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[96] S., 34x23,5 cm, ISBN/ISSN 9788469720493
Drahtheftung. Vorderseite mit mittig ausgestanztem Loch. Kleineres Blatt im Centerfold.
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In recent years Valencia has been posting the so-called Campus Party. In this type of social-cultural gatherings, thousands of young adults —software developers, lovers of digital works and robots, hackers and defenders of free software, gamers and simulation fanatics, ciber-apostles and modding artists— come together to exchange archives and share their experiences, living for a week connected to each other.
For these super-users — digital natives that make computer technology a way of life and who are often classified as the new urban tribe of the geeks — computers are much more than just a device for work, they are an extension of their identity and the digital ecosystem where they decide to live.
< YO >< YO >< YO > Sets out a journey from the plug into the computer, with the intention of portraying along the way this kind of super-user: an exaggerated reflection of our relation with technology.
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32 S., 34x20,5 cm, Auflage: 1.000, ISBN/ISSN 9789070478285
Drahtheftung. 2 Formate: Heft und Sticker-Buch. In Versandtasche
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Exhibition catalogue New York Photo Festival 2010 (12 to 16 may), curated by Erik Kessels. Catalogue designed by Angela Lidderdale.
Use me Abuse me looks at the trend toward exploring new technology within an image-rich culture. The exhibition focused on how today’s dominance of images and image-making technology influences artists and photographers.
Now more than ever before photographs are easy to come by, easy to make and easy to distribute. Anyone, it seems, has the freedom to do pretty much anything. This glut sees photographers experimenting with pre-existing images and using them within their work like never before.
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Arts of the Working Class No. 21 - Around the world in 80 pages - Forced displacement issue - Tourism issue
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80 S., 35,2x25,8 cm, keine weiteren Angaben vorhanden
Lose ineinander gelegte Blätter, Druck auf Zeitungspapier.
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AusgabeMai 2022. „Arts of the Working Class“ ist eine Straßenzeitung für Armut, Reichtum und Kunst. Sie erscheint alle zwei Monate und enthält Beiträge von Künstlern und Denkern aus verschiedenen Feldern und in verschiedenen Sprachen. Sie richtet sich an die Arbeiterklasse, also an alle, und es geht um alles, das allen gehört. Jeder, der sie verkauft, verdient mit. Jeder Künstler, dessen Arbeit beworben wird, gestaltet mit.
Anniversary launch Issue 21. Arts of the Working Class is glad to invite you on June 8 to the launch of its fourth anniversary issue AROUND THE WORLD IN 80 PAGES. Organized in collaboration with Callie’s and a.p. Starting at 6.30 PM, the event will take a tour and discuss matters of tourism and forced displacement through the words and works of its contributors. The title of both the event and our latest issue take Jules Verne’s proto sci-fi book as a starting point for our shared research. Verne, the poet and writer whose narratives took us on a journey into imaginary and inconceivable worlds, left us with an invaluable lesson– we perceive the world in its entirety only through technology, the very same technology that can only be progressive if accessible to everyone, rather than as means for individual convenience.
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numeriert, keine weiteren Angaben vorhanden
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keine weiteren Angaben vorhanden
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Another scale of architecture
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308 S., 18,6x12,7 cm, ISBN/ISSN 9784861522840
Broschur.
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Anlässlich der gleichnamigen Ausstellung im Toyota Municipal Museum of Art, 18.09.-26.12.2010.
In 2009, Junya Ishigami’s workshop design for the Kanagawa Institute of Technology won Japan’s top architecture award: the Architectural Institute of Japan Prize. This book offers more proof of Ishigami’s precocious talent. Plans, designs, photographs, models and writings from various projects illustrate Ishigami’s stated aim to “embody in architecture that which has never been embodied before.” An essay by historian Taro Igarashi assesses Ishigami’s importance and success, including his Golden Lion award at the 12th International Architecture Biennale.
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323 S., 36,4x26x3,5 cm, keine weiteren Angaben vorhanden
Ota-Bindung mit aufklappbarem Schutzumschlag
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Katalog zur gleichnamigen Ausstellung in der Fondadtion Cartier pour l'Art Contemporain, Paris, 30.03.-10.06.2018.
In Freeing Architecture, Ishigami elaborates upon his most recent research into function, form, scale and the environment in architecture, thereby revealing his vision for the future of the field. Through over 40 models, as well as numerous films and drawings, the exhibition presents twenty projects from their genesis to the complex process of their realization. Far from being tools prior to construction, the models assembled in the exhibition were made specifically for the occasion. As viewers contemplate these hand-crafted works, assembled in the architect’s studio over the course of one year, one can see the many steps and the painstaking work that led to the development of their final form. All different in terms of their material, size and level of detail, they offer a glimpse of the slow maturation process, necessary for the creation of Ishigami’s architectural works. Works infused by a poetics that is achieved as much through experimentation, as it is by theory, knowledge, and technology.
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[10] S., 21x14,8 cm, keine weiteren Angaben vorhanden
Leporello
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Publikation zur Ausstellung WEB ARTEN vom 19.09.–15. 11.2015 in der Neuen Galerie Dachau.
Sieben zeitgenössische Künstler präsentieren Gewebe, aber keineswegs nur Textiles, sondern Texturen und Strukturen aller Art in verschiedensten Materialien und sehr unterschiedlichen Graden der Verdichtung. Lars Koepsel verwandelt handgeschriebene Texte in Bilder, die unlesbar geworden wie dichte Schriftteppiche erscheinen. Die Franziskanerin Sr. M. Pietra Löbl OSF zieht aus Leinengeweben in unterschiedlichen Rhythmen Kett- und Schussfäden, so dass aus ausgedünnten Stoffgefügen zarte Bilder werden. Katrin von Lehmann verflicht in Streifen zerschnittene Fotos zu neuen Bildern, die die Abbildhaftigkeit der Fotografie in Frage stellen. Dorothea Reese-Heim stellt aus modernsten synthetischen Metall- und Kunststoffgeweben transparente Formen her, die der belebten Natur nachempfunden sind. Brigitte Schwacke schafft aus ge- und umbogenen Drähten zarte dreidimensionale Gespinste, die frei im Raum schweben. Auch Monika Supé arbeitet mit Draht, verhäkelt diesen aber zu Kopfbedeckungen und Körperhüllen, die ganz eigenständige Formen entwickeln. Peter Weber schließlich täuscht Gewebe nur vor, denn bei seinen reliefartigen Filzobjekten handelt es sich um kunstvolle Faltungen. So entfaltet die Ausstellung ein Spektrum von verschiedenen Kunst-Geweben zwischen Bild und Raum.
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Modern Greetings - New Ways of Saying Hello
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[32] S., 21,7x14 cm, keine weiteren Angaben vorhanden
Drahtheftung, Farbdruck
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This handbook presents a collection of modern ways of greeting one another. Addressing today’s technology, daily rituals, and the potential awkwardness of our social encounters, these greetings encourage physical interaction beyond just shaking hands. Whether familiar or bizarre, each greeting asks us to reconsider the simple act of saying hello. Text von der Webseite.
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240 ca. S., 12,5x10 cm, Auflage: 2.000, ISBN/ISSN 0894390139
Umschlag aus Karton mit Leinenstreifen, ca. 120 Seiten gestanzt
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2004 winner of I.D. Magazine's Design Distinction award, Absence is the third book to come out of Printed Matter’s Publishing Program for Emerging Artists, a program made possible through the generous support of New York City's Department of Cultural Affairs, The Andy Warhol Foundation for the Visual Arts, the Elizabeth Firestone Graham Foundation, and the Heyday Foundation. The generosity of Whitney trustees Melva Bucksbaum and Raymond J. Learsy was instrumental to the Museum’s participation in the publication of this exciting new work.
Both a book and a sculptural object, Absence is a memorial to the twin towers of the World Trade Center. Yoon, an architect and designer who is currently an Assistant Professor of Architecture at the Massachusetts Institute of Technology, chose not to produce a traditional design proposal for the World Trade Center Memorial Competition. Instead she created a non-architectural, non site-specific space of remembrance: a portable personal memorial in the form of book.
At almost two pounds, Absence has a considerable physical presence, but it is in every way the ghost of a presence, and it is this ghostliness that gives it its particular emotional weight. A solid white block of thick stock cardboard pages, the book’s only "text" consists of one pinhole and two identical squares die-cut into each of its one-hundred-and-twenty pages – one for each story of the towers including the antenna mast. These removed elements lead the reader floor by floor through the missing buildings towards the final page where the footprint of the entire site of the World Trade Center is die-cut into a delicate lattice of absent structures.
Of all of the proposed monuments and grand designs for the twin towers to emerge in the last two years, Absence is remarkable for its employment of an under-used strategy: restraint. The simplicity of Yoon’s materials and her use of repetition speak, without words, about unspeakable loss. Quiet, respectful, mournful, the book does not aim to represent the magnitude of the disaster. Instead it appeals to the vastness of the reader’s imagination and capacity to grieve. The human scale of her memorial operates on a personal level – it delivers the memory of lives lost into the reader’s hands. At the same time, as a scale model of a vanished architectural site, it operates on a larger cultural level by commemorating the site itself.
Text von der Webseite. Fotos Xenia Fumbarev
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HOW TO DISAPPEAR IN AMERICA
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96 S., 18,7x12,8 cm, ISBN/ISSN 9780981546803
Hardcover mit Schutzumschlag, Schrift: New Baskerville
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1. Ausgabe.
Published as a catalogue for Seth Price's 2008 exhibition at Friedrich Petzel Gallery, "How to Disappear in America" alludes to 1960s countercultural handbooks providing instructions for dropping out of mainstream society. Price's book, which consists exclusively of information found on the internet, includes advice for using current technology and focuses on the practical concerns of evading capture by law enforcement.
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196 S., 29,7x21 cm, Auflage: 1.000, ISBN/ISSN 9788493848033
Fadenheftung
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… We live a time of technology and great opportunities. Art creates new visions and interpretations of our living, though sometimes it looks like mere reinvention of subjects already present in the XIXth and XXth century.
Our intent, however, is to leave a mark and make our contribution to an authentic identification of our times. The engagement of artists is to create a cultural heritage to pass on to future generations, who will probably understand our sensibility. Alas, it is not for us to know what will remain of contemporary art….
Vitaliy & Elena Vasilieva
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40 S., 17,5x10,8 cm, Auflage: Print on Demand, ISBN/ISSN 9781471068560
Broschur
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Print on Demand technology allows to make a book without the intermediation of a publisher, setting autonomously size, amount of pages and price. Blank on Demand is an experiment that aims to probe the limits imposed by this production process. The two volumes constituting the project are produced through the self-publishing platform Lulu.com. The volumes’ formats correspond respectively to the maximum and minimum dimensions currently available for the print. similarly, page amount and price are set according to the limit values allowed by the platform. The two volumes are completely blank, except for the presence of the ISBN code. The experiment investigates the influence of the current technological context on the materiality of the book object.
Text von der Webseite
Dieses Büchlein ist das kleinste Produkt das LuLu anbietet. Das teuerte Blank on Demand von Silvio Lorusso & Giulia Ciliberto is in Hardcover, hat 740 Seiten und kostet den größtmöglichen Preis von 999.999,99 € (exkl. MwSt)
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124 S., 18x11 cm, ISBN/ISSN 9780241964019
Broschur
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Radikale Interventionen zur Occupy-Bewegung in den USA. Noam Chomsky ist Professor fur Linguistik und Philosophie am Massachusetts Institute of Technology in Cambridge. DEr Band enthalt Abschriften seiner Beitrage zu Occupy-Veranstaltungen in den USA.
Occupy is the first major public response to thirty years of class war.
Since its appearance in Zuccotti Park, New York, in September 2011, the Occupy movement has spread to hundreds of towns and cities across the world. No longer occupying small tent camps, the movement now occupies the global conscience as its messages spread from street protests to op-ed pages to the highest seats of power. From the movement's onset, Noam Chomsky has supported its critique of corporate corruption and encouraged its efforts to increase civic participation, economic equality, democracy and freedom. ...
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Alle Achtung / Seit zehn Jahren trotzt ein Magazin der Konkurrenz ebenso wie der Konjunktur. Vielleicht, weil es die Mode so ernst nimmt
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1 S., 57x40 cm, keine weiteren Angaben vorhanden
Zeitungsartikel, SZ vom 14.09.2013 Nr. 213 Seite V2/7
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Der Verleger Markus Ebner (43) pendelt zwischen Paris und Berlin. Der Schwarzwälder lebte zuvor in New York, wo er am Fashion Institute of Technology studierte und später als Modechef des Männermagazins Details arbeitete. Er gründete 2003 das ModeMagazin Achtung
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176 S., 27x18 cm, ISBN/ISSN 9788480265300
Softcover, Broschur, Schutzumschlag aus Noppenfolie,
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Publikation zur gleichnamigen Ausstellung vom 10.11.2015-21.03.2016.
A conversation between Hito Steyerl and João Fernandes, curator of the exhibition, an essay by Carles Guerra and Steyerl herself, introduced us to one of the most relevant contemporary artists in the field of Video art. Steyerl approaches current themes in her work, for instance the impact the proliferation of images and the use of the Internet and technology have on our lives. She uses these issues as a starting point for developing, not just through her video pieces but also through writing and essays, critical work about control, surveillance and militarisation, migration, cultural globalisation, feminism and political imagery, questions she believes have the capacity to create realities.
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To Be Determined - According to the Situation
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184 S., 24x16,5 cm, ISBN/ISSN 978 88 6749 351 7
Broschur mit Klappen; Einband mit aufgeprägtem Foto, Papier Einband mit textilähnlicher Struktur, Vorsatz/Nachsatz bedruckt mit Foto schwarzweiß, innen verschiedene Papiersorten für Fotos, Texte und Zeichnungen. Druck: Tipografia Valdostana
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Erscheint zur Ausstellung im S.M.A.K., Gent, Belgien,11.03-04.06.2017.
"Welcome to the world of Dirk Zoete. Because that’s what his work is: a conceived universe. The way someone leaning over a table makes a plan and imagines the world. While technology takes us into several intangible dimensions with virtual reality and other applications, Zoete makes us believe the world is still flat. Everything seems to have only a front and a back. As if we still believed that the earth is just a disk, and we can fall off. Zoete’s drawings are clumsy, intermittent, naive, adventurous, simple. It’s like a child’s imagination, depicting in a heap what you otherwise cannot fit on a piece of paper." Philippe Van Cauteren. Published in occasion of his first major solo exhibition in a Belgian museum, To be determined. According to the situation, held at S.M.A.K. in Gent in 2017, this catalogue explores Dirk Zoete’s peculiar practice. Enriched by essays and texts by Philippe Van Cauteren, Stephan Berg, Koen Peeters and Ann Hoste, the book is a journey through the artist’s process—who, starting from a drawing, generates models, sculptures, architectural constructions, photos, films. An all-encompassing approach that makes the Belgian’s work outstand as a natural successor of the German Bauhaus and Russian Constructivism, but with a more human touch.
The catalogue features a wide selection of images, presenting the many different stages of transformation of a drawing into a three-dimensional piece, and the hybrid nature of the exhibition set-up, a mix of a museum show and an artist’s studio, both essential characteristics of Zoete’s art."
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Briefumschlag 1 - daddaradda DA DA !
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10,5x15,3 cm, keine weiteren Angaben vorhanden
Schwarz-Weiß Fotokopie einer Grafik mit der Aufschrift "The snakes are living in the most unbridled technology" und "Audio frequency for a mountain!!!"
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Inhalt eines Briefumschlags an Wolfgang Rostek mit der Aufschrift "1"
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Experiments in Art and Technology (E.A.T.)
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8 S., 21x14,8 cm, keine weiteren Angaben vorhanden
Einladungskarte und Flyer
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Zur Ausstellung vom 25.7.2015 bis 1.11.2015. Mit Projekten von Künstlerinnen, Künstlern und Bell-Labs-Ingenieuren
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96 S., 38x27,2 cm, keine weiteren Angaben vorhanden
Drahtheftung
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the first edition of PLATOON MAGAZINE will be exclusively unveiled at the launch event at PLATOON KUNSTHALLE Berlin.
With PLATOON MAGAZINE we invite you to explore our worldwide network through the outstanding projects of some of our 7500 PLATOON MEMBERS across more than 50 countries. Each quarterly print publication not only highlights the creativity we see on a daily basis within the PLATOON NETWORK, it also includes a theme — an artistic topic of global relevance. First on our agenda: wearable technology. Ultimately, this magazine is for inspiration—another channel to reach our goals of culture development, in addition to our creative spaces in Berlin and Seoul.
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