How do we counter resignation, and what visions emerge from these liminal conditions marked by continuous crises and permanent sensations? Breakdown or breakthrough?
    Text von der Webseite.
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Erworben bei Rote Sonne München
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schallplatte-von-bonin

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  • Fieber 01 Cosima von Bonin
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Verlag Jahr
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  • 18x18 cm, Auflage: 300, numeriert, signiert, keine weiteren Angaben vorhanden
    zwei Vinylschallplatten 7", 45 rpm, Hülle Kunststoff und Papier (zwei gefaltete Drucke), signiert auf Umschlag Vorderseite, mit Bauchbinde
ZusatzInfos
  • This edition contains two vinyl 7″. singles with music by Doctorella and Justus Köhncke as well as two exclusive prints designed, handnumbered and signed by Cosima von Bonin. Limited Edition of 300 only.
    You can’t really fully understand the work of Cosima von Bonin without looking at her collaboration with other artists. Even when invited to produce a solo exhibition, von Bonin rarely shows up without the input of her friends, either through music, lyrical fragments, fashion accessories, cameo performances, or, and, orAnd let’s be clear, the musicians get the von Bonins thing.
    Text von der Webseite
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Erworben bei Achim Riechers
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artists-book-not.

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Titel
  • ARTISTS’ BOOK NOT ARTISTS’ BOOK
Verlag Jahr
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  • 17,6x13,8 cm, Auflage: 500, ISBN/ISSN 9780982969427
    Buch zu einer Ausstellung in der Boo-Hooray Gallery New York, eingesteckt in ein mehrfach gefaltetes A2-Format-Blatt mit den Farbabbildungen der im Buch beschriebenen Bücher
ZusatzInfos
  • "Artists' book" is a troublesome term. There seems to be no single well-understood or generally-accepted working definition. Say "artists' book" in general conversation and you'll likely get a blank look, if not outright confusion. even with a specialized audience of bibliophiles, or art world cognoscenti, it may be necessary to clarify exactly what you mean...
    Artists' Book Not Artists' Book is an exhibition co-curated by Johan Kugelberg and Jeremy Sanders. In it are about one hundred books and of course all of them either are, or are not, artists’ books, but whether it is even possible to say which ones fall into which category is a matter that's not entirely clear. And in any case, it's likely no two viewers would draw exactly the same conclusions.
    Artists' Book Not Artists' Book.
    Von der Webseite des Verlages
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TitelNummer

fotografija-nr.1

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Titel
  • Fotografija NR. 1 (35) 2018
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  • [116] S., 27,5x23 cm, ISBN/ISSN 16487273
    Broschur
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  • We are heading into a future where our choices will be shaped – if not outright determined – by algorithms and artificial intelligence. This coming state has been labelled “the new dark age” (James Bridle, 2018).
    It remains to be seen what this brings to photography, and vice versa.
    One thing, however, seems clear: photography, which has already changed significantly in the 21st century, is affected by – and in some important ways is part of – this development. This issue of “Fotografija” explores how programmes, apps and AI-related technologies shape and change the discourse of photography, challenging traditional boundaries of the medium.
    Various programmes and services – Google, Photoshop, Flickr, Snapchat, visual recognition, etc. – provide new tools to conceive image-making and think photographically. Technological interfaces not only deliver instruments for making work but can become the very logic for creating photographic series.
    The presented artists offer perspectives to raise questions and discuss these technological shifts. From dealing with traumatic events (Indrė Šerpytytė) and inaccessible sites (James Bridle) through technological mediation to playing with our expectations of an all-pervasive Photoshop manipulation (Erin E’Keefe). From exploring so-called smart surveillance systems (Esther Hovers) and censoring politically sensitive sites (Mishka Henner) to everyday glitches (Mantas Grigaitis). From playing with the copyrights of such collective websites as Flickr (Penelope Umbrico) to exploring the shared language of being in some of the most photographed places on earth (Thomas Albdorf). And from using Photoshop to create images (Aaron Hegert) to an image that is barely photographic (Zachary Dean Norman). The four essays (Kate Palmer Albers, Roksana Filipowska and Marijana Rayl, Ilaria Speri, Alise Tifentale) map out the works in broader social, historical and art contexts.
    In short, the works deal with our technologized world. They talk about being in the middle of changes that few have envisioned. Being so immersed, one can feel it (almost) hurts.
    Text von Paul Paper.
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mccarthy-how-to-start-a-revolution-book
mccarthy-how-to-start-a-revolution-book
mccarthy-how-to-start-a-revolution-book

McCarthy Anna: How to Start A Revolution – The Musical, 2018

Verfasser
Titel
  • How to Start A Revolution – The Musical
Verlag Jahr
Medium

Technische
Angaben
  • [300] S., 28,5x21,3 cm, Auflage: 100, numeriert, signiert, keine weiteren Angaben vorhanden
    Hardcover mit Schnürsenkel verschlossen, Digitaldruck, 11 eingelegte Risodrucke, gedruckt bei Extrapool/Nijmegen, mit handschriftlicher Widmung
ZusatzInfos
  • So what was it like before everything went hell-bent batshit crazy? Enter Prof. Dr. of Pseudology, Anna McCarthy, with her HOW TO START A REVOLUTION book and its endless footnotes and twists and turns. She explains to us the chronology of politics and personal occurrences through this haze of a microcosm.
    HOW TO START A REVOLUTION is a multi-layered work that deals with clichés of rebelliousness. It is embedded in socio-political events from 2007 to 2015 and their mediated and subjective reception. It deals with rebellion in limbo, in which change seems ominent, mirroring the current political atmosphere. Geographically anchored in Munich and Bavaria, it reaches beyond the local peculiarities and relocates them into the context of historical global events. A microcosm of reoccuring people and places stand in as exemplary figures for global events in a humorous, absurd, and critical manner. Examples are documentaries such as 'Bored Rebel in Oberpfaffenhofen' or ridiculously provocative political actions in public spaces, numerous "in-flux" archives, a pathetic musical, which was first performed in 2013 at Haus der Kunst, and even a permanent installation in Tito’s ex-Bunker in the hills of Bosnia and Herzegovina.
    The project has been exhibited internationally, including at Nottingham Gallery for Contemporary Art, Chisenhale Gallery London, Schloss Ringenberg, Galleribox Akureyri Iceland, Goethe University Frankfurt, D-0 Ark Underground, Konjic, and at Transmission Gallery in Glasgow, amongst other locations. ...
    Text von der Website
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exist_art
exist_art
exist_art

Colo Papo, Hrsg.: Unfinished Memories: 30 Years of Exit Art, 2016

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Titel
  • Unfinished Memories: 30 Years of Exit Art
Ort Land
Verlag Jahr
Medium

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  • 442 S., 23,3x28,3 cm, ISBN/ISSN 9783958291973
    Hardcover mit Prägedruck
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  • Unfinished Memories: 30 Years of Exit Art is an intimate portrait of an institution that from 1982 to 2012 challenged social, political, aesthetic and curatorial norms. Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under-recognized artists, experimental theatre and performance works, as well as national and international film and video programs.

    Conceived by Exit Art’s founders, Jeanette Ingberman and Papo Colo, this volume is a resource on more than 200 exhibitions, events, festivals and programs featuring more than 2,500 artists, presented within the larger context of the art world. More than seventy eyewitness accounts and idiosyncratic recollections from artists, curators, critics and friends create a vivid sense of the exhibitions, performances, screenings, discussions, ideas and people that were part of Exit Art during its three-decade run.
    Text von der Webseite

    Die Exit Art Gallery bestand in New York.
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various-others-programm-2022
various-others-programm-2022
various-others-programm-2022

Ganzenberg Christian, Hrsg.: various others 2022, 2022

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Titel
  • various others 2022
Ort Land
Verlag Jahr
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  • 14,8x10,6 cm, keine weiteren Angaben vorhanden
    Drahtheftung, Programmheft
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  • Zur Veranstaltung 08.09.-09.10.2022 in München
    VARIOUS OTHERS is the international format of the Munich art scene. Its most ambitious players—galleries, artist-run spaces, and institutions—invite you to get to know the city’s most important art venues in all their diversity. In collaboration with international partners, VARIOUS OTHERS offers artists, collectors, curators, gallery owners, and art enthusiasts from all over the world contemporary art of the highest quality and relevance.
    With its splendid kick-off during the second weekend of September, VARIOUS OTHERS heralds the start of the fall art season and is a fixed event in the international art calendar. With its up-to-date, varied, and high-quality program of exhibitions and events, VARIOUS OTHERS promotes the visibility of Munich as a vibrant art city.
    Through our partnership concept—galleries and artist-run spaces invite partners to jointly realize exhibitions—we strengthen international exchange and collaboration and share those values with our guests and partners. During four rich weeks, we invite our guests and friends to experience great sites of contemporary art in Munich and get to know the artists who work here—and thus discover new things. ...
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Erworben bei Haus der Kunst
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artist music journals 1 9 seripop 2010

Titel
  • Artist Music Journals Vol. 1 No. 09 - Seripop
Verlag Jahr
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  • [24] S., 26,5x26,5 cm, Auflage: 1.000, numeriert, keine weiteren Angaben vorhanden
    Drahtheftung, Heft in Pappschuber mit Aufkleber
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  • Edition 09 in the ongoing Artist Music Journals series features the work of the Montreal based artists and musicians Chloe Lum and Yannick Desranleau, known as Seripop. Known for their original illustration and design work, as well as their longstanding tenure as founders and members of the musical outfit Aids Wolf, Seripop have a broad following around the globe. For their AMJ, Seripop compiled years of original gig poster work, the first collection of its kind for the studio, which has made thousands of prints over the years.
    About Seripop: Yannick Desranleau and Chloe Lum are visual artists and musicians who started collaborating in 2002 under the nom de guerre Seripop. Based in Montreal, Seripop has earned international attention for its stylistically distinct, silkscreened street posters. In 2005, Lum and Desranleau began experimenting with sculptural print installations which merge notions of city politics and visual perception. The duo has been speaking and exhibiting their work at various art institutions including Baltic Centre for Contemporary Art in Gateshead, England, Peacock Visual Arts in Aberdeen, Scotland, and the University of North Texas, Denton, USA. In addition to Seripop, Lum and Desranleau play in AIDS Wolf, a noise-rock band and Hamborghinni, a drums and electronics project.
    Text von der Webseite
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TitelNummer

willats-vision-and-reality

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Titel
  • Vision and Reality
Ort Land
Verlag Jahr
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  • 292 S., 23,3x14,2 cm, ISBN/ISSN 978-1-910010082
    Klappbroschur,
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  • This book presents a wide selection of interviews and photographs from the collaborations between Willats and residents in the many housing estate projects he makes. The first-hand observations and individual opinions, from the past four decades, record a variety of attitudes and perceptions towards the physical reality of their surroundings. Created outside of the norms and conventions of an object-based art world, the projects in this book, mainly on estates in and around London, but also in Bath, Leeds, Milton Keynes and Oxford, highlight the realities of everyday life in both tower blocks and low-rise planned housing. Text von der Webseite
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Stichwort / Schlagwort
TitelNummer

wolf-rehfeldt-signs-fiction

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  • Signs Fiction
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  • [490] S., 32x24 cm, Auflage: 700, ISBN/ISSN 978-2-940524464
    Broschur
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  • This book aims to collect and present a comprehensive overview of the work of Ruth Wolf-Rehfeldt. It is the result of a long and intense immersion into her archive, and intends to establish the importance of this unique artist – who did not have much recognition in the past – not only to the present day, but also to the precise political context and time to which she and her work belong.
    The book presents her typewritings series, all produced between the early 1970s (some of the earliest works are dated 1972) and 1989.
    Mail Art was her way to be in contact with the world outside the GDR, otherwise impossible to reach. After the fall of the Berlin Wall and the Reunification, the artist stopped producing any art: She felt her involvement was no longer “needed”.
    At the beginning of 2015 we started to archive Ruth Wolf- Rehfeldt’s work, discovering little by little an enormous and fascinating body of work, composed by more classic poetry, simple typewriting texts, visual poetry, concrete poetry, and abstraction.
    Text von der Webseite
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from-static-oblivion-grigorescu

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Titel
  • From static oblivion
Ort Land
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  • [352] S., 30x16 cm, Auflage: 1.000, ISBN/ISSN 978-2-954197425
    Broschur, in silberner Kunststoff Schutzhülle mit Aufkleber
ZusatzInfos
  • A reflection about the status of the image as a balance of forces in tension and a paradoxical act of cancellation of the body through its own representation. In Ion Grigorescu’s work, as in the book, the body is continually shown in different ways - from photography to film, from performance to drawing - and yet it remains absent, obscuring its own identity in an attempt to question the collective one. As it is impossible to show his art during the regime, it ends up hiding, disappearing inside the image. Instead of showing, the image conceals, because it is non-documentary and non-transmittable. it is an act of birth, a prove of the artist’s resistance, especially as a human being inside (or against) any geographical or historical background. In the rituals of his gestures and in the symbolism of his performances, Grigorescu finds a way to stay alive, preserving his own intellectual status while also defending the dignity of everyday life. The book traces the progression, both expansive and inclusive, of his work, which inscribes itself into the space of the body and of the world. Grigorescu absorbs elements of the surrounding reality, showing us a continuity between art and life: his act of dissidence is not an outcry of provocation, nor is it extreme. it is an anti-aesthetic operation which uses experimentation and rough techniques to uncover the fiction of art, to denounce the artifice of representation and to affirm images as an instrument of subversive power.
    Text von der Webseite.
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attack-delay-1

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Titel
  • attack delay magazine 001 Spring / Summer 2001
Ort Land
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  • 21x16,3 cm, keine weiteren Angaben vorhanden
    eingelegt ein Blatt mit lieferbaren Titeln bei EFA
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  • Jim Avignon geb. 1968 in Schweden, Schulbusfahrer, danach Künstler.
    Cartoon poet, speed painter and performance artist between cheap art and high-paying commercial work, regards himself as a storyteller and illustrator of modern times, expressing complex relationships with the simplest of means. Well observed and a little crazy Avignon crafts a gentle, visual critique of society, exposing everyday absurdities between business and lovesickness with an apt, sympathetic bite. "Attack Delay", a personal magazine in a book format, presents this hero of modern multitasking in his unmistakable technicolor cartoon style
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gremaud-mirconaut-no-2

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  • Micronaut n°2 - Modern Life is Rubbish
Ort Land
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  • 40 S., 27.2x19.7 cm, Auflage: 150, keine weiteren Angaben vorhanden
    Blätter gefaltet, lose ineinander gelegt
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  • Micronaut is an editorial project initiated in 2011 with a critical and singular approach to publishing and artist book. In three years of activity, the book serie took several different forms, engaging a dialogue between disciplines and blurring the boundaries between actors involved in a book process. An independent editor and photographer based in Switzerland, Julien Gremaud runs Micronaut as an interface to produce and publish books but also as an artistic practice through collaborations whether it is an artist, a gallery, a museum or an artists collective.
    Text von Website
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moraza-republic

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  • Republic
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  • 254 S., 23x16,6 cm, ISBN/ISSN 9788480265096
    Klappbroschur,
ZusatzInfos
  • Publikation zur gleichnamigen Ausstellung vom 15.10.2014-02.03.2015.
    The exhibition catalogue of republic brings together a broad selection of works by Juan Luis Moraza that explore the museum as a system of conventions and possibilities of citizenship. If one of the problems of contemporary democracy is the dilemma facing each citizen – between passivity and the possibilities of participation in social life – in the museum Moraza finds a space of convergence between the citizen-artist and citizen-spectator. Texts by the artist, in addition to a glossary and conversation, both developed by the show’s curator João Fernandes, are presented. The publication is arranged into two complementary parts: the odd-numbered pages comprise a catalogue of works, documents and literary works selected by the artist, while the even pages make an essay about republic.
    Text von Website
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faisst-fassade-parade

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  • FASSADE PARADE
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  • [84] S., 21x14,8 cm, Auflage: 150, numeriert, keine weiteren Angaben vorhanden
    Spiralbindung, Cover aus roter transparenter Folie
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  • Fassade Parade is a collection of lost souls of modern aesthetics compiled by Tobias Faisst that stand in strong contrast to pixel-perfect designs and high-end photography.
    Tobias Faisst is a photographer and graphic designer. He studied at the FH Potsdam. His photographs create the balancing act between hyperrealism and banality, between surrealism and the overwritten now. Tobias currently lives and works in Berlin.
    Text von der Webseite
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weiner-nach-bildende-kunst

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  • NACH BILDENDE KUNST / AFTER FINE ART Works presented in the German Language / Arbeiten vorgestellt im deutschsprachigen Raum
Ort Land
Verlag Jahr
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Angaben
  • 200 S., 24,1x16,7 cm, ISBN/ISSN 978-3-775729796
    Broschur
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  • Edited by Gabriele Wix, By Gabriele Wix, graphic design by Lawrence Weiner, Anja Lutz.
    Most of his oeuvre, which comprises more than a thousand language-related works, has already been presented in the German-speaking world—some of it either translated by Weiner himself or conceived using German as a basis. Featuring over 350 works, this is the first list of the English/German works. The artist assumed responsibility for the typography and cover design, as if the publication were one of his own works. Accompanying text and visual documents shed light on the creative process, in-situ installations, and Weiner’s way to work with text.
    Text von der Webseite
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desjardin book

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  • the book on books on artists books
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  • 230 S., 24x17 cm, ISBN/ISSN 9780956173843
    erschienen zur Ausstellung at the Bloomberg Space London, eingelegt eine Karte mit handschriftlichem Text
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  • The Bloomberg website says of the project:
    For Comma 38, artist and publisher Arnaud Desjardin will exhibit new, old, rare, and popular books while running an active printing press in Bloomberg Space. His COMMA commission, part of an ongoing project titled The Book on Books on Artists' Books, is intended to create an active and participatory review of current and historical practice. This exhibition is about both the display of books on artists' books and the production of a book about the books displayed. He intends to print a first edition, a book of books, a critical anthology and source book, alongside which a large range of books on artists' books will be displayed in a series of vitrines.
    Artists' books have normally been sold and distributed through small networks of bookshops and galleries that often produce lists of available titles in printed form. The advent of the Internet has meant that information online has changed the nature of this documentary evidence. Desjardin's unique and extraordinary combination of display and production makes an exhibition that actively engages in both the making and disseminating in real time. The books themselves become both vehicles for information and documents that testify for artistic activity in its own right
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naivsuper-cd 007

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Titel
  • Soundsystem Pastoral
Ort Land
Verlag Jahr
Medium

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Angaben
  • 13x13 cm, keine weiteren Angaben vorhanden
    naivsuper Nr 007, Musik-CD in gefalteter Papphülle mit Beiblatt in transparenter Kunststoffhülle, cover art: Stephane Leonard
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  • music by Daniel Lopatin aka Dania Shapes.
    Soundsystem Pastoral was recorded by Daniel Lopatin aka Dania Shapes during the winter of 2004 using synthesizers, a first generation digital sequencer, and a freeware sound editor. It was remixed in 2006 for the release on naivsuper.
    Celebrating the potential of amateurishness, decadence and romance in the realm of digital audio arts, Lopatin looks to marry the aesthetic sensibilities of experimental electronics with his allegiance to the classic 'beauty' in music. 'Glitch' is less a process for Lopatin -- rather it is an aesthetic impression which Lopatin emulates by hand. Pairing the residual effects of romantic, heart string melodies with steroidal, detailed, maximalist noise, Dania Shapes' audible bricolage is a tribute to both the beautiful and the broken all at once.
    Working with simple tools such as handheld tape recorders, retro synthesizers, and a personal computer, Lopatin creates conceptual systems and processes to create a solo music that's beautiful and inventive, with interesting textures and unexpected sonic interventions. The music has a lush, ambient quality, but an edge as well. Throughout the CD, one finds a subtle use of repetition. The pieces are formally well-conceived and never contrived. The music is clearly indebted to heroes of electronica such as Christian Fennesz, William Basinski, and Brian Eno. and it has links to classic experimentalists such as David Tudor and David Behrman. Yet Lopatin maintains a more song-based musical position that results in an accessible product that will attract fans of ambient, post-rock, and experimental music
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mr-fluxus

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Titel
  • Mr. Fluxus - A Collective Portrait of George Maciunas, 1931–1978
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 352 S., 24,5x17,7 cm, ISBN/ISSN 9780500974612
    Hardcover, fadengeheftet, mit Schutzumschlag, mit Illustrationen
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  • George Maciunas was the founding member and leader of the most radical and experimental art movement of th 1960s: "Fluxus". Associated with artists such as Joseph Bueys and Yoko Ono, Fluxus rejected traditional systems of high art and practised a form of "anti-art" encompassing everything from photography and pavement art to poetry and drama. This biography of one of the key figures in the history of 20th-century art recounts in text and archive photographs the life story of this contradictory and unorthodox man. Emmett Williams provides anecdotes and impressions from former Fluxus colleagues and other friends (and enemies), to produce a portrait of this crusader, whose mission was to change the world - beginning with the world of art. Although tempered with wit and wisdom, his iconoclasm won him few friends amongst the art establishment during his lifetime, but Fluxus prevailed as an acknowledged force behind the upheavals in the art of the 20th century.
    Text von der Webseite
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gueell-epistola
gueell-epistola
gueell-epistola

Güell Núria: Epistolario - Ayuda Humanitaria, 2011

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Titel
  • Epistolario - Ayuda Humanitaria
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [252] S., 21x15 cm, Auflage: 300, ISBN/ISSN 9788439387671
    Fadenheftung, Schutzumschlag. Gefalteter DIN A5 Karton zwischen den Seiten angeheftet.
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  • I had been in Cuba for almost a year studying in the Behavior Art School. One night, when my parents and I were having dinner at a tourist restaurant during one of their visits, I observed that most of the tables were occupied by couples made up of middle-aged tourists and Cuban girls. At the time (2008) the only option Cubans had to leave the country legally was to make a tourist man or woman fall in love with them and marry him or her. Love had become a kind of passport to freedom—or to the illusion of freedom, and winning someone’s heart and seducing them allowed Cubans to dream with a new life, a better—or different—life, regardless of it being real or unreal. That very day I decided to marry a Cuban man in order to understand and draw attention to what was happening in the country, that exchange of interests, that market of dreams, sex and company. My plan was to follow the same pattern. I would marry a Cuban man; I would give him the means to obtain the coveted papers and permits to leave the country in exchange of being able to use him in a work of art. I would use love to fool Cuban and Spanish bureaucracy. This is how the project Humanitarian Help was born. With that in mind, I organised a kind of public open call in which I offered to marry the Cuban man who wrote me “the most beautiful love letter in the world”, offering also to pay for the wedding expenses, his ticket to Spain and all the formalities to obtain Spanish nationality. This offer was aimed at those Cuban men who were interested in emigrating. A jury made up of three Cuban prostitutes would pick the winning letter and, therefore, my future husband. Mirroring the interested conditions that are usually applied in humanitarian aid, I required in the terms that the selected man be at my disposal for any request for the duration of the marriage. Once he acquired the Spanish citizenship, we divorced in accordance with the agreed terms and conditions. In the event that the work is sold, the profits will be shared out in equal parts.
    Text von der Website
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herold-parcour-rosa-stern
herold-parcour-rosa-stern
herold-parcour-rosa-stern

Herold Barbara: BARBARA HEROLD FEAT. KIM TWIDDLE - PARCOUR, 2022

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  • BARBARA HEROLD FEAT. KIM TWIDDLE - PARCOUR
Ort Land
Verlag Jahr
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Angaben
  • 29,7x21 cm, 4 Teile. keine weiteren Angaben vorhanden
    Infoblatt, Aufkleber und Hygienemaske für VR-Brille
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  • Virtual Reality, Installation und Live Acts im Rahmen von FREISPIEL im Rosa Stern Space 25.05.-22.06.2022
    We are happy to announce the fourth edition of FREISPIEL: a series of short-term residencies and presentations by (inter)national artists dealing with issues of cultural orders and their aesthetic and socio-political influences in our future-driven present. Our next guests will be Munich based artists Barbara Herold feat. Kim Twiddle LIVE with the synaesthetic challenge PARCOUR – suspend traditional patterns of perception, explore visual borderline experiences and enable a new transcendental seeing while generating surreal soundscapes! In her artistic practice, Barbara Herold explores playful systems in the threshold space of the real and the digital and develops interactive AR and VR worlds that can be physically experienced in the overlapping of the virtual and the real. In collaboration with e-composer Kim Twiddle, Barbara Herold developed the colour-form-music composer PARCOUR, a VR experiment on „Neues Sehen" (according to W. Benjamin). Through optical abstraction, stereoscopic overlays and interactive sound modulation, retro video game landscapes become an aesthetic sensual and new consciousness experience.
    PARCOUR will be premiered at Rosa Stern Space. The VR will be graphically extended into the physical space, accessible via a gate. Kim Twiddle will realize electronic live acts and a sound installation based on sound material generated by VR users at Rosa Stern Space and other venues – PARCOUR on tour (tba)...
    Barbara Herold, VG Bild-Kunst, Bonn, 2022
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allen-artists-magazines
allen-artists-magazines
allen-artists-magazines

Allen Gwen: Artists' Magazines - An Alternative Space for Art, 2015

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Titel
  • Artists' Magazines - An Alternative Space for Art
Verlag Jahr
Medium

Technische
Angaben
  • 368 S., 24,8x19 cm, ISBN/ISSN 9780262528412
    Broschur
ZusatzInfos
  • Originalausgabe von 2011.
    During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists’ Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
    Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists’ postage stamps, and collectible chapbooks, Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions, and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists’ Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
    In den 1960er und 1970er Jahren wurden Zeitschriften zu einem wichtigen neuen Ort der künstlerischen Praxis und fungierten als alternativer Ausstellungsraum für die entmaterialisierten Praktiken der Konzeptkunst. Künstler schufen Werke speziell für diese massenproduzierten, von Hand herausgegebenen Seiten und nutzten die Vergänglichkeit und Materialität der Zeitschriften, um die Konventionen sowohl des künstlerischen Mediums als auch der Galerie in Frage zu stellen. In Artists' Magazines befasst sich Gwen Allen mit den wichtigsten dieser Zeitschriften in ihrer Blütezeit (1960er bis 1980er Jahre) und stellt ein umfassendes, bebildertes Verzeichnis von Hunderten weiterer Zeitschriften zusammen.
    Zu den von Allen untersuchten Magazinen gehören Aspen (1965-1971), ein multimediales Magazin in einer Box - die Ausgaben enthielten Super-8-Filme, Flexi-Disc-Schallplatten, kritische Schriften, Briefmarken von Künstlern und Sammelbücher, Avalanche (1970-1976), das durch seine Interviews und von Künstlern gestalteten Beiträge den gegenkulturellen Charakter der aufstrebenden Kunstszene von SoHo zum Ausdruck brachte, und Real Life (1979-1994), das von Thomas Lawson und Susan Morgan als Forum für die Generation Pictures herausgegeben wurde. Diese und die anderen von Allen untersuchten Magazine unterschieden sich in Form und Inhalt von den Mainstream-Medien: Sie stellten ihre hausgemachte Do-it-yourself-Qualität der Glätte eines Artforums gegenüber und schufen Arbeiten, die sich der formalistischen Orthodoxie der Zeit widersetzten. Artists' Magazines, mit zahlreichen Farbabbildungen von Titelseiten und Inhalten, bietet einen unverzichtbaren Leitfaden für ein wenig erforschtes Medium.
    Übersetzt mit www.DeepL.com/Translator, Text von der Webseite
    Erwähnt werden neben vorwiegend amerikanischen Magazinen auch europäische Magazine
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nyabf2017

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Titel
  • NY Art Book Fair 2017
Verlag Jahr
Medium

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Angaben
  • 15x10,5 cm, keine weiteren Angaben vorhanden
    Softcover, Broschur
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  • Publikation zur New York Art Book Fair 2017. Printed Matter presents the twelfth annual NY Art Book Fair, from September 22 to 24, 2017, at MoMA PS1, Long Island City, Queens. Free and open to the public, the NY Art Book Fair is the world’s premier event for artists’ books, catalogs, monographs, periodicals, and zines. The 2017 NY Art Book Fair will feature over 370 booksellers, antiquarians, artists, institutions and independent publishers from twenty-eight countries. This year’s NY Art Book Fair will include an ever-growing variety of exhibitors - from zinesters in (XE)ROX & PAPER + SCISSORS and the Small Press Dome representing publishing at its most innovative and affordable, to rare and antiquarian dealers offering out-of-print books and ephemera from art and artist book history, plus the NYABF-classic Friendly Fire, focused on the intersections of art and activism. NYABF17 will host an array of programming and special events, including: The Classroom, a curated engagement of informal conversations, workshops, readings, and other artist-led interventions, for the eighth year running, as well as The Contemporary Artists’ Book Conference (CABC), in its tenth year, featuring two full days of conversation on emerging practices and issues within art-book culture.
    Text von der Website.
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Verfasser
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  • Transgression
Verlag Jahr
Medium

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Angaben
  • 59x42 cm, keine weiteren Angaben vorhanden
    Plakat
ZusatzInfos
  • Deepti Barth presents TRANSGRESSION at the home of the Cyprus Visual Artists Association (24.10.13–16.11.13), the Phytorio, located within the Nicosia Municipal Gardens and at the Office gallery, just a few metres from the Buffer Zone. The work explores issues of restriction.
    The material was shot and filmed in November of 2012 at the Nicosia International Airport. The lens follows the movement of a paraplegic Greek-Cypriot through this location: an area within the Buffer Zone controlled by the United Nations Peacekeeping Forces in Cyprus. Photographs and video narrate the progression of the protagonist in a fragmented, often non-linear way, beginning on the runway, continuing on the uphill ramp of the terminal building. The paraplegic breaks though barbed wire and a locked entrance door, advancing through the corridors of the main building to reach what used to be a departure lounge – transgressing a decision that was taken by the UNFICYP six months before filming, to strictly prohibit access to the terminal building “for safety reasons” (sic).
    Text von Website
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three-hours-between-planes-chicago-leipzig
three-hours-between-planes-chicago-leipzig
three-hours-between-planes-chicago-leipzig

Polini Marco / Grimberg Eiko, Hrsg.: THREE HOURS BETWEEN PLANES - Chicago - Leipzig, 2008

Verfasser
Titel
  • THREE HOURS BETWEEN PLANES - Chicago - Leipzig
Ort Land
Medium

Technische
Angaben
  • 10,5x14,8 cm, keine weiteren Angaben vorhanden
    Set aus 12 Postkarten, Bauchbinde
ZusatzInfos
  • Ausstellung von Contemporary Photography from Chicago and Leipzig in der Werkschauhalle des Kunstverein Leipzig, 17.05.-15.06.2008
    "THREE HOURS BETWEEN PLANES" — kuratiert von Marco Poloni (Chicago) und Eiko Grimberg (Leipzig) — zeigt Arbeiten elf amerikanischer und deutscher Künstler, die sich im weitesten Sinne mit fotografischen Medien beschäftigen. Alle beteiligten Künstler haben ihr Studium an der School of the Art Institute of Chicago bzw. der Hochschule für Grafik und Buchkunst Leipzig absolviert, beides Orte mit einer umfangreichen fotografischen Ausbildungstradition.
    Beidseits des Atlantiks stellt sich die Frage, in wieweit Spuren der Realität innerhalb eines Bildes noch erfasst werden können. Eröffnet sich hierbei nicht vielmehr ein Feld, in dem sich der Künstler in die Rolle eines performativen Vermittlers versetzt sieht oder beginnt er sich in der Mehrdeutigkeit der Bilder einzunisten? Der Impuls, Momente des Realen zu produzieren und zu dokumentieren — oder vielmehr, Situationen zu generieren, um das Reale in Erscheinung treten zu lassen, ist ein konstantes Thema der Ausstellung. Dabei bestimmt der Rückgriff auf die eigene Biografie und Lebenswelt als zu formendes Material genauso die Ausstellung, wie ein diskursiver Umgang mit den formalen Bedingungen des fotografischen Mediums. Die Ausstellung findet in Kooperation mit dem Kunstverein Leipzig e.V. und dem Chicago Cultural Center statt.
    Text von der Webseite
Sprache
TitelNummer

boletim-1-2013

Verfasser
Titel
  • Boletim, No. 1 - Arquitectura - Architecture
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 47 S., 21,8x14,5 cm, Auflage: 200, ISBN/ISSN 9788494070129
    Drahtheftung
ZusatzInfos
  • Following the example of French and British railway companies, C.P. (Portuguese Railways) built houses and social facilities between 1910-20, to support its employees and their families. Key projects implemented during the first quarter of the twentieth century included the Boneca neighbourhood, for retired railway workers, and the Vila Verde neighbourhood, in the alignment of the Bairro Camões neighbourhood. The latter was built in 1926 designed by Cottinelli Telmo and Luís da Cunha. All these neighbourhoods are located in the city of Entroncamento. The city itself was created because of the railways. The station was the first dwelling - at the time a small tent (1862). This new venture provoked major migration from the interior of Portugal, of those who wanted to work for the Company. As a consequence, C.P. (Portuguese Railways) developed a plan, involving a series of ambitious social support structures, perhaps unique at the national level. The company built neighbourhoods for employees, a school, a supplies warehouse, an anti-tuberculosis dispensary that operated as a health centre and also encouraged the development of sporting activities. In parallel with technological evolution and development of railway activities, the workshop area was expanded, included reinforced staff training, which reached a peak when a training centre was built, that is today called FERNAVE, house in a huge building, built from scratch for these functions and which formerly housed the Instituto Superior de Transportes (Higher Transport Institute).
    Text von der Webseite
Stichwort / Schlagwort
Erworben bei múltiplos
TitelNummer

sam-connect-the-dots

Verfasser
Titel
  • Connect the dots (however you like)
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 2 S., 11x16 cm, keine weiteren Angaben vorhanden
    Postkarte
ZusatzInfos
  • Fabrica Features is the brand communicating the ideals and creative output of the Fabrica design studio. It is defined by the attitudes and creations of the young international people who work there, refreshed by the coming and going of studio members. Their process is informed by enquiry into rituals and materials, defining a language that is thoughtful, eclectic and alternative. The focus is on conceptual objects, limited collections and prototypes, produced under the brand – which is the meeting point between the studio and the outside world. Such encounters happen in galleries, museums, online and designated Fabrica Features spaces found throughout Europe. Text von Website
Stichwort / Schlagwort
TitelNummer

arts-of-the-working-clas-03
arts-of-the-working-clas-03
arts-of-the-working-clas-03

Kolar Alina / Plaza Lazo Maria Inés / Sochacki Paul, Hrsg.: Arts of the Working Class No. 03 - Restless Togetherness, 2018

Titel
  • Arts of the Working Class No. 03 - Restless Togetherness
Ort Land
Medium

Technische
Angaben
  • 48 S., 35x26 cm, Auflage: 10.000, 2 Stück. keine weiteren Angaben vorhanden
    Zeitungsdruck, Blätter lose ineinander gelegt
ZusatzInfos
  • Keep calm and abolish imperial pride, racial purity and class harmony
    Aus dem Booklyn-Archiv
    This third issue of our newspaper is dedicated to this year’s overwhelming number of anniversaries and its abysms. With curiosity we notice their paradoxical relationship with the present. It’s been ten years since the financial crash, but monetary values are not more balanced and speculation bubbles are bigger than ever. It’s been 50 years since LSD came into popular use, opening the doors of perception, but perception seems to be even narrower today than it was back then. It’s been 80 years since Austria’s annexation to Germany, and yet ‚The Sound of Music‘ is still remembered as a classic, sweetened depiction of resistance towards fascism’s expansion in Europe, rather than the fall of aristocracy, what it really was. It’s been 100 years since the end of the First World War and yet the struggle between Conservatism and Socialism has never been so prevalent. It’s been 200 years since Marx was born, and his work still remains a historical ideal rather than a reality.
    Text von er Webseite
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TitelNummer

campanello_2019
campanello_2019
campanello_2019

Campanello Kimberly: MOTHERBABYHOME - zimZalla 056, 2019

Titel
  • MOTHERBABYHOME - zimZalla 056
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 796 S., 29,7x20,4 cm, signiert, ISBN/ISSN 978-1-907570179
    Broschur
ZusatzInfos
  • The St Mary’s Mother and Baby Home was run by the Bon Secours Sisters on behalf of the Irish State to house unmarried mothers and their children. The location of the graves of 796 infants and children who died in the Home between 1926 and 1961 is unknown, though local knowledge, the research of local historian Catherine Corless, and recent excavations point to a field near the old site of the Home, as well as the likelihood that some children were illegally adopted. International media attention in 2014 led to the Irish government’s Commission of Investigation into Mother and Baby Homes, which is still underway.
    MOTHERBABYHOME is a 796-page ‘report’ comprising conceptual and visual poetry. An excavation of voices, the poems are composed entirely of text taken from historical archives and contemporary sources related to the Home.
    Text von der Webseite
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Erworben bei Lyrik Kabinett
TitelNummer

esopus-23-2016

Verfasser
Titel
  • Esopus 23
Medium

Technische
Angaben
  • 254 S., 29x23 cm, ISBN/ISSN 9780989911726
    Klappbroschur, verbautes Fach mit eingelegtem Heft, diverse eingelegte, teils gefaltete Blätter auf verschiedenen Papieren, eingebundenes Plakat, gestanzte menschliche Figuren, eingeklebte Audio-CD in Schutzhülle,
ZusatzInfos
  • Esopus 23 includes stunning artists’ projects by Marilyn Minter (a brand-new series of work—including a removable insert—incorporating metallic and translucent specialty papers.), Mickalene Thomas (a mesmerizing collection of collaged images created for the issue including die-cuts, embossing, and specialty varnishes—and another detachable insert). Karo Akpokiere (a beautiful series of drawings, perforated for easy removal by readers, by the Lagos- and Berlin-based artist dealing with the challenges related to moving between two distinctly different cultures). Jody Wood (an in-depth look at the artist’s most recent iteration of her “Beauty in Transition” project, in which she provides hair-care and therapeutic services to homeless-shelter residents and their caregivers). Chuck Kelton (the master printer for photographers such as Mary Ellen Mark and Danny Lyon creates his own series of dramatic photogram “landscapes,” including a stand-alone, frameable print). and Stefan Kürten (an exquisite series of drawings incorporating complex folds related to mirrored elements within the images themselves).
    Text von der Webseite
Sprache
WEB Link
TitelNummer

braun_matti_2020
braun_matti_2020
braun_matti_2020

Braun Matti: KU LAK, 2020

Verfasser
Titel
  • KU LAK
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 21x14,8 cm, keine weiteren Angaben vorhanden
    Karte
ZusatzInfos
  • Erscheint zur Ausstellung in der Galerie Esther Schipper, 17.01.-22.02.2020
    Esther Schipper is pleased to announce Ku Lak, Matti Braun's sixth solo exhibition with the gallery. The exhibition will include 16 works from a new series of silk paintings and approximately 25 new glass works, the latter presented on three circular plinths designed by the artist. Matti Braun's practice is characterized by a constant negotiation between concrete references and general allusions, between poetic ephemerality and an uncanny sense of visceral immediacy. His work investigates the unexpected, often little known, effects of cross-cultural dynamics, making visible patterns of artistic migrations and cultural misrecognitions.
    Text von der Webseite
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between-the-lines-1

Verfasser
Titel
  • Between the Lines Vol. 1: A Coloring Book of Drawings by Contemporary Artists.
Verlag Jahr
Medium

Technische
Angaben
  • 112 S., 27,1x20,5 cm, keine weiteren Angaben vorhanden
    Malbuch
ZusatzInfos
  • A Coloring Book of Drawings by Contemporary Artists. The coloring book is an integral part of our mission to engage patients through contemporary art. Between the Lines is distributed free of charge to children in RxArt’s participating healthcare facilities and sold to benefit RxArt’s projects. Like the artwork we install, the coloring book is meant to give the children and their families something new and stimulating to think about. It is another tool to take children to an emotionally less stressful place and provides a creative outlet for children confined to the austerity of a hospital room.
    Text von der Webseite
Stichwort / Schlagwort
WEB Link
TitelNummer

waschzwang
waschzwang
waschzwang

Various Artists: Waschzwang aktiv, 2018

Verfasser
Titel
  • Waschzwang aktiv
Ort Land
Verlag Jahr

Technische
Angaben
  • 22x12,5 cm, keine weiteren Angaben vorhanden
    gefalteter Karton mit WC Stein aus Gips in Kunststoffhalterung, im Stein soll ein USB Stick sein, drahtgeheftetes Booklet liegt bei
ZusatzInfos
  • 30 mp3 Titel
    1. B°tong - Either You Or Them 06:45
    2. Bad Skin - Klix 01:35
    3. Brandstifter - Agra Flux 00:26
    4. Chantal Last - Live @ Bei Ruth 2015_09_18 (Excerpt) 12:34
    5. Dallas Oil and Disco Spray - Zustand Mit Raucherpause (Edit) 04:51
    6. David Wallraf - un 09:55
    7. Duvel Brothers - Philosophy Of Drunk 04:19
    8. Eitlepratner - Leid 00:45
    9. Erotic Nights - Oops... I One More Time, Nizer 18:26
    10. FKK Wolf - French Kiss (Original) 03:44
    11. Gang Mo Fo' - Deep Rap Of Thoughts 03:06
    12. Getöseföhn - Diarrhoea 05:02
    13. Güllepumpe - King Kong Sagt Sein Name Nicht 05:11
    14. Halber Ball - Bystanders 09:38
    15. Helge Meyer - Stupid Memory 04:49
    16. Helge S. Hammerbrook (1000schoen) - Lia Vakuo 18:26
    17. Herzbräune - Sunset 13:48
    18. Jetzmann - Mit Liebe 04:48
    19. Mafjosi3000 - Zink 01:42
    22. Nils Quak - Frühstück Mit Omi 06:02
    23. Noisebreezer - Slayer's Nightmare 10:43
    24. Occupied Head - Uncertain Ride (Rough Mix) 05:31
    25. Osscile - Gard 11:54
    26. Roland Wendling - chtnüschaerndlaTIKTOElaerTAK (A Fonfara Remix) 03:12
    27. Schwall - Rattlefridge (Edit) 11:29
    28. Sebastian Felstau - Ohrfeigengesichter 04:16
    29. Tintin Patrone - Pluto 06:05
    30. Wosto - Röbel Pöbel 10:28
Sprache
Erworben bei Stefan Brand
TitelNummer

Charley 01

Titel
  • Charley 01
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 192 S., 20x15 cm, ISBN/ISSN 978-1-564660923
    softcover
ZusatzInfos
  • Charley is a contemporary art publication series edited by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick. A do-it-yourself magazine, Charley is an inclusive publication relying on assimilation, rather than on selection : Charley is a machine for redistribution, a mechanism for spreading and exploiting information, rumors, and communication. Like most information, it is partial, unstable, and untrustworthy. There are no hierarchies and no favorites in Charley : it flirts equally with celebrity and failure. Charley is a multiform creature, bound to transform with each issue. Charley is a pre-digested combine, with pages assembled from catalogues, brochures, press clips, postcards, and other visuals. But what is Charley really? Charley is a new publication on emerging artists. Prominent curators, writers, artists, and other arts professionals from around the world were asked to suggest up to 10 up-and-coming artists and/or submit materials on the artists for inclusion in Charley. 400 art makers from around the globe responded, and each of them is represented by one page of Charley
Sprache
Stichwort / Schlagwort
TitelNummer

Verfasser
Titel
  • Libri d’arte, passione di una vita
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • keine weiteren Angaben vorhanden
    Artikel über Reinhard Grüner,
ZusatzInfos
  • Reinhard Grüner is a collector from Monaco. His passion is art books, which he collects – and sometimes exhibits – since the 1960s.
    His website, www.buchkunst.info is a real “online museum”, where international artist books are catalogued and photographed. Amongst the artists there are Marc Chagall, Anselm Kiefer, Henri Matisse, Pablo Picasso and Andy Warhol. Books, but also works of art made of images and text, created by the artist often in collaboration with a writer and a publisher. For the high artistic quality – original graphics, unique designs, paintings and collages – these works are different from the usual picture books. Their manifestations are multiple: books with graphic effects, objects-book, artist’s books, sometimes printed in offset or illustrated by works of artists.
    At the centre of Grüner’s attention there are Eastern German and Eastern European books (mainly Russia, Hungary, Lithuania). many of these works were created in response to specific social, political and cultural issues, with unimaginable insights into the culture of modernity.
    Reinhard first came in contact with the art in book form with the English Edition, printed privately, of “A Dissertation Upon Roast Pig”, printed in 1975 by Shoestring Press on paper of the legendary Chiswick Press: from here begins a life of a book maniac among thousands of books. As Grüner states in an essay, the acquisition of artist books is more than a simple purchase: the artist, the life as a collector and thoughts are tied together, they influence each other, and a network of contacts with other collectors begins. With nearly all the books in his collection Grüner forms a symbiotic relationship: each of them describes, explains, and gets to the heart of some chapters of his life.
    Download the pdf file with the essay on the collection of Reinhard Grüner (in English)
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TitelNummer

naivsuper-cd 013

Verfasser
Titel
  • self titled
Ort Land
Verlag Jahr
Medium

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Angaben
  • 13x13 cm, keine weiteren Angaben vorhanden
    naivsuper Nr 013, Musik-CD in Papphülle und transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInfos
  • recorded at the Electronic Church in 2007.
    Saxophon recorded at the Electronic Church in 2007. No overdubs, no manipulations.
    When we (naivsuper) met Antoine in november 2007 to record his saxophone drones we didn´t really know what to expect because Antoine´s drones are perfect in a live situation. We weren´t sure if we could capture the richness of his sound, his working with the accoustics of a room and the strange almost discomforting breathing noises he makes when circular breathing on a CD. We basically wanted to hear him moving in the room, we wanted to see with our ears.
    For the recording we chose the Electronic Church in Berlin because we have seen him perform there earlier the same year and it was absolutely fantastic.
    The day of the recording was an incredible cold day in Berlin and due to the fact that the Church has no heating we could see our breath and feel the unbelievable cold humidity of a groundfloor room that hasn´t been aired in some time crawling up our pants.
    It took Antoine almost an hour to warm up the saxophone and to get a satisfying tone. When he was finally ready to record the first take he was already a little bit out of breath. After 5 minutes of circular breathing his nose and lung started to freeze. We then tried a few more times but after another hour we were all coughing and sneezing and the saxophone was frozen so that we decided to postpone this session.
    When we listened to the material at home we discovered that there was almost everything we wanted. We recorded how Antoine is fighting the cold and the exhaustion. There is the room, the breathing and movement. There is sound - almost an evolution of sounds - they are born slowly, grow up and then slowly disappear or extinguish.
    We highly recommend you to listen with headphones. A follow up to this great document is planned, too
Stichwort / Schlagwort
WEB Link
TitelNummer

unpublished issue01

Verfasser
Titel
  • Unpublished - Best unseen photography - Issue no. 01
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 40 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Lose Blätter ineinander gelegt, Farbkopien nach PDF
ZusatzInfos
  • A simple and straightforward layout, an awesome format, no advertising, 500 hand numbered copies and a free and selected distribution. Unpublished is a democratic and exchange place where photography meets the public, without any filter. Unpublished gathers the best unpublished images of young photographers from all over the world, selected not only for their aesthetic value, but through a careful analysis of the cultural context, the artistic and human paths.
    A large project that ends each edition of Unpublished with a group exhibition in which it will be possible to buy at affordable prices the original and signed prints of the published works, donated and assessed by the authors themselves. No art dealers, no galleries and outside the market logic. Unpublished is a "call for freedom", a pure and direct line that connects the artist and his work with the outside world. And vice versa.
    Von der Webseite
Stichwort / Schlagwort
Erworben bei Unpublished
TitelNummer

Titel
  • Odos Eleftherias - Freedom Street
Verlag Jahr
Medium

Technische
Angaben
  • 59x42 cm, keine weiteren Angaben vorhanden
    Plakat
ZusatzInfos
  • In the context of a continuous and persistent spiritual quest in the field of Greek art and its history, the artist Christos Bokoros appears —through simple themes and earthy, warm materials— to win an important battle. He has silently found a subtle and significant way of stripping bare certain symbols—his own ‘signs’: a way of isolating those symbols from anything unnecessary and superfluous, and of drawing the community’s attention to them by revealing them to be purified, resurrectional and full of fire.
    Through the presentation of a series of paintings entitled ‘ODOS ELEFTHERIAS’, Bokoros ventures a direct discourse of these ‘signs’ with buildings and streets that are adjacent to, or end up at, Lefkosia’s Green Line. Many of these buildings have suffered damages and decay. One could say that in their own way they constitute a second crevice near the Green Line that divides the state. It is in these fissures that the artist sets up - plants - his ‘ODOS ELEFTHERIAS’, in the hope of giving the city’s centre new fruits and joyous vibrations—in a silent and honest alliance with all the indigenous revitalizing forces
Stichwort / Schlagwort
WEB Link
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TitelNummer

first-stickers-award

Titel
  • Stickers. From the first international sticker awards
Ort Land
Verlag Jahr

Technische
Angaben
  • [324] S., 13x21 cm, 3 Teile. ISBN/ISSN 978-3-899551518
    Broschur, beiliegend 2 Bögen mit Stickers, Aufklebern
ZusatzInfos
  • Stickers have become an essential element of contemporary street art used by the most underground of artists. With stickers, anyone can plant their flag, gain notoriety, recognition and attain instant coverage while the action itself is inconspicuous. This book documents the best submissions from the first international sticker awards which have been established to record this constantly evolving movement.
    Low-tech and prepared in advance, stickers are made from a multitude of materials and techniques from hand, photocopies, posters and wheat pastes to walls. From drainpipes and crosswalk boxes to street signs and walls, stickers can be found almost anywhere at eye level on public surfaces blending into and becoming part of the streets. Motifs vary from scribbles and characters to intricate figurative images, often personal logos or tags functioning as trademarks. Stickers have created a revolution in communication – proving to be effective tools in establishing dialog, inspiring reaction and feature messages that are subversive, fun and often cryptic.
    This extensive volume presents over 800 examples from around the world and includes 2 pages of award winning real stickers for the reader’s enjoyment.
    Text von der Webseite
    Sticker aus Asien, Israel, Latein- und Süd-Amerika, Nordamerika, Europa
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Erworben bei art book cologne
TitelNummer

karasik-soviet-photobook

Verfasser
Titel
  • The Soviet Photobook 1920-1941
Ort Land
Verlag Jahr

Technische
Angaben
  • 644 S., 29,4x27,4x6 cm, ISBN/ISSN 9783958290310
    Hardcover, in bedrucktem Karton.
ZusatzInfos
  • The Soviet Union was unique in its formidable and dynamic use of the illustrated book as a means of propaganda. Through the book, the U.S.S.R. articulated its totalitarian ideologies and expressed its absolute power in an unprecedented way—through avant-garde writing and radical artistic design that was in full flower during the 1920s and ’30s. No other country, nation, government or political system promoted itself more by attracting and employing acclaimed members of the avant-garde. Among them were writers like Semion Kirsanov, Vladimir Mayakovsky, Ilya Selvinsky, Sergei Tretyakov and Kornely Zelinsky. artistic designers like Gustav Klutsis, Valentina Kulagina, El Lissitzky, Sergei Senkin, Varvara Stepanova, Solomon Telingater and Nikolai Troshin. and photographers including Dmitry Debabov, Vladimir Griuntal, Boris Ignatovich, Alexander Khlebnikov, Yeleazar Langman, Alexander Rodchenko, Georgy Petrusov—not to mention many of the best printers and book binders.
    The Soviet Photobook 1920–1941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. The book also provides short biographies of the photobook contributors, some of whom are presented here for the first time.
    Text von der Webseite.
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Erworben bei art book cologne
TitelNummer

daled-collection-hdk-2010

Verfasser
Titel
  • A Bit of Matter and a Little Bit More. The Collection and the Archives of Herman and Nicole Daled 1966–1978
Ort Land
Medium

Technische
Angaben
  • 456 S., 27x20,3 cm, ISBN/ISSN 978-3-865607638
    Klappbroschur mit Banderole (gestanzte Formen und Texte)
ZusatzInfos
  • erschienen zur Ausstellung 30.04.-25.07.2010
    Mit Essays von Benjamin H.D. Buchloh und Birgit Pelzer sowie einem Text von Herman und Nicole Daled.
    The Brussels-based collectors Herman Daled and Nicole Daled refuse to perceive art as decoration and to, thereby, exploit it. They approach art in a fundamentally different way: Basis for their activities are their relationships and conversations with artists.
    In keeping with the aim of Conceptual Art that places the intellectual content of a work above its realisation, they consider themselves not collectors but communicators and producers: They provide artists with the opportunity to also realise works outside of established market mechanisms. Their intense engagement with Conceptual Art, one of the most important movements in recent art history, goes far beyond usual collecting practices. This is not only apparent in the actual works, but also in the meticulously archived documents containing actions and works.
    One of the most important influences for Herman and Nicole Daled was Marcel Broodthaers, more than 80 of his works are in their collection. Moreover, the collection holds several works by Daniel Buren, Dan Graham, On Kawara, Sol Lewitt, Niele Toroni, Lawrence Weiner, Cy Twombly and many more.
    Text von der Webseite
Sprache
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TitelNummer

monok-46-kere

Verfasser
Titel
  • MONO.KULTUR #46 Francis Kéré - Of Clay and Community
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, gedruckt auf verschiedenem Papier, teilweise farbig
ZusatzInfos
  • In our most colourful issue yet, we step into the life and work of architect Francis Kéré, known in equal measure for his lighthearted and innovative architecture, his remarkable background, and his infectious sense of optimism. Kéré has completed numerous projects both in Africa and beyond, including schools, medical centres, cultural institutions, and temporary installations, such as the renowned annual Serpentine Pavilion in 2017. Frequently relying on local materials and infrastructure, his work is marked by a profound simplicity and refreshing lightness, meeting technical problems with surprising and seemingly effortless solutions. It reflects his attitude that architecture should, in its most primary function, seek to improve the lives of the people who inhabit it. With mono.kultur, Francis Kéré talked about his long trajectory from a remote village in Africa to Berlin, his steadfast belief in optimism, and what makes a tree a perfect piece of architecture. Designwise, we followed Kéré’s principle to work with what is at hand, sourcing papers from dead stock at our printers’, essentially using an assortment of leftovers. And colour, of course, with the issue based on the national colours of Burkina Faso, paying tribute to the idea of culture as a shared ground to build upon.
    Text von der Website.
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tape-mag--about-us
tape-mag--about-us
tape-mag--about-us

Bull Frank (Maier Frank), Hrsg.: www.Tape-Mag.com, 2019

Verfasser
Titel
  • www.Tape-Mag.com
Verlag Jahr
Medium

Technische
Angaben
  • 2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Schwarz-Weiß Laserausdrucke nach Webseite
ZusatzInfos
  • Tape-Mag.com is a Non-Profit Online-Archive & Information-Database for Audio-Tape-Culture (Cassettes/Tapes/Reels) and 20th Century Art- & Music-related Small-Press Publications, Magazine-Culture.
    This Archive-Database focuses on the following styles/genres.
    - Mid 70's to late 90's Industrial, Experimental, Free Improvisation, Post- Punk, New Wave, Minimal, Synth, Ambient and further musical directions of the DIY-Cassette-Culture.
    - early 50's to late 90's Sound Art, Sound Poetry, Text-Sound-Compositions, Poesie Sonore, Verbosonics, Lingual Music, Music Concrete, Audio Art plus related printed Mail Art, Concrete Poetry, Visual Poetry, Lettrisme, Fluxus
    Here you are able to browse and research thousands of releases, find further information about the Artists, the Organisations, Press & Label-People behind the scene and/or the published Small Print, Magazines, Information-sheets and Artists-Manifests that all defined a very exciting culture and era. Most of the releases listed here were only released in very limited amount and are hard to find these days but they had without any doubt their important role in the development of contemporary audio & sound-art and music-history. These protagonists of a DIY (Do-It-Yourself)-Culture-Movement in which everybody can be an artist, label, distributor and press-editor or organisation deserves a comprehensive overview in a broader context with all its connections and a framework. With this Database the collected, provided and connected Information can become knowledge. Knowledge that Media in Internet-Age can hardly supply with the current Information Overload.
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TitelNummer

punk-in-print

Verfasser
Titel
  • Oh So Pretty - Punk in Print 1976-80
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 512 S., 28x21,5 cm, ISBN/ISSN 9780714872759
    Broschur
ZusatzInfos
  • A compelling visual portrait of a time, place, and subculture that raised a middle finger to modern society from the collection of Toby Mott.
    Oh So Pretty: Punk in Print 1976-80 is an unrivalled collection of visually striking ephemera from Britain’s punk subculture. It presents 500 artefacts - 'zines,' gig posters, flyers, and badges - from well-known and obscure musical acts, designers, venues, and related political groups. While punk was first and foremost a music phenomenon, it reflected a DIY spirit and instantly recognizable aesthetic that was as raw and strident and irrepressible as the music. As disposable as the items in this book once were, together they tell a story about music, history, class, and art, and document a seismic shift in society and visual culture.
    Text von der Verlagswebseite
TitelNummer

davis-the-trip-andy-warhol

Verfasser
Titel
  • The Trip - Andy Warhol's Plastic Fantastic Cross-Country Adventure
Verlag Jahr
Medium

Technische
Angaben
  • 324 S., 24x14 cm, ISBN/ISSN 978-1-476703510
    Hardcover, fadengeheftet, mit Schutzumschlag
ZusatzInfos
  • From the author of Strapless and Guest of Honor, a book about a little-known road trip Andy Warhol took from New York to LA in 1963, and how that journey—and the numerous artists and celebrities he encountered—profoundly influenced his life and art.
    In 1963, up-and-coming artist Andy Warhol took a road trip across America. What began as a madcap, drug-fueled romp became a journey that took Warhol on a kaleidoscopic adventure from New York City, across the vast American heartland, all the way to Hollywood and back.
    With locations ranging from a Texas panhandle truck stop to a Beverly Hills mansion, from the beaches of Santa Monica to a Photomat booth in Albuquerque, The Trip captures Warhol’s interactions with Dennis Hopper, Peter Fonda, Marcel Duchamp, Elizabeth Taylor, Elvis Presley, and Frank Sinatra. Along the way he also met rednecks, beach bums, underground filmmakers, artists, poets, socialites, and newly minted hippies, and they each left an indelible mark on his psyche.
    In The Trip, Andy Warhol’s speeding Ford Falcon is our time machine, transporting us from the last vestiges of the sleepy Eisenhower epoch to the true beginning of the explosive, exciting ’60s. Through in-depth, original research, Deborah Davis sheds new light on one of the most enduring figures in the art world and captures a fascinating moment in 1960s America—with Warhol at its center.
    Text von der Webseite
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Stichwort / Schlagwort
Erworben bei art book cologne
TitelNummer

signal01-dunn

Verfasser
Titel
  • signal 01
Verlag Jahr
Medium

Technische
Angaben
  • 146 S., 17,8x12,8 cm, ISBN/ISSN 978-1-604860917
    Broschur
ZusatzInfos
  • Signal is an ongoing book series dedicated to documenting and sharing compelling graphics, art projects, and cultural movements of international resistance and liberation struggles. Artists and cultural workers have been at the center of upheavals and revolts the world over, from the painters and poets in the Paris Commune to the poster makers and street theatre performers of the recent Occupy movement. Signal will bring these artists and their work to a new audience, digging deep through our common history to unearth their images and stories. Signal 01 includes: The Future of Xicana Printmaking: Alec Dunn and Josh MacPhee interview the Taller Tupac Amaru (Favianna Rodriguez, Melanie Cervantes, and Jesus Barraza), The Adventures of Red Rat: Alec Dunn interviews Johannes van de Weert, Hard Travelin’: A photo essay with IMPEACH, Early 20th-Century Anarchist Imprints, Mexico 68: The Graphic Production of a Movement: Santiago Armengod interviews Felipe Hernandez Moreno, Adventure Playgrounds: A photo essay, Designing Anarchy: Dan Poyner interviews Rufus Segar.
    Text von der Website.
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TitelNummer

lyle-erick-streetopia
lyle-erick-streetopia
lyle-erick-streetopia

Lyle Erick, Hrsg.: Streetopia, 2015

Verfasser
Titel
  • Streetopia
Verlag Jahr
Medium

Technische
Angaben
  • 322 S., 20,3x12,7 cm, ISBN/ISSN 9780692424285
    Broschur
ZusatzInfos
  • Das Buch erschien im Rahmen der gleichnamigen Ausstellung "Streetopia" (2012) die in der Luggage Store Gallery in San Francisco eröffnet wurde und sich gegen ein geplantes Bauprojekt und damit gegen die Gentrifizierung der Stadt richtete.
    After San Francisco’s new mayor announced imminent plans to “clean up” downtown with a new corporate “dot com corridorand arts district - featuring the new headquarters of Twitter and Burning Man - curators Erick Lyle, Chris Johanson, and Kal Spelletich brought over one hundred artists and activists together with neighbourhood residents fearing displacement to consider Utopian aspirations and to plot alternate futures for the city. Opening in May 2012 at the Luggage Store Gallery, the resulting exhibition Streetopia was a massive anti-gentrification art fair that took place in venues throughout the city. For five weeks, Streetopia featured daily free talks, performances, and skillshares while operating a free community kitchen out of the gallery.
    This book brings together all of the art and ephemera from the now-infamous show - featuring work by SWOON, Barry McGee, Emory Douglas, Monica Canilao, Rigo 23, Xara Thustra, Ryder Cooley, and many more. Using the format of an exhibition catalog as a jumping off point, the book also includes essays and interviews with key participants that consider the effectiveness of Streetopia’s projects while offering a deeper rumination on the continuing search for community - and for Utopia - in today’s increasingly homogeneous and gentrified neo-liberal cities in an era of unprecedented wealth disparity.
    Text von der Website
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monochrom-26-34

Titel
  • monochrom #26-34 - Ye Olde Self-Referentiality
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 500 S., 29,7x21 cm, ISBN/ISSN 978-3-950237269
    Softcover. 1900 gr
ZusatzInfos
  • WTF is monochrom print? monochrom is a magazine object appearing in telephone book format, which is published by the art/tech group of the same name. monochrom came into being in the mid-1990s as a fanzine for cyberculture, science, theory, cultural studies and the archaeology of pop culture in everyday life. Its collage format is reminiscent both of the early DIY fanzines of the punk and new wave underground and of the artist books of figures such as Dieter Roth, Martin Kippenberger and others. With a great deal of forced discontinuity, a cohesive potpourri of digital and analog subversion is pressed between the covers of monochrom. Each issue is an unnostalgic amalgam of 125 years of Western counterculture cocked, aimed and ready to fire at the present. It is a Sears catalog of subjective and objective irreconcilability -- the Godzilla version of the conventional coffee table book.
    Text von der Webseite
WEB Link
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steyerl-duty-free-art

Verfasser
Titel
  • Duty-Free Art
Ort Land
Medium

Technische
Angaben
  • 176 S., 27x18 cm, ISBN/ISSN 9788480265300
    Softcover, Broschur, Schutzumschlag aus Noppenfolie,
ZusatzInfos
  • Publikation zur gleichnamigen Ausstellung vom 10.11.2015-21.03.2016.
    A conversation between Hito Steyerl and João Fernandes, curator of the exhibition, an essay by Carles Guerra and Steyerl herself, introduced us to one of the most relevant contemporary artists in the field of Video art. Steyerl approaches current themes in her work, for instance the impact the proliferation of images and the use of the Internet and technology have on our lives. She uses these issues as a starting point for developing, not just through her video pieces but also through writing and essays, critical work about control, surveillance and militarisation, migration, cultural globalisation, feminism and political imagery, questions she believes have the capacity to create realities.
    Text von Website
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karayanni-cadences-12-2016

Verfasser
Titel
  • Cadences - A Journal of Literature and the Arts in Cyprus, Vol. 12 Fall 2016
Medium

Technische
Angaben
  • 112 S., 23,5x16,5 cm, ISBN/ISSN 14501813
    Softcover, Broschur
ZusatzInfos
  • Candences: A Journal of Literature and the Arts in Cyprus is a multilingual literary magazine, publishing poetry, short fiction, life writing, experimental work, reviews, and other writings in all the languages of the island of Cyprus and of its visitors. Writers in Cyprus think, feel, and express themselves in several languages, with Greek, Turkish, and English being three of the most prominent. Cancences is a bridge between them, a meeting point at which writers of the diverse communities of the island may find each other, and learn from their encounters with difference.
    Text aus dem Heft
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57_antoine_eckart
57_antoine_eckart
57_antoine_eckart

Eckart Antoine: Ses dessins sont tellement réalistes qu'on dirait des photos…, 2017

Verfasser
Titel
  • Ses dessins sont tellement réalistes qu'on dirait des photos…
Ort Land
Medium

Technische
Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke
    Antoine Eckart is a French artist and graphic designer currently living in Lyon. He shares his time between commissioned and self-published works. He works closely with the cultural and musical scene and his offbeat universe is an invitation to a mental journey. Best known for his humorous daily drawings and flat compositions of bizarre yet poetic life scenes, his sketches feature scribbled and uneven lines and gives an aphoristic vision of the world.
Sprache
Stichwort / Schlagwort
Geschenk von
Erworben bei Melville Brand Design
TitelNummer

68_jovana_reisinger
68_jovana_reisinger
68_jovana_reisinger

Reisinger Jovana: Donna Euro, 2017

Verfasser
Titel
  • Donna Euro
Ort Land
Medium

Technische
Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke
    Jovana Reisinger is a filmmaker, writer, and artist who moves regularly between the worlds of journalism, fashion, literature, music, performance, theatre, and cinema. Her very first novel got published by Verbrecher Verlag, her fashionfilms get featured on i-D, INDIE and various international (fashionfilm-)festivals. Purchase „Donna Euro is poisoned by rich men in need“ and get access to www.donna100euro.de and watch 45 videos about love, hate, crime, fitness and shame and become part of the Donna Euro Celebration Society.
Sprache
Geschenk von
Erworben bei Melville Brand Design
TitelNummer

97_neu_design_bureau
97_neu_design_bureau
97_neu_design_bureau

Neu Designbüro: A visual mixtape, 2018

Verfasser
Titel
  • A visual mixtape
Ort Land
Medium

Technische
Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke
    NEU creates integral visual identies, appearances, brandings and communication strategies for print and web in various disciplines as editorial design, corporate design, web design and UX design, illustration, communication and marketing of towns. Unexpected, exciting, focused, convincing – NEU interacts between emotion and logic, art and culture, economy and design.
Sprache
Stichwort / Schlagwort
Geschenk von
Erworben bei Melville Brand Design
TitelNummer

monok-brian-eno

Verfasser
Titel
  • MONO.KULTUR #34 Brian Eno - Revaluation (a warm feeling)
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 44 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, gedruckt auf verschieden farbigen Papieren
ZusatzInfos
  • Chances are that you will be far more familiar with Brian Eno and his work than you might realise. Whether you know him as a founding member of the gloriously influential 1970s art-rock outfit Roxy Music, or as the inventor of ambient music, in one breathless career Eno has actually released no less than 25 solo albums and contributed to countless projects and collaborations, but also left his fingerprints on dozens of seminal albums as a producer – think U2, Talking Heads or Coldplay, to name but a few – composed several film scores not to mention the start-up theme for Microsoft’s Windows 95. All of which is to say that it is hard to not be in earshot of his musical influence in one way or another. With mono.kultur, Brian Eno talked about the impact of technology on culture, the similarities between producing music and parenting, and why they called Elvis ‘The Pelvis’. Given Brian Eno’s interest in how art can affect moods and emotions, our new issue turned into somewhat of an experiment in chromatics, with the pages gradually traveling the entire colour spectrum from yellow to blue and back again, which not only affects the optical perception of the yellow text, but also how one responds to the content of the interview. Suffice to say: this must certainly rank as the most colourful mono.kultur to date.
    Text von der Website.
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lone-wolf

Verfasser
Titel
  • Lone Wolf
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [94] S., 25,3x20 cm, ISBN/ISSN 9780986908941
    Broschur, Laserdruck
ZusatzInfos
  • Lone Wolf is a picture book whose name is derived from the provision of the U.S.A. Patriot act which seeks to create a legal framework that allows the government to surveil individuals not associated with any group or country who are believed to be engaged in terrorist activities. Comprised of screenshots from reality television shows depicting expressions of physical force within three sectors of american society: police, local militia, and the U.S. military, excerpts from congressional hearings of the 112th and 113th congresses on the Patriot act give context to the images. The photographic images have been converted into large halftone dot compositions, which might imply an information flow—or lack of—that exposes the roots of suspicion and intolerance that culminate in statements like “see something, say something.”
    "Texts from 'Let there be light,' directed by John Huston, 1946, and four congressional hearings on the USA Patriot Act between 2009 and 2011 (111th and 112th Congress). Images from various reality television shows including Cops, Moonshiners, Sons of Guns, The Colony, American Guns and Alaska State Troopers, as well as Flickr.com"--Colophon
    Title based on the Lone Wolf provision on surveillance in the USA Patriot Act.
    Texte von verschiedenen Webseiten.
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various-others-2019
various-others-2019
various-others-2019

Geißler Tim / Haugeneder Sarah / Sperling Johannes, Hrsg.: various others 2019, 2019

Titel
  • various others 2019
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 68 S., 14,8x10,6 cm, keine weiteren Angaben vorhanden
    Programmheft
ZusatzInfos
  • Zur Veranstaltung 12.09.-13.10.2019 in München
    VARIOUS OTHERS initiates cooperative and international art projects in galleries, off spaces and museums in Munich. While serving as a content-driven forum for contemporary art that takes place each year in September, our mission is to intensify exchange and dialogue between the art scene in Munich and international partners, guests and media.
    VARIOUS OTHERS is an event hosted by the association VFAMK e.V. We thank all of the supporting members of the association who make this project possible as well as the active members for their unflagging efforts and dedication.
    Text von der Webseite
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TitelNummer

henner-dark-matter

Titel
  • Dark Matter
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 17x17 cm, keine weiteren Angaben vorhanden
    Broschiert
ZusatzInfos
  • Dark Matter is a dialogue of images between Mishka Henner, Jean Keller, Jonathan Lewis and Andreas Schmidt. Produced over a period of three weeks between late August and early September 2011, the artists took turns to send each other single photographs by email, each one a response to the previous image, creating a continuous and meandering photographic exchange.
    Auszug des Klappentexts
Stichwort / Schlagwort
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TitelNummer

hill-magie-der-kopie-sz

Verfasser
Titel
  • Die Magie der Kopie - Maurin Dietrich gestaltet den Münchner Kunstverein um. Unter anderem mit einem Archivraum und einer Ausstellung der US-Künstlerin Pati Hill
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 56,4x39,2 cm, keine weiteren Angaben vorhanden
    Zeitungsausriss aus SZ Nr. 56, Samstag/Sonntag, 7./8. März 2020, Kultur R7
ZusatzInfos
  • Zur Ausstellung im Kunstverein München, 07.3.-03.5.2020.
    ... Das gilt auch für das Werk von Pati Hill, nur muss man dafür zur Arcadia University Art Gallery in Glenside, Pennsylvania, fahren. Dort im Archiv lagert der Nachlass der 1921 in Kentucky geborenen und 2014 im französischen Sens gestorbenen Künstlerin und Schriftstellerin, von der der Kunstverein mit „Something other and either“ die erste institutionelle Einzelausstellung in Europa zeigt. Es ist eine Entdeckung und das war es auch für Dietrich, als sie sich im Archiv unter anderem 17 unveröffentlichten Romanmanuskripten und mehr als 20 000 Fotokopien gegenüber sah. Denn Hill war Fotokopierkünstlerin. Ihr Hauptinstrument war der IBM Copier II. ...
    Text aus dem Artikel
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naivsuper 007

Titel
  • LOVE
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 28 S., 14,8x14,8 cm, ISBN/ISSN 978-3-940548221
    Buch 007, Drahtheftung, in Transparenthülle
ZusatzInfos
  • Sketches and Experiments from the artwork:
    ALARMA MAN | LOVE FOREVER.
    The record was published by sinnbus records in 2010.
    In the process of drawing and designing the cover a small book emerged and was meant to be published and shared with the world.
    ´LOVE´ is a selection of drawings on found footage photographs by the artist Stephane Leonard and those drawings processed and edited by the designer Martin Eichhorn.
    The first half of the book is dedicated to all the drawings and the second half to various layout sketches and experiments for the artwork of the swedish band Alarma Man´s 2010 record LOVE FOREVER. The photographs display different stages within relationsships - from childhood to marriage to death. Leonard´s drawings and drawn words react and interact with the photos scratching off the obvious, exposing invisible emotional aspects of the scene
WEB Link
TitelNummer

ruiz-bearcode-by-anna-colin

Verfasser
Titel
  • bearcode by Anna Colin
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [44] S., 25,3x17,8 cm, keine weiteren Angaben vorhanden
    Drahtheftung, in losem Pappumschlag, zwei verschiedene Papiere, in transparenter Kunststoffhülle mit Aufklebern
ZusatzInfos
  • Begleitheft zur Ausstellung "Gasworks Yaoi" vom 26.11.2010 - 23.01.2011 im Gasworks in London.
    "Gasworks Yaoi" is the first solo exhibition by Spanish artist Francesc Ruiz in London. The show is the culmination of Ruiz's research in the local area, conducted during his residency at Gasworks. Inspired by the longstanding gay establishments in Vauxhall, the artist has created a semi-fictional narrative that overemphasises the clichés around sexuality and lifestyle in the area.
    For "Gasworks Yaoi", Ruiz will transform the front of the gallery into a bookshop specialising in yaoi comic books. Originating in Japan, this genre (translated as 'boys love') depicts male homoerotic narratives. However, unlike male-oriented gay erotica, yaoi comic books are both produced and consumed by women.
    The yaoi comics, featured in Ruiz's bookshop at Gasworks are allegedly produced by female amateur illustrators who portray the encounters of a group of men whose nightlives revolve around Vauxhall's sprawling gay club and bar scene. By adopting the yaoi comic format and resorting to female authorship, Ruiz distances himself from the stories and characters he depicts, allowing for the imagination to run wild, indulging in stereotypes and idealised situations. Through the comics' humour and distortion of reality Ruiz gives himself license to explore a specific subculture and the way it sits within the wider fabric of the neighbourhood.
    Turned into a specialised comic bookshop for women, Gasworks' space becomes an environment where sexuality, local context and its social dynamics are fictionalised and packaged into a product for consumption.
    Text von der Webseite
Sprache
Erworben bei múltiplos
TitelNummer

vries-wit-white
vries-wit-white
vries-wit-white

De Vries Herman: wit white, 2012

Verfasser
Titel
  • wit white
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 352 S., 21x15 cm, ISBN/ISSN 9782915859416
    Broschur mit Banderole, eingelegt ein Informationsblatt
ZusatzInfos
  • Originalausgabe erschienen bei Artists Press, Bern, 1980.
    This book is the third and final version of the first artist’s book published in 1960 by herman de vries, who is currently the author of more than one hundred publications.
    The story of this book dates back to 1960. Closely associated with the Zero Group, but also drawn to the buddhist concept of emptiness, herman de vries had just produced a series of white monochromes when he self-published a twenty-page booklet in Arnhem. It had no title, its cover was blank and its pages were unprinted. It contained nothing but a short final poem celebrating, in four languages, the superabundance of white: “wit is overdaad”. In 1962, this manifesto appeared in another version, now entitled wit: two hundred blank pages, four white collages by the artist and an introduction, itself completely blank, by the poet J. C. van Schagen, published in arnhem in only five copies by M. J. Israel. It was followed in 1967 by a second “revised” edition, wit weiss: two hundred and fifty blank pages, pocket-sized, in five hundred copies, published by Hansjörg Mayer in Stuttgart. The only printed elements were the artist’s name, the title and the publisher’s name on the cover, the word “introduction” and the name of its author on the very first page and a colophon on the final page. In 1980 the Artists Press in Berne published the “third revised edition”, in a larger format and with more pages. The original title wit was translated into english and japanese and into sanskrit with a word that means “white” in the sense of bright, pure, immaculate. The title itself does not appear on the book, which remains completely blank. It is printed with the paratext on a broad strip of paper in the form of a detachable publicity strip. The inside flap contains a brief statement initially dating back to the 1962 edition, stating that this book incorporates all aspects of reality. Of the five thousand copies advertised, only a hundred were published. It is this last edition, the most radical, which is republished here, the only addition being the french translation of the statement.
    On 1 april 2012, herman de vries wrote of his book, insisting on the importance of the final comma:

    white is white
    0 = 0
    no name
    no idea
    not even emptiness,

    Text von der Webseite
Erworben bei Zédélé éditions
TitelNummer

naprushkina-the-convincing-victory

Verfasser
Titel
  • the convincing victory - two stories on what really happened
Medium

Technische
Angaben
  • [12] S., 51x26 cm, keine weiteren Angaben vorhanden
    Blätter, lose ineinander gelegt,
ZusatzInfos
  • The Office for Anti-Propaganda was founded by Marina Naprushkina in 2007.
    Started as an archive on political propaganda with the focus on Belarus the „The Office for Anti-Propaganda“ drifted to a political platform. In cooperation with activists and cultural makers Office lounges and supports political campaigns, social projects, organizes protest actions, and publishes underground newspapers.
    The emphasis lies on projects which work outside the white cube and has social and political relevance. The 16-page newspaper-size novel illustrates the events which happened in Belarus during 2010 Presidential Elections. This is a story about the elections and, in particular, of the day and night of December 19, when the citizens’ peaceful demonstration against falsified elections was brutally suppressed by the police. The novel presents two views on the developments in parallel. The first one shows how the events are interpreted by the state regime and currently widely publicized by state-run newspapers and television. The other version was assembled from information presented by independent media, which for the most part can exist only in the Internet, i.e. blogs, oppositional websites, users’ comments, testimonies of victims and political activists.
    Text von der Website
    Mit Untzerstützung der Konrad Adenauer Stiftung und der Zeit-Stiftung Ebelin und Gerd Bucerius
Sprache
Geschenk von
TitelNummer

thalmair-Lorem-Ipsum-Dolor-Sit-Amet

Verfasser
Titel
  • Possible Content for 18 Pages - Volume III - Lorem Ipsum Dolor Sit Amet
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [200] S., 29,7x21 cm, Auflage: 500, ISBN/ISSN 978-3-957633453
    Fadenheftung, mit zahlreichen Abbildungen, drei Bände in Banderole, Anschreiben liegt bei,
ZusatzInfos
  • “Lorem Ipsum Dolor Sit Amet” is the third in a series of exhibitions and publication based on a wide-reaching research about writing with the title “Possible Content for 18 Pages”. The original typewritten manuscript of Vilém Flusser’s essay “The Gesture of Writing” provides the thematic and formal-aesthetic foundation for reflecting the act of writing at the intersection of linguistic, visual, physical and spatial communication.
    “To write,” says the philosopher about the basic requirements that should lead to a complete piece of writing, we need “a blank surface, for instance a white leaf of paper, an instrument which contains a matter that contrasts with the whiteness of the paper, the letters of the alphabet, the convention which gives a meaning to the letters, ‘orthography’ = correct writing, the rules which order that language, what is called ‘grammar’, an idea to be expressed in a language, and a motive to express that idea”.
    Understanding the act of writing as a culturally embedded gesture, “Lorem Ipsum Dolor Sit Amet” covers artistic, literary, as well as curatorial and editorial fields of action and combines them. The book is published on the occasion of the eponymous performance by Lois Bartel at the Akademie der Künste in Berlin (June 11, 2016) and contains a curatorial-editorial statement by Franz Thalmair. Furthermore, the artist Michalis Pichler and the professor for media theory and aesthetics Oliver Ruf situate the publication in an actual context of literature and criticism. The participating visual artists expand the topic of the research with artistic contributions especially made for „Lorem Ipsum Dolor Sit Amet“.
    Text von der Webseite
Sprache
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TitelNummer

joolen-11-17

Verfasser
Titel
  • 11” x 17”
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 104 S., 28x22,5 cm, ISBN/ISSN 9789491677144
    Schweizer Bindung, verschiedenes Papier, Farb- und Schwarz-Weiß Fotografien
ZusatzInfos
  • Onomatopee 95. 11”x17” by Elisa van Joolen is an on-going project that examines and challenges the fashion industry’s prevailing value systems and proposes new methods of production. The project began in 2013 with a series of conversations with representatives of various fashion brands including G-Star, O’Neill, gsus sindustries, Rockwell by Parra, Converse, moniquevanheist, and Nike. These companies then contributed by donating clothing and footwear in the form of samples, archival pieces and stock. A selection of these, complemented with pieces of second-hand and no-brand clothing have undergone a process of cutting out and reconstructing to become 11”x17” Sweaters and Invert Footwear. 11”x17” creates a network. It unites different categories of clothing and different values within fashion. an eclectic mixture of mid-market, second-hand, and high-end items.
    Text von der Website.
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outsiders-shedden

Verfasser
Titel
  • Outsiders - American Photography and Film 1950-1980s
Ort Land
Medium

Technische
Angaben
  • 194 S., ISBN/ISSN 9780847849550
    Hardcover, fadengeheftet
ZusatzInfos
  • Outsiders, a special exhibition of unforgettable images opening at the AGO March 2016, highlights photographers and filmmakers working in the United States from the late 1950s to the mid-1980s in a time of intense political and cultural turmoil. It's no accident that artists at the time turned to photography and film - mass media then largely "outside" the realm of mainstream art and its focus on painting and sculpture- to express a broader range of human experience. Photographs by some of the greatest artists of the period depict musicians, cross-dressers, biker gangs, protests, press conferences, and even animals, bringing to light the complex social realities and the yearning for greater collective and individual equality. As part of the exhibition, the AGO will be presenting films by artists Kenneth Anger, Marie Menken, Robert Frank, Shirley Clarke, and others.
    Text von der Website.
Sprache
Erworben bei art book cologne
TitelNummer

weizman-before-and-after

Titel
  • BEFORE AND AFTER - DOCUMENTING THE ARCHITECTURE OF DISASTER
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 72 S., 23,5x19 cm, Auflage: Print on Demand, ISBN/ISSN 9780992914691
    Broschur, Fehldruck, Inhalt zweimal eingebunden, letzte Seite falsch beschnitten
ZusatzInfos
  • A nuclear facility in Iran before and after an explosion, a village in Pakistan before and after a drone attack, a Cambodian river valley before and after a flood. The before-and-after image has become the tool of choice for analysing events.
    Satellite photography allows us to scrutinise the impact of war or climate change, from the safe distance of orbit. But one thing is rarely captured: the event itself. All we can read is its effect on a space, and that’s where the architectural expert is required, to fill the gap with a narrative. In this groundbreaking essay, Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today’s satellite surveillance. State militaries monitor us and humanitarian organisations monitor them. But who can see in higher resolution? Who controls the size of the pixels? Interpreting these images is never straightforward.
    Text von der Webseite
Sprache
Erworben bei Amazon
TitelNummer

wordpharmacy_adjectives

Titel
  • wordpharmacy - Adjectives - Contens: 238
Ort Land

Technische
Angaben
  • 18x30 cm, ISBN/ISSN 978-3-943196054
    Kartonbox 10x11,5x7,5 cm (HxLxB, auseinandergefaltet 18x30 cm, mit Beipackzettel A4 gefaltet auf 4x7 cm
ZusatzInfos
  • Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Søndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Tromsø and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Ramsø and is now available in six languages.
    Text von der Webseite
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38_maycec
38_maycec
38_maycec

Vonverhille / Maycec / Sayer Damien / Lenox Alizée: 75 g/m², 2017

Titel
  • 75 g/m²
Ort Land
Medium

Technische
Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke, Nr 038 aus der Reihe 100for10.
    75 g/m² started as a black and white photocopy exhibition. The project was initiated by Maycec, a photographer, self-publisher and graphic designer who draws inspiration from alternative culture and her personal life. She is co-founder of Vesselroom Project and Atelier29. The first 75 g/m² exhibition took place in Berlin in 2014 with Maycec alongside Vonverhille and Damien Sayer whom both grew up in the suburbs of Paris. Vonverhille started in the graffiti scene in the 90s. He diversified his means of expression and explored photography and experimental electronic music. He now lives in Berlin where he founded Erratum galerie. Damien Sayer has photographed his family, friends and encounters over the course of five years. His small format pictures remain simple documentary pages, simple facts or portraits recorded on a sheet of paper. Alizee Lenox joined the exhibitions 75 g/m2 part II and part III. She is a poet DeepLy influenced by Pop Culture mostly because you cannot not be influenced by a soft machine that creates so many idols you can hate and worship at the same time. She is currently working on her first chapbook manuscript.
Sprache
Geschenk von
Erworben bei Melville Brand Design
TitelNummer

92_patrick_hartl
92_patrick_hartl
92_patrick_hartl

Hartl Patrick: Work is progress, 2018

Verfasser
Titel
  • Work is progress
Ort Land
Medium

Technische
Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke
    Patrick Hartl (*1976) is a German contemporary artist with a passion for handwriting and lettering. As of age 15, he was painting Graffiti and learning the ropes of art within the urban sphere. His graphic studies revealed a love for calligraphy and stylised writing with deep roots in the gothic script of his native Germany. Patrick Hartl connects old craftsmanship with modern street style. On closer inspection, Hartl’s seemingly monochrome works turn out to be the result of a multitude of layers of paint and a colourful diversity. His favourite canvas is a ten-years-old wall, which has been bombed, cleaned, bombed again, crashed, washed, damaged, but which always tells a new and unique story. As a master of handcrafted designs and analogue works, and one of the foremost urban calligraphers, Patrick Hartl has been involved in making art for more than two decades. An avid collaborator, Hartl belongs to the “CALLIGRAFFITI AMBASSADORS” and, in addition to exhibiting in traditional galleries from New York to Buenos Aires to Tokyo, and he has painted murals across Europe and beyond.
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Geschenk von
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TitelNummer

41_thomas_lail02
41_thomas_lail02
41_thomas_lail02

Lail Thomas: all our pretty yesterdays, 2017

Verfasser
Titel
  • all our pretty yesterdays
Ort Land
Medium

Technische
Angaben
  • 106 S., 21x14,8 cm, Auflage: Print on Demand, 2 Stück. keine weiteren Angaben vorhanden
    Broschur
ZusatzInfos
  • Schwarz-Weiß-Drucke, Nr. 041 aus der Reihe 100for10.
    Thomas Lail is an artist and musician who exhibits in the United States and internationally. He is represented in New York by Masters Projects. Lail performs and records with soundBarn and Location Ensemble. He has published numerous reviews and essays including two catalogue essays on the work of Robert Longo and publishes poetry and experimental writing through soundBarn Press. Thomas Lail is Associate Professor of Fine Arts at Hudson Valley Community College, SUNY in Troy, NY. He lives and works in Kinderhook and Brooklyn, NY with artist Tara Fracalossi and their son, Coltrane.
Sprache
Geschenk von
Erworben bei Melville Brand Design
TitelNummer

bodman-artists-books-marketing
bodman-artists-books-marketing
bodman-artists-books-marketing

Bodman Sarah, Hrsg.: Artists' Books - Creative Production and Marketing, 2007

Verfasser
Titel
  • Artists' Books - Creative Production and Marketing
Verlag Jahr
Medium

Technische
Angaben
  • 68 S., 29,8x21,2 cm, 2 Teile. ISBN/ISSN 9780954702571
    Klemmbindung mit schwarzem Papierstreifen, Softcover, Exlibris von Jürgen Peter Wegner eingeklebt. Brief von Jürgen Wegner beigelegt
ZusatzInfos
  • A guide for the book artist – as the producer, publisher and distributor of their own artwork, to discuss some of the practical issues arising from this. A series of case studies explores artists’ experiences of making and marketing their books in the UK, France, Germany, EIRE, Spain, Denmark, Japan, Argentina, Australia and the USA. We selected a range of artists with 2 - 30+ years experience in artists’ books, zines and multiples and asked them to share their working practice, experience of book fairs, interaction with purchasers, discuss problems and offer advice. We also asked private and institutional collectors to tell us about the ways in which they would prefer to interact with artists selling their books and any issues arising from their own collecting.
    Text von der Website.
Sprache
Geschenk von
TitelNummer

monok41-stuart

Verfasser
Titel
  • MONO.KULTUR #41 Meg Stuart - Make the first move
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, auf verschiedenen Papieren gedruckt
ZusatzInfos
  • Meg Stuart’s work is not about the elegance and beauty of dance, or at least not in the conventional sense. It is about exploring the outer edges of movement, where bodies age, fail, and surrender, where individual spaces disintegrate and bleed into each other, where physical memories are exposed like open wounds. Meg Stuart’s work is located at the vanishing point where dance meets visual arts. Within just two decades, Stuart’s dance company Damaged Goods, which she founded in 1994, have produced a lengthy and diverse list of projects, ranging from countless full-length feature works to multi-disciplinary dance installations, improvisations, and films that spread far beyond the theatre stages of the world, into museum spaces, film festivals or the wide open street. With mono.kultur, Meg Stuart talked about her first physical memories, the healing power of dancing and the thrill of disorientation. Following Meg Stuart’s interest in abundance and complexity, the design discards all notions of top or bottom, left or right, with text and images set in different and ever-changing directions. A magazine as a physical object that wants to be handled and turned. Reading as a dance.
    Text von der Website.
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nouns

Titel
  • wordpharmacy - Nouns - Contents: 431
Ort Land

Technische
Angaben
  • 18x40,5 cm, ISBN/ISSN 978-3-943196054
    Kartonbox 10,5x11,8x7,5 cm (HxLxB, auseinandergefaltet 18x40,5 cm, mit Beipackzettel A4 gefaltet auf 7x7,7 cm
ZusatzInfos
  • Wordpharmacy combines the structure of language with the healing principles of various medicaments. Like pills, language is something to be consumed by the body, and in turn it does not only affect our conceptions of things, but it also comes to designate our very corporal movability in the world. Consequently, words are not only something we consume, they are refractory entities that in turn define and consume us. Wordpharmacy can be seen as a poetical gesture endeavouring to let words work their magic from within the body itself. The Wordpharmacy is written and produced by the danish poet Morten Søndergaard. The Wordpharmacy has be shown in several cities like Paris and London and Berlin and Bangor and Tromsø and Voss. The Wordpharmacy is translated into English by Barbara Haveland and designed by Christian Ramsø and is now available in six languages.
    Text von der Webseite
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Geschenk von
TitelNummer

Verfasser
Titel
  • Atem Books
Verlag Jahr
Medium

Technische
Angaben
  • 48x33 cm, 2 Stück. keine weiteren Angaben vorhanden
    Plakat, vermutlich beschnitten
ZusatzInfos
  • Atem Books is an independent publishing house based in Catalunya focused on photography & illustration, contemporary drawing and thinking created by emerging artists from around the world. Our aims are: to help emerging artists to get their work more known, create a collection of contemporary works, to gather illustrators, photographers & art lovers. Atem Books has been publishing Carpaccio Magazine since April 2009. Atem Books is a non-profit organization, so all the money earnt is always invested in new publications.
    Why ‘Atem’?
    ‘Atem’ stands for “wind, breath” in german. This word is inspired by an illustrated poetry book published by Paul Celan (poet) and Gisèle Celan (illustrator) called Atemkristall.
    Who we are
    Atem Books curators are María Cerezo and Emma Llensa. We both do all the works involved with mantaining Atem Books.
    What we can do
    We’re also offering our services to help you self-publish your book (both digital -pdf, epub, mobipocket-, Ipad and Iphone apps and print). Whether if you need advise on how to start self publishing a book or you need our services as curators, designers, layouters and image retouchers, just ask us what we can do for you.
    We’re also offering our services to help you create your own website and, if you need one, how to create an e-commerce to sell your own goods. And, of course, we can give you marketing and self-promotion advises and guidelines.
    Atem Books is 100% independent!
    We don’t receive any external money. This project survives with the earns we do selling our publications.
    Von der Webseite
Sprache
Erworben bei Atem Books
TitelNummer

long-walking-the-line

Verfasser
Titel
  • Walking the Line
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 332 S., 25,7x29,5x3 cm, ISBN/ISSN 0500284091
    Broschur, Klappcover, auf verschiedenen Papieren gedruckt
ZusatzInfos
  • This volume by and about the sculptor and pioneer land artist Richard Long explores his work from the 1990s to the present day. Long's ability to make works of physical and intellectual beauty is unrivalled, and this new journey takes the reader around the world: to the Sahara Desert and down the Rio Grande, from coast to coast in Ireland and Spain, to Tierra del Fuego and Mongolia, and to the forests of Honshu in Japan. Some of the artist's sculptures were made during his walks through the world's landscapes, while others bring the material of nature - stones, boulders, driftwood, clay and mud - into a more public or sheltered environment: museums, galleries, houses, gardens. These works feed the senses, whereas the texts and photographs recording the artist's walks feed the imagination.
    Text von der Website.
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TitelNummer

Verfasser
Titel
  • Millennium Magazines
Verlag Jahr
Medium

Technische
Angaben
  • 78 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Farbkopien nach PDF, lose ineinander gelegt, Dokumentation der Ausstellung
ZusatzInfos
  • This survey of experimental art and design magazines published since 2000 explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Throughout the 20th century, international avant-garde activities in the visual arts and design were often codified first in the informal context of a magazine or journal. This exhibition, drawn from the holdings of the MoMA Library, follows the practice into the 21st century. The works on view represent a broad array of international titles within this genre, from community-building newspapers to image-only photography magazines to conceptual design projects. The contents illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are obvious connections to the past lineage of artists’ magazines and little architecture and design magazines of the 20th century, as well as a clear sense of the application of new techniques of image-editing and printing methods. Assembled together, these contemporary magazines provide a first-hand view into these practices and represents the MoMA Library’s sustained effort to document and collect this medium.
    Text von der Webseite
Stichwort / Schlagwort
TitelNummer

art-rite-20

Verfasser
Titel
  • Art-Rite, No. 20 Pearl Girl, An Operetta - a libretto
Verlag Jahr
Medium

Technische
Angaben
  • 24 S., 28x21 cm, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Illustrated with charming line drawings of urban love, this score includes music and lyrics for eight voices and clavichord, bell, flute, violin, oboe, horn, cymbal, drum. Each of the three acts are introduced with a plot synopsis of the amorous adventures of protagonists Pearl and Anthony. The libretto ends with a thoughtful epilogue: As young lovers Pearl and Anthony must acknowledge the reality of their sentiment for each other as a separate and a whole reality from their surroundings they must effectively substitute the ...skylines that they could inhabit for the places and constructs as spiritual parts of themselves and to the intuitions and instincts to their intentions and to their youth as ingenuous their present and their future have become realized as each other they must consider a different sort of naiveté
Stichwort / Schlagwort
Erworben bei Printed Matter
TitelNummer

Yoon J. Meejin: ABSENCE, 2003

yoon-absence-zu
yoon-absence-zu
yoon-absence-zu

Yoon J. Meejin: ABSENCE, 2003

Verfasser
Titel
  • ABSENCE
Verlag Jahr
Medium

Technische
Angaben
  • 240 ca. S., 12,5x10 cm, Auflage: 2.000, ISBN/ISSN 0894390139
    Umschlag aus Karton mit Leinenstreifen, ca. 120 Seiten gestanzt
ZusatzInfos
  • 2004 winner of I.D. Magazine's Design Distinction award, Absence is the third book to come out of Printed Matter’s Publishing Program for Emerging Artists, a program made possible through the generous support of New York City's Department of Cultural Affairs, The Andy Warhol Foundation for the Visual Arts, the Elizabeth Firestone Graham Foundation, and the Heyday Foundation. The generosity of Whitney trustees Melva Bucksbaum and Raymond J. Learsy was instrumental to the Museum’s participation in the publication of this exciting new work.
    Both a book and a sculptural object, Absence is a memorial to the twin towers of the World Trade Center. Yoon, an architect and designer who is currently an Assistant Professor of Architecture at the Massachusetts Institute of Technology, chose not to produce a traditional design proposal for the World Trade Center Memorial Competition. Instead she created a non-architectural, non site-specific space of remembrance: a portable personal memorial in the form of book.
    At almost two pounds, Absence has a considerable physical presence, but it is in every way the ghost of a presence, and it is this ghostliness that gives it its particular emotional weight. A solid white block of thick stock cardboard pages, the book’s only "text" consists of one pinhole and two identical squares die-cut into each of its one-hundred-and-twenty pages – one for each story of the towers including the antenna mast. These removed elements lead the reader floor by floor through the missing buildings towards the final page where the footprint of the entire site of the World Trade Center is die-cut into a delicate lattice of absent structures.
    Of all of the proposed monuments and grand designs for the twin towers to emerge in the last two years, Absence is remarkable for its employment of an under-used strategy: restraint. The simplicity of Yoon’s materials and her use of repetition speak, without words, about unspeakable loss. Quiet, respectful, mournful, the book does not aim to represent the magnitude of the disaster. Instead it appeals to the vastness of the reader’s imagination and capacity to grieve. The human scale of her memorial operates on a personal level – it delivers the memory of lives lost into the reader’s hands. At the same time, as a scale model of a vanished architectural site, it operates on a larger cultural level by commemorating the site itself.
    Text von der Webseite. Fotos Xenia Fumbarev
Sprache
Stichwort / Schlagwort
Erworben bei Book Depository
TitelNummer

smith-abramson-flow

Titel
  • Gotto Go Gotto Flow - Life, Love, and Lust - On Chicago's South side - From the Seventies
Verlag Jahr
Medium

Technische
Angaben
  • 194 S., 24,8x22,5 cm, ISBN/ISSN 9780991541829
    Fadengeheftet, Hardcover, mit Schutzumschlag
ZusatzInfos
  • Poems by Patricia Smith, Photographs by Michael Abramson.
    Bump contests and blues. Love goddesses and shake dancers. The Sexy Mamas and Their Mack. Funky. Sexy. Music and voodoo. Every night like New Year’s Eve. This was the scene that Abramson recorded. Patricia Smith, took a look at Abramson’s photos nearly four decades later and brought his night world back to life. “These fiercely breathing visuals are a last link,” she says, “to the unpredictable, blade-edged and relentlessly funky city I once knew.” Her words and his pictures open the doors and give us a front-row (or a back-row... even better) seat to a time and place long gone. So: Watch. Listen.
    Text von der Website.
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Moore Barbara / Hendricks Jon, Hrsg.: o. T. (January 1977), 1977

moore-backworks77-1
moore-backworks77-1
moore-backworks77-1

Moore Barbara / Hendricks Jon, Hrsg.: o. T. (January 1977), 1977

Verfasser
Titel
  • o. T. (January 1977)
Verlag Jahr

Technische
Angaben
  • [8] S., 27,8x21,5 cm, keine weiteren Angaben vorhanden
    Vier lose Blätter, einseitig bedruckt
ZusatzInfos
  • Lieferverzeichnis des Backworks Buchladen Januar 1977. Co-owners Moore and Hendricks established Backworks in SoHo in 1976, based on their mutual curatorial interest in the objects and events of the downtown art and performance scenes, particularly by artists associated with the Rueben Gallery, Judson Memorial Church, Happenings and Fluxus, with which they were both connected as collaborators and curators. Moore and Hendricks, each of who has written extensively about figures such as George Maciunas, Yoko Ono, Allan Kaprow and Ben Vautier, among others, have been instrumental in the development of major collections, including the Gilbert and Lila Silverman Fluxus Collection at MoMA, and the Barbara and Peter Moore Fluxus Collection at Harvard. Backworks closed in 1983.
    Text von der Website.
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TitelNummer

summerofdelete
summerofdelete
summerofdelete

Rumpeln (Kaun Anton) / Door Daniel: Summer Of Delete, 2018

Titel
  • Summer Of Delete
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 30x30 cm, keine weiteren Angaben vorhanden
    Schallplatte in Kartonhülle
ZusatzInfos
  • recorded and mixed by Seb-I and Nick McCarthy at Sausage Studios
Sprache
Stichwort / Schlagwort
Erworben bei Anton Kaun
TitelNummer

naivsuper-cd 001

Titel
  • Schmalfilmer RMX 2003
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 13x13 cm, keine weiteren Angaben vorhanden
    naivsuper Nr 001, Musik-CD in KlappPapphülle, transparenter Kunststoff, mit Infoblatt in transparenter Kunststoffhülle, cover art: Stephane Leonard
ZusatzInfos
  • written.produced.performed.recorded by Stephane Leonard between 2002 - 2003 in Berlin and Bremen, Germany.
    nr 1.1 - 1.8 originally released on Sinnbus in 2003.
    nr 2 ´maintain´ (Bonustrack) recorded in 2004 is filmmusic for ´Die Begegnung´- a short film by Claudio Pfeifer and Stephane Leonard.
    ´Schmalfilmer´ is the first official album (ep) by Stephane Leonard. Tracks 1.1 to 1.8 belong together and can be seen as one song. ´Schmalfilmer´ shows early experiments including beats, rhythm and loop based music. Most parts of this EP were build with an old 8 track cassette recorder. Some beats were created on a neighbour´s PC and Fruity Loops, the rest of the sounds are guitar noise, found objects, filter and loop machine
Stichwort / Schlagwort
WEB Link
TitelNummer

artpool-the-experimental-art-archive

Verfasser
Titel
  • ARTPOOL - The Experimental Art Archive of East-Central Europe
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 536 S., 29,8x21 cm, Auflage: 500, numeriert, signiert, ISBN/ISSN 9789630872256
    Schmutztitelseite gestempelt, mit Widmung und Aufkleber, Vorwort von Kristine Stiles
ZusatzInfos
  • Using authentic documents, numerous photographs and illustrations Artpool’s chronological volume containing a brief presentation of events and exhibitions, a detailed bibliography and references follows the history of the Artpool art project – launched more than forty years ago by fine artist György Galántai and later jointly realized with Júlia Klaniczay – from the exhibitions of the Chapel Studio active in Balatonboglár between 1970 and 1973, through the establishment of the Artpool archive in 1979 to the opening of the Artpool Art Research Center in Budapest in 1992 and its becoming an esteemed research facility by the 2010s.
    Text von der Webseite
WEB Link
Erworben bei Artpool
TitelNummer

sheikh-moksha

Verfasser
Titel
  • Moksha
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 282 S., 27x22,5 cm, ISBN/ISSN 3865211259
    Hardcover, fadengeheftet, mit Schutzumschlag
ZusatzInfos
  • Fazal Sheikh made his first trip to the holy Indian city of Vrindavan in 2003. Each year thousands of women make their way there to join the community of widows who spend their days in the temples, worshipping their god Krishna, and preparing for death. Over the next three years, Fazal Sheikh became accepted by the widows, who agreed to sit for their portraits and talked to him about their lives. Their stories revealed how powerless some of the women had been under the strictures of traditional Hindu law. They were victims of enforced marriage, physical violence, sexual abuse and neglect. Some had been evicted from the family home once their children were married. Others had left of their own accord. As Fazal Sheikh discovered, what the women find in Vrindavan is not just religious solace, but in the sisterhood of other widows they find companionship and support. In his portraits their faces are suffused with calm – in some cases they already seem to have reached a half-life, somewhere between this world and the next – and their religious faith, in many ways the source of their past troubles, finally brings them peace. This project was published as Moksha
    Text von Website
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Stichwort / Schlagwort
TitelNummer

stathi-art-seen
stathi-art-seen
stathi-art-seen

Stathi Maria, Hrsg.: art seen - contemporary art projects & editions, 2015

Verfasser
Titel
  • art seen - contemporary art projects & editions

Technische
Angaben
  • 2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Lieferprogramm, beidseitig bedruckt
ZusatzInfos
  • Art Seen - Contemporary Art Projects & Editions is an organization operating as a cultural platform of exchange in contemporary art. Its aim is to create bridges and dialogue between Cyprus and the international contemporary art scene. The idea was born from the need of new and creative collaborations that took a fresh look focusing on contemporary artistic approaches and reflecting upon the dynamic and changing art world. Art Seen projects and Art Seen editions are the two pillars of this organisation.
    Text von der Website
Stichwort / Schlagwort
WEB Link
TitelNummer

bloom-gifts

Verfasser
Titel
  • Gifts
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 114 S., 24x15,7 cm, ISBN/ISSN 9789491819490
    Fadengeheftet, Hardcover, mit signiertem Exlibris in Pergaminumschlag
ZusatzInfos
  • A true gift is intimate. It is a carrier of meaning that involves the capacity to amuse, delight, and identify empathically with our recipient’s desires. This exceptional book by New York-based conceptual artist Barbara Bloom, entitled Gifts, explores the nature of gifts in relation to aspects such as wrapping, covering and uncovering, pleasure, and generosity.
    A passionate collector of ornamental paper from all over the world, Bloom has studied the history and aesthetics of gift-wrapping in detail. In Gifts, she tries to blur the conventional distinction between art and life, whilst offering new insights on notions of concealment and revelation. ‘Can the box be an artwork? Can the wrapping be the gift?’ – she questions her readers.
    Text von der Website.
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groh-breslau-poetry
groh-breslau-poetry
groh-breslau-poetry

Groh Klaus: Experimentelle Poesie - Retrospektive aus 15 Jahren, 1999

Verfasser
Titel
  • Experimentelle Poesie - Retrospektive aus 15 Jahren
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [4] S., 21x14,5 cm, Auflage: 150, numeriert, signiert, 131 Teile. keine weiteren Angaben vorhanden
    Drei Flyer, einmal gefaltet, acht Bogen Künstlerbriefmarken, perforiert. Zwei Bögen signiert und nummeriert.
ZusatzInfos
  • Zur Ausstellung Experimentelle Poesie, 13.04.-13.05.2000 in der Japtak Galerie, Breslau. Letters, Parts of Letters, Words, Parts of Words are working materials for me like color, structures and lines for human artistic communications. They belong to human origin like signs, symbols and ideas. I try with these elementary materials of human communication to create happenings of reading and discovering new thoughts in mind, real and life. It is a permanent dialog between material, thoughts and discovering new ideas and structures.
    Text vom Flyer.
Sprache
Geschenk von
TitelNummer

Verfasser
Titel
  • We are Cypriots - Wir sind Zyprer - 28 Cypriots Tell Their Stories: Reports and Photographs from a Devided Island
Ort Land
Medium

Technische
Angaben
  • [2] S., 14,8x10,5 cm, Auflage: 1.000, 2 Stück. 2 Teile. keine weiteren Angaben vorhanden
    2 Postkarten, Englische und Deutsche Variante
ZusatzInfos
  • Werbekarten zum Buch “We Are Cypriots”, a chronicle that takes us behind the scenes sharing personal histories that official histories often ignore.
    Between 2015 and 2018, during the reunification talks and after they failed, the author Lisa Fuhr visited Cypriots from both communities and photographed them in their surroundings. These intimate photographs and accompanying in-depth conversations shed light on life in Cyprus today.
    Travellers, Cypriots living abroad, foreigners who have chosen to settle there, and last but not least, the people of Cyprus itself just might discover in these pages something they did not expect.
Weitere
Personen
Sprache
TitelNummer

groh-experimentelle-poesie-stamps-2000
groh-experimentelle-poesie-stamps-2000
groh-experimentelle-poesie-stamps-2000

Groh Klaus: Experimentelle Poesie 2000, 2000

Verfasser
Titel
  • Experimentelle Poesie 2000
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • [4] S., 21x14,5 cm, Auflage: 150, numeriert, signiert, 16 Teile. keine weiteren Angaben vorhanden
    Bogen Künstlerbriefmarken, perforiert
ZusatzInfos
  • Erschienen zur Ausstellung Experimentelle Poesie, 13.04.-13.05.2000 in der Japtak Galerie, Breslau. Letters, Parts of Letters, Words, Parts of Words are working materials for me like color, structures and lines for human artistic communications. They belong to human origin like signs, symbols and ideas. I try with these elementary materials of human communication to create happenings of reading and discovering new thoughts in mind, real and life. It is a permanent dialog between material, thoughts and discovering new ideas and structures.
    Text vom Flyer.
Sprache
Geschenk von
TitelNummer

klaus-groh-experimentelle-poesie-2000
klaus-groh-experimentelle-poesie-2000
klaus-groh-experimentelle-poesie-2000

Groh Klaus: Experimentelle Poesie 2000, 2000

Verfasser
Titel
  • Experimentelle Poesie 2000
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 21x14,5 cm, Auflage: 150, numeriert, signiert, 16 Teile. keine weiteren Angaben vorhanden
    Bogen Künstlerbriefmarken, perforiert, Farblaserkopien
ZusatzInfos
  • Erschienen zur Ausstellung Experimentelle Poesie, 13.04.-13.05.2000 in der Japtak Galerie, Breslau. Letters, Parts of Letters, Words, Parts of Words are working materials for me like color, structures and lines for human artistic communications. They belong to human origin like signs, symbols and ideas. I try with these elementary materials of human communication to create happenings of reading and discovering new thoughts in mind, real and life. It is a permanent dialog between material, thoughts and discovering new ideas and structures.
    Text vom Flyer.
Sprache
Geschenk von
TitelNummer

artist music journals 1 3 daniel higgs 2009
artist music journals 1 3 daniel higgs 2009
artist music journals 1 3 daniel higgs 2009

Higgs Daniel: Artist Music Journals Vol. 1 No. 03, 2009

Verfasser
Titel
  • Artist Music Journals Vol. 1 No. 03
Verlag Jahr
Medium

Technische
Angaben
  • [24] S., 26,5x26,5 cm, Auflage: 1.000, numeriert, keine weiteren Angaben vorhanden
    Drahtheftung, Heft in Pappschuber mit Aufkleber
ZusatzInfos
  • Artist Music Journal is an ongoing, limited edition small book series published by Sound Screen Design that focuses on the inseparable connection between music and art. Each release is limited to 1,000 copies, features a 24 page, saddle-stitched small book printed on thick stock and encased in a 10″., record jacket. The artists signature is replicated on a letterpressed sticker placed around the jacket opening, and hand numbered.
    Daniel Higgs is a musician and artist from Baltimore, Maryland, who has been a contributor to the independent art and music community for nearly 3 decades. His artistic work ranges from musical records to books of poetry to visual collections of his drawing, painting and collage work
Sprache
Stichwort / Schlagwort
TitelNummer

Titel
  • Call for Papers - International Symposium: The Territories of Artists’ Periodicals
Medium

Technische
Angaben
  • 3 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Schwarz-Weiß-Laserdruck nach Email, zu einem dreitägigen Symposium an der Universität Wisconsin, Lawton Gallery, vom 2.-4.6.2014
ZusatzInfos
  • This symposium seeks to provide a venue for dialogue between researchers, artists, publishers, librarians and others interested in artists’ periodicals in order to bring into focus the many issues and themes that constitute the terrain of these publications. We have chosen the 1950s as the starting date for this symposium as we believe this decade is the crucial moment in which artists’ periodicals develop as a distinct and identifiable medium.
    Das Symposium hat folgende Themenschwerpunkte:
    - Looking back and looking ahead: Histories
    - Temporality/Periodicity of the artists’ periodicals
    - Artists’ periodicals: Collective or Individual Practices?
    - The Economics of artists’ periodicals
    - Artists’ periodicals as Alternatives
    - Artists’ periodicals and other Territories
    - Exhibiting and Preserving artists’ periodicals
Sprache
Stichwort / Schlagwort
WEB Link
TitelNummer

foerster-shoot-the-lobster

Verfasser
Titel
  • Shoot the Lobster

Technische
Angaben
  • [42] S., 26,8x20 cm, keine weiteren Angaben vorhanden
    Drahtheftung, verschiedene Papiere. Im Set mit acht Heften von Ryan Foerster.
ZusatzInfos
  • This book was published in conjunction with Foerster’s on-site installation in a vacant lot in Miami [May, 17, 2012], put on by the New York gallery Shoot the Lobster. A conversation between Foerster and the show’s curator, Bob Nickas, is included in the book and offers insight into the artist’s process and experience with the project. The show emphasized the placement of printing plates and photographic paper in the lot and their interaction with the environment. This is highlighted by the photographs featured in the book, which document objects from the show, as well as its visitors and surroundings.
    Text von der printed-matter-Webseite.
Weitere
Personen
Sprache
Erworben bei Kunsthalle Wien
TitelNummer

lightworks-n22

Verfasser
Titel
  • lightworks, Nr. 22 The Ray Johnson Issue
Medium

Technische
Angaben
  • 96 S., 28x21,7 cm, ISBN/ISSN 01614223
    Klebebindung, mit Audio CD "Ray Johnson" by Nick Maravel (1987-1988), Postkarte mit "Correspondance from Ray Johnson postmarked 7. January 1976" und Visitenkarte von Charlton Burch beiliegend
ZusatzInfos
  • "This is not the document of Ray Johnson wall art. It's not about his famous collages or what remains in museums and for sale in galleries. It's an issue about the 'atmosphere' of Ray Johnson - the element, the ambient specifics of who he was and what he did. Years in the making, it's an homage to the Ray Johnson who made communication, letter writing, and otherwise unlikely creative gestures his art. It's about Ray's correspondences seen and not seen, sent or otherwise, and his notions of the world that he caused to flow between islands of friends, acquaintances and strangers."
    Charlton Burch, Editor
    Excerpt from the editor's letter
Sprache
Erworben bei Jürgen O. Olbrich
TitelNummer

gillick weiner syntax

Titel
  • A Syntax of Dependency:
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 56 S., 30,5x21,5 cm, ISBN/ISSN 9788896501610
    mit Kunststoffumschlag, geklammert
ZusatzInfos
  • This publication documents the monumental collaborative work which Liam Gillick and Lawrence Weiner produced for the Antwerp museum of contemporary art MuHKA in the spring of 2011. Tellingly titled A Syntax of Dependency:, the project could be viewed as the outcome of a twenty-year dialogue between artists, artistic practices, generations. This giant floor piece, consisting of an abstract linoleum pattern containing an array of phrases, took up the museum's entire first floor - its site-specifity meaning that the end of the exhibition also entailed the work's irreversible destruction. This photo novella - complete with fragments of a conversation between both artists and a short text by exhibition curator Dieter Roelstraete - captures the work in its unique desolate splendor
TitelNummer

parr-playas

Verfasser
Titel
  • Playas
Verlag Jahr
Medium

Technische
Angaben
  • [64] S., 21x13,8 cm, keine weiteren Angaben vorhanden
    Hardcover
ZusatzInfos
  • From Magnum: "Between 2006 and 2008 Martin Parr documented the differences in beach culture between Latin American countries whilst traveling with his wife Susie. Her text accompanies the photos in the book. The book is printed to look purposely cheap, with noticeable imperfections, somewhat like a book you'd find in a 99 cent store, complete with offset colors and gaudy clip-art style graphics.
    This book was not distributed in the United States
Stichwort / Schlagwort
TitelNummer

fontcuberta-pandoras-camera

Verfasser
Titel
  • Pandora's Camera - Photogr@phy after Photography
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 192 S., 22,8x15 cm, ISBN/ISSN 978-1-910164037
    Klappenbroschur,
ZusatzInfos
  • 16 Essays mit Illustrationen. Herausgegeben von Michael Mack, Izabella Scott, Martyn Oliver.
    This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. ...
    Text von der Webseite
Sprache
Stichwort / Schlagwort
TitelNummer

trans-06

Verfasser
Titel
  • TRANS> arts.cultures.media, 06
Verlag Jahr
Medium

Technische
Angaben
  • 218 S., 25,4x20,5 cm, ISBN/ISSN 1888209038
    Broschur. Verschiedene Papiere, teilweise in Streifen geschitten und gestanzt
ZusatzInfos
  • Beiträge u. a.: A Conversation between Gustav Metzger and Hans Ulrich Obrist. A Conversation between Seth Siegelaub and Hans Ulrich Obrist. Arbeiten u. a. von Karim Rashid, Jorge Pardo, Jac Leirner
Sprache
Stichwort / Schlagwort
WEB Link
Erworben bei Better World Books
TitelNummer

psych-kg-123

Verfasser
Titel
  • Psych.KG 123 - FLUXUS
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 33,0x33,0 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden
    LP, vorderseitig bedruckter Karton in transparenter Hülle fest vernietet, weiße one-side LP
ZusatzInfos
  • Beiträge von: C. Mehrl Bennett - you either get it or you don't. John M. Bennett - Forklint & 4 Poems. Jaan Patterson - Demonstrated Properties & Mechanics. ALBRECHT/d. & Kommissar Hjuler - ... fast ein Telefonat. David Dellafiora - Fluxus Is No Brand Name!
Stichwort / Schlagwort
Geschenk von
TitelNummer

hill_pati_kunstverein_m_2020
hill_pati_kunstverein_m_2020
hill_pati_kunstverein_m_2020

Hill Pati: Something other than either, 2020

Verfasser
Titel
  • Something other than either
Ort Land
Verlag Jahr
Medium

Technische
Angaben
  • 24 S., 21x15,5 cm, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Publikation zur Ausstellung im Kunstverein München, 07.03.–03.05.2020. "In diesem Frühjahr präsentiert der Kunstverein München die erste posthume institutionelle Einzelausstellung von Pati Hill in Europa. Hill (geb. 1921 in Kentucky, gest. 2014 in Frankreich) hinterließ ein künstlerisches Werk, das sich über 60 Jahre erstreckt und verschiedene Disziplinen umfasst. Ohne Kunstausbildung begann sie Anfang der 1970er Jahre einen Fotokopierer als künstlerisches Werkzeug zu nutzen, wobei sie ein umfassendes Oeuvre schuf, das zwischen Bild und Text oszilliert. Neben diesem umfangreichen xerographischen Werk veröffentlichte sie vier Romane, ihre Memoiren, mehrere Kurzgeschichten, schrieb Gedichte und zeichnete."
    Text von der Webseite
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Stichwort / Schlagwort
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TitelNummer

andor-lou-1975
andor-lou-1975