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A Book About Love & War & Death, Canto One
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2 Stück. ISBN/ISSN 0871100827
Softcover
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The earliest (1960-62) section of Higgins' largest work, designed to be read only aloud.
Die Great Bear Pamphlet Reihe wurde 1965-67 von Dick Higgins in der Something Else Press veröffentlicht.
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keine weiteren Angaben vorhanden
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Poesie vorgelesen von einer Computerstimme 2.Seite Fieldrecording am Meer von Enten in Island
Poetry read aloud by a computer voice Page 2 Field recording of ducks by the sea in Iceland
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Auflage: 1.800, numeriert, ISBN/ISSN 0906630002
Broschur, röm. Nummerierung, CXLIV von MDCCC
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16x11,5 cm, ISBN/ISSN 8460962393
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read relations no. 3 08/2005
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24 S., 42x31 cm, Auflage: 10.000, keine weiteren Angaben vorhanden
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Twentysix Stations - Miss Read
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32 S., 23,5x17 cm, keine weiteren Angaben vorhanden
Verzeichnis der ausstellenden Künstlerbuch-Verlage, geheftet. Veranstaltet von Kunstwerke, argobooks und Michalis Pichler vom 4.-6. September 2009
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14,8x10,5 cm, keine weiteren Angaben vorhanden
Flyer zur Ausstellung der schönsten schweizer Bücher 2008, mehrfach gefaltet
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Miss Read / Programm / Sonntag 6. September 2009
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1 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Veranstaltungsprogramm
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Die schönsten Schweizer Bücher 2008
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10,5x14,8 cm, keine weiteren Angaben vorhanden
Werbepostkarte zur Ausstellung 2009 bei Do you read me in Berlin
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Twentysix Missread Stations
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keine weiteren Angaben vorhanden
gefaltetes Plakat zur Bücherschau Miss Read
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Titel
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Miss Read / Programm / Samstag 5. September / Sonntag 6. September 2009
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2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Veranstaltungsprogramm, Projektraum mit Christoph Keller, Temporary Services, Stephan Müller, Stuart Bailey, Antonia Hirsch, Axel John Wieder und Jonathan Monk
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2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Veranstaltungsprogramm
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Miss Read / Real Opportunities
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60x42 cm, keine weiteren Angaben vorhanden
Plakat zur Ausstellung von Künstlerbüchern, mit Ausstellerliste
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Spin/2 - 50 Reading Lists
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ISBN/ISSN 17526442
a paper based on asking major figures in graphic design the question: what are the top ten books that you believe designers should read? Blätter lose ineinander gelegt. In Transparentfolie
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40 S., 20,5x12,5 cm, signiert, 2 Stück. keine weiteren Angaben vorhanden
Broschur
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Quick Response is a hands-on introduction into the realm of QR code applications and demonstrates a way in which two-dimensional bar codes can be used to view images. People have to “read” this book by taking photos of each page using a cameraphone. The phone’s QR code reader will then decode the abstract image to reveal that each of them is an encoded URL for a photograph hosted on Flickr. The series of photos demonstrates the variety of modern commercial, artistic and subversive QR code applications. In addition, the book demonstrates a new way of appropriating other people’s photographs.
Text von der Website des Künstlers
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40x36 cm, keine weiteren Angaben vorhanden
Stoffbeutel, beidseitig schwarz bedruckt
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Miss Read / Pressemitteilung
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2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
zur Veranstaltung vom 25.11. bis 27.11.2011, Farbkopie nach PDF
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3 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Ausdruck der Webseite
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19.-22.09.2013. Plakat von Lawrence Weiner
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Auswirkungen von indirekten Sympathomimetika
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24 S., 19x13 cm, Auflage: 60, numeriert, keine weiteren Angaben vorhanden
Risographie und Siebdruck, aufgeklebter bedruckter Stoff auf dem Cover
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Dr. Olof Tarski, not yet widely known to the public, illustrated the effects of sympathomimetic drugs in his first booklet for Taube. For this cause, he uses slightly manipulated imagery and hidden short poems (in german) for which the reader needs to rub on the pages in order to read them.
Just like sex, indirect sympathomimetics almost cause the same symptoms. A frightening but yet fascinating fact in these days is that every physical symptom may also be produced artificially. The intention behind this work is to show how much drugs and medications are in a position to control our physical sensation.
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69 - but you have no idea of it
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1 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Laserausdruck nach Email vom slowenischen Autor
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My work »69. but you have no idea of it« means a concept of non-linear reading and some hundred thousends milliards of combinations of possible connected readings, i.e. the same number of readers could read this book each in his own combination. You can read my book in 276! different combinations, which is this many:
276.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000
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OZON International Winter 2012-13 Shelter issue
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29x23 cm, ISBN/ISSN 17923085
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OZON Magazine is an urban fashion magazine that has had a stable and significant reputation as an independent publication since 1996. OZON is a different form of fashion periodical that focuses on urban youth culture, modern fashion, art and music.
The new international issue of OZON is devoted to our personal shelters all over the universe. You will gaze at beautiful pictures and read beautiful minds in search of tranquility and introspection. We discover forgotten places and wonder whether our shelters look alike.
Interviews with: Anders Petersen, George Pitts, Steven Tai, Wes Lang, Martin Stranka, Phoebe English and more. Photography by Alena Jascanka, Yorgos Mavropoulos, Sonia Szóstak, Rita Lino, Nikolas Ventourakis, Hayley Louisa Brown, Sophie Van Der Perre, Winter Vandenbrink.
Text von der Webseite
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Photograph Converted into Base64 Code
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24 S., 20x14 cm, Auflage: 100, numeriert, keine weiteren Angaben vorhanden
Drahtheftung. Schwarz-Weiß-Digitaldruck
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This publication is part of the Tate Gallery special collection.
A photograph of a sculpture, made as part of an installation, converted into Base64 code. The code represents the image, and the sculpture yet is indecipherable. The code becomes an object on the page, a new language and text that cannot be read. Only the form can be read. The code is presented at a width of 72 characters using Courier. The width and font understood by the encoding software.
Text von der Webseite
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Titel
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Future Fantasteek, Issue 13
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20 S., 21x15 cm, Auflage: 40, numeriert, signiert, keine weiteren Angaben vorhanden
Drahtheftung, Farbkopien auf verschiedene Papiere, 2 aufgeklebte Spielzeug-Augen auf Vorderseite, Rückseite mit Prägedruck
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Future Fantasteek! brings together a trichotomy of investigation. art-zines and independent publishing. artist as social commentator and drawing as a means of immediate visual communication. The series explores obdurate boundaries between journalism and authorial illustration using satire to reflect notions of ‘Britishness’. The series can be read as a sequence, from just prior to the ‘credit crunch’ through to the ‘age of austerity’. The series is independently published as a limited edition art-zine, with two issues per year. The approach is experimental, incremental and reflective focussing on both the microcosm and macrocosm of living in the UK. Visual humour is developed throughout as a vehicle for change, combining techniques such as pastiché, parody and socratic irony. Typography and images are juxtaposed to create new narrative possibilities. Language is explored using different ‘voices’ such as anecdotal, colloquial or profane. This text is then translated into drawn commentaries on etiquette, politics and advertising. The ‘anxiety of the individual’ is a running theme throughout the series with many reoccurring protagonists and antagonists soliloquizing their notions of ‘Das Unheimliche’. The series also explores changing technologies with regard to notions of ‘the book’ with online versions of Future Fantasteek! available via a blog and online PDF reader (issuu and .swf).
Text von der Webseite
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keine weiteren Angaben vorhanden
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Titel
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READ Number 19 All over hell's half acre - Was uns bewegte
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48 S., 35x25,8 cm, Auflage: 15.000, keine weiteren Angaben vorhanden
Blätter lose ineinander gelegt
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24 copies - 555 Schnapspresse Sonnets, folded, stapled and sold in chunks of 5
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10 S., 14,8x21 cm, Auflage: 111, numeriert, 2 Stück. ISBN/ISSN 9783941601970
Spiritusumdruck = Hektografie, blaue Farbe auf weißem Papier, Drahtheftung, ein Exemplar ohne Numerierung
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a variation of a SONNET written by Rossetti in 1871, re-written by Carrión in 1972 and subsequently re-written by Pichler since 2009.
It is exploring the materiality of language, how books travel into the world, and how a fragmented printrun can still constitute an organic piece.
It is awkward to read, and the awkwardness certainly is half of its charme. Due to their rotated binding and blurring through the pages, they also look like Rorschach-drawings.
Text von der Webseite
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Titel
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Getting Inside Jack Kerouac's Head
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324 S., 19,8x12,8 cm, Auflage: 500, signiert, ISBN/ISSN 9781907468025
Softcover, Taschenbuch
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Morris’ new bookwork, Getting Inside Jack Kerouac’s Head, is a performative retyping of the recently published original scroll edition of Jack Kerouac’s beat classic, On the Road. Morris’ project first appeared as an ongoing journey through the book, read and re-typed on a WordPress blog one page per day. This newly published codex version pours the content of that performative retyping back into the format of the paperback source book. It follows the default logic of a blog archive to put the last post, page at the start and stores the rest of the entries in reverse order. In other words, whereas Kerouac traveled from the East coast to the West coast, Morris crosses America from West to East.
Text von der Webseite
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Smell of tiger precedes tiger
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220 S., 25x20 cm, Auflage: 1.000, ISBN/ISSN 9789899776319
Hardcover,
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André Príncipe travelled from Lisbon to Tokyo by land and by sea, with a desire to escape, to go places far away. The initial feelings of uneasiness and alienation fade as empty bars and hotel rooms give place to windows of trains and the vastness of the desert, and return as we approach the Asian big cities. The strongly cinematic sequence was designed to be read from right to left as well as from left to right, expressing the circular aspect of the journey.
Text von der Webseite
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144 S., 20,9x14,6 cm, signiert, ISBN/ISSN 9789899776333
Hardcover, beigelegt ein signiertes Foto in transparenter Hülle, ein Booklet mit Interview
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During the course of the production preparation for his film 'Casa de Lava' (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay. Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
Text von der Webseite
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144 S., 30x22 cm, Auflage: 350, ISBN/ISSN 9781907468209
Broschur mit Klappeinband
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The Nabokov Paper is an experiment in novel-reading. The project takes as its starting point a now famous class taught during the 1950s by Vladimir Nabokov at Cornell University, New York State, entitled Literature 311-312: Masters of European Fiction. Nabokov’s approach to teaching literary reading was notoriously idiosyncratic. Convinced that one must teach the books themselves, not ideas or generalities, Nabokov would make diagrams of the floor plans of fictional buildings, map the routes taken by characters through the spaces of the novel, and draw items of clothing or furniture, he would also propose to track the course of a single letter, offer a visual representation of a stylistic device, and uncover what he called the mysteries of literary structures. His methods are striking for the range of gestures they call for in the name of good reading. The published Lectures on Literature (New York: Harcourt, 1980) concludes with an appendix of sample exam questions. Responding to those questions some sixty years after the fact offers a means to explore what Nabokov’s take on how to read might have to teach us today: about the novel, about how reading works across practices and disciplines, and about the past, present and future forms of literary criticism.
Text von der Webseite
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Titel
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Learn To Read Art: A Surviving History of Printed Matter
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12,7x17,8 cm, keine weiteren Angaben vorhanden
Postkarte
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Zur Ausstellung 02.12.2014 bis 14.02.2015 in der 80WSE Gallery, New York
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32x24x5 cm, Auflage: 600, keine weiteren Angaben vorhanden
Schachtel Hartpappe, Siebdruck (?), mit verschiedenen Materialien
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Inhalt: Einzelblatt (Manifest contra el Populisme Pervers), gefaltete Pappe mit Baumwollsocke, 3 Hefte, Leporello, Heft mit Originalnegativ, geschlossener Umschlag, gefaltetes Poster mit Sand, Folder.
In the wake of the worldwide glorification of Barcelona via the 1992 Olympics Games, a group of publishers felt that it was time to revive the creative and critical spirit at a cultural level, in the form of a magazine, in order to demonstrate the prevailing level of creativity - via manifestos and works without intermediaries. As a result, Vicenc Altaió, Claret Serrahima, Manel Guerrero, Joaquim Pibernat and Manel Sala launched the magazine, Cave Canis, (which literally means "beware of the dogs") in Barcelona, in 1996.
Starting with its first edition the magazine announced that it would have a short-lived existence - only 9 issues were published, each corresponding to one letter of the publication’s name. The magazine was constituted by a cardboard box, designed by Claret Serrahima, a manifesto, an artist’s book and sometimes contained CDs with recordings and other artistic objects, all associated with the same monographic topic. Each issue had a letter on the front cover designed by an artist. Cave Canis wasn’t available in the usual retail outlets. Each issue was presented in an unusual place in the city, where the manifesto was read, copies were distributed and the magazine then disappeared from sight. The last issue was published in 1999.
Text von der Website
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13,5x9,4 cm, signiert, 2 Stück. keine weiteren Angaben vorhanden
Werbekarte, Briefmarke, handschriftlicher Gruß
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26.-28.06.2015. Entwurf von Lawrence Weiner
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Titel
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antipodes 002 - Star Wars - Collages by Breitenstein & Brandstifter for RTFM (Read the Fucking Manual) at Kunsthalle Münster
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[16] S., 21x15 cm, keine weiteren Angaben vorhanden
Drahtheftung. Farblaserkopien
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Entstanden im Rahmen der Ausstellung "RTFM (Read The Fucking Manual)" von Oliver Breitenstein und Tassilo Sturm in der Kunsthalle Münster, 24.03.-12.04.2015
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Biophily. Better Dead Than Read
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528 S., 19,0x13,3x33,0 cm, ISBN/ISSN 3854860854
Fadenheftung, Schutzumschlag aus Plastik mit eingelegter CD-Rom und eingeschobener Walkthrough Map
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Im Buch behandeln Thomas Feuerstein, Rainer Fuchs, Margarete Jahrmann, Gerhard Johann Lischka und Maia Damianovic das mit "Biophily" verbundene Themenspektrum von der Konstruktion von (Welt)Bildern und Identität im digitalen Raum über Herkunft und Praxis des Avatars im Inter- und Intra-Net bishin zur Darstellung des komplexen künstlerischen Projekts von Thomas Feuerstein, das der CD-ROM zugrunde liegt
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Language Decoy - Say Something Original (is this possible?) - Do Not Read This (it contains no information)
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3,2x3,2 cm, signiert, 2 Stück. keine weiteren Angaben vorhanden
Buttons
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I Never Read, Art Book Fair Basel
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21x15 cm, keine weiteren Angaben vorhanden
Klebebindung. Cover mit BlindPrägung
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Katalog zur Messe vom 17.-20.06.2015 in der at Kaserne Basel, mit Ausstellerverzeichnis
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Titel
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Ulises Carrion - Dear reader. Don't read
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2 S., 29,7x21 cm, keine weiteren Angaben vorhanden
Farblaserkopie nach Webseite
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Ausstellung vom 16.03.-10.10.2016 im Sabatini Building Floor 3
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Titel
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Keep Going West Until You Can See The Sun Set In The East
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[8] S., 46,5x31,5 cm, Auflage: 1.000, keine weiteren Angaben vorhanden
Broschur, teils spiegelverkehrt
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A newspaper was distributed at selected points during the Kunst Fest in the city of Weimar. Both in newspaper stores and on the street by various performers.
It contained propositions for small interventions in public space in Weimar. These propositions function as a written proposal: in relation to Lawrence Weiner's “Declaration of Intent“ the interventions do not need to be executed but can be read as a manual and performed by anybody. Each format is equal. Every written intervention is formulated in a more or less abstract way opening the possibilities of interpretation for the viewer. Poetic connotation is intended.
Text von Website
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Titel
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69 , A Ti O Tem Pojma Nimas - 69, But You Have No Idea Of It
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[69], S., 27x19,2 cm, Auflage: 150, ISBN/ISSN 9789616400619
Leineneinaband mit Schutzumschlag. Aus dem Buchblock ausgestanzte Seiten in den Ausschnitt eingelegt, kopfüber beidseitig bedruckt. Beigelegter Brief
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My work "69. but you have no idea of it" means a concept of non-linear reading and some hundred thousends milliards of combinations of possible connected readings, i.e. the same number of readers could read this book each in his own combination. You can read my book in 276! different combinations, which is this many:
276.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000.000
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Miss Read - The Berlin Art Book Fair 2016
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[10] S., 29,7x21 cm, keine weiteren Angaben vorhanden
geklammert, Farblaserkopien, Programm, einmal gefaltet,
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Besucherinformationen und Empfehlungen, Details zur Stage und zum Conceptual Poetics Day am 10.-12.06.2016 in der Akademie der Künste Berlin
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Miss Read - The Berlin Art Book Fair 2016
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108 S., 21x14,7 cm, 2 Stück. keine weiteren Angaben vorhanden
Broschur, Programm und Ausstellerverzeichnis
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zur Veranstaltung vom 10.-12.06.2016 in der Akademie der Künste Berlin.
Miss Read: The Berlin Art Book Fair brings together a wide selection of the most interesting artists/authors, artist periodicals and art publishers and is accompanied by a series of lectures, discussions, book launches and workshops exploring the boundaries of contemporary publishing and the possibilities of the book.
In conjunction, the Conceptual Poetics Day will explore the imaginary border between visual art and literature.
In 2016 Miss Read: The Berlin Art Book Fair will return to Akademie der Künste, Berlin, who will provide their main exhibition halls at Hanseatenweg.
Text von der Webseite
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Titel
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Miss Read - The Berlin Art Book Fair 2016
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29,6x42 cm, 2 Stück. keine weiteren Angaben vorhanden
beidseitig bedruckt, Vorderseite Ausstellungsplan, Rückseite Programm,
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zur Veranstaltung vom 10.-12.06.2016 in der Akademie der Künste Berlin
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Titel
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Conceptual Poetics Day 2016
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2 S., 42x29,6 cm, 2 Stück. keine weiteren Angaben vorhanden
beidseitig bedruckt, Vorderseite Poster, Rückseite Programm,
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Veranstaltung im Rahmen der Miss Read: The Berlin Art Book Fair 2016 am 11.06.2016 in der Akademie der Künste Berlin.
CONCEPTUAL POETICS DAY 2016 is organized by Michalis Pichler at Miss Read: The Berlin Art Book Fair in collaboration with Akademie der Künste and Literaturwerkstatt Berlin.
The Conceptual Poetics Day is an annual event that exlores the imaginary border between visual art and literature.
Der Conceptual Poetics Day ist eine jährlich stattfindende Veranstaltung, die die Grenze zwischen bildender Kunst und Literatur auslotet.
Text von der Webseite
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2 S., 19,7x13,6 cm, keine weiteren Angaben vorhanden
Partyflyer, Risographie, Vorderseite mit fluoreszierender Farbe
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zur Abschlussveranstaltung am 12.06.2016 im ACUD Macht Neu, Berlin. Flyer design by León Munoz Santini
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Titel
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26.878 N 93.268 W -11945 m - Deep Water Horizon
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[20] S., 23x18x6,5 cm, Auflage: 8, numeriert, signiert, keine weiteren Angaben vorhanden
fadengeheftet, Umschlag Bitumen auf Styrodur, innen Anklebevorsatz aus schwarzem Tonpapier und Seiten aus Transparentpapier, beigelegt ein zweiseitiges Anschreiben
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This book works by haptics. You can read it eyes closed. The hardcover is made by a thick bitumen surface on styropor. For this reason the book is not heavy. Inside the book are ten pages of transparent paper with abstract illustrations that assosciate to biological structures. The topic of the book is about the sensitive creatures that live in the sea and oil shipping disasters
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Ulises Carrion - Dear reader. Don't read.
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272 S., 26,9x19 cm, keine weiteren Angaben vorhanden
Broschur
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Ausstellung vom 16.03.-10.10.2016 im Sabatini Building Floor 3.
A key figure in Mexican conceptual art, Ulises Carrión (1941, San Andrés Tuxtla, Mexico – 1989, Amsterdam) was an artist, editor, curator, and theorist of the post-1960s international artistic avant-garde.
Texts by Guy Schraenen, Felipe Ehrenberg and João Fernandes, among others, illustrate all aspects of his artistic and intellectual work. From his early career as a young, successful writer in Mexico to his numerous activities in Amsterdam where he cofounded the independent artists' run space In-Out Center and founded the legendary bookshop-gallery Other Books and So (1975–79), the first of its kind dedicated to artists’ publications.
Text von der Webseite
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Titel
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Letterpress - New & material poems by Simon Cutts
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132 S., 23,3x14,2 cm, ISBN/ISSN 9780956855978
Klappbroschur,
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As a visual artist, Simon Cutts is a poet, and as a poet he is a visual artist. This is no glib turn of phrase, but a lived reality insofar as he conceives how one artistic practice can show the ways of opening the other. For some time now he has insisted that the book is not merely (or simply) a vehicle for poetry, but is itself part of a poem’s form. He extends the idea of a poem being a field of dynamic action beyond the boundaries of the page so as to encompass the book as whole. To read Letterpress is to become a participant in its total and encompassing range. Text von der Webseite
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Titel
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MOUFFLON BOOKSHOP - The Freedom to Read
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2 S., 6x21 cm, keine weiteren Angaben vorhanden
Infokarte zur 20%-Rabattaktion im Moufflon Bookshop
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Seit 1967. Aktion 25.09.-01.10.2016
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Titel
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I Never Read, Art Book Fair Basel
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21x10,5 cm, keine weiteren Angaben vorhanden
Klebebindung,
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Originally issued in parallel to Art Basel, I Never Read Art Book Fair Basel involved international independant publishers in its Art Magazine and Zine Fair. I Never Read was also presented during the 2012 NY Art Book Fair.
Text von der Website
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