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Gesucht wurde mono.kultur, MEDIENART alle Medien, SORTIERUNG ID, absteigend  46 Treffer
 Hinweis zum CopyrightAAP Archive Artist Publications - Munich - www.artistbooks.de   VOLLTEXTSUCHE nach mono kultur

monok-46-kere

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  • MONO.KULTUR #46 Francis Kéré - Of Clay and Community
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  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, gedruckt auf verschiedenem Papier, teilweise farbig
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  • In our most colourful issue yet, we step into the life and work of architect Francis Kéré, known in equal measure for his lighthearted and innovative architecture, his remarkable background, and his infectious sense of optimism. Kéré has completed numerous projects both in Africa and beyond, including schools, medical centres, cultural institutions, and temporary installations, such as the renowned annual Serpentine Pavilion in 2017. Frequently relying on local materials and infrastructure, his work is marked by a profound simplicity and refreshing lightness, meeting technical problems with surprising and seemingly effortless solutions. It reflects his attitude that architecture should, in its most primary function, seek to improve the lives of the people who inhabit it. With mono.kultur, Francis Kéré talked about his long trajectory from a remote village in Africa to Berlin, his steadfast belief in optimism, and what makes a tree a perfect piece of architecture. Designwise, we followed Kéré’s principle to work with what is at hand, sourcing papers from dead stock at our printers’, essentially using an assortment of leftovers. And colour, of course, with the issue based on the national colours of Burkina Faso, paying tribute to the idea of culture as a shared ground to build upon.
    Text von der Website.
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monok-price-ny

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  • MONO.KULTUR #45 Richard Price - New York A.M.
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  • 52 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, Titel in Silberprägung auf dem Cover, Text und Fotografien auf verschiedenem Papier gedruckt
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  • When it comes to research, Richard Price adopts a hands-on approach: hanging out in different neighbourhoods, talking to strangers and going for ride-alongs with cops to see a darker side of the city. In many ways, it is this wide-eyed curiosity that allows his books to be read as time capsules of a New York in constant flux, revealing an uncanny understanding for knowing exactly what people want, need, envy and resent about the cities they inhabit. In a conversation peppered with anecdotes and bebop, Richard Price talked to mono.kultur about the need to live in order to write, working for Hollywood, and why hanging out is a professional matter. Visually, the conversation with Richard Price found its perfect sparring partner in a selection of images by cab driver turned photographer Joseph Rodriguez. And, just between us, we are proud to feature our very first ever foil embossed cover, in the honourable tradition of pulp novels.
    Text von der Website.
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monok-45-paglen

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  • MONO.KULTUR #44 Trevor Paglen - The Edge of Tomorrow
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  • 24 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, sechs Blätter, gefaltet, in Antistatiktasche
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  • Best known for his series on clandestine military bases and spy satellites, Trevor Paglen’s practice reaches far beyond museum walls. Instead, it encompasses a variety of disciplines. from image-making and installations to investigative journalism, writing, engineering, geography, and sound design. Along the way, Paglen challenges our traditional notions of fine art. He has published a number of books on the functioning of the US intelligence services, installed a series of Autonomy Cubes that allow access to the entirely anonymous Tor network, and is currently working on his own satellite to be launched into space in summer 2018. In a sweeping conversation with mono.kultur, Trevor Paglen talked about the volatility of truth, the dilemmas of the Anthropocene, and why Artificial Intelligence will not outlast humanity. True to its precious content, the issue comes in a Static Shielding Bag normally used for sensitive electronic products. In loose reference to computer coding as well as archival documents, it contains a main booklet with the text and excerpts from Paglen’s current cycle on machine vision, as well as six ‘attachments’ covering seminal projects from his career to date.
    Text von der Website.
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monok41-stuart

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  • MONO.KULTUR #41 Meg Stuart - Make the first move
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  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, auf verschiedenen Papieren gedruckt
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  • Meg Stuart’s work is not about the elegance and beauty of dance, or at least not in the conventional sense. It is about exploring the outer edges of movement, where bodies age, fail, and surrender, where individual spaces disintegrate and bleed into each other, where physical memories are exposed like open wounds. Meg Stuart’s work is located at the vanishing point where dance meets visual arts. Within just two decades, Stuart’s dance company Damaged Goods, which she founded in 1994, have produced a lengthy and diverse list of projects, ranging from countless full-length feature works to multi-disciplinary dance installations, improvisations, and films that spread far beyond the theatre stages of the world, into museum spaces, film festivals or the wide open street. With mono.kultur, Meg Stuart talked about her first physical memories, the healing power of dancing and the thrill of disorientation. Following Meg Stuart’s interest in abundance and complexity, the design discards all notions of top or bottom, left or right, with text and images set in different and ever-changing directions. A magazine as a physical object that wants to be handled and turned. Reading as a dance.
    Text von der Website.
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monok-edmund-waal

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  • MONO.KULTUR #40 Edmund de Waal - W is for White
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  • 44 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, auf verschiedenem Papier gedruckt
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  • Edmund de Waal is a potter. His pots, plates, and vessels are the result of craft and mastership, but they are also so much more than that: they are experiments in form and function, abstractions of thoughts on silence and space, on repetition and failure, on substance and fragility, on memory contained. Edmund de Waal is an artist. He arranges his objects in complex choreographies that are as mysterious as they are mesmerizing. Displayed in galleries and institutions worldwide, his considered installations play with architectural concerns, integrating ideas of space, light and obscurity. Edmund de Waal is a writer. Whether he sculpts with words or with clay, what Edmund de Waal works with are concepts, ideas, and desires. In a body of work that is at odds with our times and yet oddly successful, his writings and objects overlap and integrate each other in an attempt to understand and transcend our complex relationship with objects and our surroundings. In an interview with mono.kultur structured like an A-Z of notes and ideas, Edmund de Waal talked about his rules of attachment, the impossibility of repetition, and why ‘doubt’ is the most beautiful word. Visually, the issue takes inspiration from that most perfect of materials: porcelain. Printed entirely in double-sided splendour, the two finishings of the paper – shiny gloss and smooth matt – evoke the texture of ceramics before and after glazing.
    Text von der Website.
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monok-39-thaemlitz

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  • MONO.KULTUR #39 Terre Thaemlitz - The Arrogance of Optimism
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  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, auf verschiedenem Papier gedruckt, von rechts nach links zu lesen
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  • Politics and the dance floor make for uneasy bedfellows, and it is this uneasiness that drives most of the work of Terre Thaemlitz, confronting head-on issues that are usually off limits in electronic music. Thaemlitz is a producer and DJ, also known under their monikers of DJ Sprinkles, Social Material, and K-S.H.E, among others. But they are also a writer, educator and activist of sorts, with very fluid notions of gender, switching continuously between male and female drag. Born in 1968, Terre Thaemlitz left the rigidly conservative and violently homophobic environment of their home state, Missouri, in the mid-1980s for New York. They became involved in the queer and transgender scenes both socially and musically at a time when house music was not a genre but simply the wide open sound of a specific social and political space. As New York’s underground queer music scenes dissolved under gentrification, Thaemlitz eventually relocated to Tokyo at the beginning of the ’00s. In a challenging interview with mono.kultur, Terre Thaemlitz talked about the politics of sexuality, his disillusion with the music industry, and why roller disco was so amazing. Visually, the issue is a dark affair, steeped in a dirty, gritty black. Printed on no less than six different paper stocks and juxtaposing several grids and graphic systems, it creates its own visual logic – only to disturb our most fundamental habits of reading and navigating a magazine by opening backwards, from right to left.
    Text von der Website.
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monok-nachtwey1

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  • MONO.KULTUR #37 James Nachtwey - Shades of Time
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  • 52 S., 20x15 cm, ISBN/ISSN 18617085
    Zwei Hefte, Drahtheftung, ineinander gelegt
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  • Inspired by the press images from the Vietnam War that told a very different story to the official government statements, James Nachtwey found his calling that he would pursue with determination and compassion that are admirable: to document the effects of war, terror and disease. In the hope of raising awareness and inspiring intervention and change, his photographs are neither easy to look at nor easy to forget. Having witnessed and reported on the defining conflicts and tragedies of the past three decades – from the revolutions of South America and Eastern Europe to the famines in Africa, from 9/11 to the wars in Iraq and Afghanistan – Nachtwey’s photographs focus on the costs of war: the suffering of civilians, the damage and the scars. There is no doubt that Nachtwey’s images are a challenge – to the powers that be by proposing an unflinching look at the reality on the ground, at the effects of politics on human lives, but also to us as their audience, by questioning our implication and, quite simply, by opening our eyes to the world. In a rare and frank interview with mono.kultur, James Nachtwey talked about his struggles with photography, the different realities of war, and why images have the power to create change. Graphically, the issue is at its most reduced, giving ample space to let the words and images unfold: coming in two separate booklets, it presents a personal and uncommented selection of James Nachtwey’s work in one, and a highly intriguing and challenging conversation in the other.
    Text von der Website.
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monok-bofill

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  • MONO.KULTUR #36 Ricardo Bofill - The Future of the Past
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  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, gedruckt auf verschiedenen Papieren
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  • where to begin with an architect as over the top as Ricardo Bofill, notorious since the 1970s for his vast city-like housing estates that look like surreal experiments in crossbreeding desert caves with Star Wars. an architect who has designed over 1000 projects in the space of five decades, from perfume bottles to city plans, and pretty much everything in between. who has worked in a style – or a hundred styles – that is as unique as it is impossible to describe. who founded a leftist collective that would eventually end up building airport terminals. whose life reads somewhat like a fairytale itself, taking us from fascist Spain under Franco’s rule to the celebrity frenzy of our modern times, with the Bofill clan holding a somewhat unique position among Spanish tabloids? To add any more is to inevitably leave out too much. With mono.kultur, Ricardo Bofill talked about fifty years of architecture, the vagaries of ambition and how Modernism killed the city. Visually, the issue offers a disorienting journey of architectural splendour with plenty of previously unpublished images from the archives of Ricardo Bofill (as well as the odd film still of naked bodies). Using partial high gloss varnish throughout, it is a pleasing juxtaposition of the natural and the artificial, the intellectual and the sexual, the disciplined and the decadent.
    Text von der Website.
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monok-brian-eno

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  • MONO.KULTUR #34 Brian Eno - Revaluation (a warm feeling)
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  • 44 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, gedruckt auf verschieden farbigen Papieren
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  • Chances are that you will be far more familiar with Brian Eno and his work than you might realise. Whether you know him as a founding member of the gloriously influential 1970s art-rock outfit Roxy Music, or as the inventor of ambient music, in one breathless career Eno has actually released no less than 25 solo albums and contributed to countless projects and collaborations, but also left his fingerprints on dozens of seminal albums as a producer – think U2, Talking Heads or Coldplay, to name but a few – composed several film scores not to mention the start-up theme for Microsoft’s Windows 95. All of which is to say that it is hard to not be in earshot of his musical influence in one way or another. With mono.kultur, Brian Eno talked about the impact of technology on culture, the similarities between producing music and parenting, and why they called Elvis ‘The Pelvis’. Given Brian Eno’s interest in how art can affect moods and emotions, our new issue turned into somewhat of an experiment in chromatics, with the pages gradually traveling the entire colour spectrum from yellow to blue and back again, which not only affects the optical perception of the yellow text, but also how one responds to the content of the interview. Suffice to say: this must certainly rank as the most colourful mono.kultur to date.
    Text von der Website.
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monok-gamper

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  • MONO.KULTUR #32 Martino Gamper - All Channels Personal
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  • 56 S., 20x15 cm, ISBN/ISSN 18617085
    Drei Hefte in verschiedener Größe broschiert, mit Drahtheftung
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  • Martino Gamper is the kind of product designer we all have been waiting for: Brimming with ideas, energy and humour, his designs are disarmingly irreverent and irresistibly fun, and unlike anything one will see in the puristic galleries of contemporary design. Crossing over from studying sculpture to completing an MA in product design at the prestigious Royal College of Art under Ron Arad, Gamper has had little time to worry over the theoretical do’s and don’t’s of his profession – instead, he has followed a simple rule of learning by doing, meaning: the more you do, the more you learn. With mono.kultur, Martino Gamper talked about his idea of fun, why a chair is the ultimate challenge and what design has in common with cooking. Visually, the issue is bursting with references and ideas, reclaiming image material from left and right, while unveiling the structure of a book with three booklets of different sizes all lovingly assembled into one – and manually at that, which makes for some rough edges or rather what we like to call extra personality.
    Text von der Website.
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monok35-abramovic

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  • MONO.KULTUR #35 Marina Abramovic - Army of Me
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  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung
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  • Frequently using her own body as a starting point, she has subjected herself to ordeals testing physical and psychological boundaries, as she did most famously during the 736 hour-performance The Artist Is Present, where visitors were invited during the course of her large retrospective to sit opposite Abramović. and share a silent but intense contact that often caused a highly emotional response – an act that in its very simplicity can be seen as a radical culmination of a 40 year-process of reduction and concentration.In a satisfyingly confrontational and open conversation, Marina Abramović. talked with mono.kultur about the nature of invisible energy, the many criticisms she has been facing and what cosmetic surgery has to do with art. Graphically, the issue is an exercise in friction and restraint, by setting up the three elements of text, images and subtitles on different grids and letting chance run its course. All works were selected by Marina Abramović. as personal milestones in her career.
    Text von der Website.
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monokultur31-borremans

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  • MONO.KULTUR #31 Michael Borremans - Shades of Doubt
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  • 48 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung
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  • When Belgian artist Michaël Borremans first presented his paintings to the world at the tender age of 37, he immediately caused a stir in the art scene. His realistic yet mysterious figurative images subtly draw one to the centre of a question which remains permanently unspoken. Through the combination of his immaculate painting techniques, using muted tones and classic compositions, and the puzzling scenarios that are at the heart of his work, the artist brings together both: melancholy and humour. With mono.kultur, Michaël Borremans talked about the mystery at the heart of painting and life in general, his commission for the Belgian Queen, and why he needs to wear his Sunday suit when he goes to work. The issue features a whopping 20 plates of Michaël Borremans' paintings, all printed in lifesize scale, allowing you to examine the technical mastery behind his work in breathtaking detail.
    Text von der Website.
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monokultur38-van-sant

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  • MONO.KULTUR #38 Gus van Sant - In Limbo
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  • 42 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung
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  • Mit Interview und Filmszenen
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mono-kultur-43

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  • MONO.KULTUR #43 Fatima Al Qadiri - embedded narratives
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  • 40 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, 4 Blätter lose eingelegt
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  • ... Bending and fusing different genres of music, the Kuwaiti producer and visual artist has released a handful of largely instrumental albums that often imply narratives wrapped in a dystopian atmosphere, evoking an uncanny imagery of our increasingly oversaturated and disorienting information age. It is a simple yet complicated sound that owes as much to electronic music and video game soundtracks as it does to Russian composers and Arab musical traditions. ...
    Text von der Webseite
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monokultur-nr-42

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  • MONO.KULTUR #42 Sophie Calle - Close Circuit
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  • 46 S., 20x14,8 cm, ISBN/ISSN 978-3-981554939
    Drahtheftung, mit aufklappbarem Cover, verschiedene Papiere
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  • Mit Interview und Fotografien
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mono kultur 33 2013

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  • MONO.KULTUR #33 Kim Gordon - Dissonatine. I hope that it still retains a certain wrongness.
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  • 20x15,2 cm, ISBN/ISSN 18617085
    ., alle Blätter lose ineinander gelegt, Karten, Schutzumschlag aus gefaltetem Plakat
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  • Sonic Youth, of course, created a legacy of musical innovation. Thriving on the playgrounds of noise music for more than three decades, they stoically pursued their own particularly dirty blend of noise-punk experimental rock music, building along the way not only a league of dedicated followers, but also miraculously achieving mainstream success without ever ceding ground to mediocrity. If anything, Sonic Youth became a household name for integrity and that specific kind of cool in a genre where cool is firmly attached to youth – which certainly had a lot to do with the unfailing detached charisma of Kim Gordon, who brought a certain glamour to her male counterparts, Lee Ranaldo and Thurston Moore.
    Text von der Webseite
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mono.kultur 29

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  • MONO.KULTUR #29 Chris Taylor of Grizzly Bear & Cant
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  • 24 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, Schutzumschlag aus gefaltetem Plakat
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  • Those times when your heart felt kind of warmed, like a glowing lightbulb was inside of you
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Erworben bei Motto Berlin
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mono.kultur 30

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  • MONO.KULTUR #30 Chris Ware - A Sense of Thereness. The one thing I don’t want to be is a storyteller.
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  • 24 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, eingebundener Leporello, Schutzumschlag
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Erworben bei Motto Berlin
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mono.kultur 17

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  • MONO.KULTUR #17 Pawel Althamer: Play-Grounded - My path just seems to have gone where others’ don’t.
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  • 16 S., 20x15 cm, ISBN/ISSN 18617085
    Heft in gefaltetem beidseitig bedrucktem Plakat eingewickelt, Drahtheftung,
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mono.kultur 18

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  • MONO.KULTUR #18 MVRDV: On Statics and Statistics - We see the Earth changing, we monitor its development, and we react.
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  • ISBN/ISSN 18617085
    Drahtheftung, Cover beschnitten
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mono.kultur 28

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  • MONO.KULTUR #28 Bless: In Disguise - Do you judge a magazine by its cover or its content?
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  • 44 S., 20x15 cm, ISBN/ISSN 18617085
    Drahtheftung, Doppelheft
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mono.kultur 26

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  • MONO.KULTUR #26 Manfred eicher - Recording EMC
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  • 40 S., 15x20 cm, ISBN/ISSN 18617085
    Drahtheftung,
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mono.kultur 27

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  • MONO.KULTUR #27 Ryan Mcginley - Daydreaming
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  • 44 S., ISBN/ISSN 18617085
    Drahtheftung,
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mono.kultur 15

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  • MONO.KULTUR #15 Taryn Simon: Kaleidoscope of Entropy - My response to fear has always been to confront it.
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  • ISBN/ISSN 18617085
    Abbildungen in einem eingeklebten Tütchen zum selbst Einkleben, Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
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mono.kultur 14

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  • MONO.KULTUR #14 David Adjaye: The Failure of Formality - I love utopia, but I’m deeply frightened of complete projects.
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  • ISBN/ISSN 18617085
    Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
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mono.kultur 13

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  • MONO.KULTUR #13 Genius/GZA of the Wu-Tang Clan: Weapons of Math Destruction - A chess game is a whole bunch of questions that need answers.
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  • ISBN/ISSN 18617085
    Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
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mono.kultur 12

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  • MONO.KULTUR #12 Richard Powers: Operational Wondering - We are not who we think we are. and we need stories, just to remain intact.
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  • 2 Stück. ISBN/ISSN 18617085
    Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
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mono.kultur 11

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  • MONO.KULTUR #11 David LaChapelle: Rize & Shine - Photography became a way of escaping the darkness of the world.
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  • ISBN/ISSN 18617085
    Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
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mono.kultur 10

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  • MONO.KULTUR #10 Bahman Ghobadi: The Poetics of Politics - By the age of seventeen, I had seen two wars, one revolution and a lot of my close friends a
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  • ISBN/ISSN 18617085
    Umschlag vorne und hinten als Leporello, Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
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mono.kultur 09

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  • MONO.KULTUR #09 David Shrigley: Crooked Penmanship - I am not very good at drawing women, so I end up drawing a lot of deformed men.
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  • ISBN/ISSN 18617085
    teilweise gelbe Papiere, Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
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mono.kultur 08

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  • MONO.KULTUR #08 Wolfgang Voigt: Danceflorensics: I believe in the signal of the bass drum. It is the heartbeat of my life.
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  • ISBN/ISSN 18617085
    Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
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mono.kultur 07

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  • MONO.KULTUR #07 Matias Faldbakken: Upping the anti - The biggest problem you can have is of course being mainstream: being white, male and heterosexua
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  • ISBN/ISSN 18617085
    Einige Seiten mit Goldfarbe gedruckt, Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
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mono.kultur 06

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  • MONO.KULTUR #06 Francois Ozon: Through the Looking Glas - I have found my means of communication with cinema, I express myself better in films than in
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  • ISBN/ISSN 18617085
    Umschlag aus gefaltetem Poster, Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
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mono.kultur 05

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  • MONO.KULTUR #05 Maurizio Cattelan, Massimiliano Gioni, Ali Subotnick: Falling an Walking Ahead - You fail constantly. There is a capacity to be always
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  • ISBN/ISSN 18617085
    Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
Sprache
Stichwort / Schlagwort
TitelNummer

mono.kultur 03

Verfasser
Titel
  • MONO.KULTUR #03 Nine Inch Nails - The long and the short of it is, I became consumed.
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • ISBN/ISSN 18617085
    Heft drahtgeheftet, Hefte 01 bis 15 in Schuber,
Sprache
Stichwort / Schlagwort
TitelNummer

mono.kultur 02

Verfasser
Titel
  • MONO.KULTUR #02 Frank Leder: Fabrics for Thought - soup with my parents, have my inspiration.
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • ISBN/ISSN 18617085
    Heft drahtgeheftet, Umschlag oben und seitlich beschnitten, Hefte 01 bis 15 in Schuber,
Sprache
Stichwort / Schlagwort
TitelNummer

mono.kultur 04

Verfasser
Titel
  • MONO.KULTUR #04 Zeruya Shalev: Mapping the Internal World - What I try to show are the dramas and tragedies behind daily nuances.
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • ISBN/ISSN 18617085
    Heft mit kleinem Heft in de Mitte Drahtheftung, Hefte 01 bis 15 in Schuber,
Sprache
Stichwort / Schlagwort
TitelNummer

mono.kultur 01

Verfasser
Titel
  • MONO.KULTUR #01 Carsten Nicolai: Inserting Silence - To start seeing you have to eleminate certain things.
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • ISBN/ISSN 18617085
    Heft drahtgeheftet, Umschlag oben beschnitten, Hefte 01 bis 15 in Schuber,
Sprache
Stichwort / Schlagwort
TitelNummer

mono.kultur 16

Verfasser
Titel
  • MONO.KULTUR #16 Miranda July - Best at belonging to yourself - I ask myself all the big questions, every Sunday
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 16 S., ISBN/ISSN 18617085
    Heft in gefaltetem beidseitig bedrucktem Plakat eingewickelt, Drahtheftung,
Sprache
Stichwort / Schlagwort
TitelNummer

mono.kultur 19

Verfasser
Titel
  • MONO.KULTUR #19 - Michael Ballhaus - Gentleman with a Movie Camera - For me behind the camera, it was an act of love
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 2 Stück. ISBN/ISSN 18617085
    Drahtheftung,
Sprache
Stichwort / Schlagwort
TitelNummer

mono.kultur 20

Verfasser
Titel
  • MONO.KULTUR #20 Dries van Noten - A World in Season - I love to learn from things I can't appreciate
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 40 S., ISBN/ISSN 18617085
    Drahtheftung,
Sprache
Stichwort / Schlagwort
TitelNummer

mono.kultur 21

Verfasser
Titel
  • MONO.KULTUR #21 Tilda Swinton - A Place apart - The honest truth about me is that's really a mistake me being a performer at all
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • ISBN/ISSN 18617085
    Drahtheftung, mittig eingelegt 4 gefaltete beidseitig bedruckte Farbdrucke
Sprache
Stichwort / Schlagwort
TitelNummer

mono.kultur 24

Verfasser
Titel
  • MONO.KULTUR #24 Cyprian Gaillard - Dust Lines - My Work starts where and when the Archeologists left off
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 40 S., ISBN/ISSN 18617085
    Klebebindung, Seiten nicht aufgeschnitten,
Sprache
TitelNummer

mono.kultur 23

Verfasser
Titel
  • MONO.KULTUR #23 Sissel Tolaas - Life is everywhere - I collected smells instead of writing a diary.
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 40 S., ISBN/ISSN 18617085
    Drahtheftung, mit verschiedenen Düften versehen
Sprache
TitelNummer

mono.kultur 22

Verfasser
Titel
  • MONO.KULTUR #22 Ai Weiwei - Portrait of a Critical Mind - I think just walking in the other direction is a smart choice.
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 40 S., ISBN/ISSN 18617085
    Drahtheftung, rückwärtig eingelegt ein gefaltetes Blatt mit Konzeptdiagramm und Abbildungen
Sprache
Stichwort / Schlagwort
TitelNummer

mono.kultur 25

Verfasser
Titel
  • MONO.KULTUR #25 Dave Eggers - The Heart of the Matter
Ort Land
Verlag Jahr
Medium
Technische
Angaben
  • 15x20 cm, ISBN/ISSN 18617085
    gefalteter, doppelseitig farbig bedruckter Bogen in Banderole,
Sprache
TitelNummer

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