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Gesucht wurde Gilbert And George, Medienart , Sortierung ID, absteigend.
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 Hinweis zum Copyright
davila-legible-visible-katalog

Verfasser
Titel
  • Legible – Visible - Between the Film Frame and the Page
Ort Land
Verlag Jahr
Medium Buch
Techn. Angaben
  • 92 S., 24x18 cm, ISBN/ISSN 9788494423437
    Broschur
ZusatzInfos
  • Katalog erschienen zur Ausstellung in Arts Santa Mònica, Barcelona, 06.04.-28.05.2017
    Legible-Visible. Between the Film Frame and the Page explores the relationship between print publications and audio-visual documents, two of the most important media underpinning the social and cultural landscape of our time which also define the evolution of contemporary art in the 20th and 21st centuries.
    The emergence of relatively inexpensive home video technologies in the 1970s brought with it an alternative model for the creation and diffusion of artist publications, and a prolific period of exploration, reflected in the work of Baldessari, Gilbert & George, Boltanski, Carrión, Rucha and Rosler, among others. The popularization of digital media at the beginning of the 21st century sparked a revolution in the systems of production of both audio-visuals and books, exemplified by a new generation of artists, such as McGeorge, Kentridge, Cine Quieto or Van Leijsen.
    Mela Dávila proposes a theoretical and historical framework for works that the market long dismissed as secondary on account of their serial nature. This characteristic, together with the particular space of experience they generate, and the linearity and temporality common to both media, have opened up a range of new narrative (or anti-narrative) possibilities which have enabled artists to redefine contemporary art.
    Starting from a detailed study of 24 double works, Maite Muñoz looks at how different artists have taken advantage of the permeability between publications and audio-visuals, in which ideas and strategies of narration and editing intrinsic to both mutually infect and enrich one another through the play of opposition, complementarity and dialectics.
    Text von der Webseite
Sprache
Geschenk von Mela Davila
TitelNummer
025751715
Einzeltitel =

was-ist-backworks
was-ist-backworks
was-ist-backworks

Moore Barbara / Hendricks Jon, Hrsg.: was ist Backworks?, 1976

Verfasser
Titel
  • was ist Backworks?
Verlag Jahr
Medium Lieferverzeichnis
Techn. Angaben
  • [32] S., 27x21,2 cm, keine weiteren Angaben vorhanden
    Drahtheftung
ZusatzInfos
  • Lieferverzeichnis des Backworks Buchladen 1976. Documents and Relics of Experimental Art 1952-1970. Table of contents: Fluxus and related objects and documents, Reuben Gallery, other performances and events (Musik, Dance, Happenings).
    Co-owners Moore and Hendricks established Backworks in SoHo in 1976, based on their mutual curatorial interest in the objects and events of the downtown art and performance scenes, particularly by artists associated with the Rueben Gallery, Judson Memorial Church, Happenings and Fluxus, with which they were both connected as collaborators and curators. Moore and Hendricks, each of who has written extensively about figures such as George Maciunas, Yoko Ono, Allan Kaprow and Ben Vautier, among others, have been instrumental in the development of major collections, including the Gilbert and Lila Silverman Fluxus Collection at MoMA, and the Barbara and Peter Moore Fluxus Collection at Harvard. Backworks closed in 1983.
    Text von der Website.
Sprache
TitelNummer
026139735
Einzeltitel =

Moore Barbara / Hendricks Jon, Hrsg.: o. T. (January 1977), 1977

moore-backworks77-1
moore-backworks77-1
moore-backworks77-1

Moore Barbara / Hendricks Jon, Hrsg.: o. T. (January 1977), 1977

Verfasser
Titel
  • o. T. (January 1977)
Verlag Jahr
Medium Lieferverzeichnis
Techn. Angaben
  • [8] S., 27,8x21,5 cm, keine weiteren Angaben vorhanden
    Vier lose Blätter, einseitig bedruckt
ZusatzInfos
  • Lieferverzeichnis des Backworks Buchladen Januar 1977. Co-owners Moore and Hendricks established Backworks in SoHo in 1976, based on their mutual curatorial interest in the objects and events of the downtown art and performance scenes, particularly by artists associated with the Rueben Gallery, Judson Memorial Church, Happenings and Fluxus, with which they were both connected as collaborators and curators. Moore and Hendricks, each of who has written extensively about figures such as George Maciunas, Yoko Ono, Allan Kaprow and Ben Vautier, among others, have been instrumental in the development of major collections, including the Gilbert and Lila Silverman Fluxus Collection at MoMA, and the Barbara and Peter Moore Fluxus Collection at Harvard. Backworks closed in 1983.
    Text von der Website.
Sprache
TitelNummer
026116735
Einzeltitel =

photo_text_1996

Verfasser
Titel
  • photo text text photo - The Synthesis of Photography and Text in Contemporary Art
Medium Buch
Techn. Angaben
  • 144 S., 23,5x22 cm, ISBN/ISSN 3908162483
    Grauer Leineneinband mit Schutzumschlag.
ZusatzInfos
  • Katalog zur Ausstellung im Museion, Museum für Moderne Kunst Bozen, 13.09.-17.11.1996, Frankfurter Kunstverein, 21.01.-03.03.1997."Purely visual perception and viewing of pictures is impossible. We always encounter pictorial images - as in this book description itself - in contexts. It is to this complex of interrelationships between text and photography and the aesthetic potential it holds that the book photo text text photo is dedicated. Based upon a representative selection of important examples of this work across media boundaries from recent photographic history since 1967, the theme of the fertile tension between words and images is explored in images (more than 100 works by 32 different artists) and words (texts by Andreas Hapkemeyer and Peter Weiermair). This revealing look at the art of combining text and photography begins with the milestone works of Conceptual Artists such Joseph Kosuth, Robert Barry, Douglas Huebler, On Kawara, John Baldessari and Hamish Fulton. Alongside other early examples from Italy - Maurizio Nannucci, Giulio Paolini, and Vincenzo Agnetti - the book also features representatives of utopian and critical approaches to social issues, including Josef Beuys and Klaus Staeck. The 1970s and 1980s are represented by the artists Ketty La Rocca, Jochen Gerz, Karen Knorr and Urs Luthi. More recent and current positions are evident in the works of Louise Lawler, Jenny Holzer, Barbara Kruger, Ken Lum, Heiner Blum, Laura Padgett and Marie-Jo Lafontaine. The publication photo text photo provides a long-awaited inventory of the most recent developments in the aesthetic exploration of the relationships between text and images in contemporary art."
    Text vom Schutzumschlag
Sprache
TitelNummer
027030759
Einzeltitel =

Verfasser
Titel
  • The Manipulator Issue Number Eight
Verlag Jahr
Medium Zeitschrift, Magazin
Techn. Angaben
  • 58 S., 70x50 cm, ISBN/ISSN 01783556
    Film, Fashion, Music and Design, with a strong interest in Art. Blätter lose ineinander gelegt
ZusatzInfos
  • Titelbild von William Duke, Arbeiten von Gilbert & George, Künstlerporträts
Weitere Personen
Stichwort
TitelNummer
009269059
Einzeltitel =

london-bookworks1

Verfasser
Titel
  • Artists' Bookworks to be shown in Museum Exhibition
Medium Presse, Artikel
Techn. Angaben
  • [4] S., 28x21,7 cm, 2 Stück. keine weiteren Angaben vorhanden
    Zwei Blätter, geklammert
ZusatzInfos
  • Pressrelease. Between March 17 and May 31, 1977 in The Museum of Modern Art's Paul J. Sachs Galleries there will be in an exhibition of more that 200 artists' "bookworks" from the Museum's growing collection of this new and innovative genre. Focusing on the mass-produced, under-$25 book conceived and designed entirely by artists in the last fifteen years.
    Text vom Schreiben
Sprache
TitelNummer
026117735
Einzeltitel =

london-masterlist-bookworks

Verfasser
Titel
  • Artists' Bookworks to be shown in Museum Exhibition
Medium Ephemera, div. Papiere
Techn. Angaben
  • [18] S., 28x21,7 cm, keine weiteren Angaben vorhanden
    Neun Blätter, geklammert, eins lose
ZusatzInfos
  • Master Checklist. Between March 17 and May 31, 1977 in The Museum of Modern Art's Paul J. Sachs Galleries there will be in an exhibition of more that 200 artists' "bookworks" from the Museum's growing collection of this new and innovative genre. Focusing on the mass-produced, under-$25 book conceived and designed entirely by artists in the last fifteen years.
    Text vom Schreiben
Sprache
TitelNummer
026119735
Einzeltitel =

avalanche-1976-number-13
avalanche-1976-number-13
avalanche-1976-number-13

Sharp Willoughby / Béar Liza, Hrsg.: Avalanche - Number 13 - Summer 1976, 1976

Verfasser
Titel
  • Avalanche - Number 13 - Summer 1976
Medium Zeitschrift, Magazin
Techn. Angaben
  • 48 S., 41x29 cm, ISBN/ISSN 00051888
    Blätter lose ineinander gelegt, Zeitungsdruck, zweifarbig
ZusatzInfos
  • Künstlerzeitung, publiziert von 1970 bis 1976; die vorliegende ist die letzte von insgesamt 13 Ausgaben.
    Avalanche (dt.: Lawine) setzte in der SoHo-Kunstgemeinde durch ihre Interviews und von Künstlern gestalteten Beiträge ein besonderes Zeichen: Béar war gerade von London nach New York gezogen, lernte Willoughby Sharp kennen und gab sechs Jahre lang mit dem Kunsthistoriker and Kurator Sharp die Zeitung heraus. Es war ihnen wichtiger die Perspektiven der Künstler zu vertreten und ihnen eine Plattform zu geben als den Kunstkritikern. Die Interviews führten ausschließlich Béar und Sharp.
    Außerdem Teil der Publikation: Eine Liste mit Artists Books Neuerscheinungen.
    Zu Beginn kostete die Zeitung 2 Dollars, später drei.
    Informationen darüber sind auch - hier im Archiv - im 2011 erschienenen Buch Artists' Magazines / An Alternative Space for Art von Gwen Allen zu finden.
Sprache
Geschenk von Klaus Groh
TitelNummer
030339M02
Einzeltitel =


Copyrighthinweis: Das Copyright für die abgebildeten Publikationen bleibt bei den jeweiligen Rechteinhabern (Künstlern, Fotografen, Gestaltern, Publizisten).
Die Abbildungen und Textzitate dienen der künstlerischen und wissenschaftlichen Recherche. Hier werden Werke dokumentiert, die sonst nur schwer oder gar nicht zugänglich wären.
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