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Gesucht wurde Occupy, Medienart , Sortierung ID, absteigend.
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  • Occupy Chelsea - Die New Yorker Buchhandlung Printed matter verkauft Künstlerbücher und versteht sich als Stimme der Dissidenz
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  • 1 S., 58x40 cm, keine weiteren Angaben vorhanden
    Artikel in der Süddeutschen Zeitung Nr. 29, S. 19
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Gaudiblatt 12
Gaudiblatt 12
Gaudiblatt 12

Nauerz Olli, Hrsg.: Gaudiblatt 12 Occupy, 2012

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  • Gaudiblatt 12 Occupy
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  • 28 S., 29,7x21 cm, Auflage: 2.500, 2 Stück. keine weiteren Angaben vorhanden
    Drahtheftung
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kamikaze occupy-art

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  • occupy art birthday party anonymus 2013
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  • 22x11,3 cm, keine weiteren Angaben vorhanden
    Inkjetdruck nach PDF, cards unlimited
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  • dOCUMENTA(13), 100 Gedanken - Nr. 089 Ecce occupy: Fragments from conversations between free persons and captive persons concerning the crisis of everything everywhere, the need for great fictions without proper names, the premise
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  • [48] S., 25x17,6 cm, ISBN/ISSN 978-3-775729383
    aus der Reihe 100 Gedanken zur dOCUMENTA (13), Drahtheftung,
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WEB Link
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tillmans-the-cars

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  • The Cars
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  • 128 S., 24x16,2 cm, ISBN/ISSN 978-3-863357528
    Broschur mit Klappumschlag
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  • I wanted to show how cars appear in typical street view, which is rarely the subject of photographs. Cars are usually avoided in photography - one waits until a car has exited a view. The ordinary presence of cars is rarely worthy of representation. It's always the special car, or the extreme traffic jam or, of course, the exciting crash that is being pictured. The Cars pays tribute to the shapes and forms we look at every day. How much time we spend with them, sitting inside them, the endless hours we stare at a dashboard. Even if we don't own a car ourselves, their presence is unavoidable. Cars are everywhere. Their sheer number is the most crazy thing about them. They appear in our lives with excessive omnipresence. In their volume cars intrude upon public space, and the way they occupy streets and open areas is rarely challenged.
    Text von der Webseite
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  • Brooklyn Occupant
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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Erworben bei Booklyn
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investment-opportunities

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  • Investment Opportunities
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  • 1 S., 64x42 cm, keine weiteren Angaben vorhanden
    Plakat,
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  • Ausstellung der Privatsammlung Anastasios Gkekas bei VOLKS 10.09.-13.10.2015.
    A key to a potential approach is possibly the innerness, the esoteric and sometimes confessional character of the works, but also the place they occupy in the collective work of the artists - as I am of the opinion that one can find more comprehensible examples within their work. It seems that as if from a recurring tic, I wanted to catch them red-handed, naked I would say, within their own work. To a lesser extend, it is perhaps a sort of innocence.
    Text aus der Presseerklärung
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signal01-dunn

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  • signal 01
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  • 146 S., 17,8x12,8 cm, ISBN/ISSN 978-1-604860917
    Broschur
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  • Signal is an ongoing book series dedicated to documenting and sharing compelling graphics, art projects, and cultural movements of international resistance and liberation struggles. Artists and cultural workers have been at the center of upheavals and revolts the world over, from the painters and poets in the Paris Commune to the poster makers and street theatre performers of the recent Occupy movement. Signal will bring these artists and their work to a new audience, digging deep through our common history to unearth their images and stories. Signal 01 includes: The Future of Xicana Printmaking: Alec Dunn and Josh MacPhee interview the Taller Tupac Amaru (Favianna Rodriguez, Melanie Cervantes, and Jesus Barraza), The Adventures of Red Rat: Alec Dunn interviews Johannes van de Weert, Hard Travelin’: A photo essay with IMPEACH, Early 20th-Century Anarchist Imprints, Mexico 68: The Graphic Production of a Movement: Santiago Armengod interviews Felipe Hernandez Moreno, Adventure Playgrounds: A photo essay, Designing Anarchy: Dan Poyner interviews Rufus Segar.
    Text von der Website.
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chomsky-occupy-penguin
chomsky-occupy-penguin
chomsky-occupy-penguin

Chomsky Noam: Occupy, 2012

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  • Occupy
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  • 124 S., 18x11 cm, ISBN/ISSN 9780241964019
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  • Radikale Interventionen zur Occupy-Bewegung in den USA. Noam Chomsky ist Professor fur Linguistik und Philosophie am Massachusetts Institute of Technology in Cambridge. DEr Band enthalt Abschriften seiner Beitrage zu Occupy-Veranstaltungen in den USA.
    Occupy is the first major public response to thirty years of class war.
    Since its appearance in Zuccotti Park, New York, in September 2011, the Occupy movement has spread to hundreds of towns and cities across the world. No longer occupying small tent camps, the movement now occupies the global conscience as its messages spread from street protests to op-ed pages to the highest seats of power. From the movement's onset, Noam Chomsky has supported its critique of corporate corruption and encouraged its efforts to increase civic participation, economic equality, democracy and freedom. ...
    Text von der Webseite
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Erworben bei Tate Modern
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simone-antionelli-evening

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  • ... And there was evening and there was morning
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  • 29x21 cm, keine weiteren Angaben vorhanden
    Drahtheftung, 2 Flyer und 1 Einladungskarte sind beigelegt.
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  • "So it was evening, then it was morning: and it was the first day." How does the beginning of everything look like? That eternal energy that generated the first beginning, the early morning of all time, for Simona has to do with an explosion: the fire, linked to the Latin verb foveo and to the Greek words φῶς (phos), light. Imploded energy, the Genesis of all moments. It is with one of the simplest destruction tools, the Molotov bomb, that the artist opens her personal exhibition, where an explosion accompanies us on a journey that with great delicacy investigates the boundaries of human exploration, in its higher sense. That man who wants to know, measure, ennoble. How much space does the highest point of the Earth occupy? "I asked Silvio Mondinelli, the sixth mountaineer in the world to have climbed all fourteen of the eight-thousand of the Himalayan chain, (without the help of oxygen) to recover through memory the space of the summit of Everest. He traced its perimeter in 1: 1 scale on a piece of paper" says Simona. This perimeter was used as a template to create a marble base, where Silvio Mondinelli’s signs and writings make that memory immortal in the most faithful way possible. In that memory, Francesco Šljiva Venturi gives life to a primordial sound that once again seeks a point of contact with the origin, through the use of his voice and a single instrument: a shamanic drum, purpose-built by a craftsman for the performance.
    He will climb "on the top of Mount Everest" to sing a variation of Ives' Unanswered Question, in the lowest possible pitch. It is the elaboration of an impossibility: to go as high as possible while going as low as possible.
    Text von der Website
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