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Gesucht wurde Various Artists, Medienart , Sortierung ID, absteigend.
Alle Suchbegriffe sind in allen Ergebnissen enthalten: 35 Treffer
 Hinweis zum CopyrightAAP Archive Artist Publications - Munich - www.artistbooks.de
various-others-programm-2022
various-others-programm-2022
various-others-programm-2022

Ganzenberg Christian, Hrsg.: various others 2022, 2022

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  • various others 2022
Ort Land
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  • 14,8x10,6 cm, keine weiteren Angaben vorhanden
    Drahtheftung, Programmheft
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  • Zur Veranstaltung 08.09.-09.10.2022 in München
    VARIOUS OTHERS is the international format of the Munich art scene. Its most ambitious players—galleries, artist-run spaces, and institutions—invite you to get to know the city’s most important art venues in all their diversity. In collaboration with international partners, VARIOUS OTHERS offers artists, collectors, curators, gallery owners, and art enthusiasts from all over the world contemporary art of the highest quality and relevance.
    With its splendid kick-off during the second weekend of September, VARIOUS OTHERS heralds the start of the fall art season and is a fixed event in the international art calendar. With its up-to-date, varied, and high-quality program of exhibitions and events, VARIOUS OTHERS promotes the visibility of Munich as a vibrant art city.
    Through our partnership concept—galleries and artist-run spaces invite partners to jointly realize exhibitions—we strengthen international exchange and collaboration and share those values with our guests and partners. During four rich weeks, we invite our guests and friends to experience great sites of contemporary art in Munich and get to know the artists who work here—and thus discover new things. ...
    Text von der Webseite
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Sprache
Erworben bei Haus der Kunst
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whitewalls-13

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  • WhiteWalls #13 - a magazine of writings by artists - Drawing in the 80s
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  • 96 S., 21,7x14 cm, ISBN/ISSN 01909835
    Broschur
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  • A Magazine of Writing by Artists.
    Founded in 1978 in Chicago by artist Buzz Spector and writers Reagan and Roberta Upshaw, Whitewalls began as a publication for artists working with language. For the most part Whitewalls is a straight-up sampler of artists' experimental projects for the page: each issue contains from half a dozen to several dozen artists employing text, image, and other notations in various combinations. While Whitewalls featured an international cast of emerging and established artists, it also provided a showcase for the Chicago area's experimental art community, including artists such as Jeane Dunning, Joseph Nechvatal, and Christopher Wool. Text von der Website
    Mit Texten u. a. von Richard Artschwager, Andrea Blum, Christo, Mike Kelly, Lawrence Weiner, Mark Staff Brandl, Rosemary Mayer, Paolo Colombo, Joel Hubaut
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various small books

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  • Various Small Books - Referencing Various Small Books by Ed Ruscha
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  • 288 S., 23,6x15,8 cm, ISBN/ISSN 9780262018777
    Hardcover Leinen
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  • In the 1960s and 1970s, the artist Ed Ruscha created a series of small photo-conceptual artist’s books, among them Twentysix Gas Stations, Various Small Fires, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Real Estate Opportunities, and A Few Palm Trees. Featuring mundane subjects photographed prosaically, with idiosyncratically deadpan titles, these “small books” were sought after, collected, and loved by Ruscha’s fans and fellow artists. Over the past thirty years, close to 100 other small books that appropriated or paid homage to Ruscha’s have appeared throughout the world. This book collects ninety-one of these projects, showcasing the cover and sample layouts from each along with a description of the work. It also includes selections from Ruscha’s books and an appendix listing all known Ruscha book tributes.
    Text von der Webseite
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  • Zines von Booklyn - Konvolut
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  • 30 Teile. keine weiteren Angaben vorhanden
    verschiedene Formate, Techniken und Formen
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  • 30 von Künstlern gespendete Zines für das Archiv
Sponsoren
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Erworben bei Booklyn
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  • Guy Schraenen éditeur
Ort Land
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  • 34 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Verkaufsprospekt, Farbloserkopien nach PDF, Blätter lose ineinander gelegt
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  • Zur Ausstellung Guy Schraenen Editeur 13 Mars 2014.
    Guy Schraenen is the founder of the publishing house Guy Schraenen éditeur and the Archive for Small Press & Communication (A.S.P.C.) and an international known curator, publisher and advisor. Furthermore he is the author of essays and various publications. His many activities are mainly focused on Artists' publications of the various international Avant-garde and independent art movements from the late 1950s until the 1980s. mehr auf der Webseite der Buchhandlung
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Baroni Vittore, Hrsg.: KLANG! SUONI CONTEMPORANEI, 2009

bau-klang-box
bau-klang-box
bau-klang-box

Baroni Vittore, Hrsg.: KLANG! SUONI CONTEMPORANEI, 2009

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  • KLANG! SUONI CONTEMPORANEI
Ort Land
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  • 13,5x13,5 cm, Auflage: 1.000, 7 Teile. keine weiteren Angaben vorhanden
    CD Box ohne CD, 3 Booklets, 1 gefaltetes Plakat, 1 Aufkleber in Kartonbox, 3 Seiten Pressematerial
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  • The catalogue from Pezzini Editore consisting of three illustrated booklets, a poster, a sticker, [a cd and a dvd] in original die-cut box designed by Gumdesign, documents the sound based Multimedia Festival curated by Vittore Baroni and BAU at the historical Villa Paolina in Viareggio on 7-8-9 August 2009. The exhibition included installations and audio art works from 20 international artists, plus the collective project Bzzzoing! with musical instruments created by over 60 authors. In the course of the three days, audiovisual works of over 40 authors have been projected and over 20 poets, artists and musicians performed at the villa. In the centenary of futurism, a singular and rich overview of the many interferences between sound and image, paying tribute in the logo to Luigi Russolo’s Noise Machines.
    Text von der Webseite
    Catalogue of Klang! exhibition/sound art festival held at Villa Paolina, Viareggio, Italy, august 7-9 2009, comprising sound installations, exhibition and performances of invented musical instruments, and performances by visual artists, sound poets and electronic musicians.
    Cardboard box published in 500 copies freely distributed during the festival days, including 3 booklets, a sticker and a poster; 300 copies were later produced with additional cd + dvd documentation of the festival.
    Text von discogs Webseite
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uma-conversa-infinita

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  • Uma Conversa Infinita. Livros de artista, ephemera e documentos
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  • 4 S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Faltblatt zur Ausstellung
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  • Temporary exhibition. 10 July 2014 - 01 Februar 2015
    The exhibition An Infinite Conversation. Artists’ books, ephemera and documents was designed as an addendum to the permanent exhibition of Museu Coleção Berardo, and presents a selection of artists’ books, posters and other ephemera from the Teixeira de Freitas Collection. The exhibition illustrates the range of thought and process that surrounds art making and shows the various forms it can take, suggesting what is perhaps a more intimate view
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  • Millennium Magazines
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  • 78 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Farbkopien nach PDF, lose ineinander gelegt, Dokumentation der Ausstellung
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  • This survey of experimental art and design magazines published since 2000 explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Throughout the 20th century, international avant-garde activities in the visual arts and design were often codified first in the informal context of a magazine or journal. This exhibition, drawn from the holdings of the MoMA Library, follows the practice into the 21st century. The works on view represent a broad array of international titles within this genre, from community-building newspapers to image-only photography magazines to conceptual design projects. The contents illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are obvious connections to the past lineage of artists’ magazines and little architecture and design magazines of the 20th century, as well as a clear sense of the application of new techniques of image-editing and printing methods. Assembled together, these contemporary magazines provide a first-hand view into these practices and represents the MoMA Library’s sustained effort to document and collect this medium.
    Text von der Webseite
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artist music journals 1 9 seripop 2010

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  • Artist Music Journals Vol. 1 No. 09 - Seripop
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  • [24] S., 26,5x26,5 cm, Auflage: 1.000, numeriert, keine weiteren Angaben vorhanden
    Drahtheftung, Heft in Pappschuber mit Aufkleber
ZusatzInfos
  • Edition 09 in the ongoing Artist Music Journals series features the work of the Montreal based artists and musicians Chloe Lum and Yannick Desranleau, known as Seripop. Known for their original illustration and design work, as well as their longstanding tenure as founders and members of the musical outfit Aids Wolf, Seripop have a broad following around the globe. For their AMJ, Seripop compiled years of original gig poster work, the first collection of its kind for the studio, which has made thousands of prints over the years.
    About Seripop: Yannick Desranleau and Chloe Lum are visual artists and musicians who started collaborating in 2002 under the nom de guerre Seripop. Based in Montreal, Seripop has earned international attention for its stylistically distinct, silkscreened street posters. In 2005, Lum and Desranleau began experimenting with sculptural print installations which merge notions of city politics and visual perception. The duo has been speaking and exhibiting their work at various art institutions including Baltic Centre for Contemporary Art in Gateshead, England, Peacock Visual Arts in Aberdeen, Scotland, and the University of North Texas, Denton, USA. In addition to Seripop, Lum and Desranleau play in AIDS Wolf, a noise-rock band and Hamborghinni, a drums and electronics project.
    Text von der Webseite
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naivsuper-cd 005

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  • Various Artists 2006 (compilation)
Ort Land
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  • 13x13 cm, keine weiteren Angaben vorhanden
    naivsuper Nr 005, Musik-CD in KlappPapphülle, transparenter Kunststoff, in transparenter Kunststoffhülle, cover art: Stephane Leonard & Martin Eichhorn
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  • all done by stock11.de, mastered at ICEM.
    A compilation of four brilliantly composed, arranged and performed pieces by the young german composer and performer collective stock11.de
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WEB Link
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naivsuper-cd 015

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  • Various Artists 2009 (compilation)
Ort Land
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  • 13x13 cm, keine weiteren Angaben vorhanden
    naivsuper Nr 015, Musik-CD in Papphülle, transparenter Kunststoff, Begleitheft, cover art: Claudio Pfeifer & Stephane Leonard
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  • aufgenommen vom 23.-25.02.2009 im Sendesaal des Hessischen Rundfunks, Frankfurt a.M.
    Produzent: Stefan Fricke. Tonmeister: Christoph Claßen. Toningenieur: Thomas Eschler. Gemischt von Christoph Claßen. »Samstag Morgen - Berlin Neukölln. Studie. Und Selbstportrait. Mit Hirsch.« gemischt von Christoph Claßen und Maximilian Marcoll. »Box« gemischt von Christoph Claßen und Hannes Seidl. Produziert von stock11.de in Koproduktion mit dem Hessischen Rundfunk
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WEB Link
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  • Hubert Kretschmer / Various Small Dicks
Ort Land
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  • 5 S., 29,7x21 cm, keine weiteren Angaben vorhanden
    Farblaserkopien aus dem Blog "Artists' Books and Multiples" vom 12. November 2013
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  • über das original Heft und die Variante aus Anonymous Press
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fax-heart-1994

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  • FAX HeART - International Fax Art Project
Ort Land
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  • [12] S., 21x14,8 cm, keine weiteren Angaben vorhanden
    Blätter gefaltet, lose ineinander gelegt,
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  • Begleitheft zum Projekt. The idea to initiate the FAX HeART project had been conceived during the total blockade of Serbia by the whole world community, when even cultural relations with us, i.e. exchange of art works, exhibitions and publications, were bannend. Our desire had been to break through the blockade by telefax and make contact with as many artists from all over the world as possible. The effects and results of this campaign were splendid. As scheduled, on October 20, 1994, between 5 and 9 o'clock p.m. more than a hundred faxes arrived from various parts of the world.
    Text aus dem Heft.
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  • Resources, Sandy Relief
Ort Land
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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Titel
  • Screams From Inside #7
Ort Land
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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Erworben bei Booklyn
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dr-lakra-coloring-book

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  • Coloring Book
Ort Land
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  • [32] S., 28x21 cm, ISBN/ISSN 978-3-943514292
    Drahtheftung, schwarz-weiß Illustrationen
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  • The Coloring Book by Dr. Lakra is the first BOM DIA KINDER book, a new series of children books made by artists. Dr. Lakra is a Mexican artist living in Oaxaca, Mexico. The images compiled inside this coloring book come from various references, inspirations, as well as drafts for the tattoos that Dr. Lakra has made, or wishes he’d made over the years. This is an insight into the world of Dr. Lakra, where many of the interests present in his work collide. ancient mythologies, punk rock fanzines, classic tattoo designs, popular culture icons, Japanese monsters, animal illustrations etc.
    Text von der Website.
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atkinson_index

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  • Index
Ort Land
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  • [56] S., 26x18 cm, Auflage: 1.000, ISBN/ISSN 9780957586710
    Drahtheftung
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  • 2. Auflage 0817. Index is curated by Café Royal Books and supported by the Contemporary Arts Development Group at the University of Central Lancashire (Impressum)
    Index began as an online open submission project. Criteria being, ‘submissions must have already been used to communicate, or be communicative in their own right’. All submissions have been removed from their original context, breaking the messages or ideas for which they were created. Using Index as a container, exhibition space and story telling device, the pages that follow have been edited to create pairs or combinations of images that can be read as new narratives. The book is an experimental exchange of out-of-context, repurposed text and image. Café Royal Books produce weekly photographic publications focussing broadly on aspects of change, usually within the UK. Founded in 2005 Café Royal Books is an independent publisher based in the North West of England.
    (Text von der Webseite)
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Erworben bei Café Royal Books
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fotografija-nr.1

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  • Fotografija NR. 1 (35) 2018
Ort Land
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  • [116] S., 27,5x23 cm, ISBN/ISSN 16487273
    Broschur
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  • We are heading into a future where our choices will be shaped – if not outright determined – by algorithms and artificial intelligence. This coming state has been labelled “the new dark age” (James Bridle, 2018).
    It remains to be seen what this brings to photography, and vice versa.
    One thing, however, seems clear: photography, which has already changed significantly in the 21st century, is affected by – and in some important ways is part of – this development. This issue of “Fotografija” explores how programmes, apps and AI-related technologies shape and change the discourse of photography, challenging traditional boundaries of the medium.
    Various programmes and services – Google, Photoshop, Flickr, Snapchat, visual recognition, etc. – provide new tools to conceive image-making and think photographically. Technological interfaces not only deliver instruments for making work but can become the very logic for creating photographic series.
    The presented artists offer perspectives to raise questions and discuss these technological shifts. From dealing with traumatic events (Indrė Šerpytytė) and inaccessible sites (James Bridle) through technological mediation to playing with our expectations of an all-pervasive Photoshop manipulation (Erin E’Keefe). From exploring so-called smart surveillance systems (Esther Hovers) and censoring politically sensitive sites (Mishka Henner) to everyday glitches (Mantas Grigaitis). From playing with the copyrights of such collective websites as Flickr (Penelope Umbrico) to exploring the shared language of being in some of the most photographed places on earth (Thomas Albdorf). And from using Photoshop to create images (Aaron Hegert) to an image that is barely photographic (Zachary Dean Norman). The four essays (Kate Palmer Albers, Roksana Filipowska and Marijana Rayl, Ilaria Speri, Alise Tifentale) map out the works in broader social, historical and art contexts.
    In short, the works deal with our technologized world. They talk about being in the middle of changes that few have envisioned. Being so immersed, one can feel it (almost) hurts.
    Text von Paul Paper.
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  • Street Rat Bag Number 3
Ort Land
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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Erworben bei Booklyn
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Titel
  • Tree Life Zine #2
Ort Land
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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  • Underground Productions 30
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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Titel
  • Urban Guerrilla Zine #10
Ort Land
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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Titel
  • What is 21st Century Liberation
Ort Land
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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Titel
  • Maximum Rock n' Roll #211
Ort Land
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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Erworben bei Booklyn
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Titel
  • Mineshaft #17
Ort Land
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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Erworben bei Booklyn
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waschzwang
waschzwang
waschzwang

Various Artists: Waschzwang aktiv, 2018

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  • Waschzwang aktiv
Ort Land
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  • 22x12,5 cm, keine weiteren Angaben vorhanden
    gefalteter Karton mit WC Stein aus Gips in Kunststoffhalterung, im Stein soll ein USB Stick sein, drahtgeheftetes Booklet liegt bei
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  • 30 mp3 Titel
    1. B°tong - Either You Or Them 06:45
    2. Bad Skin - Klix 01:35
    3. Brandstifter - Agra Flux 00:26
    4. Chantal Last - Live @ Bei Ruth 2015_09_18 (Excerpt) 12:34
    5. Dallas Oil and Disco Spray - Zustand Mit Raucherpause (Edit) 04:51
    6. David Wallraf - un 09:55
    7. Duvel Brothers - Philosophy Of Drunk 04:19
    8. Eitlepratner - Leid 00:45
    9. Erotic Nights - Oops... I One More Time, Nizer 18:26
    10. FKK Wolf - French Kiss (Original) 03:44
    11. Gang Mo Fo' - Deep Rap Of Thoughts 03:06
    12. Getöseföhn - Diarrhoea 05:02
    13. Güllepumpe - King Kong Sagt Sein Name Nicht 05:11
    14. Halber Ball - Bystanders 09:38
    15. Helge Meyer - Stupid Memory 04:49
    16. Helge S. Hammerbrook (1000schoen) - Lia Vakuo 18:26
    17. Herzbräune - Sunset 13:48
    18. Jetzmann - Mit Liebe 04:48
    19. Mafjosi3000 - Zink 01:42
    22. Nils Quak - Frühstück Mit Omi 06:02
    23. Noisebreezer - Slayer's Nightmare 10:43
    24. Occupied Head - Uncertain Ride (Rough Mix) 05:31
    25. Osscile - Gard 11:54
    26. Roland Wendling - chtnüschaerndlaTIKTOElaerTAK (A Fonfara Remix) 03:12
    27. Schwall - Rattlefridge (Edit) 11:29
    28. Sebastian Felstau - Ohrfeigengesichter 04:16
    29. Tintin Patrone - Pluto 06:05
    30. Wosto - Röbel Pöbel 10:28
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Erworben bei Stefan Brand
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frauenpower-kruzefix
frauenpower-kruzefix
frauenpower-kruzefix

Nauerz Olli / Seger Katz, Hrsg.: Frauen Power Kruzefix, 2002

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  • Frauen Power Kruzefix
Ort Land
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  • 64 S., 18x18 cm, 2 Stück. keine weiteren Angaben vorhanden
    Drahtheftung, Schwarz-Weiß-Druck, mit eingelegter Single Schallplatte, in gestempelter Papierhülle
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  • Jede Ausgabe des Kruzefix im quadratischen 7“ Format ist einem bestimmten Thema gewidmet. Diesmal den Powerfrauen in der Punkgeschichte gewidmet. Mit großem Bericht über diverse besondere Punkfrauen in Musik, Szene und Politik. Ebenfalls: A.O.S.E. Sexreport. Single-Beilage ausschließlich mit rotzig, fetzig, schönem Frauengesang. Und, wie immer: Konzertberichte, Szenenews, Bandinfo u.v.m.
    Text von der Website
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Nauerz Olli / Seger Katz, Hrsg.: International Kruzefix, 2002

international-kruzefix
international-kruzefix
international-kruzefix

Nauerz Olli / Seger Katz, Hrsg.: International Kruzefix, 2002

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Titel
  • International Kruzefix
Ort Land
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Medium

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  • 64 S., 18x18 cm, 2 Stück. keine weiteren Angaben vorhanden
    Drahtheftung, Schwarz-Weiß-Druck, mit eingelegter Single Schallplatte, in gestempelter Papierhülle
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  • Jede Ausgabe des Kruzefix im quadratischen 7“ Format ist einem bestimmten Thema gewidmet. Viel Insider-Info zur internationalen Punkszene, Interviews mit spanischen, italienischen, puertoricanischen, brasilianischen, holländischen und canadischen Bands, Musikmachern, Labelbetreibern und anderen Szenekennern. Und, wie immer: Konzertberichte, Szenenews, Bandinfo u.v.m.
    Text von der Website
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das-neue-kruzefix
das-neue-kruzefix
das-neue-kruzefix

Nauerz Olli / Seger Katz, Hrsg.: Kruzefix, Das Neue, 2001

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  • Kruzefix, Das Neue
Ort Land
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  • 36 S., 18x18 cm, Auflage: 700, 2 Stück. keine weiteren Angaben vorhanden
    Drahtheftung, Schwarz-Weiß-Druck, mit eingelegter Single Schallplatte, in gestempelter Papierhülle. In transparenter Kunststoffhülle zusammengefasst
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  • Zine erstmals im 7" Format, limitiert auf 700 Stück, Mit Konzert Reviews, Band Interviews, History
    Text von der Website
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Nauerz Olli / Seger Katz, Hrsg.: 10 Jahre Kruzefix, 2006

10-jahre-kruzefix
10-jahre-kruzefix
10-jahre-kruzefix

Nauerz Olli / Seger Katz, Hrsg.: 10 Jahre Kruzefix, 2006

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  • 10 Jahre Kruzefix
Ort Land
Verlag Jahr
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  • 12 S., 14,8x14 cm, 2 Stück. keine weiteren Angaben vorhanden
    Flyer, Schwarz/Weiß, Dreibruch-Kreuzfalz, offenes Format DIN A3
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arte-postale-100
arte-postale-100
arte-postale-100

Baroni Vittore, Hrsg.: Arte Postale! 100 - Klang! Blah! Bzzzoing! Szock!, 2009

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  • Arte Postale! 100 - Klang! Blah! Bzzzoing! Szock!
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  • 36 S., 14,5x15 cm, Auflage: 100, keine weiteren Angaben vorhanden
    Drahtheftung, im Umschlag vorne 3 Booklets und 1 gefaltetes Poster (Klang! Suoni Contemporeani) in Einschubtasche, rückseitig eine selbstgebrannte und -gestempelte Multimedia CD, Heftseiten Schwarz-Weiss Kopien mit 4 eingeklebten Farbbildern, auf dem Cover das Klang! Logo ebenfalls aufgeklebt
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  • ARTE POSTALE! (1979-2009)
    One of the best known and probably the most long-live mail art magazine on the planet, Arte Postale! has assembled original works or published materials by hundreds of international networkers. The project is considered concluded with issue n.100 (december 2009).
    Text von mailartprojects.blogspot.com
    When, just over twenty, I was assembling the first issue of the magazine Arte Postale!, joining with brass rings a dozen of sheets printed in one hundred copies on pink paper, I would never have imagined that thirty years later I would have been still busy putting together with scissors and glue the very same publication. Instead, this issue n. 100, intentionally produced in the homemade cut-and-paste style typical of mail art, even shares the musical theme with that first experiment, in which I already rubberstamped and glued leaflats on the pages or I stapled on them a piece of magnetic tape.
    Introduction by Vittore Baroni
    Issue no. 100 of Vittore Baroni's Arte Postale! magazine dedicated to the Klang! exhibition/sonic arts festival held in Viareggio, Italy, august 7-9 2009.
    36 pp. booklet with attached cd-r, published in 100 copies (standard edition, in the AAP) plus 100 copies with additional plastic pouch including 30 original cd-size works by 30 artists (Joel S. Cohen, David Dellafiora, Mike Dickau, Carol Stetser, Ruggero Maggi, Emilio Morandi, Jan-Willem Doornenbal, Ever Arts, Luc Fierens, Richard Kostelanetz, Jurgen O. Olbrich, Gianni Simone, Rod Summers, Bruno Cassaglia, Ruggero Maggi, Serse Luigetti, etc.
    Among them comes a CD mini-album by Jarmo Sermilä: Mechanical Partnership, a complimentary copy of the official Jase 2000 release - see Jarmo Sermilä - Mechanical Partnership.
    Text von discogs Webseite
    Audio
    1. Mike Dickau - Arte Postale!: Pax Vobiscum (2’54”)
    2. Günther Ruch - Musica 123456 (2’09”)
    3. Reid Wood - Future Sound (0’27”)
    4. Krell - Bzzzoing! (5’00”)
    5. Franco Piri Focardi - Concerto Per Bozuffo (3’41”)
    6. Jan Willem Doornenbal - Lake Crocodile (2’16”)
    7. Bruno De Angelis - 100: Game Over! (4’ 30”)
    8. Joel Cohen - Last Song Reverse (2’17”)
    Tempo Totale | Total Time: 23’54”
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Her-first-meteorite

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  • her first meteorite - photographic collages
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  • 6 S., 23,7x19 cm, keine weiteren Angaben vorhanden
    Einzelblatt mehrfach gefaltet, doppelseitig bedruckt, handschriftlicher Gruß
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  • Found, sliced and assembled, the photographic collage establishes experimental and introspective forms through the combination of familiar and obscure images. The montages from the various artists each evoke a distinct entry into surreal worlds, bound together by connected and intertwined photographs. With found objects and images, the spontaneity of discovery and combination counters the intricacy of the details in the works.
    Text von der Website
    Teilnehmende Künstler/innen: Carolle Benitah, James Gallagher, Melinda Gibson, Ken Graves, Stéphanie Solinas, Annegret Soltau, and Grete Stern
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mineshaft-20

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  • Mineshaft #20 - Adults Only
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  • 56 S., 21,7x13,9 cm, Auflage: 1.350, keine weiteren Angaben vorhanden
    Drahtheftung, Cover aus brauner Pappe mit Schwarz-Rotem Druck, Schwarz-Weiss Druck auf weißem Papier, im Center-Fold Schwarz-Weiss Druck auf blauem Papier
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  • Aus dem Booklyn-Archiv
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  • Skid Row History Museum
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  • keine weiteren Angaben vorhanden
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  • Aus dem Booklyn-Archiv
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Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

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Malone Anthony (Marafioti Martin): For Everard Vol. 1-11, 2013 ab

Titel
  • For Everard Vol. 1-11
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  • [12-16] S., 20,6x13,5 cm, Auflage: 100, signiert, 12 Teile. keine weiteren Angaben vorhanden
    11 Hefte, Schwarz-Weiß-Laserkopien, Drahtheftung, Aufkleber
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  • About the series:
    The For Everard zine series chronicles the 1977 fire at New York's Everard Baths, combining archival research with imagined narratives to re-focus attention to obscured histories. The series explores the media coverage of the subsequent investigation of the fire, and the lives of the nine men who perished. The zines bring together photographic images with primary news sources, as well as personal anecdotes collected from eyewitness testimonials.
    About the individual zines:
    For Everard, Vol. 1, 2013, ed. 100 (nr. 65)
    This zine chronicles the May 25, 1977 fire at New York's Everard Baths and the media coverage of the subsequent investigation.
    For Everard, Vol. 2 (Bloodbrothers), 2013, ed. 100 (Nr. 81)
    In the second volume of his series chronicling the 1977 fire at New York’s Everard Baths, Anthony Malone focuses on Bellevue Hospital’s blood drive for the victims of the great bathhouse tragedy. Malone draws parallels between the 1977 restrictions placed on gay men for donating blood to their “brothers” and current FDA guidelines that indefinitely defer donations from men who have had sex with men since 1977. This black and white photocopied zine (ed 100) juxtaposes archival images, news clippings, and just a touch of fantasy.
    For Everard, Vol. 3 (Remembering Jimmy), 2015, ed. 100 (Nr. 94)
    Volume 3 of the series, For Everard is dedicated to the memory of Jimmy Stuard, who died in the tragic fire at the Everard Baths in 1977. Stuard was a rising star in the disco music scene. He spun records first at Boston’s 1270 Club, and later at New York’s 12 West, where he inspired an entire generation of musical artists and DJs. In this particular volume, Anthony Malone assembles images and archival texts that serve as a tribute to the great Jimmy Stuard.
    For Everard, Vol. 4 (A Lovely Show), 2016, ed. 100 (Nr. 62)
    For Everard, Vol. 4 (A Lovely Show) is a tribute to Kenneth Hill, one of the nine men who died in the devastating fire at the Everard Baths in 1977. Kenn played a vital role in the East Village/Lower East side countercultural movement in the late ‘60s and 1970s. He was a hippie, a bar tender at Phebe’s (a watering hole and salon for the experimental theater community in the 1970s), one of the founders of the Old Reliable Theatre Tavern, House Manager at La Mama Experimental Theatre Club, and a photographer. This zine celebrates Kenneth Hill by collaging archival documents with personal artifacts and pictures of Kenn from meaningful moments in his life.
    For Everard, Vol. 5 (A Dearly Loved Man), 2017, ed. 100 (Nr. 95)
    For Everard, Vol. 5 (A Dearly Loved Man) assembles images and stories from the life of Ira Landau, a gifted and dedicated teacher who died in the tragic fire at the Everard Baths in 1977. Ira left behind a devoted family (his mother, brother, niece, and lover) and is still greatly missed by his loved ones. This zine is a tribute to the life and accomplishments of a remarkable man who served in the Peace Corps and committed himself to educating young minds both abroad (in the Middle East) and at home in the US. It contains family photos and personal images generously contributed by Ira’s niece.
    For Everard, Vol. 6 (Yosef’s Song), 2017, ed. 100 (Nr. 94)
    Volume 6 of the series For Everard celebrates the life of a remarkable musical prodigy, Yosef Synovec. This zine tells the story of a young man with great aspirations who emigrated to the United States from Czechoslovakia to study classical violin. In 1976, Holly Woodlawn overheard Synovec vocalizing as he was painting the bathroom of his East Village apartment, and determined on the spot that she had discovered an emerging star. As a singer, Synovec used his extreme vocal range to imitate the voice and persona of Peruvian diva Yma Sumac. He performed Sumac’s exotic musical numbers at several New York City cabarets and show venues. Sadly, on May 25, 1977, Yosef perished in the tragic fire at the Everard Baths.
    For Everard, Vol. 7 (Tony from the Bronx), 2017, ed. 100 (Nr. 86)
    This zine brings together images and stories from the life of Tony Calarco, one of the nine men who died in the fire at the Everard Baths in 1977. Tony was only 26 when he died. He lived with his parents and siblings in a modest house in the Bronx. He had recently graduated from college and was working as a social worker in New York city at the time of his death. Tony had aspirations to become a lawyer and was scheduled to begin law school in September of 1977. This zine celebrates Tony Calarco’s memory through photos of Tony, artifacts from his high school and college years, and recent photographs of his home and final resting place.
    For Everard, Vol. 8 (Looking for Amado), 2017, ed. 100 (Nr.84)
    Amado Alamo, a young man only 17 years old, lost his life in the fire at the Everard Baths in 1977. In Volume 8 of For Everard, Anthony Malone documents his search for the identity of the youngest victim of the Everard fire. The zine is an abstracted portrait of Alamo that assembles the few extant fragments of his story culled from newspaper articles and documentary sources glued together with the artist’s imagination.
    For Everard, Vol. 9 (Last Call), 2017, ed. 100 (Nr.72)
    Life was difficult for Hillman Wesley Adams. He was born in Jacksonville FL in 1938. His mother died just a few months after his birth, and by the age of nine, he found himself in an orphanage with his older brother. Fast forward 30 years: Hillman moved to NYC, struggled to make ends meet while working on and off as a bartender, and he met his lover, Ralph, with whom he shared a modest apartment in New Jersey. On May 25, 1977, Hillman died in the fire at the Everard Baths. Vol. 9 of For Everard is an assemblage of newspaper articles and vintage photos chronicling the life and untimely death of Hillman Wesley Adams.
    For Everard, Vol. 10 (In Memoriam: Patrick Nott), 2018, ed. 100 (Nr. 64)
    Volume 10 of For Everard memorializes the life of Patrick Nott, one of the nine men who died in the fire at the Everard Baths. Nott, a native of Wales with a passion for theater, literature, and music, pursued a successful career in hairdressing. He fell in love with his pen pal (a young woman from Brooklyn) and after their marriage, they moved to New York City, where Nott worked at the Vidal Sassoon Salon. This zine weaves together elements from his story (shared with the artist by Patrick Nott’s wife), with photographs, newspaper clippings, and artifacts. It acts as a humble tribute, an “In Memoriam” for this greatly loved man.
    For Everard, Vol. 11 (Thunderbird), 2019, ed. 100 (Nr. 79)
    Brian Duffy was an aspiring artist. In 1966 he was accepted to Pratt Institute of Art and although he declined admission to the school, he seized the opportunity to move to NYC and start a new life for himself. In the city, he worked hard at various retail jobs and tried to break into the theater, but everything changed when he met the love of his life, Bradley. The couple moved to a “quieter life” in Boston. They worked in restaurants in the Back Bay area and created a community for themselves amongst their chosen family of friends. Volume 11 of For Everard celebrates the brief life of Brian Duffy, a young man who died in the fire at the Everard Baths in 1977. This zine compiles photographs and stories shared with Malone by Brian’s sister and dear friend.
    The pseudonym "Anthony Malone" comes from a novel by Andrew Holleran (Dancer from the Dance). In this novel, Malone is the protagonist and at the end he disappears. Some of his friends believe that he may have committed suicide, others feel that he may have run away from New York, while some say that they saw him at the Everard Baths on the night of the fire. I imagine that Malone survived the fire and he is now making books and zines telling the story of the tragedy.
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